{"id":7774,"date":"2018-01-10T10:35:16","date_gmt":"2018-01-10T09:35:16","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=7774"},"modified":"2024-05-22T16:18:46","modified_gmt":"2024-05-22T14:18:46","slug":"fegyelmezett-tevekenyseg-intenziv-latas","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/fegyelmezett-tevekenyseg-intenziv-latas\/","title":{"rendered":"Fegyelmezett tev\u00e9kenys\u00e9g, intenz\u00edv l\u00e1t\u00e1s"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”20″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Besz\u00e9lget\u00e9s Joseph Sassoon Semah-val<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”20″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Joseph Sassoon Semah:<\/span> Miel\u0151tt elkezden\u00e9nk, van valami fontos, amit el szeretn\u00e9k mondani. L\u00e1tja, hogy megv\u00e1ltoztattam a nevemet Joseph Sassoon Semah<\/span>-ra.1<\/span><\/p>\n

Szegedy-Masz\u00e1k Zsuzsanna:<\/span> \u00c9s ennek mi az oka?<\/p>\n

JSS:<\/span> 2017. okt\u00f3ber 20-t\u00f3l a nevem Joseph Sassoon Semah. Ez a harmadik sz\u00e1mkivet\u00e9s projektet t\u00fckr\u00f6zi: Bagdadban sz\u00fclettem, csal\u00e1dunkat Izraelbe k\u00f6lt\u00f6ztett\u00e9k, \u00e9s most vend\u00e9g vagyok Nyugaton. Nagyap\u00e1m a Bagdadban \u00e9l\u0151 babil\u00f3niai zsid\u00f3k f\u0151rabbija volt: \u00fagy gondoltam, hogy ahelyett hogy minden alkalommal megmagyar\u00e1zn\u00e1m a csal\u00e1di h\u00e1tteremet, egyszer\u0171en csak felveszem a Sassoon csal\u00e1di nevet az\u00e9rt, hogy az emberek jobban meg\u00e9rts\u00e9k, ki vagyok.<\/p>\n

Sz-MZs:<\/span> Gyakran besz\u00e9l \u00f6nk\u00e9nt v\u00e1llalt sz\u00e1m\u0171zet\u00e9sr\u0151l, pontosabban a vend\u00e9g st\u00e1tusz\u00e1r\u00f3l. Hogy t\u00fckr\u00f6z\u0151dik ez a m\u0171v\u00e9szet\u00e9ben?<\/p>\n

JSS:<\/span> A vend\u00e9g<\/em> fogalm\u00e1t az anyanyelvemen kereszt\u00fcl olvasom. Sz\u00e1momra a vend\u00e9g<\/em> nem csak azt a bar\u00e1ts\u00e1gos embert jelenti, akinek megengedj\u00fck, hogy otthonunkban lakjon \u00f6t napig. A vend\u00e9g az, aki marad \u00e9s a vil\u00e1g eg\u00e9sz\u00e9nek jav\u00e1\u00e9rt dolgozik. Fontos tudni, hogy nek\u00fcnk h\u00e9ber\u00fcl nincs szavunk a sz\u00e1m\u0171zet\u00e9sre. El\u0151sz\u00f6r is\u00a0\u0018\u001a\u05d2\u05dc\u05d5\u05ea,<\/span> vagy GaLUT, nem a sz\u00e1m\u0171zet\u00e9st jel\u00f6li \u00e9s nem is a diaszp\u00f3r\u00e1t vagy egy l\u00e9tez\u0151 helyet: egyszer\u0171en egy fegyelmezett tev\u00e9kenys\u00e9g, egy intenz\u00edv l\u00e1t\u00e1s. A GaLUT \u00e1talak\u00edtja valamennyi ideiglenes mened\u00e9ket\u00a0\u05de\u05e7\u05d5\u05dd,<\/span> egy mar\u00e9knyi f\u00f6ld sz\u00fcntelen keres\u00e9s\u00e9v\u00e9.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Joseph Semah (1948. febru\u00e1r 24.) Bagdad, Irakban sz\u00fcletett 1950-ben k\u00f6lt\u00f6ztek \u00e1t Tel-Avivba. Gimn\u00e1ziumi tanulm\u00e1nyait k\u00f6vet\u0151en a Tel-avivi Egyetemen tanult, de m\u00e1r ebben az id\u0151ben is foglalkoztatta az alkot\u00e1s gondolata. Joseph Semah nagyapja, Hacham\/Rabbi Sassoon Kadoori a bagdadi zsid\u00f3 k\u00f6z\u00f6ss\u00e9g vezet\u0151je volt, aki a k\u00fcl\u00f6nb\u00f6z\u0151 vall\u00e1si felekezetek k\u00f6z\u00f6tti toleranci\u00e1t hirdette. Ld. m\u00e9g: josephsemah.nl<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5728″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Melank\u00f3lia,<\/em> 1982, akvarell, fest\u00e9k, pap\u00edr, 42\u00d730<\/span> cm<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5729″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Megjegyz\u00e9sek az \u00e9p\u00edt\u00e9sz napt\u00e1r\u00e1b\u00f3l, 24.2.,<\/em> 1986, akvarell, fest\u00e9k, pap\u00edr, 42\u00d730<\/span> cm<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5731″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Lev\u00e9l Albrecht D\u00fcrernek,<\/em> 1982, akvarell, k\u00e9k fest\u00e9k, pap\u00edr, 43\u00d730<\/span> cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][vc_column_text css=”” text_direction=”default”]\n

