{"id":7276,"date":"2018-02-02T20:03:04","date_gmt":"2018-02-02T19:03:04","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=7276"},"modified":"2026-02-28T13:23:25","modified_gmt":"2026-02-28T12:23:25","slug":"egy-szemelyesebb-nezet-beszelgetes-diana-marincuval","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/egy-szemelyesebb-nezet-beszelgetes-diana-marincuval\/","title":{"rendered":"Egy szem\u00e9lyesebb n\u00e9zet | Besz\u00e9lget\u00e9s Diana Marincuval"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Art Encounters | Kort\u00e1rs M\u0171v\u00e9szeti Bienn\u00e1le*<\/span><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Kurr\u00e1torok: Ami Barak, Diana Marincu<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Temesv\u00e1r
\n2017. szeptember 30 \u2013 november 5.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]2017 szeptember utols\u00f3 napjaiban Temesv\u00e1r utc\u00e1it lelkes ki\u00e1ll\u00edt\u00e1s-l\u00e1togat\u00f3k lept\u00e9k el. E napok egyik\u00e9n alkalmam volt besz\u00e9lgetni Diana Marincu<\/span>val, az Art Encounters<\/em> c\u00edmmel megrendezett bienn\u00e1l\u00e9r\u00f3l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

*<\/p>\n

artencounters.ro\/en<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”1″ divider_color=”default” custom_height=”20″ custom_line_width=”200″][divider line_type=”No Line” custom_height=”30″][vc_column_text css=”” text_direction=”default”]\n

Szegedy-Masz\u00e1k Zsuzsanna:<\/span> Ez volt az els\u0151 alkalom, hogy egy\u00fctt dolgozt\u00e1l Ami Barak<\/span>kal?<\/p>\n

Diana Marincu:<\/span> Igen, de m\u00e1r ismert\u00fck egym\u00e1st kor\u00e1bbi projektek r\u00e9v\u00e9n.<\/p>\n

Sz-M Zs:<\/span> \u00c9s ki szervezte meg a csapatot?<\/p>\n

DM:<\/span> Az Art Encounters Alap\u00edtv\u00e1ny javasolta, hogy m\u0171k\u00f6dj\u00fcnk egy\u00fctt, \u00e9s ez nagyon j\u00f3l siker\u00fclt.<\/p>\n

Sz-M Zs:<\/span> Volt valamilyen kapcsolatod a kor\u00e1bbi bienn\u00e1l\u00e9val?<\/p>\n

DM:<\/span> Az els\u0151 bienn\u00e1l\u00e9n nem j\u00e1tszottam k\u00fcl\u00f6n\u00f6sen fontos szerepet. A megh\u00edvott gal\u00e9ri\u00e1k szekci\u00f3ban rendezett Plan B ki\u00e1ll\u00edt\u00e1snak voltam a t\u00e1rskur\u00e1tora Mihai Poppal, \u00edrtam egy sz\u00f6veget a katal\u00f3gusba \u00e9s megismertem mindk\u00e9t kur\u00e1tort a kolozsv\u00e1ri \u00e9s bukaresti kutat\u00f3\u00fatjuk sor\u00e1n.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5150″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Diana Marincu | Fot\u00f3: Ovidiu Mic\u015fa<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5151″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ami Barak | Fot\u00f3: Ovidiu Mic\u015fa<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-M Zs:<\/span> Ugyanazok a helyi m\u0171v\u00e9szeti helysz\u00ednek szerepeltek a mostani bienn\u00e1l\u00e9n is, mint az els\u0151n?<\/p>\n

DM:<\/span> Javar\u00e9szt. Az els\u0151 bienn\u00e1l\u00e9n a helyi k\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra a v\u00e1ros k\u00f6zep\u00e9n tal\u00e1lhat\u00f3 nagym\u00e9ret\u0171, elhagyatott katonai \u00e9p\u00fclet, amelyben a megh\u00edvott gal\u00e9ri\u00e1k mutatkoztak be, jelentette a f\u00e9nypontot. A v\u00e1ros lak\u00f3i naponta elmentek mellette, de nem tudt\u00e1k, hogy mi van bel\u00fcl. Most a villamos rem\u00edzt haszn\u00e1ltuk, mely szint\u00e9n egy olyan \u00e9p\u00fclet, amelyet nagy k\u00edv\u00e1ncsis\u00e1g \u00f6vezett, de ahov\u00e1 senki sem tudott bemenni. A bienn\u00e1l\u00e9t k\u00f6vet\u0151en ez lesz a K\u00f6zleked\u00e9si M\u00fazeum.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5153″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: K\u00f6zleked\u00e9si M\u00fazeum, Temesv\u00e1r), balr\u00f3l jobbra: Julien Pr\u00e9vieux: Anthologie des regards,<\/em> 2015 (fa, k\u00e9perny\u0151k \u00e9s selyemsz\u0151nyeg emulzi\u00f3, v\u00e1ltoz\u00f3 m\u00e9ret); Zbigniew Libera: Lego. Koncentr\u00e1ci\u00f3s t\u00e1bor,<\/em> 1999 (tintasugaras nyomat, pap\u00edr) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-M Zs:<\/span> A V\u00edzm\u0171vek is egy ilyen jelleg\u0171 \u00e9p\u00fclet?<\/p>\n

