{"id":6044,"date":"2017-09-06T15:01:18","date_gmt":"2017-09-06T13:01:18","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=6044"},"modified":"2024-02-15T15:07:03","modified_gmt":"2024-02-15T14:07:03","slug":"magyar-epiteszet-a-ringen","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/magyar-epiteszet-a-ringen\/","title":{"rendered":"Magyar \u00e9p\u00edt\u00e9szet a Ringen"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Ungarn \u2013 Architektur der \u201elangen 1960er Jahre\u201c<\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Ausstellungszentrum der Vienna Insurance Group, B\u00e9cs
\n2017. \u00e1prilis 6 \u2013 m\u00e1jus 26.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az idei \u00e9v \u00e1prilis\u00e1ban \u00e9s m\u00e1jus\u00e1ban az 1960-as \u00e9vek magyar \u00e9p\u00edt\u00e9szet\u00e9r\u0151l l\u00e1thattak egy ki\u00e1ll\u00edt\u00e1st az \u00e9rdekl\u0151d\u0151k B\u00e9cs Nagyk\u00f6r\u00fatj\u00e1n, a Ringen,1<\/span> majd ennek hazai bemutat\u00e1s\u00e1r\u00f3l el\u0151sz\u00f6r a Magyar \u00c9p\u00edt\u0151m\u0171v\u00e9szek Sz\u00f6vets\u00e9ge gondoskodott.2<\/span> A t\u00e1rlat az Architektur im Ringturm<\/em> c\u00edm\u0171 \u00e9p\u00edt\u00e9szettel \u00e9s \u00e9p\u00edt\u00e9szett\u00f6rt\u00e9nettel foglalkoz\u00f3 ki\u00e1ll\u00edt\u00e1s-sorozatba illeszkedett, amelynek a b\u00e9csi sz\u00e9khely\u0171 Vienna Insurance Group biztos\u00edt\u00f3t\u00e1rsas\u00e1g m\u00e1r csaknem h\u00fasz \u00e9ve ad otthont. A sorozatnak m\u00e1r elnevez\u00e9se is besz\u00e9des. A biztos\u00edt\u00f3t\u00e1rsas\u00e1g sz\u00e9kh\u00e1z\u00e1t 1953-ban kezdt\u00e9k \u00e9p\u00edteni a Ringen Erich Boltenstern tervei alapj\u00e1n. Ausztria els\u0151 magash\u00e1z\u00e1nak megnyit\u00e1s\u00e1ra 1955-ben ker\u00fclt sor, amely a megsz\u00e1ll\u00e1s \u00e9s a h\u00e1bor\u00fa ut\u00e1ni felszabadul\u00e1s \u00e9veinek optimizmus\u00e1t t\u00fckr\u00f6zte. Az az\u00f3ta Ringturmnak elnevezett sz\u00e9kh\u00e1z ma m\u00e1r az egykori cs\u00e1sz\u00e1rv\u00e1ros egyik fontos \u00e9p\u00edt\u00e9szett\u00f6rt\u00e9neti m\u00e9rf\u00f6ldk\u00f6ve, amely eredeti funkci\u00f3j\u00e1t jelenleg is bet\u00f6lti, ugyanakkor jelent\u0151s kultur\u00e1lis sz\u00ednt\u00e9r. F\u00f6ldszintj\u00e9n 1998 \u00f3ta rendezik meg az Architektur im Ringturm<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s-sorozatot, amely Ausztria, illetve a k\u00f6z\u00e9p- \u00e9s kelet-eur\u00f3pai r\u00e9gi\u00f3 \u00e9p\u00edt\u00e9szet\u00e9t mutatja be. Az ingyenesen l\u00e1togathat\u00f3 t\u00e1rlatok t\u00e9m\u00e1ja a biztos\u00edt\u00f3t\u00e1rsas\u00e1g nemzetk\u00f6zi jelenl\u00e9t\u00e9t k\u00f6veti, \u00edgy a t\u00e1rsas\u00e1g magyarorsz\u00e1gi \u00e9rdekelts\u00e9g\u00e9t figyelembe v\u00e9ve magyar vonatkoz\u00e1s\u00fa ki\u00e1ll\u00edt\u00e1soknak is otthont ad: eddig, a sorozat fenn\u00e1ll\u00e1sa \u00f3ta n\u00e9gy hazai t\u00e9m\u00e1j\u00fa t\u00e1rlatot fogadott be. A Ringturm ki\u00e1ll\u00edt\u00e1sait rendszerint tudom\u00e1nyos ig\u00e9ny\u0171, de a nagyk\u00f6z\u00f6ns\u00e9g \u00e9rdekl\u0151d\u00e9s\u00e9re is sz\u00e1mot tart\u00f3, t\u00f6bbnyelv\u0171 kiadv\u00e1nyok k\u00eds\u00e9rik. A k\u00f6tetek hossz\u00fa sora a r\u00e9gi\u00f3 \u00e9p\u00edt\u00e9szet\u00e9nek gazdag panor\u00e1m\u00e1j\u00e1t ny\u00fajtja B\u00e9cst\u0151l, Ljubljan\u00e1n, Mariboron, Pozsonyon, Pr\u00e1g\u00e1n \u00e9s Budapesten \u00e1t eg\u00e9szen Bukarestig. A nemzetk\u00f6zi k\u00f6z\u00f6ns\u00e9g el\u00e9r\u00e9s\u00e9t a kiadv\u00e1nyok t\u00f6bbnyelv\u0171s\u00e9ge \u00e9s nemzetk\u00f6zi terjeszt\u00e9se teszi lehet\u0151v\u00e9, itthon a FUGA Budapesti \u00c9p\u00edt\u00e9szeti K\u00f6zpont k\u00f6nyvesboltja t\u00f6lti be ezt a szerepet.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Ungarn \u2013 Architektur der \u201elangen 1960er Jahre\u201c.<\/em> Ausstellungszentrum der Vienna Insurance Group, B\u00e9cs, 2017. \u00e1prilis 6 \u2013 m\u00e1jus 26., ld. \/\/www.airt.at<\/a><\/p>\n