Sz-MZs:<\/span> Eml\u00edtette, hogy az anyanyelve a h\u00e9ber, m\u00edg egy kor\u00e1bbi interj\u00faban azt is mondta, hogy a vizu\u00e1lis nyelvezet val\u00f3j\u00e1ban csak egy m\u00e1sodik, tanult nyelv.<\/p>\n

JSS:<\/span> A h\u00e9ber nyelv az otthonom. Hol lakhatok? Mag\u00e1ban a nyelvben.<\/p>\n

Sz-MZs:<\/span> A m\u0171v\u00e9szethez val\u00f3 viszonya er\u0151sen sz\u00f6veg alap\u00fanak t\u0171nik: arr\u00f3l besz\u00e9l, hogy m\u0171alkot\u00e1sokat, amelyek \u00d6n szerint \u201el\u00e1bjegyzetek\u201d, a h\u00e9ber nyelven kereszt\u00fcl \u00e9rtelmezi. performanszai alatt pedig sz\u00f6vegeket olvasnak f\u00f6l. Mi a viszonya az irodalomhoz \u00e9s a sz\u00f6vegekhez? A vizu\u00e1lis m\u0171v\u00e9szeteken t\u00fal, a zen\u00e9hez is hasonl\u00f3 m\u00f3don, textu\u00e1lisan k\u00f6zel\u00edt?<\/p>\n

JSS:<\/span> Az els\u0151 alkalom, amikor zenei kott\u00e1t haszn\u00e1ltam f\u00f6l, az egy t\u00f6rt\u00e9nelmileg nagyon fontos pillanattal foglalkoz\u00f3 alkot\u00e1som volt, amely Paul Celan \u00e9s Heidegger 1967. j\u00falius 25-\u00e9n a Fekete-erdei Todtnauberg\u00a0faluban t\u00f6rt\u00e9nt tal\u00e1lkoz\u00e1s\u00e1t vizsg\u00e1lta (Martin Heidegger kunyh\u00f3ja \u00e9s Paul Celan felh\u0151i nyom\u00e1ban,<\/em> 2011). K\u00e9t k\u00e9pet helyeztem egy Wagner partit\u00far\u00e1ra, vagyis a zen\u00e9t intellektu\u00e1lis m\u00f3don haszn\u00e1ltam f\u00f6l. A zene sz\u00e1momra szint\u00e9n textu\u00e1lis. Nem vagyok gal\u00e9ria-m\u0171v\u00e9sz. Nem tudok felsz\u00f3l\u00edt\u00e1sra alkotni k\u00e9peket. Munk\u00e1imat ugyan \u201el\u00e1bjegyzeteknek\u201d h\u00edvom, de val\u00f3j\u00e1ban a sz\u00f6veg r\u00e9szei.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5754″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Lev\u00e9l Albrecht D\u00fcrernek,<\/em> 1982, akvarell, k\u00e9k fest\u00e9k, pap\u00edr, 42\u00d730<\/span> cm<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5732″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Lev\u00e9l Albrecht D\u00fcrernek,<\/em> 1982, akvarell, k\u00e9k fest\u00e9k, pap\u00edr, 42\u00d730<\/span> cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Sz-MZs:<\/span> Elveti a modernista eszt\u00e9ticizmust \u00e9s azt \u00e1ll\u00edtja, hogy minden forma rendelkezik szimbolikus jelent\u00e9ssel. Ki lehet az \u00d6n alkot\u00e1sainak a n\u00e9z\u0151je? A k\u00f6z\u00f6ns\u00e9g\u00e9nek j\u00f3l inform\u00e1ltnak kell lennie?<\/p>\n