DM:<\/span> Igen, ezt szint\u00e9n mindenki ismeri. Val\u00f3j\u00e1ban mindenki UFO-nak bec\u00e9zte a form\u00e1ja miatt. Sz\u00e9kely L\u00e1szl\u00f3<\/span>1<\/span> tervezte, aki rengeteg temesv\u00e1ri \u00e9p\u00fcletnek volt az \u00e9p\u00edt\u00e9sze. A Cigaretta Gy\u00e1r2<\/span> egy m\u00e1sik olyan \u00e9p\u00fclet, melyet a helyi lakosok szint\u00e9n j\u00f3l ismernek k\u00edv\u00fclr\u0151l, de bel\u00fclr\u0151l egy\u00e1ltal\u00e1n nem. Ebben rendezt\u00e9k meg a marosv\u00e1s\u00e1rhelyi B5 St\u00fadi\u00f3 ki\u00e1ll\u00edt\u00e1s\u00e1t. Nagyon szerencs\u00e9sek voltak, hogy kapcsolatba l\u00e9ptek a Misc szervezettel,3<\/span> akik helyrehozt\u00e1k ennek a nagy \u00e9p\u00fcletnek egy r\u00e9sz\u00e9t, \u00e9s odaadt\u00e1k a B5-nek erre a ki\u00e1ll\u00edt\u00e1sra.<\/p>\n

Sz-M Zs:<\/span> Doktori dolgozatodat a bienn\u00e1l\u00e9kr\u00f3l \u00edrtad. Mennyire vagy rend\u00fcletlen h\u00edve \u00e9s mennyire szeretn\u00e9d \u00e1talak\u00edtani a bienn\u00e1le m\u0171faj\u00e1t?<\/p>\n

DM:<\/span> Azt hiszem, hogy a perif\u00e9rikus m\u0171v\u00e9szeti szc\u00e9na szemsz\u00f6g\u00e9b\u0151l a bienn\u00e1le nagyon j\u00f3 eszk\u00f6z arra, hogy felkelts\u00fck az \u00e9rdekl\u0151d\u00e9st egy adott hely t\u00f6rt\u00e9n\u00e9sei ir\u00e1nt, illetve arra, hogy kik vagyunk. M\u00e1sk\u00fcl\u00f6nben a bienn\u00e1l\u00e9k k\u00fcl\u00f6nb\u00f6z\u0151 fajt\u00e1j\u00faak \u00e9s m\u00e9ret\u0171ek. Fontosnak tartom, hogy minden egyes alkalommal fel\u00fcl kell vizsg\u00e1lni a modellt \u00e9s nem szabad csak automatikusan \u00e1tvenni. Massimiliano Gioni \u00edr\u00e1sa, In Defense of Biennials,<\/em>4<\/span> feltette a k\u00e9rd\u00e9st, hogy vajon tov\u00e1bbra is haszn\u00e1lhat\u00f3 modell-e a bienn\u00e1le, \u00e9s arra a k\u00f6vetkeztet\u00e9sre jutott, hogy ez mindig att\u00f3l f\u00fcgg, hogy a kur\u00e1tor mennyire k\u00e9pes \u00fajragondolni a bienn\u00e1le-konstrukci\u00f3t a folytonoss\u00e1g \u00e9s \u00faj\u00edt\u00e1s, \u00e9s a m\u00falttal val\u00f3 szak\u00edt\u00e1s jegy\u00e9ben. Ismerni kell az el\u0151zm\u00e9ny\u00e9t, de a j\u00f6v\u0151 szempontj\u00e1b\u00f3l kell m\u00e9rlegelni a lehet\u0151s\u00e9geket. Mert abban a pillanatban, ha m\u00e1r mintak\u00e9pp\u00e9 vagy receptt\u00e9 v\u00e1ltozik, nem tud hat\u00e9kony eszk\u00f6z lenni a m\u00falt fel\u00fclvizsg\u00e1lata \u00e9s a jelen s\u00fcrget\u0151 k\u00e9rd\u00e9sei szempontj\u00e1b\u00f3l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

1913 \u00e9s 1922 k\u00f6z\u00f6tt Temesv\u00e1r f\u0151\u00e9p\u00edt\u00e9sze, a V\u00edzm\u0171veket 1910-ben tervezte.<\/p>\n