2<\/p>\n

Magyarorsz\u00e1g, a hossz\u00fa 60-as \u00e9vek \u00e9p\u00edt\u00e9szete.<\/em> M\u00c9SZ K\u00f3s K\u00e1roly Terem, Budapest, 2017. j\u00falius 11\u201328.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6052″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Fischer J\u00f3zsef (\u00e9p\u00edt\u00e9sz): J\u00e1ritz-villa,<\/em> Budapest, 1941\u201342, Seidner Zolt\u00e1n (fot\u00f3), Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A ki\u00e1ll\u00edt\u00e1s-sorozat motorja Adolph Stiller<\/span> kur\u00e1tor, aki rendszerint a k\u00f6tetek szerkeszt\u0151jek\u00e9nt is k\u00f6zrem\u0171k\u00f6dik. Magyar r\u00e9szr\u0151l pedig els\u0151sorban a Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum egykori \u00e9s jelenlegi munkat\u00e1rsai jelentett\u00e9k \u00e9s jelentik a szakmai h\u00e1tteret. Az Architektur im Ringturm<\/em> els\u0151 magyar vonatkoz\u00e1s\u00fa t\u00e1rlata a 2005-ben megny\u00edlt F\u00e9ny \u00e9s Forma: Modern \u00e9p\u00edt\u00e9szet \u00e9s fot\u00f3 1927\u20131950<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s volt.3<\/span> A ki\u00e1ll\u00edt\u00e1st el\u0151sz\u00f6r 2003-ban Budapesten, a M\u0171csarnokban mutatt\u00e1k be,4<\/span> de el\u0151zm\u00e9ny\u00e9nek tekinthet\u0151 a Sz\u00e9p \u00faj vil\u00e1g: Modern \u00e9p\u00edt\u00e9szet Sk\u00f3ci\u00e1ban \u00e9s Magyarorsz\u00e1gon 1930\u20131950<\/em> c\u00edm\u0171, sk\u00f3t-magyar egy\u00fcttm\u0171k\u00f6d\u00e9sben Glasgowban, majd Budapesten 1999-ben l\u00e9trej\u00f6tt ki\u00e1ll\u00edt\u00e1s,5<\/span> \u00e9s az Aix-en-Provence-ban 2001-ben ny\u00edlt bemutat\u00f3. A ki\u00e1ll\u00edt\u00e1s a k\u00e9t vil\u00e1gh\u00e1bor\u00fa k\u00f6z\u00f6tti modern magyar \u00e9p\u00edt\u00e9szeti fotogr\u00e1fi\u00e1t \u00e1ll\u00edtotta k\u00f6z\u00e9ppontba, anyag\u00e1t a Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum \u00e9s az akkori nev\u00e9n Kultur\u00e1lis \u00d6r\u00f6ks\u00e9gv\u00e9delmi Hivatal Fot\u00f3t\u00e1ra szolg\u00e1ltatta Cs. Plank Ibolya, Hajd\u00fa Vir\u00e1g<\/span> \u00e9s Rito\u00f3k P\u00e1l<\/span> kur\u00e1torok v\u00e1logat\u00e1s\u00e1ban. A ki\u00e1ll\u00edt\u00e1shoz kapcsol\u00f3d\u00f3an 2003-ban k\u00e9tnyelv\u0171 (magyar\u2013angol) katal\u00f3gus jelent meg, amelynek m\u00e1sodik, \u00e1tdolgozott kiad\u00e1s\u00e1t a Vince Kiad\u00f3 jelentette meg 2010-ben.6<\/span> A t\u00e1rlatot figyelemrem\u00e9lt\u00f3 nemzetk\u00f6zi \u00e9rdekl\u0151d\u00e9s k\u00eds\u00e9rte: a bemutat\u00e1snak csak egyik \u00e1llom\u00e1sa volt B\u00e9cs, hiszen a ki\u00e1ll\u00edt\u00e1s Helsinkiben, Rotterdamban, B\u00e9csben, Dessauban \u00e9s Wroc\u0142awban is szerepelt a 2000-es \u00e9vek folyam\u00e1n.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

Licht und Form \u2013 Moderne Architektur und Fotografie in Ungarn 1927\u20131950.<\/em> Ausstellungszentrum der Vienna Insurance Group, B\u00e9cs, 2005. november 4 \u2013 2006. febru\u00e1r 3., ld. \/\/www.vig.com\/de\/presse\/architektur-im-ringturm\/<\/a><\/p>\n

4<\/p>\n

F\u00e9ny \u00e9s forma \u2013 Modern \u00e9p\u00edt\u00e9szet \u00e9s fot\u00f3 1927\u20131950.<\/em> M\u0171csarnok, Budapest, 2003. okt\u00f3ber 3 \u2013 november 9.<\/p>\n

5<\/p>\n

Kapcsol\u00f3d\u00f3 kiadv\u00e1ny: McKenzie, Ray \u2013 Hermansen, Christian (szerk.): Sz\u00e9p \u00faj vil\u00e1g: Modern \u00e9p\u00edt\u00e9szet Sk\u00f3ci\u00e1ban \u00e9s Magyarorsz\u00e1gon 1930\u20131950 \/ Brave New Worlds: An Exhibition of Modern Architecture in Scotland and Hungary 1930\u20131950.<\/em> Budapest\u2013Glasgow: OMvH \u2013 Glasgow School of Art, 1999<\/p>\n

6<\/p>\n

Cs. Plank Ibolya \u2013 Hajd\u00fa Vir\u00e1g \u2013 Rito\u00f3k P\u00e1l: F\u00e9ny \u00e9s Forma: Modern \u00e9p\u00edt\u00e9szet \u00e9s fot\u00f3 1927\u20131950 \/ Light and Form: Modern Architecture and Photography 1927\u20131950.<\/em> Budapest: Kultur\u00e1lis \u00d6r\u00f6ks\u00e9gv\u00e9delmi Hivatal, 2003. M\u00e1sodik, \u00e1tdolgozott kiad\u00e1s, Budapest: Vince Kiad\u00f3, 2010. A k\u00f6tet a Magyar K\u00f6nyvkiad\u00f3k \u00e9s K\u00f6nyvterjeszt\u0151k Egyes\u00fcl\u00e9se \u00e1ltal rendezett Sz\u00e9p Magyar K\u00f6nyv 2010<\/em> versenyen a m\u0171v\u00e9szeti k\u00f6nyvek \u00e9s albumok kateg\u00f3ri\u00e1j\u00e1ban oklevelet nyert, amelyet a 2011-es k\u00f6nyvh\u00e9ten megtartott \u00fcnneps\u00e9gen a tervez\u0151, M\u00e1rkus Laura vett \u00e1t.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6055″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”small_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][divider line_type=”No Line” custom_height=”60″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