JSS:<\/span> Elmondok mag\u00e1nak most egy titkot. El\u00e9g kor\u00e1n \u2013 amikor m\u00e9g Berlinben \u00e9ltem \u2013, elhat\u00e1roztam, hogy az a forma, amit l\u00e1bjegyzetk\u00e9nt haszn\u00e1lni fogok \u2013 a m\u0171alkot\u00e1s \u2013, mindig gy\u00f6ny\u00f6r\u0171 lesz: ha valaki nem n\u00e9zi helyesen, akkor egy gy\u00f6ny\u00f6r\u0171 rajzot l\u00e1t, de ha k\u00f6zelebbr\u0151l megfigyeli, mint p\u00e9ld\u00e1ul a Lena \u00e9s Roselli Gal\u00e9ria standj\u00e1n ki\u00e1ll\u00edtott munka eset\u00e9ben,2<\/span> akkor egy Albrecht D\u00fcrernek \u00edrt t\u00e1mad\u00f3 levelet l\u00e1t. Volt egy nagyon j\u00f3 bar\u00e1tom, aki mindig azt mondogatta nekem: \u201eN\u00e9zd, nem \u00e9rtem mit mondasz, de annyira gy\u00f6ny\u00f6r\u0171nek tal\u00e1lom.\u201d A k\u00f6z\u00f6ns\u00e9gem pedig az lehet, aki olvassa, vagy aki id\u0151vel olvasni fogja. A sz\u00f6veg mindig ott van, de a l\u00e1bjegyzet eszt\u00e9tikailag mindig elragad\u00f3 kell, hogy legyen.<\/p>\n

Sz-MZs:<\/span> Performanszaiban \u00e9s install\u00e1ci\u00f3iban vannak visszat\u00e9r\u0151 mot\u00edvumok, sz\u00e1mok \u2013 toj\u00e1s, gyertya, 36. Elmondja b\u0151vebben ezeknek a szimbolik\u00e1j\u00e1t?<\/p>\n

JSS:<\/span> Igen, a 36 toj\u00e1s p\u00e9ld\u00e1ul Duchamp biciklikerek\u00e9re utal. Vannak k\u00e9rd\u00e9seim Duchamp readymade-magyar\u00e1zat\u00e1val kapcsolatban: az egyik utols\u00f3 interj\u00faj\u00e1ban p\u00e9ld\u00e1ul azt mondta, hogy amikor megp\u00f6rgeti a biciklikereket a m\u0171term\u00e9ben akkor egy l\u00e1ngot l\u00e1t. Megd\u00f6bbentem, amikor kider\u00fclt, hogy a biciklikerekeknek a mai napig 36 k\u00fcll\u0151je van, a k\u00e9t ker\u00e9knek pedig egy\u00fctt 72, ami megegyezik az Isten Neveinek sz\u00e1m\u00e1val. A l\u00e1ngol\u00f3 kereket ophanim<\/em>nak nevezik. Persze megk\u00e9rdezhetj\u00fck, hogy mi\u00e9rt van mindig 36 k\u00fcll\u0151je egy bicikliker\u00e9knek, ki d\u00f6nt\u00f6tt \u00edgy? Esetleg a szabadk\u0151m\u0171vesek? Egy m\u00e1sik p\u00e9lda a f\u00e9rfi nyakkend\u0151k csom\u00f3ja, amelynek form\u00e1ja megegyezik a D\u00e1vid csillag k\u00f6z\u00e9ps\u0151 r\u00e9sz\u00e9vel. \u00cdgy amikor n\u00e9zem a h\u00edreket, \u00e9s l\u00e1tom a befoly\u00e1sos embereket, akkor a D\u00e1vid csillagot l\u00e1tom. Nek\u00fcnk, vend\u00e9geknek<\/em> az a feladatunk, hogy (el)olvassuk ezeket a form\u00e1kat, melyek egy adott csoport sz\u00e1m\u00e1ra szimbolikusak. A 36 a zsid\u00f3 hagyom\u00e1ny titkos, er\u00e9nyes szem\u00e9lyeire is utal. De senki sem tudja, hogy kik \u0151k. \u0150k maguk sem. Ezt hoztam korrel\u00e1ci\u00f3ba, kapcsoltam \u00f6ssze Duchamp<\/span> readymade-j\u00e9vel[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Lev\u00e9l Albrecht D\u00fcrernek,<\/em> 1983, Art Market Budapest, 2017. okt\u00f3ber 12\u201315., Millen\u00e1ris Park<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5734″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