2<\/p>\n

1847-ben \u00e9p\u00fclt.<\/p>\n

3<\/p>\n

A Misc M\u0171v\u00e9szeti K\u00f6zpont f\u00e9nyk\u00e9p\u00e9szettel \u00e9s sz\u00ednh\u00e1zzal foglalkozik, workshopokat, vet\u00edt\u00e9seket, v\u00e1s\u00e1rokat rendeznek. ld. m\u00e9g: \/\/www.patreon.com\/MiscArtsCenter<\/a><\/p>\n

4<\/p>\n

Massimiliano Gioni: \u201eIn Defense of Biennials\u201d,<\/em> In: Contemporary Art: 1989 to the Present<\/em>. Alexander Dumbadze\u2013Suzanne Hudson (szerk.), Wiley-Blackwell, Chichester, West Sussex, UK, 2013<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5155″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: K\u00f6zleked\u00e9si M\u00fazeum, Temesv\u00e1r), balr\u00f3l jobbra: Crisitna David: The Real Reason of the Migration of People in Europe to West,<\/em> 2006 (vide\u00f3, mini DV, 1 perc, 58 mp); Szil\u00e1rd Mikl\u00f3s: Freelancers Space Station,<\/em> 2017, objekt (acetof\u00e1n, ragaszt\u00f3anyag, pigmentek), install\u00e1ci\u00f3, Hans Mattis-Teutsch festm\u00e9nye \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-M Zs:<\/span> Mik voltak az idei bienn\u00e1le kih\u00edv\u00e1sai?<\/p>\n

DM:<\/span> Mivel ez egy nagyon ambici\u00f3zus v\u00e1llalkoz\u00e1s, minden alkalommal kih\u00edv\u00e1s a megval\u00f3s\u00edt\u00e1sa \u00e9s figyelmes kivitelez\u00e9se egy olyan v\u00e1rosban, ahol az elm\u00falt \u00e9vekben nem volt sok hasonl\u00f3 mag\u00e1nkezdem\u00e9nyez\u00e9s. Temesv\u00e1r els\u0151sorban az 1980-as \u00e9s 1990-es \u00e9vek k\u00eds\u00e9rleti l\u00e9gk\u00f6r\u00e9r\u0151l ismert; ezt k\u00f6vet\u0151en volt egy olyan id\u0151szak, amikor az emberek nem voltak kifejezetten bevonva a v\u00e1ros kultur\u00e1lis \u00e9let\u00e9be. Az 1990-es \u00e9vekben p\u00e9ld\u00e1ul volt a Zona Fesztiv\u00e1l,5<\/span> melynek Ileana Pintilie<\/span> volt a kur\u00e1tora. De valahogy ez a k\u00eds\u00e9rleti kontextus az elm\u00falt \u00e9vekben kev\u00e9sb\u00e9 volt l\u00e1that\u00f3. Sokan elmentek, b\u00e1r volt n\u00e9h\u00e1ny kezdem\u00e9nyez\u00e9s, ami v\u00e9lem\u00e9nyem szerint fontos volt, mint a TamTam6<\/span> vagy a Balamuc7<\/span> \u00e9s m\u00e1sok. Azt gondolom, hogy a v\u00e1ros sz\u00e1m\u00e1ra fontos volt, hogy az \u00faj\u00edt\u00e1sok f\u00fcggetlen vagy mag\u00e1nkezdem\u00e9nyez\u00e9sek eredm\u00e9nyei, \u00e9s hogy nem hagyatkozunk vagy rem\u00e9nyked\u00fcnk kiz\u00e1r\u00f3lag int\u00e9zm\u00e9nyek fel\u0151l \u00e9rkez\u0151 \u00f6szt\u00f6nz\u00e9sekre, mert azokra hi\u00e1ba v\u00e1runk. Kih\u00edv\u00e1s volt a k\u00fcl\u00f6nb\u00f6z\u0151 feleket \u00f6sszehozni, \u00e9s kapcsolatot teremteni a fiatalabb gener\u00e1ci\u00f3val, ugyanis k\u00fcl\u00f6n-k\u00fcl\u00f6n hangs\u00falyt fektett\u00fcnk a most k\u00f6r\u00fclbel\u00fcl harminc \u00e9v k\u00f6r\u00fcli m\u0171v\u00e9szekre, a k\u00fclf\u00f6ldi m\u0171v\u00e9szekre, id\u0151sebb m\u0171v\u00e9szekre; azt gondolom, hogy ez \u00edgy egy j\u00f3 kombin\u00e1ci\u00f3 volt. Kutat\u00f3utakra ment\u00fcnk, hogy jobban megismerj\u00fck nemcsak a rom\u00e1n, hanem a szerb szc\u00e9n\u00e1t is. Ezt a kapcsolatot is ki akartuk hangs\u00falyozni, r\u00e9szben a f\u00f6ldrajzi k\u00f6zels\u00e9g miatt. Furcsa, hogy mennyire k\u00f6zel vagyunk, m\u00e9gis milyen kev\u00e9s kapcsolatunk van a szerb m\u0171v\u00e9szeti vil\u00e1ggal.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