A ki\u00e1ll\u00edt\u00e1s \u00e9s a kapcsol\u00f3d\u00f3 kiadv\u00e1ny c\u00e9lja az volt, hogy felh\u00edvja a figyelmet egyr\u00e9szt a k\u00e9t vil\u00e1gh\u00e1bor\u00fa k\u00f6z\u00f6tti id\u0151szak modern magyar \u00e9p\u00edt\u00e9szet\u00e9re, m\u00e1sr\u00e9szt a modern \u00e9p\u00fcleteket fel\u00e9p\u00edt\u00e9s\u00fck ut\u00e1n k\u00f6zvetlen\u00fcl r\u00f6gz\u00edt\u0151 fotogr\u00e1fusokra. \u00cdgy a k\u00f6tet nem csak a modern \u00e9p\u00edt\u00e9szet nagy alakjaival \u2013 mint p\u00e9ld\u00e1ul Bierbauer (Borb\u00edr\u00f3) Virgil<\/span>lel, Fischer J\u00f3zsef<\/span>fel, Moln\u00e1r Farkas<\/span>sal, Kozma Lajos<\/span>sal, Riman\u00f3czy Gyul\u00e1<\/span>val, Hofst\u00e4tter B\u00e9l\u00e1<\/span>val \u00e9s Dom\u00e1ny Ferenc<\/span>cel \u2013 foglalkozik, hanem bevezet a k\u00f6ztudatba olyan f\u00e9nyk\u00e9p\u00e9sz neveket, mint Seidner Zolt\u00e1n, Kozelka Tivadar, B\u00e1n\u00f3 Ern\u0151<\/span> \u00e9s Czvek Gyula<\/span>. Ugyanakkor az is kider\u00fcl, hogy az els\u0151sorban m\u0171v\u00e9szfot\u00f3sk\u00e9nt ismert M\u00e1t\u00e9 Olga<\/span> \u00e9s Ha\u00e1r Ferenc<\/span> is k\u00e9sz\u00edtett \u00e9p\u00edt\u00e9szeti felv\u00e9teleket. A k\u00e9panyag gerinc\u00e9t Seidner \u00e9s Kozelka f\u00e9nyk\u00e9pei adj\u00e1k, akiknek m\u0171veit m\u00e1r az 1960-as \u00e9vek v\u00e9g\u00e9n elkezdte gy\u0171jteni a Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum. A v\u00e1s\u00e1rl\u00e1sok idej\u00e9n m\u00e9g els\u0151sorban dokumentum \u00e9rt\u00e9k\u00fck miatt tartott\u00e1k fontosnak ezeket a felv\u00e9teleket, de a F\u00e9ny \u00e9s Forma<\/em> kur\u00e1torai m\u00e1r m\u0171v\u00e9szi \u00e9rt\u00e9k\u00fckre h\u00edvt\u00e1k fel a figyelmet, \u00f6sszhangban a 2000-es \u00e9vekben \u00e1ltal\u00e1nos tendenci\u00e1val, amely m\u00e1r \u00f6n\u00e1ll\u00f3 kutat\u00e1si t\u00e9m\u00e1nak tartotta az \u00e9p\u00edt\u00e9szeti fotogr\u00e1fi\u00e1t. A t\u00e9m\u00e1t nemzetk\u00f6zi szinten az 1980-as \u00e9vekben kezdt\u00e9k vizsg\u00e1lni saj\u00e1t jog\u00e1n, s az\u00f3ta olyan nemzetk\u00f6zileg elismert szakemberek f\u00e9mjelzik kutat\u00e1s\u00e1t, mint Beatriz Colomina, Robert Elwall, Valeria Carullo<\/span> vagy Claire Zimmerman<\/span>.7<\/span> A magyar m\u0171v\u00e9szett\u00f6rt\u00e9net-\u00edr\u00e1sban Cs. Plank Ibolya fejtett ki \u00fatt\u00f6r\u0151 tev\u00e9kenys\u00e9get az \u00e9p\u00edt\u00e9szeti fotogr\u00e1fia tanulm\u00e1nyoz\u00e1s\u00e1t illet\u0151en, ennek volt egyik m\u00e9rf\u00f6ldk\u00f6ve a F\u00e9ny \u00e9s Forma<\/em> c\u00edm\u0171 kiadv\u00e1ny \u00e9s benne \u00edr\u00e1sa Fot\u00f3 \u2013 \u00e9p\u00edt\u00e9szet \u2013 m\u0171v\u00e9szet<\/em> c\u00edmmel.8<\/span><\/p>\n

A k\u00f6tet \u00f6n\u00e1ll\u00f3 m\u0171v\u00e9szi alkot\u00e1sokk\u00e9nt kezeli a t\u00e1rgyalt modern \u00e9p\u00edt\u00e9szeti f\u00e9nyk\u00e9peket, amelyek egyr\u00e9szt szorosan k\u00f6t\u0151dnek magukhoz az \u00e1br\u00e1zolt \u00e9p\u00fcletekhez, m\u00e1sr\u00e9szt tan\u00faskodnak a modern fotogr\u00e1fi\u00e1b\u00f3l lesz\u0171rt tapasztalatokr\u00f3l is. A k\u00e9pek m\u00e1r a saj\u00e1t korukban \u00f6n\u00e1ll\u00f3 \u2013 az \u00e9p\u00fcletekt\u0151l f\u00fcggetlen \u2013 \u00e9letre keltek a m\u00e9dia, els\u0151sorban a nyomtatott szaksajt\u00f3 \u00e9s az \u00e9p\u00edt\u00e9szeti ki\u00e1ll\u00edt\u00e1sok r\u00e9v\u00e9n. \u00c9s b\u00e1r a kort\u00e1rs \u00e9p\u00edt\u00e9szek t\u00f6bbs\u00e9ge a megismer\u00e9s eszk\u00f6z\u00e9nek tartotta \u0151ket, m\u00e1r akkor l\u00e1tt\u00e1k, hogy a f\u00e9nyk\u00e9p \u2013 mint egy h\u00e1romdimenzi\u00f3s objektumr\u00f3l k\u00e9sz\u00edtett k\u00e9tdimenzi\u00f3s k\u00e9p \u2013 nem t\u00fckr\u00f6zi pontosan a val\u00f3s\u00e1got: \u201etorz\u00edt\u201d, hangs\u00falyokat tol el, kiemel, illetve elfed. M\u00e9gis, a f\u00e9nyk\u00e9p volt a korszakban a leghat\u00e9konyabb eszk\u00f6z a modern \u00e9p\u00edt\u00e9szet elterjeszt\u00e9s\u00e9re szerte a vil\u00e1gban. A F\u00e9ny \u00e9s Forma<\/em> mint c\u00edm \u00edgy nem v\u00e9letlen\u00fcl id\u00e9zi a korszak legjelent\u0151sebb magyar \u00e9p\u00edt\u00e9szeti szaklapj\u00e1nak, a T\u00e9r \u00e9s Form\u00e1<\/em>nak az elnevez\u00e9s\u00e9t, hiszen finoman utal arra a szoros kapcsolatra, amely abban az id\u0151ben az \u00e9p\u00edt\u00e9szeti f\u00e9nyk\u00e9pez\u00e9st \u00e9s a szaksajt\u00f3t \u00f6sszek\u00f6t\u00f6tte. A k\u00f6nyv k\u00e9panyag\u00e1nak j\u00f3r\u00e9sze fellelhet\u0151 a Bierbauer Virgil<\/span> szerkesztette T\u00e9r \u00e9s Forma<\/em> 1928-t\u00f3l megjelen\u0151 lapsz\u00e1maiban.<\/p>\n