OFaN (Wheel, Angel)<\/em> Next Year in Jerusalem (OFAN, GaLGaL, OFaNaYiM, GoLGoLeT, GoLGaTa), 1983,
\nh\u00e1rom bicikli ker\u00e9k, horganyzott f\u00e9mcs\u00f6vek, k\u00e9t boros\u00fcveg, 180\u00d7180\u00d7180<\/span> cm | Fot\u00f3: Arend Velsink<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Sz-MZs:<\/span> Mi a v\u00e9lem\u00e9nye a politika szerep\u00e9r\u0151l a munk\u00e1iban? M\u00e1r a k\u00e9sz\u00edt\u00e9s\u00fck alatt, vagy csak a ki\u00e1ll\u00edt\u00e1suk r\u00e9v\u00e9n kapnak politikai jelent\u00e9st?<\/p>\n

JSS:<\/span> A m\u0171veimnek mindig van politikai hangv\u00e9tele, olvasata. Legt\u00f6bbj\u00fck az \u00fagynevezett otthonomhoz, Izraelhez k\u00f6t\u0151dik, de m\u00e9gsem tudom \u0151ket ott ki\u00e1ll\u00edtani. P\u00e9ld\u00e1ul az a munk\u00e1m, amely a Tefillint (h\u00e9tk\u00f6znapi reggeli ima alatt hordott b\u0151rtok) \u00e9s a benne tal\u00e1lhat\u00f3 sz\u00f6vegeket elemezte, h\u00fasb\u00f3l k\u00e9sz\u00fclt: sert\u00e9s- \u00e9s marhah\u00fas kever\u00e9k\u00e9b\u0151l, ami m\u00e9g a szekul\u00e1ris zsid\u00f3kat is s\u00e9rtette. Azok is, akik kor\u00e1bban azt mondt\u00e1k, hogy milyen gy\u00f6ny\u00f6r\u0171, nem tudtak r\u00e1n\u00e9zni miut\u00e1n ezt elmondtam nekik. A priori nem lenne szabad ilyet csin\u00e1lni. Politika volt, miel\u0151tt m\u0171alkot\u00e1ss\u00e1 v\u00e1lt. De egyre kev\u00e9sb\u00e9 vagyok b\u00e1tortalan. Kor\u00e1bban annyira b\u00e1tortalan voltam, hogy t\u00falzottan komplik\u00e1ltak voltak a sz\u00f6vegeim, de most m\u00e1r kev\u00e9sb\u00e9 azok.<\/p>\n

Sz-MZs:<\/span> A vend\u00e9g st\u00e1tusza hatalmazza f\u00f6l vagy v\u00e9di meg att\u00f3l, hogy kev\u00e9sb\u00e9 legyen b\u00e1tortalan?<\/p>\n

JSS:<\/span> Sosem gondoltam erre \u00edgy. Nem vagyok k\u00edv\u00fcl\u00e1ll\u00f3. A p\u00e1ly\u00e1m elej\u00e9n amszterdami zsid\u00f3 m\u0171v\u00e9sznek neveztek, de miut\u00e1n sz\u00f3v\u00e1 tettem, elkezdtek holland m\u0171v\u00e9szk\u00e9nt hivatkozni r\u00e1m. Elfogadtak, mint \u201emagasabbrend\u0171\u201d vend\u00e9get, b\u00e1r nem tudom mi lesz a reakci\u00f3juk a Stedelijk M\u00fazeumbeli performanszaimat k\u00f6vet\u0151en.3<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

https:\/\/www.stedelijk.nl<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][vc_video link=”https:\/\/www.youtube.com\/watch?v=h8QttiW9zEE”][divider line_type=”No Line” custom_height=”10″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