Ld. \/\/www.zonafestival.ro\/ro\/index.htm<\/a><\/p>\n

6<\/p>\n

\/\/www.facebook.com\/SpatiulTamTam\/<\/a><\/p>\n

7<\/p>\n

A Balamuc Gal\u00e9ria grafik\u00e1kkal \u00e9s v\u00e1zlatf\u00fczetekkel foglalkozik, 2017-ben a temesv\u00e1ri bienn\u00e1le egyik helysz\u00edne volt. \/\/www.balamuc.org\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5156″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: K\u00f6zleked\u00e9si M\u00fazem, Temesv\u00e1r). Mikl\u00f3si D\u00e9nes: Noi am v\u0103zut<\/em> [We\u2019ve seen], 2016 (tintasugaras k\u00e9toldalas nyomat, 236\u00d7430 cm) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-M Zs:<\/span> Az eml\u00edtett mag\u00e1nkezdem\u00e9nyez\u00e9sek non-profitok voltak?<\/p>\n

DM:<\/span> A megh\u00edvott f\u00fcggetlen kezdem\u00e9nyez\u00e9seket mag\u00e1ba foglal\u00f3 szekci\u00f3ban igen, valamennyi szervezet non-profit volt. V\u00e1logat\u00e1sunkban sz\u00e1mos p\u00e9ld\u00e1ja van az ilyenfajta kezdem\u00e9nyez\u00e9seknek, melyek Rom\u00e1nia k\u00fcl\u00f6nb\u00f6z\u0151 ter\u00fcletein m\u0171k\u00f6dnek (B5 Studio, Citi Zenit, Lateral ArtSpace, MAGMA, pplus4, Raft, Sandwich, Tranzit.ro, Vector) a m\u00e1r eml\u00edtett Balamuc vagy a Simultan,8<\/span> mely tizenegy \u00e9ve rendez vide\u00f3 fesztiv\u00e1lokat. Maga a bienn\u00e1le is egy mag\u00e1nkezdem\u00e9nyez\u00e9s, Ovidiu \u015eandor<\/span>t\u00f3l sz\u00e1rmazik az \u00f6tlet, aki egyben m\u0171gy\u0171jt\u0151 \u00e9s \u00fczletember. Nincsenek sokan, akik ilyen m\u00e9retben tudnak v\u00e1llalkozni \u00e9s megval\u00f3s\u00edtani egy ilyen jelleg\u0171 kezdem\u00e9nyez\u00e9st.<\/p>\n

Sz-M Zs:<\/span> Az \u00e1ltalad eml\u00edtett non-profit szervezetek p\u00e1ly\u00e1znak \u00e1llami t\u00e1mogat\u00e1sra?<\/p>\n

DM:<\/span> Igen, minden \u00e9vben. De nem csak \u00e1llami t\u00e1mogat\u00e1sra, hanem m\u00e1sfajta finansz\u00edroz\u00e1sra is; ez\u00e1ltal \u00e1lland\u00f3 bizonytalans\u00e1gban \u00e9lnek.<\/p>\n

Sz-M Zs:<\/span> Ezen a bienn\u00e1l\u00e9n vannak kifejezetten m\u0171v\u00e9szett\u00f6rt\u00e9neti t\u00e1rlatok, \u00e9s kort\u00e1rs m\u0171veket felsorakoztat\u00f3 bemutat\u00f3k olyan k\u00fclf\u00f6ldi m\u0171v\u00e9szek alkot\u00e1saival, melyeket m\u00e1r m\u00e1shol is volt szerencs\u00e9m l\u00e1tni. Emellett vannak alkot\u00e1sok, amelyek kifejezetten erre az esem\u00e9nyre k\u00e9sz\u00fcltek, egyesek hely-specifikusak. A v\u00e1logat\u00e1sodban a hozz\u00e1\u00e1ll\u00e1sodat ink\u00e1bb a m\u0171v\u00e9szekkel vagy a m\u0171vekkel val\u00f3 egy\u00fcttm\u0171k\u00f6d\u00e9s hat\u00e1rozta meg?<\/p>\n

DM:<\/span> Azt mondan\u00e1m, hogy mindkett\u0151. Voltak olyan m\u0171v\u00e9szek, akikr\u0151l a kezdett\u0151l fogva tudtuk, hogy szeretn\u00e9nk, ha r\u00e9szt venn\u00e9nek, mert tudtuk, hogy j\u00f3l fognak reag\u00e1lni a t\u00e9m\u00e1ra, vagy j\u00f3l tudnak viszonyulni ahhoz, amire gondoltunk; \u00e9s volt, hogy l\u00e1ttunk alkot\u00e1sokat, melyekr\u0151l azt gondoltuk, hogy j\u00f3l illenek a ki\u00e1ll\u00edt\u00e1s koncepci\u00f3j\u00e1ba. Nagyon fontos volt az \u00faj alkot\u00e1sok l\u00e9trehoz\u00e1sa, \u00e9s nagyon szerencs\u00e9sek voltunk, hogy az Alap\u00edtv\u00e1ny lehet\u0151v\u00e9 tette ezt.<\/p>\n