A n\u00e9z\u0151 sok esetben fedezhet fel a k\u00f6tetben ma is \u00e9p\u00edtett k\u00f6rnyezet\u00fcnk r\u00e9sz\u00e9t k\u00e9pez\u0151 korabeli \u00e9p\u00fcleteket, amelyeknek egy a ma ismertt\u0151l elt\u00e9r\u0151 k\u00e9p\u00e9t mutatj\u00e1k a f\u00e9nyk\u00e9pek. M\u00e9g kor\u00e1bbi id\u0151szakba vezet vissza az Architektur im Ringturm<\/em> id\u0151ben harmadik \u00e9s ugyancsak fotogr\u00e1fi\u00e1kra \u00e9p\u00edt\u0151 magyar vonatkoz\u00e1s\u00fa ki\u00e1ll\u00edt\u00e1sa, amely a T\u00e9r \u00e9s t\u00e1rsadalom a dunai metropoliszokban: B\u00e9cs \u00e9s Budapest \u00b7 A dualizmus kor\u00e1ban<\/em> c\u00edmet viselte.9<\/span> A t\u00e1rlatot B\u00e9cs ut\u00e1n, Budapesten, a V\u00e1rkert Baz\u00e1rban is bemutatt\u00e1k:10<\/span> a kur\u00e1tor a Ringturm r\u00e9sz\u00e9r\u0151l Adolph Stiller,<\/span> magyar r\u00e9szr\u0151l Tam\u00e1ska M\u00e1t\u00e9,<\/span> az \u00e9p\u00edt\u00e9szet \u00e9s t\u00e1rsadalom kapcsolat\u00e1val is foglalkoz\u00f3 szociol\u00f3gus volt, a szakmai koncepci\u00f3 kialak\u00edt\u00e1s\u00e1ban Szab\u00f3 Csaba<\/span> is r\u00e9szt vett. A ki\u00e1ll\u00edt\u00e1shoz kapcsol\u00f3d\u00f3 k\u00e9tnyelv\u0171 (n\u00e9met\u2013magyar) k\u00f6tet szerz\u0151je Tam\u00e1ska M\u00e1t\u00e9.11<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

7<\/p>\n

Ld. t\u00f6bbek k\u00f6z\u00f6tt: Colomina, Beatriz: Privacy and Publicity: Modern Architecture as Mass Media.<\/em> Cambridge, Massachusetts\u2013London, England: The MIT Press, 1996; Elwall, Robert: Building with Light: The International History of Architectural Photography.<\/em> London\u2013New York: Merrell Publishers, 2004; Elwall, Robert \u2013 Carullo, Valeria: Framing Modernism: Architecture and Photography in Italy 1926\u20131965.<\/em> London: Estorick Foundation, 2009; Zimmerman, Claire: Photographic Architecture in the Twentieth Century.<\/em> Minneapolis\u2013London: University of Minnesota Press, 2014<\/p>\n

8<\/p>\n

In: Cs. Plank Ibolya \u2013 Hajd\u00fa Vir\u00e1g \u2013 Rito\u00f3k P\u00e1l: i.m., 44\u201365.<\/p>\n

9<\/p>\n

Donaumetropolen Wien \u2022 Budapest. Stadtr\u00e4ume der Gr\u00fcnderzeit,<\/em> Ausstellungszentrum der Vienna Insurance Group, B\u00e9cs, 2015. \u00e1prilis 21 \u2013 j\u00fanius 5., ld. \/\/www.vig.com\/de\/presse\/architektur-im-ringturm\/<\/a><\/p>\n

10<\/p>\n

T\u00e9r \u00e9s t\u00e1rsadalom a dunai metropoliszokban: B\u00e9cs \u00e9s Budapest \u2022 A dualizmus kor\u00e1ban,<\/em> V\u00e1rkert Baz\u00e1r, Budapest, 2016. febru\u00e1r 24 \u2013 m\u00e1jus 29.<\/p>\n

11<\/p>\n

Tam\u00e1ska M\u00e1t\u00e9: Donaumetropolen: Wien Budapest \u2022 Stadtr\u00e4ume der Gr\u00fcnderzeit \/ T\u00e9r \u00e9s t\u00e1rsadalom a dunai metropoliszokban: B\u00e9cs \u00e9s Budapest \u2022 A dualizmus kor\u00e1ban.<\/em> Salzburg\u2013Wien: M\u00fcry Salzmann Verlag, 2015<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6062″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kl\u00f6sz Gy\u00f6rgy (fot\u00f3): Az Erzs\u00e9bet k\u00f6r\u00fat a R\u00e1k\u00f3czi (Kerepesi) \u00fat fel\u0151l n\u00e9zve, el\u0151t\u00e9rben a Doh\u00e1ny utca keresztez\u0151d\u00e9se, 1894, Fortepan \/ Budapest F\u0151v\u00e1ros Lev\u00e9lt\u00e1ra. Lev\u00e9lt\u00e1ri jelzet: HU.BFL.XV.19.d.1.08.004<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A B\u00e9cs \u2013 Budapest \u00f6sszehasonl\u00edt\u00e1soknak hossz\u00fa a hagyom\u00e1nya: m\u00e1r a dualizmus kor\u00e1ban is jellemz\u0151 volt. A kiegyez\u00e9s ut\u00e1n Pest-Buda tudatosan \u00e9p\u00edtette a monarchia m\u00e1sodik f\u0151v\u00e1rosa k\u00e9pet, s fellend\u00fclt \u00e9p\u00edt\u0151tev\u00e9kenys\u00e9g\u00e9vel B\u00e9ccsel is versenyre k\u00edv\u00e1nt kelni. Az \u00f6sszehasonl\u00edt\u00e1sok alapj\u00e1t \u00e9rtelemszer\u0171en az a politikai szitu\u00e1ci\u00f3 \u00e9s t\u00f6rt\u00e9nelmi k\u00f6zeg adja, amelyben B\u00e9cs \u00e9s Budapest mint a monarchia k\u00e9t legfontosabb v\u00e1rosa fejl\u0151d\u00f6tt. Ugyanakkor a k\u00e9t v\u00e1ros \u00e9p\u00edt\u00e9szet\u00e9nek alakul\u00e1sa is sz\u00e1mos ponton metszi egym\u00e1st: magyar \u00e9p\u00edt\u00e9szek tanultak n\u00e9met nyelvter\u00fcleten, osztr\u00e1k \u00e9s magyar \u00e9p\u00edt\u0151m\u0171v\u00e9szek dolgoztak szerte a r\u00e9gi\u00f3ban, illetve a magyar nyelv\u0171 szaklapok nagyobb t\u00e9rh\u00f3d\u00edt\u00e1s\u00e1ig ugyanazt a szaksajt\u00f3t olvast\u00e1k. A tudom\u00e1nyos kutat\u00e1s is m\u00e1r t\u00f6bb \u00e9vtizede foglalkozik B\u00e9cs \u00e9s Budapest \u00e9p\u00edt\u00e9szet\u00e9nek p\u00e1rhuzamos vizsg\u00e1lat\u00e1val, ennek jelent\u0151s r\u00e9sz\u00e9re Tam\u00e1ska is hivatkozik a k\u00f6tet bibliogr\u00e1fi\u00e1j\u00e1ban.12<\/span><\/p>\n