ZsSz-M:<\/span> A<\/em> Kapu \u0151rz\u0151i4<\/span> Luther M\u00e1rtonra hivatkozik. Volt m\u00e1s t\u00f6rt\u00e9nelmi szem\u00e9lyis\u00e9g, aki hasonl\u00f3an foglalkoztatta?<\/em><\/p>\n

JSS:<\/span> A Kapu \u0151rz\u0151i<\/em> egy t\u00f6bb elemb\u0151l \u00e1ll\u00f3, k\u00f6r\u00fclbel\u00fcl 1.8 m\u00e9ter hossz\u00fa munka. A zsid\u00f3 hagyom\u00e1nyban az Isten, az isteni er\u0151, a sz\u00f6veg a kapuk \u0151rz\u0151je. Amikor bel\u00e9p\u00fcnk a vall\u00e1sos zsid\u00f3 h\u00e1z\u00e1ba, van egy szimbolikus t\u00e1rgy, a mezuzah az ajt\u00f3 f\u00f6l\u00f6tt. Ezt megv\u00e1ltoztattam, mert most m\u00e1r mi, a m\u0171v\u00e9szek vagyunk az int\u00e9zm\u00e9ny Kapuinak az \u0151rz\u0151i. A Stedelijk M\u00fazeumb\u00f3l Margriet Schavemaker t\u00f6k\u00e9letesen meg\u00e9rtette, hogy mire gondolok: \u00edrt is a Kapu \u0151rz\u0151ir\u0151l a k\u00f6nyv\u00fcnkbe.5<\/span> Eddig a m\u0171v\u00e9sz v\u00e1rta, hogy valaki odaj\u00f6jj\u00f6n az ajtaj\u00e1hoz, \u00e9s azt mondja, hogy tetszik a munk\u00e1ja. Most van egy \u00fajfajta m\u0171v\u00e9sz, aki azt mondja: \u201eN\u00e9zze, amit csin\u00e1l, az nem helyes.\u201d \u00c9n mindent \u0151rz\u00f6k…<\/p>\n

Sz-MZs:<\/span> Mik\u00f6zben n\u00e9ztem a tegnapi performanszt,6<\/span> \u00fagy t\u0171nt, hogy nagyon struktur\u00e1lt, a v\u00e9ge visszakanyarodott az elej\u00e9hez, azonos\u00edthat\u00f3 felvon\u00e1sok voltak, a k\u00f6z\u00f6ns\u00e9g folyamatosan le volt k\u00f6tve. Van sz\u00ednh\u00e1zi h\u00e1ttere?<\/p>\n

JSS:<\/span> Linda Bouwsnek<\/span>7<\/span>\u00a0(Metropool Internationale Kunst Projecten\/Studio Meritis MaKOM) van sz\u00ednh\u00e1zi h\u00e1ttere \u00e9s bar\u00e1taim k\u00f6z\u00fcl is sokan rendelkeznek sz\u00ednh\u00e1zi h\u00e1tt\u00e9rrel. A j\u00f3 \u00e9rtelemben vett, vagyis a sz\u00f6veg felid\u00e9z\u00e9se szempontj\u00e1b\u00f3l fontos sz\u00ednh\u00e1zi h\u00e1tt\u00e9rrel. A performansz nem igaz\u00e1n volt nagyon struktur\u00e1lt: b\u00e1rki szabadon improviz\u00e1lhatott, tudt\u00e1k a kiindul\u00f3pontot, \u00e9s azt, hogy mikor kell befejezni. A bicikliz\u0151 f\u00e9rfi, aki a csoportot vezette, a mi k\u00f6rnyezet\u00fcnkben tart\u00f3zkodott, de az \u00e9p\u00fcleten bel\u00fcli k\u00f6rbej\u00e1r\u00e1s\u00e1nak idej\u00e9t maga hat\u00e1rozta meg: a vissza\u00e9rkez\u00e9s\u00e9nek id\u0151pontja adott volt, de ezen k\u00edv\u00fcl szabadon mozoghatott.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