Sz-M Zs:<\/span> H\u00e1ny m\u0171v\u00e9sz k\u00e9sz\u00edtett m\u0171vet kifejezetten erre a ki\u00e1ll\u00edt\u00e1sra?<\/p>\n

DM:<\/span> Azt hiszem k\u00f6r\u00fclbel\u00fcl negyven.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

8<\/p>\n

\/\/www.simultan.org<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5158″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: K\u00f6zleked\u00e9si M\u00fazem, Temesv\u00e1r), balr\u00f3l jobbra: Zbigniew Libera: Lego. Concentration Camp,<\/em> 1999 (tintasugaras print, pap\u00edr); Lea Rasovszky: SOFT WAR<\/em> (Bubble Gun of Sweet Surrender), objekt \/ install\u00e1ci\u00f3, felf\u00fajhat\u00f3 szerkezet (600\u00d7350\u00d7250 cm) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-M Zs:<\/span> A t\u00f6rt\u00e9neti r\u00e9szekben a v\u00e1logat\u00e1shoz m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9szk\u00e9nt vagy kur\u00e1tork\u00e9nt viszonyult\u00e1l? Mennyire volt fontos sz\u00e1modra a t\u00f6rt\u00e9nelem \u00e9s a kontextus kommunik\u00e1ci\u00f3ja a n\u00e9z\u0151 fel\u00e9? Egy rejtv\u00e9nyt rekonstru\u00e1lsz a l\u00e1togat\u00f3 sz\u00e1m\u00e1ra, mint Georges Perec<\/span> reg\u00e9ny\u00e9ben9<\/span> a kirak\u00f3k?<\/p>\n

DM:<\/span> Igen, de ez egy nagyon szubjekt\u00edv rejtv\u00e9ny. \u00dagy gondolom, nem volt el\u00e9g id\u0151nk arra, hogy egy t\u00f6rt\u00e9netileg \u2013 d\u00e1tumokkal \u00e9s kontextusokkal \u2013 is j\u00f3l dokument\u00e1lt ki\u00e1ll\u00edt\u00e1st hozzunk l\u00e9tre. Nemr\u00e9giben l\u00e1ttam a Pompidou-ban, hogy haszn\u00e1lnak \u00fagynevezett \u2018exposition dossier\u2019-t, vagyis t\u00f6rt\u00e9nelmi, t\u00e1rsadalmi \u00e9s politikai adatokat is besz\u00fartak az \u00e1lland\u00f3 ki\u00e1ll\u00edt\u00e1sba \u00e9s ez nagyon \u00e9rdekes, mert ezek valahogy p\u00e1rhuzamot ny\u00fajtanak a l\u00e1tottakhoz. Ezek a besz\u00far\u00e1sok nem tolakod\u00f3ak, csak ott vannak \u00e9s a l\u00e1togat\u00f3 rakja \u00f6ssze. Nagyon tetszett, de itt ezt nem alkalmaztuk, mert azt szerett\u00fck volna, hogy a hangs\u00faly a m\u0171alkot\u00e1sokon \u00e9s a koncepci\u00f3n legyen. Azt gondolom, hogy a l\u00e9gk\u00f6rb\u0151l \u00e9s a ki\u00e1ll\u00edt\u00e1sokat \u00f6sszek\u00f6t\u0151 sz\u00e1l r\u00e9v\u00e9n a l\u00e1togat\u00f3 \u00e9rz\u00e9kelni tudja, hogy mik t\u00f6rt\u00e9ntek p\u00e1rhuzamosan, \u00f6ssze tudja k\u00f6tni az esem\u00e9nyeket \u00e9s ez\u00e1ltal ki tudja rakni a kirak\u00f3t, meg tudja oldani a rejtv\u00e9nyt. Magda Radu,<\/span> a bukaresti Salonul de proiecte10<\/span> megh\u00edvott kur\u00e1tora egy sokkal t\u00f6rt\u00e9netibb megk\u00f6zel\u00edt\u00e9st v\u00e1lasztott, hiszen az \u00e1ltala rendezett ki\u00e1ll\u00edt\u00e1s \u2013 A koncept hat\u00e1r\u00e1n t\u00fal<\/em> \u2013 anyag\u00e1t m\u00e1r \u00e9vek \u00f3ta kutatja. A Temesv\u00e1ri K\u00e9pt\u00e1rban rendezett ki\u00e1ll\u00edt\u00e1sok \u2013 \u00dajb\u00f3l elj\u00e1tsz\u00e1sok, 5 temesv\u00e1ri m\u0171v\u00e9sz, Decebal Scriba & Serge Spitzer \u2013 40 \u00e9vvel k\u00e9s\u0151bb,<\/em> \u00e9s a T\u00f6rt\u00e9neti avantg\u00e1rd \u00e9s a ping-pong m\u0171v\u00e9szete<\/em> \u2013 az 1970-es \u00e9vekre, mint az experiment\u00e1lis m\u0171v\u00e9szet kor\u00e1ra koncentr\u00e1ltak.<\/p>\n