A 19. sz\u00e1zad m\u00e1sodik fel\u00e9nek nagyar\u00e1ny\u00fa v\u00e1ros\u00e9p\u00edt\u00e9szeti programjai \u2013 ld. Budapesten az Andr\u00e1ssy \u00fat, a Nagyk\u00f6r\u00fat \u00e9s a Duna parti palotasor ki\u00e9p\u00edt\u00e9se \u2013 egybeestek a fotogr\u00e1fia fejl\u0151d\u00e9s\u00e9vel, amely \u00e1lland\u00f3 t\u00e1rgy\u00e1v\u00e1 tette a v\u00e1ros \u00e9s az \u00e9p\u00edtett k\u00f6rnyezet v\u00e1ltoz\u00e1sait. \u00cdgy B\u00e9cset \u00e9s Budapestet is folyamatosan dokument\u00e1lt\u00e1k a korszak \u00e9p\u00edt\u00e9szeti, illetve v\u00e1rosfotogr\u00e1fi\u00e1ra szakosodott f\u00e9nyk\u00e9p\u00e9szei, f\u00e9nyk\u00e9p\u00e9szeti st\u00fadi\u00f3i. Ugyan a fotogr\u00e1fusokra k\u00fcl\u00f6n nem t\u00e9r ki a szerz\u0151, de a k\u00e9pal\u00e1\u00edr\u00e1sokban megtal\u00e1lhat\u00f3k a korszak nagy nevei, \u00edgy Budapesthez kapcsol\u00f3d\u00f3an Kl\u00f6sz Gy\u00f6rgy, Kozmata Ferenc, Erd\u00e9lyi M\u00f3r<\/span> \u00e9s Weinwurm Antal<\/span>. A Ringturm kiadv\u00e1nya a korszak fot\u00f3sai \u00e1ltal l\u00e9trehozott \u00f3ri\u00e1si k\u00e9panyagra \u00e9p\u00edt, \u00e9s v\u00e1llaltan olyan p\u00e1rhuzamokat \u00e1ll\u00edt a f\u00f3kuszba, amelyeket B\u00e9cs\u2013Budapest k\u00e9pp\u00e1rokon kereszt\u00fcl lehet l\u00e1tv\u00e1nyosan demonstr\u00e1lni. A k\u00e9pp\u00e1rokat a szerz\u0151 t\u00edz t\u00e9ma k\u00f6r\u00e9 csoportos\u00edtotta. A t\u00e9m\u00e1k a 19. sz\u00e1zad m\u00e1sodik fele v\u00e1rosfejl\u0151d\u00e9s\u00e9nek olyan jellemz\u0151i k\u00f6z\u00e9 tartoznak, mint amilyen a zegzugos \u00f3don utcah\u00e1l\u00f3zatot felv\u00e1lt\u00f3 k\u00f6rutak, a nagyv\u00e1rosokat igaz\u00e1n naggy\u00e1 tev\u0151 vas\u00fat, a k\u00fclv\u00e1rosi gy\u00e1rtelepek\u00e9rt felel\u0151s iparosod\u00e1s, a nagyv\u00e1rosban pihenni v\u00e1gy\u00f3knak nyugalmat ad\u00f3 parkok vagy a korszakra jellemz\u0151 lak\u00f3h\u00e1zt\u00edpusok.<\/p>\n

A t\u00edz t\u00e9m\u00e1t egy-egy r\u00f6vid sz\u00f6veges bevezet\u0151 ut\u00e1n csak maguk a fot\u00f3k, illetve a fot\u00f3kat k\u00eds\u00e9r\u0151 r\u00f6vid ismeretterjeszt\u0151 sz\u00f6vegek dolgozz\u00e1k fel. B\u00e1r a form\u00e1tum \u00e9s a v\u00e1lasztott illusztr\u00e1l\u00e1si m\u00f3d ugyan nem tette lehet\u0151v\u00e9, hogy a szerz\u0151 tudom\u00e1nyos ig\u00e9nnyel \u00e9s nagyobb terjedelemben mutassa be a k\u00e9t Duna menti metropolisz kapcsol\u00f3d\u00e1si pontjait, illetve elt\u00e9r\u0151 saj\u00e1toss\u00e1gait, a gazdag illusztr\u00e1ci\u00f3s anyag azonban \u00edgy is \u00e9rdekes p\u00e1rhuzamokra \u00e9s ellent\u00e9tekre mutat r\u00e1. Az egyes f\u00e9nyk\u00e9pek p\u00e1rba \u00e1ll\u00edt\u00e1s\u00e1t sokr\u00e9t\u0171 szempontrendszer szerint magyar\u00e1zhatjuk, amely ugyan nem konzisztens, de tal\u00e1n \u00e9pp emiatt ad lehet\u0151s\u00e9get a legk\u00fcl\u00f6nf\u00e9l\u00e9bb asszoci\u00e1ci\u00f3kra. \u00c9p\u00fclett\u00edpusok, stilisztikai elemek, v\u00e1rosrendez\u00e9si elvek, de a fot\u00f3s v\u00e1lasztott n\u00e9z\u0151pontjai \u00e9s k\u00e9pszerkeszt\u00e9si elvei is alapul szolg\u00e1ltak a felv\u00e9telek p\u00e1ros\u00edt\u00e1s\u00e1hoz. A gazdag k\u00e9panyag Budapest F\u0151v\u00e1ros Lev\u00e9lt\u00e1ra, a Kiscelli M\u00fazeum \u00e9s a Wien Museum gy\u0171jtem\u00e9ny\u00e9b\u0151l sz\u00e1rmazik; s a lev\u00e9lt\u00e1ri anyag j\u00f3 r\u00e9sz\u00e9t a Fortepan m\u00e1r az interneten is k\u00f6zz\u00e9- \u00e9s sz\u00e9les k\u00f6rben ismertt\u00e9 tette.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

12<\/p>\n

Ld. t\u00f6bbek k\u00f6z\u00f6tt: Csendes, Peter \u2013 Sipos Andr\u00e1s (Hg.): Budapest und Wien. Technischer Fortschritt und urbaner Aufschwung im 19. Jahrhundert.<\/em> Budapest\u2013Wien: Archiv der Hauptstadt Budapest \u2013 Wiener Stadt- und Landesarchiv, 2003. Magyar kiad\u00e1sa: B\u00e9cs \u2013 Budapest. M\u0171szaki halad\u00e1s \u00e9s v\u00e1rosfejl\u0151d\u00e9s a 19. sz\u00e1zadban.<\/em> Budapest\u2013B\u00e9cs: Budapest F\u0151v\u00e1ros Lev\u00e9lt\u00e1ra \u2013 B\u00e9csi V\u00e1rosi \u00e9s Tartom\u00e1nyi Lev\u00e9lt\u00e1r, 2005<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6064″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