M\u0171v\u00e9szi intervenci\u00f3, 2017. j\u00fanius 22. Nieuwe Kerk, Amszterdam. Semah Lutherhez int\u00e9zett v\u00e1lasz\u00e1t szegezte ki a templom kapuj\u00e1ra. Ld. m\u00e9g: http:\/\/www.josephsemah.nl\/?q=node\/395<\/a><\/p>\n

5<\/p>\n

On Friendship \/ (Collateral Damage)<\/em> (szerk. Linda Bouws\u2013Joseph Semah), stichting Metropool Internationale Kunstprojecten, 2015<\/p>\n

6<\/p>\n

On Friendship \/ (Collateral Damage) The Guardians of the Door. ART+ performance by Joseph Semah Art Market Budapest,<\/em> Millen\u00e1ris, 2017. okt\u00f3ber 12., Ld. m\u00e9g:
\nhttps:\/\/es-la.facebook.com\/events\/<\/a>; https:\/\/esemeny.altalanos.info<\/a><\/p>\n

7<\/p>\n

Linda Bouws r\u00e9szt vett a performansz valamennyi el\u0151ad\u00e1s\u00e1nak szervez\u00e9s\u00e9ben (s id\u0151nk\u00e9nt szerepl\u0151k\u00e9nt is), valamint egy\u00fctt szerkesztett\u00e9k az azonos c\u00edm\u0171, fent eml\u00edtett k\u00f6nyvet Semah-val.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][vc_gallery type=”flexslider_style” images=”5747,5748″ onclick=”link_no” img_size=”full”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]\n

On Friendship \/ (Collateral Damage) The Guardians of the Door | Joseph Semah (Amsterdam) \u00e9s Dragom\u00e1n Gy\u00f6rgy performansza | Millen\u00e1ris, B \u00e9p\u00fclet | Fot\u00f3: Sin Oliver \/ 1foto.hu<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

ZsSz-M:<\/span> Dragom\u00e1n Gy\u00f6rgy \u00e9s \u00f6n olvastak f\u00f6l hangosan. Dragom\u00e1n a saj\u00e1t k\u00f6nyv\u00e9b\u0151l, A feh\u00e9r kir\u00e1lyb\u00f3l id\u00e9zett, \u00d6n mit olvasott fel?<\/p>\n

JSS:<\/span> \u0150 egy Afrik\u00e1r\u00f3l sz\u00f3l\u00f3 fejezetb\u0151l olvasott f\u00f6l egy olyan r\u00e9szt, ami egy 11 \u00e9ves fi\u00far\u00f3l sz\u00f3l, aki egy fekete emberrel sakkozik, akir\u0151l kider\u00fcl, hogy robot. \u00c9s mik\u00f6zben j\u00e1tszanak, hallja, hogy az \u00e9desanyja seg\u00edts\u00e9g\u00e9rt ki\u00e1ltozik. \u00c9n azt a versemet olvastam f\u00f6l, amit \u00e9desap\u00e1m hal\u00e1lakor \u00edrtam. Ott a k\u00f3rh\u00e1zi folyos\u00f3n az ap\u00e1m hal\u00e1l\u00e1t, mint az orsz\u00e1gomt\u00f3l, Izraelt\u0151l val\u00f3 elv\u00e1l\u00e1som metafor\u00e1j\u00e1t l\u00e1ttam. Dragom\u00e1n nekem olvasott, \u00e9n pedig neki. Az \u0151 sz\u00f6vege magyarul volt, az eny\u00e9m pedig az \u00e9n nyelvemen, de nem volt fontos, hogy meg\u00e9rts\u00fck, az \u00e9rzelem volt a l\u00e9nyeges. \u00c9s persze mindek\u00f6zben sakkoztunk. \u0150 \u00fagy sakkozott, ahogy a reg\u00e9ny\u00e9t is \u00edrta. Ezzel egy id\u0151ben egy fiatal heged\u0171s Bachra improviz\u00e1lt, m\u00edg egy m\u00e1sik \u00f6nk\u00e9ntes egy varr\u00f3g\u00e9pen dolgozott, de annak a hangj\u00e1t, mivel nem volt mellette mikrofon, sajnos nem lehetett el\u00e9gg\u00e9 hallani. Nem volt k\u00f6nny\u0171 itt Magyarorsz\u00e1gon \u00fclni \u00e9s egy h\u00e9ber sz\u00f6veget olvasni \u00e9s kritiz\u00e1lni Luthert, an\u00e9lk\u00fcl, hogy \u00e9rten\u00e9 a k\u00f6z\u00f6ns\u00e9g, de vend\u00e9gk\u00e9nt mindig v\u00e9dve vagyok.<\/p>\n