Sz-M Zs:<\/span> Perec reg\u00e9nye<\/em> \u2013 La Vie mode d\u2019emploi \u2013 haszn\u00e1lati utas\u00edt\u00e1s egy, az \u00edr\u00e1sra r\u00e1er\u0151ltetett korl\u00e1toz\u00e1sok \u00f6sszetett rendszer\u00e9re \u00e9p\u00fcl, mely tulajdonk\u00e9ppen el\u0151re meghat\u00e1rozza a reg\u00e9ny szerkezet\u00e9t. A korl\u00e1toz\u00e1sok gondolata mennyire t\u00fckr\u00f6z\u0151dik a ki\u00e1ll\u00edt\u00e1s strukt\u00far\u00e1j\u00e1ban?<\/em><\/p>\n

DM:<\/span> A ki\u00e1ll\u00edt\u00e1s strukt\u00far\u00e1ja nem annyira a korl\u00e1toz\u00e1sokr\u00f3l sz\u00f3lt. Els\u0151sorban azt akartuk, hogy legyen egy pont, melyet p\u00e1rhuzamosan lehet \u00e9rtelmezni, mint egyfajta elbesz\u00e9l\u00e9st. Az alfejezetek nem kapcsol\u00f3dnak egym\u00e1shoz, az eg\u00e9sz nem egyetlen t\u00f6rt\u00e9netk\u00e9nt jelenik meg, hanem ink\u00e1bb k\u00fcl\u00f6nb\u00f6z\u0151 r\u00e9tegeket k\u00e9pvisel. Olyan r\u00e9tegeket, melyeket a mindennapi \u00e9letben tapasztalunk, melyek b\u00e1r nem annyira vannak jelen a nyilv\u00e1nos diskurzusban, de benne rejlenek, azonban ezekr\u0151l ritk\u00e1n esik sz\u00f3.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

9<\/p>\n

Georges Perec: La Vie mode d\u2019emploi,<\/em> Hachette Litt\u00e9ratures, P\u00e1rizs, 1978<\/p>\n

10<\/p>\n

Magda Radu \u00e9s Alexandra Critoru \u00e1ltal 2011-ben kezdem\u00e9nyezett kur\u00e1tori program. \/\/salonuldeproiecte.ro\/about\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5160″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: K\u00f6zleked\u00e9si M\u00fazeum, Temesv\u00e1r), el\u0151t\u00e9rben: Bartha S\u00e1ndor: March for a New Identity,<\/em> 2017 (install\u00e1ci\u00f3, k\u00fcl\u00f6nb\u00f6z\u0151 t\u00e1rgyak); Julien Pr\u00e9vieux: Le lotissement,<\/em> 2008, akril, MDF, \u223c250\u00d7200\u00d7150 cm egyenk\u00e9nt \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-M Zs:<\/span> Visszat\u00e9rve m\u00e9g egy utols\u00f3 k\u00e9rd\u00e9ssel a reg\u00e9nyhez. A t\u00f6rt\u00e9netben a f\u0151szerepl\u0151 Bartlebooth helysz\u00ednekr\u0151l (kik\u00f6t\u0151kr\u0151l) fest akvarelleket, amelyeket elk\u00fcld valakinek, aki egyre komplik\u00e1ltabb kirak\u00f3kat k\u00e9sz\u00edt bel\u0151l\u00fck. A ki\u00e1ll\u00edt\u00e1sok r\u00e9v\u00e9n a l\u00e1togat\u00f3k egy helyre \u00e9s egy korba tudnak ell\u00e1togatni?<\/p>\n