G\u00e1doros Lajos \u00e9s N\u00e9meth Istv\u00e1n (\u00e9p\u00edt\u00e9szek): A Br\u00fcsszeli Vil\u00e1gki\u00e1ll\u00edt\u00e1s magyar pavilonja,<\/em> Br\u00fcsszel, 1957\u201358, Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Kev\u00e9sb\u00e9 ismert k\u00e9panyagot t\u00e1r a k\u00f6z\u00f6ns\u00e9g el\u00e9 a Ringturm k\u00e9t tov\u00e1bbi magyar vonatkoz\u00e1s\u00fa t\u00e1rlata, amelyek szakemberg\u00e1rda, koncepci\u00f3 \u00e9s gy\u0171jtem\u00e9nyi h\u00e1tt\u00e9r szempontj\u00e1b\u00f3l a legk\u00f6zelebb \u00e1llnak egym\u00e1shoz. A k\u00e9t ki\u00e1ll\u00edt\u00e1s az Ungarn: Bauten der Aufbruchszeit, 1945\u201360 \/ Hungary: Architecture in the Era of Awakening, 1945\u201360<\/em>13<\/span> \u00e9s az Ungarn: Architektur der langen 1960er Jahre \/ Hungary: Architecture of the Long 1960s<\/em> c\u00edmet kapta. Mindk\u00e9t t\u00e1rlathoz azonos c\u00edm\u0171 kiadv\u00e1ny jelent meg k\u00e9t nyelven, n\u00e9met\u00fcl \u00e9s angolul.14<\/span> Kur\u00e1tork\u00e9nt \u00e9s katal\u00f3gusszerkeszt\u0151k\u00e9nt mindk\u00e9t esetben Adolph Stiller szerepelt, de a szakmai h\u00e1tteret magyar r\u00e9szr\u0151l a t\u00e1rskur\u00e1tork\u00e9nt, szerz\u0151k\u00e9nt vagy k\u00f6zrem\u0171k\u00f6d\u0151k\u00e9nt megjel\u00f6lt szakemberg\u00e1rda, a Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum egykori munkat\u00e1rsai, Feh\u00e9rv\u00e1ri Zolt\u00e1n, Hadik Andr\u00e1s<\/span> \u00e9s Prakfalvi Endre<\/span> m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9szek ny\u00fajtott\u00e1k. Szerz\u0151k\u00e9nt az els\u0151 k\u00f6tethez hozz\u00e1j\u00e1rult m\u00e9g Branczik M\u00e1rta<\/span> m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz, a Kiscelli M\u00fazeum \u00c9p\u00edt\u00e9szeti Gy\u0171jtem\u00e9ny\u00e9nek vezet\u0151je, a m\u00e1sodik k\u00f6tethez pedig Szeg\u0151 Gy\u00f6rgy<\/span> \u00e9p\u00edt\u00e9sz, a M\u0171csarnok jelenlegi igazgat\u00f3ja.<\/p>\n

A Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum alap\u00edt\u00e1s\u00e1t\u00f3l (1968) kezdve gy\u0171jti \u00e9s feldolgozza a magyar \u00e9p\u00edt\u00e9szetre vonatkoz\u00f3 el\u00e9rhet\u0151 forr\u00e1sokat \u00e9s hagyat\u00e9kokat f\u00fcggetlen\u00fcl eszt\u00e9tikai, politikai vagy ideol\u00f3giai megfontol\u00e1sokt\u00f3l. Ennek k\u00f6sz\u00f6nhet\u0151en a m\u00fazeum gy\u0171jtem\u00e9nye az 1945 ut\u00e1ni \u00e9p\u00edt\u00e9szet k\u00fcl\u00f6nb\u00f6z\u0151 tendenci\u00e1ira vonatkoz\u00f3an is igen gazdag. A m\u00fazeum az \u00fan. hossz\u00fa hatvanas \u00e9vekkel kapcsolatos \u00e9p\u00edt\u00e9szeti anyagokat is gy\u0171jt\u00f6tte, \u00edgy p\u00e9ld\u00e1ul G\u00e1doros Lajos, Vedres Gy\u00f6rgy, Szrogh Gy\u00f6rgy<\/span> \u00e9s P\u00e1zm\u00e1ndi Margit<\/span> hagyat\u00e9k\u00e1nak jelent\u0151s r\u00e9sze is beker\u00fclt a gy\u0171jtem\u00e9nybe. A korszak \u00e9p\u00edt\u00e9szett\u00f6rt\u00e9net\u00e9nek kutat\u00e1s\u00e1ban jelent\u0151s szerepet j\u00e1tszik a m\u00fazeum egykori munkat\u00e1rsa, Prakfalvi Endre m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz, akinek a szakmai ir\u00e1ny\u00edt\u00e1s\u00e1val m\u00e1r 1992-ben l\u00e9trej\u00f6hetett egy ki\u00e1ll\u00edt\u00e1s \u00e9s kapcsol\u00f3d\u00f3 kiadv\u00e1ny a modern \u00e9s szocre\u00e1l \u00e9p\u00edt\u00e9szetr\u0151l \u00c9p\u00edt\u00e9szet \u00e9s tervez\u00e9s Magyarorsz\u00e1gon 1945\u20131956<\/em> c\u00edmmel.15<\/span> Majd a m\u00fazeum egy b\u0151v\u00edtett katal\u00f3gust jelentetett meg 1996-ban, amely m\u00e1r a magyar \u00e9p\u00edt\u00e9szet 1945 \u00e9s 1959 k\u00f6z\u00f6tti eredm\u00e9nyeit tekintette \u00e1t.16<\/span> Ennek folytat\u00e1sak\u00e9nt sz\u00fcletett meg 2006-ban a Modern \u00e9s szocre\u00e1l: \u00c9p\u00edt\u00e9szet \u00e9s tervez\u00e9s Magyarorsz\u00e1gon 1945\u20131959<\/em> c\u00edm\u0171 tanulm\u00e1nyk\u00f6tet, amely az azonos c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1snak volt k\u00eds\u00e9r\u0151 kiadv\u00e1nya.17<\/span><\/p>\n