ZsSz-M:<\/span> Az \u00edr\u00f3val val\u00f3 interakci\u00f3ja alapj\u00e1n azt gondoln\u00e1m, hogy a performasz a bizalomr\u00f3l \u00e9s a bar\u00e1ts\u00e1gr\u00f3l sz\u00f3lt. Ki javasolta, hogy Dragom\u00e1n Gy\u00f6rgy\u00f6t h\u00edvj\u00e1k meg? Ismerte kor\u00e1bban?<\/p>\n

JSS:<\/span> Konr\u00e1d Gy\u00f6rgy nagyon k\u00f6zeli bar\u00e1tunk, de \u0151 nem tudott r\u00e9szt venni a tegnapi performanszban. Amikor ez kider\u00fclt L\u00e9na r\u00f6gt\u00f6n Dragom\u00e1nt javasolta nek\u00fcnk, \u00e9s \u0151, b\u00e1r nem ismert engem kor\u00e1bbr\u00f3l, r\u00f6gt\u00f6n beleegyezett. Elmondtam neki, hogy a performansz r\u00e9szek\u00e9nt sakkozni fogunk, de hogy ez nem szimpl\u00e1n sakkoz\u00e1s, hanem a hitr\u0151l \u00e9s a hit n\u00e9lk\u00fclis\u00e9gr\u0151l, a v\u00e1rosr\u00f3l \u00e9s a vend\u00e9gr\u0151l sz\u00f3l. Odaadott a k\u00f6nyv\u00e9b\u0151l egy r\u00e9szletet, \u00e9s amikor elolvastam, majdnem s\u00edrtam, annyira gy\u00f6ny\u00f6r\u0171en \u00edr. R\u00f6gt\u00f6n azt gondoltam, hogy nagyon hasonl\u00f3 egy 1979-ben \u00edrt versemhez.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5758″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

On Friendship \/ (Collateral Damage) The Guardians of the Door | Joseph Semah (Amsterdam) \u00e9s Dragom\u00e1n Gy\u00f6rgy performansza | Millen\u00e1ris, B \u00e9p\u00fclet | Fot\u00f3: Sin Oliver \/ 1foto.hu<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Sz-MZs:<\/span> Vagyis ezut\u00e1n d\u00f6nt\u00f6tt \u00fagy, hogy ezt az 1979-ben \u00edrt vers\u00e9t olvassa fel, miut\u00e1n az \u0151 sz\u00f6vege m\u00e1r ki volt v\u00e1lasztva?<\/p>\n

JSS:<\/span> Igen. A vend\u00e9g<\/em>nek nagyon nyitottnak kell lenni a h\u00e1zigazda hangj\u00e1ra. Bizonyos szempontb\u00f3l a k\u00e9t sz\u00f6veg nagyon hasonl\u00f3: \u00e9n is besz\u00e9lek a sakkt\u00e1bl\u00e1n \u00e1ll\u00f3 kir\u00e1lyr\u00f3l \u00e9s kir\u00e1lyn\u00e9r\u00f3l, mik\u00f6zben ap\u00e1mmal j\u00e1tszom, \u00e9s arr\u00f3l, hogy amikor haldoklott, akkor m\u00e1r nem akart t\u00f6bb\u00e9 j\u00e1tszani velem. Ez egy gyerekkori eml\u00e9k, amit a h\u00e1bor\u00fab\u00f3l visszat\u00e9r\u0151 katon\u00e1val hoztam \u00f6sszef\u00fcgg\u00e9sbe, mert k\u00e9t h\u00e1bor\u00faban is r\u00e9szt kellett vennem.<\/p>\n