DM:<\/span> \u00cdgy is lehet tekinteni r\u00e1juk. Ezek olyan rejtv\u00e9nyek, melyekhez a l\u00e1togat\u00f3k k\u00f6nnyen tudnak viszonyulni, ebb\u0151l a szempontb\u00f3l nem egy nagyon komplik\u00e1lt dologr\u00f3l van sz\u00f3, \u00e9s ilyenk\u00e9ppen k\u00fcl\u00f6nb\u00f6zik Georges Perec reg\u00e9ny\u00e9t\u0151l, amiben minden nagyon komplik\u00e1lt \u00e9s matematikai alap\u00fa. Itt szerintem nagyon k\u00f6nny\u0171 dolga van a n\u00e9z\u0151nek, a l\u00e1tottakkal kapcsolatot tud teremteni. Kezdett\u0151l fogva az volt a c\u00e9lunk, hogy a ki\u00e1ll\u00edt\u00e1s ne legyen t\u00fals\u00e1gosan rejt\u00e9lyes. M\u00e9g olyan alkot\u00e1sok eset\u00e9ben is, melyek kicsit \u00f6sszetettebbek, \u00e9s meg\u00e9rt\u00e9s\u00fck megk\u00edv\u00e1nja a magyar\u00e1z\u00f3 sz\u00f6veget, akkor is az embernek az az \u00e9rz\u00e9se, hogy olyasmir\u0151l sz\u00f3lnak, ami mindannyiunkat \u00e9rint. Mert id\u0151nk\u00e9nt kort\u00e1rs m\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1sok eset\u00e9ben az ember elszigetel\u0151dhet egyfajta bubor\u00e9kba a saj\u00e1t gondolataival, \u00f6tleteivel \u00e9s m\u0171v\u00e9szekkel, \u00e9s nem k\u00e9pes felm\u00e9rni a munk\u00e1ja hat\u00e1s\u00e1t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5161″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: K\u00f6zleked\u00e9si M\u00fazeum, Temesv\u00e1r), el\u0151t\u00e9rben: Mircea Suciu: Color Palette<\/em> (2), 2017 (olaj, akril, print); Ioana B\u0103tr\u00e2nu: Melancholic Interior,<\/em> 2012 (akril, v\u00e1szon), h\u00e1tt\u00e9rben: Michel Blazy: Fontaine de mousse,<\/em> 2007\u20132017 \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-M Zs:<\/span> A bienn\u00e1le bez\u00e1r\u00e1s\u00e1t k\u00f6vet\u0151en mit szeretn\u00e9l, hogy hossz\u00fat\u00e1von megmaradjon? Eml\u00edtetted, hogy egyes \u00e9p\u00fcletek k\u00f6zpontibb szerepet kapnak majd a v\u00e1ros kultur\u00e1lis \u00e9let\u00e9ben. Mit rem\u00e9lsz, hogy mi lesz a bienn\u00e1le hat\u00e1sa?<\/p>\n

DM:<\/span> Azt hiszem nagyon neh\u00e9z felm\u00e9rni a hat\u00e1st. Valaki a pedag\u00f3giai program fel\u0151l \u00e9rdekl\u0151d\u00f6tt; ez kezdett\u0151l fogva fontos volt a bienn\u00e1le sz\u00e1m\u00e1ra. A m\u0171v\u00e9szeti k\u00f6zvet\u00edt\u00e9s \u00e9s a gyerekek l\u00e1togat\u00e1sa a ki\u00e1ll\u00edt\u00e1sokon, mind nagyon fontos, de lehetetlen felm\u00e9rni a k\u00f6zvetlen hat\u00e1st, mert a k\u00f6z\u00f6ns\u00e9g, akir\u0151l besz\u00e9l\u00fcnk, nagyon kisz\u00e1m\u00edthatatlan. Nem k\u00f6nny\u0171 l\u00e1tni, hogy a munk\u00e1d hogyan befoly\u00e1sol valakit. Azt hiszem, hogy a legf\u0151bb dolog amit szeretn\u00e9nk az, hogy azok a fitalok akik megn\u00e9zt\u00e9k a ki\u00e1ll\u00edt\u00e1sokat, a bienn\u00e1le j\u00f6v\u0151beli megval\u00f3s\u00edt\u00e1saiban szerepet tudnak majd v\u00e1llalni. Mint strukt\u00fara, a bienn\u00e1le rem\u00e9lhet\u0151leg egyre t\u00f6bb kapcsol\u00f3d\u00e1si pontot fog teremteni m\u00e1s rom\u00e1niai \u00e9s k\u00fclf\u00f6ldi int\u00e9zm\u00e9nnyel. \u00c9s p\u00e9ld\u00e1ul nagyon j\u00f3 lenne, ha Szerbi\u00e1val vagy Araddal kialakulna egy \u00e1lland\u00f3 kapcsolat. J\u00f3 lenne m\u00e1s v\u00e1rosok \u00e9s m\u00e1s int\u00e9zm\u00e9nyek bevon\u00e1sa, mert eddig mi h\u00edvtuk meg a m\u0171v\u00e9szeket, mi v\u00e9gezt\u00fcnk kutat\u00e1st, \u00e9s ez \u00edgy egy szem\u00e9lyesebb n\u00e9zetet eredm\u00e9nyezett.<\/p>\n