Az Adolph Stiller gondoz\u00e1s\u00e1ban megjelent, 1945\u201360 k\u00f6z\u00f6tti magyar \u00e9p\u00edt\u00e9szetet \u00e1ttekint\u0151 k\u00f6tet tulajdonk\u00e9ppen ez ut\u00f3bbi, 2006-ban megjelent k\u00f6nyv idegen nyelvre ford\u00edtott, n\u00e9h\u00e1ny fejezetet elhagy\u00f3 v\u00e1ltozata. Hadik Andr\u00e1s kifejezetten a Ringturm kiadv\u00e1nya el\u00e9 \u00edrott bevezet\u0151je ut\u00e1n a korszak \u00e9p\u00edt\u00e9szet\u00e9nek periodiz\u00e1ci\u00f3s v\u00e1zlata \u00e9s h\u00e1rom \u00e9p\u00fclet \u2013 az Erzs\u00e9bet t\u00e9ri M\u00c1VAUT buszp\u00e1lyaudvar (1948\u201349), a Pann\u00f3nia Filmst\u00fadi\u00f3 Szinkronm\u0171terme (1952\u201354) \u00e9s a Si\u00f3foki Meteorol\u00f3giai Obszervat\u00f3rium \u00e9s Viharjelz\u0151 \u00c1llom\u00e1s (1954\u201356) \u2013 elemz\u00e9se k\u00f6vetkezik (szerz\u0151k: Branczik M\u00e1rta, Feh\u00e9rv\u00e1ri Zolt\u00e1n \u00e9s Prakfalvi Endre). A 2006-os k\u00f6tetb\u0151l ugyan hi\u00e1nyzik, de a Ringturm kiadv\u00e1ny\u00e1ba beker\u00fclt Hadik Andr\u00e1s tanulm\u00e1nya a nemzeti hagyom\u00e1nyok 1940-es \u00e9s 1950-es \u00e9vek magyar \u00e9p\u00edt\u00e9szet\u00e9re gyakorolt hat\u00e1s\u00e1r\u00f3l. A hossz\u00fa hatvanas \u00e9vek \u00e9p\u00edt\u00e9szet\u00e9r\u0151l sz\u00f3l\u00f3 k\u00f6tetben a korszakr\u00f3l sz\u00f3l\u00f3 \u00e1ttekint\u00e9s m\u00e1r egy nagyobb terjedelm\u0171, gazdag r\u00e9szletezetts\u00e9g\u0171 \u00edr\u00e1s Prakfalvi Endr\u00e9t\u0151l, akinek ez a munk\u00e1ja szint\u00e9n nem el\u0151zm\u00e9ny n\u00e9lk\u00fcli, hiszen \u00e1tdolgozott verzi\u00f3ja a szerz\u0151 egyik 2004-es tanulm\u00e1ny\u00e1nak.18<\/span> Az elemz\u00e9st Szeg\u0151 Gy\u00f6rgy v\u00e1logat\u00e1sa k\u00f6veti, amelyben \u2013 t\u00f6bbek k\u00f6z\u00f6tt \u2013 Zalav\u00e1ry Lajos, Guly\u00e1s Zolt\u00e1n, Finta J\u00f3zsef, Szrogh Gy\u00f6rgy, Makovecz Imre, Csaba L\u00e1szl\u00f3<\/span> \u00e9s B\u00e1n Ferenc<\/span> egyes \u00e9p\u00fcleteinek r\u00f6vid bemutat\u00e1sa szerepel; v\u00e9g\u00fcl pedig Feh\u00e9rv\u00e1ri Zolt\u00e1n \u00f6sszegz\u0151 \u00edr\u00e1sa K\u00e1rolyi Mih\u00e1ly mauz\u00f3leum\u00e1r\u00f3l (1963).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

13<\/p>\n

Ungarn: Bauten der Aufbruchszeit.<\/em> Ausstellungszentrum der Vienna Insurance Group, B\u00e9cs, 2014. m\u00e1rcius 26 \u2013 m\u00e1jus 2. \/\/www.vig.com\/de\/presse\/architektur-im-ringturm\/detail\/ungarn-bauten-der-aufbruchszeit.html<\/a><\/p>\n

14<\/p>\n

Stiller, Adolph (Hg.\/Ed.): Ungarn: Bauten der Aufbruchszeit, 1945\u201360 \/ Hungary: Architecture in the Era of Awakening, 1945\u201360.<\/em> Salzburg\u2013Wien: M\u00fcry Salzmann Verlag, 2014; Stiller, Adolph (Hg.\/Ed.): Ungarn: Architektur der langen 1960er Jahre \/ Hungary: Architecture of the Long 1960s.<\/em> Salzburg\u2013Wien: M\u00fcry Salzmann Verlag, 2017<\/p>\n

15<\/p>\n

Prakfalvi Endre (szerk.): \u00c9p\u00edt\u00e9szet \u00e9s tervez\u00e9s Magyarorsz\u00e1gon 1945\u20131956 \/ Architecture and Planning in Hungary 1945\u20131956.<\/em> Budapest: Orsz\u00e1gos M\u0171eml\u00e9kv\u00e9delmi Hivatal \u2013 Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum, 1992<\/p>\n

16<\/p>\n

Prakfalvi Endre \u2013 Hajd\u00fa Vir\u00e1g (szerk.): \u00c9p\u00edt\u00e9szet \u00e9s tervez\u00e9s Magyarorsz\u00e1gon 1945\u20131959 \/ Architecture and Planning in Hungary 1945\u20131959.<\/em> Budapest: Orsz\u00e1gos M\u0171eml\u00e9kv\u00e9delmi Hivatal \u2013 Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum, 1996<\/p>\n

17<\/p>\n

Feh\u00e9rv\u00e1ri Zolt\u00e1n \u2013 Hajd\u00fa Vir\u00e1g \u2013 Prakfalvi Endre (szerk.): Modern \u00e9s szocre\u00e1l: \u00c9p\u00edt\u00e9szet \u00e9s tervez\u00e9s Magyarorsz\u00e1gon 1945\u20131959.<\/em> Budapest: Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum, 2006<\/p>\n

18<\/p>\n

Prakfalvi Endre: A hatvanas \u00e9vek \u00e9p\u00edt\u00e9szet\u00e9r\u0151l. In: Rainer M. J\u00e1nos (szerk.): Hatvanas \u00e9vek Magyarorsz\u00e1gon.<\/em> Budapest: 1956-os Int\u00e9zet, 2004, 474\u2013505.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6063″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