Sz-MZs:<\/span> Dragom\u00e1n fej\u00e9n mi\u00e9rt nem volt doboz?<\/p>\n

JSS:<\/span> Nem volt megs\u00e9rtve, de megk\u00e9rdezte, hogy \u201eHol az \u00e9n dobozom?\u201d.<\/p>\n

ZsSz-M:<\/span> \u00c9s a gyerty\u00e1k?<\/p>\n

JSS:<\/span> A t\u00edz gyertya elrendez\u00e9se Salamon kir\u00e1ly templom\u00e1nak az \u00e9p\u00edt\u00e9szeti terv\u00e9t t\u00fckr\u00f6zte.<\/p>\n

ZsSz-M:<\/span> Gyakran kollabor\u00e1l m\u00e1sokkal?<\/p>\n

JSS:<\/span> Nem szeretem a kollabor\u00e1l sz\u00f3t. Bar\u00e1tokat h\u00edvok meg, sohasem sz\u00edn\u00e9szeket. Ez nem egy sz\u00ednpadi produkci\u00f3. Sz\u00e1momra ez \u201ej\u00e1rul\u00e9kos k\u00e1r\u201d: megesett m\u00e1r, hogy valaki besz\u00e9d k\u00f6zben abbahagyta, mert ez mindig egy nagyon \u00e9rzelmi dolog, de ez belef\u00e9r, hiszen nem sz\u00edn\u00e9szek.<\/p>\n

ZsSz-M:<\/span> Amikor Duchamp, Malevich, Beuys m\u0171veit olvassa, vagy amikor Luther M\u00e1rtonra vagy D\u00fcrerre hivatkozik, akkor megid\u00e9zi, fel\u00e9leszti a hagyom\u00e1nyt. K\u00e9pes erre, feladata ez a kort\u00e1rs m\u0171v\u00e9szetnek?<\/p>\n

JSS:<\/span> Pont err\u0151l besz\u00e9lgett\u00fcnk ma reggel. Mindez a m\u0171v\u00e9sz feladat\u00e1val kapcsolatos. Az a feladata a m\u0171v\u00e9sznek, hogy a k\u00f6z\u00e9poszt\u00e1ly boldogs\u00e1g\u00e1t n\u00f6velje? \u00c9n nem vagyok sokszoros\u00edthat\u00f3 alkot\u00e1sok gy\u00e1rt\u00f3ja, ez\u00e9rt h\u00edvom l\u00e1bjegyzeteknek a munk\u00e1imat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5759″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

MeLeCheT MaChaSheVeT,<\/em> 1983, (Read Full Text), 50\u00d750\u00d710,5<\/span> cm | Edition: 1\/10 The form of the chess pieces is based on the form of TeFILIN, phylacteries | Fot\u00f3: Rik Klein Gotink<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

ZsSz-M:<\/span> Milyen r\u00e9g\u00f3ta dolgoznak egy\u00fctt L\u00e9n\u00e1val?<\/p>\n

JSS:<\/span> Sok \u00e9vvel ezel\u0151tt tal\u00e1lkoztunk. Ott volt az Ich bin, der ich bin: EHYeH ASheR EHYeH<\/em> ki\u00e1ll\u00edt\u00e1som megnyit\u00f3j\u00e1n a br\u00e9mai Museum Gerhard Marcks Hausban.8<\/span> H\u00e1rom h\u00f3nappal ezel\u0151tt megkeresett, de val\u00f3j\u00e1ban mindig is szeretett volna egy\u00fcttm\u0171k\u00f6dni velem.<\/p>\n

ZsSz-M:<\/span> Nagyon k\u00f6sz\u00f6n\u00f6m a besz\u00e9lget\u00e9st<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

8<\/p>\n

Joseph Semah \u2013 Ich bin, der ich bin (EHYeH ASheR EHYeH). Gerhard-Marcks-Haus, Br\u00e9ma, 2009. m\u00e1jus 17 \u2013 j\u00falius 12. Ld. m\u00e9g: http:\/\/www.josephsemah.nl\/Katalog2010EAE.pdf<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5760″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SheL ROSh \/ SheL YaD<\/em> | Of the Head \/ Of the Hand,<\/em> 1979, fot\u00f3, feh\u00e9r sz\u00e1lak, 86\u00d752<\/span> cm | Fot\u00f3: Ilya Rabinovich<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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