Sz-M Zs:<\/span> Mik a j\u00f6v\u0151beli terveid?<\/p>\n

DM:<\/span> M\u00e9g nem tudom pontosan. Id\u0151vel visszamegyek Kolozsv\u00e1rra, \u00e9s ut\u00e1na Bukarestbe. Kolozsv\u00e1rott egy ki\u00e1ll\u00edt\u00e1son dolgozom, amelyen Cristian Rusu<\/span> \u00e9s Michael Takeo Magruder,<\/span> egy amerikai sz\u00e1rmaz\u00e1s\u00fa angol m\u0171v\u00e9sz alkot\u00e1sai szerepelnek. Nagyon elt\u00e9r\u0151 ter\u00fcletr\u0151l j\u00f6nnek: Cristiant a t\u00e9r, az \u00e9p\u00edt\u00e9szet \u00e9s a t\u00e9r \u00e1talak\u00edt\u00e1s\u00e1nak vizsg\u00e1lata, m\u00edg Michaelt a virtu\u00e1lis val\u00f3s\u00e1g \u00e9s a digit\u00e1lis m\u0171v\u00e9szet \u00e9rdekli. Egy\u00fctt egy gal\u00e9ria teret fognak rekonstru\u00e1lni, mik\u00f6zben a monumentalit\u00e1sr\u00f3l gondolkoznak a gal\u00e9ria ter\u00e9be bel\u00e9p\u0151 l\u00e1togat\u00f3 szemsz\u00f6g\u00e9b\u0151l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”5162″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Isho h\u00e1z), Smaranda Ursuleanu: Vulvatic Wallpaper,<\/em> 2017 (test nyomat, akril, pap\u00edr) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5163″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Isho h\u00e1z), balr\u00f3l jobbra: Pavel Br\u0103ila: Pickled Story,<\/em> 2017, install\u00e1ci\u00f3 (polc, h\u00e1zi k\u00e9sz\u00edt\u00e9s\u0171 tart\u00f3s\u00edtott z\u00f6lds\u00e9gek, v\u00e1ltoz\u00f3 m\u00e9retek); Bartha S\u00e1ndor: March for a New Identity,<\/em> 2017 (install\u00e1ci\u00f3); Olivia Mih\u0103l\u021bianu: Trousse Beaut\u00e9,<\/em> 2009, light-boxok (karton, f\u00e9nycs\u0151, digit\u00e1lis nyomat); Mary Reid Kelley: Pasiphae\u2019s Liquor Cabinet,<\/em> 2014 (palackok, folyad\u00e9k, tablett\u00e1k, fest\u00e9k, \u00fcveg, fa) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5164″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Isho h\u00e1z). Olivia Mih\u0103l\u021bianu: Trousse Beaut\u00e9,<\/em> 2009, light-boxok (karton, f\u00e9nycs\u0151, digit\u00e1lis nyomat) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5165″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00ed: Isho h\u00e1z). C\u0103t\u0103lina Nistor: Supervised rooms,<\/em> 2017, rajz \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5166″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Isho h\u00e1z) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5167″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Isho h\u00e1z). Pusha Petrov: Marsupium \u00e0 main,<\/em> 2010, fot\u00f3sorozat (digit\u00e1lis print 3 mm alum\u00ednium dibond lemezen) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5168″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Isho h\u00e1z). balr\u00f3l jobbra: Nona Inescu: A fuzzy feeling<\/em> (t\u00e9relv\u00e1laszt\u00f3), 2016 (fa keret, arch\u00edv nyomtat\u00e1s Hahnemuhle pap\u00edron); Pusha Petrov: Marsupium \u00e0 main,<\/em> 2010, fotosorozat (digit\u00e1lis print 3 mm aluminium dibond lemezen) \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5169″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Timco Hall). Lena Henke: First Ladies,<\/em> (Michelle Obama, Patrizia D\u2019Addario, Carla Bruni, Metriban Aliyeva, Miyuki Hatoyama, Anne Mette Rasmussen, Sizakele Khumalo, Nompumelelo Ntuli, Tobeka Madiba), 2009 (fa, asztalok, vegyes technika) | \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5170″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Life a User\u2019s Manual<\/em> (helysz\u00edn: Timco Hall). Flaka Haliti: Thendive, Grace, Rishika, Lefa, Kaden, Victoria, Nadia, Leo, Cyril, Mrs. Faye, Malrar, Josias, Ojas, Philip, Ernest, Ziyanda, Ledri, Amadou, Bayanda, Julien Sochima, Edgar, Daniel, Tshego, Nihal, Oyane, Ms. Dagrou, Anna, Abigail, Quentin,<\/em> 2015\u20132016, install\u00e1ci\u00f3 (f\u00e9m, homok, m\u0171anyag) v\u00e1ltoz\u00f3 m\u00e9ret | \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”5171″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][divider line_type=”No Line” custom_height=”25″][image_with_animation image_url=”5172″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][divider line_type=”No Line” custom_height=”25″][image_with_animation image_url=”5173″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si n\u00e9zet | Beyond the Concept Frontier.<\/em> M\u0171v\u00e9szek: Horia Bernea, Roman Coto\u0219man, Ion Grigorescu, Pavel Ilie, Julian Mereu\u021b\u0103, Paul Neagu, Eugenia Pop, Decebal Scriba. Kur\u00e1tor: Magda Radu. Ki\u00e1ll\u00edt\u00e1s design: skaarchitects \u00a9 Fot\u00f3: Ovidiu Mic\u015fa, Art Encounters<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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