P\u00e1zm\u00e1ndi Margit (\u00e9p\u00edt\u00e9sz): Annabella Hotel,<\/em> Balatonf\u00fcred, 1965\u201368, Magyar \u00c9p\u00edt\u00e9szeti M\u00fazeum<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Mindk\u00e9t ki\u00e1ll\u00edt\u00e1s \u00e9s kapcsol\u00f3d\u00f3 k\u00f6tet f\u0151 c\u00e9lja az volt, hogy nemzetk\u00f6zi \u00e9rdekl\u0151d\u00e9st keltsen a korszak magyar \u00e9p\u00edt\u00e9szete ir\u00e1nt. Ugyanakkor rendk\u00edv\u00fcl vesz\u00e9lyeztetett \u00e9p\u00fclet\u00e1llom\u00e1nyr\u00f3l van sz\u00f3, amelyet az ut\u00f3kor nagy \u00e1ltal\u00e1noss\u00e1gban m\u00e9g mindig nem tart kell\u0151en \u00e9rt\u00e9kesnek, s \u00edgy ezek az \u00e9p\u00fcletek m\u00e9g gyakrabban esnek a bont\u00e1s \u00e1ldozat\u00e1v\u00e1. Elfogadtat\u00e1sukban sokat seg\u00edthetnek a korabeli \u00e1llapotokat t\u00fckr\u00f6z\u0151 \u00e9p\u00edt\u00e9szeti fotogr\u00e1fi\u00e1k, amelyekb\u0151l mindk\u00e9t kiadv\u00e1ny igen gazdag v\u00e1logat\u00e1st k\u00f6z\u00f6l. A felv\u00e9telek az \u00e9p\u00fcleteknek a mait\u00f3l n\u00e9mileg elt\u00e9r\u0151 arc\u00e1t mutatj\u00e1k, amelynek oka egyr\u00e9szt a profi fot\u00f3sok k\u00e9pkompon\u00e1l\u00e1si k\u00e9pess\u00e9g\u00e9ben rejlik, m\u00e1sr\u00e9szt felmutatj\u00e1k azt az \u00e1llapotot, ami m\u00e9g mentes volt az az\u00f3ta r\u00e1rak\u00f3dott toldal\u00e9kokt\u00f3l, eltorz\u00edt\u00e1sokt\u00f3l \u00e9s szakszer\u0171tlen, illetve az eszt\u00e9tikai szempontokat figyelembe nem vev\u0151 \u201ejav\u00edt\u00e1sokt\u00f3l\u201d. Teh\u00e1t igaz ugyan, hogy a f\u00e9nyk\u00e9pek a lehet\u0151 legjobb \u201ef\u00e9nyben\u201d \u00e1br\u00e1zolj\u00e1k ezeket az \u00e9p\u00fcleteket, m\u00e9gsem rugaszkodnak el a korabeli val\u00f3s\u00e1gt\u00f3l. A gazdag \u00e9s \u00e9lvonalbeli fotogr\u00e1fiai anyag k\u00fcl\u00f6n elemz\u00e9st \u00e9rdemelne, amely tal\u00e1n egy m\u00e1sik k\u00f6tet t\u00e1rgya lehet a j\u00f6v\u0151ben. Jelen kiadv\u00e1nyoknak nem volt c\u00e9lja a fot\u00f3anyag t\u00e1rgyal\u00e1sa, \u00edgy az mind\u00f6ssze illusztrat\u00edv, de igen szuggeszt\u00edv szerepet t\u00f6lt be. Mindenesetre helyenk\u00e9nt hi\u00e1nyolhat\u00f3 a fot\u00f3sok nev\u00e9nek megjel\u00f6l\u00e9se, illetve n\u00e9h\u00e1ny sz\u00f3 erej\u00e9ig t\u00f6rt\u00e9n\u0151 eml\u00edt\u00e9se.<\/p>\n

A Ringturm k\u00e9t ki\u00e1ll\u00edt\u00e1sa az \u00c9p\u00edt\u00e9szeti M\u00fazeumban \u00e9vtizedek alatt felgy\u00fclemlett szakmai tud\u00e1sr\u00f3l \u00e9s \u00e9p\u00edt\u00e9szeti vonatkoz\u00e1s\u00fa m\u0171t\u00e1rgy anyagr\u00f3l tesz tan\u00fabizonys\u00e1got. A tudom\u00e1nyos ig\u00e9ny\u0171, de a nagyk\u00f6z\u00f6ns\u00e9g \u00e9rdekl\u0151d\u00e9s\u00e9re is sz\u00e1mot tart\u00f3, k\u00f6z\u00e9rthet\u0151 nyelven meg\u00edrt k\u00f6tetek jelen esetben els\u0151sorban a k\u00fclf\u00f6ldi k\u00f6z\u00f6ns\u00e9get c\u00e9lozt\u00e1k meg. N\u00e9met \u00e9s angol nyelv\u0171 kiadv\u00e1nyk\u00e9nt referencia olvasm\u00e1nyk\u00e9nt szolg\u00e1lhatnak a nemzetk\u00f6zi szakmai k\u00f6zeg sz\u00e1m\u00e1ra, de magyar nyelv\u0171 kiad\u00e1s hi\u00e1ny\u00e1ban a hazai k\u00f6z\u00f6ns\u00e9g el\u00e9r\u00e9s\u00e9re nem lehet sz\u00e1m\u00edtani. Hab\u00e1r az 1945\u201360 k\u00f6z\u00f6tti id\u0151szak t\u00e1rgyal\u00e1s\u00e1t a magyar k\u00f6z\u00f6ns\u00e9g megtal\u00e1lhatja a fent eml\u00edtett 2006-os, Modern \u00e9s szocre\u00e1l<\/em> c\u00edm\u0171 kiadv\u00e1nyban. A Magyar \u00c9p\u00edt\u0151m\u0171v\u00e9szek Sz\u00f6vets\u00e9ge id\u00e9n j\u00faliusban bemutatta a hossz\u00fa hatvanas \u00e9vek \u00e9p\u00edt\u00e9szet\u00e9r\u0151l sz\u00f3l\u00f3 ki\u00e1ll\u00edt\u00e1s tabl\u00f3it \u00d6tpacsirta utcai sz\u00e9kh\u00e1z\u00e1ban. A sz\u0171k h\u00e1rom hetes nyitva tart\u00e1s \u00e9s a ki\u00e1ll\u00edt\u00e1s teljes anyag\u00e1nak er\u0151sen limit\u00e1lt v\u00e1logat\u00e1sban t\u00f6rt\u00e9n\u0151 bemutat\u00e1sa nem tette lehet\u0151v\u00e9 a nagyk\u00f6z\u00f6ns\u00e9g sz\u00e1mottev\u0151 m\u00e9rt\u00e9kben val\u00f3 el\u00e9r\u00e9s\u00e9t, holott, l\u00e1tva a korszak \u00e9p\u00fcleteinek rohamos m\u00e9rt\u00e9k\u0171 pusztul\u00e1s\u00e1t, erre igen nagy sz\u00fcks\u00e9g lenne. \u00c9pp ez\u00e9rt volt fontos, hogy a t\u00e1rlatot id\u00e9n okt\u00f3berben, m\u00e9g ha csak b\u0151 t\u00edz napra is, de bemutatta a FUGA Budapesti \u00c9p\u00edt\u00e9szeti K\u00f6zpont.19<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

19<\/p>\n

Magyarorsz\u00e1g \u2013 a hossz\u00fa 60-as \u00e9vek \u00e9p\u00edt\u00e9szete.<\/em> FUGA Budapesti \u00c9p\u00edt\u00e9szeti K\u00f6zpont, 2017. okt\u00f3ber 2 \u2013 11. Ld. \/\/fuga.org.hu\/magyarorszag-a-hosszu-60-as-evek-epiteszete\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][vc_column_text]\n

Ungarn \u2013 Architektur der \u201elangen 1960er Jahre\u201c.<\/em> Ausstellungszentrum der Vienna Insurance Group, B\u00e9cs, 2017, ki\u00e1ll\u00edt\u00e1si enteri\u0151r | Fot\u00f3k: \u00a9 Richard Tanzer<\/p>\n[\/vc_column_text][image_with_animation image_url=”6065″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6067″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6071″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6072″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-8″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”6073″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

<\/i>