{"id":534,"date":"2017-02-02T20:53:56","date_gmt":"2017-02-02T19:53:56","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=534"},"modified":"2024-02-15T12:48:01","modified_gmt":"2024-02-15T11:48:01","slug":"szabadsag-a-hullamterben","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/szabadsag-a-hullamterben\/","title":{"rendered":"Szabads\u00e1g a hull\u00e1mt\u00e9rben"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Interferencia<\/em> | Fridvalszki Mark, Krist\u00f3f G\u00e1bor, K\u00fatv\u00f6lgyi-Szab\u00f3 \u00c1ron \u00e9s Szentesi Csaba ki\u00e1ll\u00edt\u00e1sa<\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Traf\u00f3 Gal\u00e9ria, Budapest
\n2016. december 16 \u2013 2017. janu\u00e1r 29.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Traf\u00f3 Gal\u00e9ria a fiatal magyar m\u0171v\u00e9szgener\u00e1ci\u00f3t \u00e1ll\u00edtja a figyelem k\u00f6z\u00e9ppontj\u00e1ba 2017 elej\u00e9n. E sorozat egyik epiz\u00f3djak\u00e9nt ny\u00edlt meg az Interferencia<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s is, melynek \u201etematikus f\u00f3kusza (\u2026) a magyar m\u0171v\u00e9szet egyik potenci\u00e1lis nagy narrat\u00edv\u00e1jak\u00e9nt k\u00edn\u00e1lkoz\u00f3 \u00faj absztrakt jelens\u00e9gekre koncentr\u00e1l\u201d. Fenyvesi \u00c1ron,<\/span> a ki\u00e1ll\u00edt\u00e1s kur\u00e1tora e szempont alapj\u00e1n Fridvalszki Mark, Krist\u00f3f G\u00e1bor, K\u00fatv\u00f6lgyi-Szab\u00f3 \u00c1ron<\/span> \u00e9s Szentesi Csaba<\/span> alkot\u00e1sait \u00e1ll\u00edtotta ki a T\u0171zolt\u00f3 utc\u00e1ban.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”547″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

K\u00fatv\u00f6lgyi-Szab\u00f3 \u00c1ron: 4 perccel k\u00e9s\u0151bb oldaln\u00e9zetb\u0151l<\/em> (r\u00e9szlet). Interferencia,<\/em> Traf\u00f3 Gal\u00e9ria, 2016 | Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az Interferencia<\/em> mindent egybevetve j\u00f3l \u00f6sszerakott ki\u00e1ll\u00edt\u00e1s. Tal\u00e1n egyed\u00fcl Szentesi Csaba alkot\u00e1sainak er\u0151teljes, a roncsol\u00e1s \u2013 t\u00e9p\u00e9s-hajtogat\u00e1s-\u00e1tfest\u00e9s \u2013 gesztus\u00e1ra \u00e9p\u00fcl\u0151 karaktere t\u00e9r el a m\u00e1sik h\u00e1rom ki\u00e1ll\u00edt\u00f3 sterilebb, geometrikus elemekb\u0151l \u00e9p\u00edtkez\u0151 formavil\u00e1g\u00e1t\u00f3l. De m\u00e9g ezt a \u201ezavar\u00f3 t\u00e9nyez\u0151t\u201d is \u2013 melyet ak\u00e1r a ki\u00e1ll\u00edt\u00e1s kur\u00e1tora bele is kalkul\u00e1lhatott az \u00f6sszk\u00e9pbe \u2013 j\u00f3l ellens\u00falyozza a bemutat\u00f3n szerepl\u0151 alkot\u00e1sok asszambl\u00e1zs jellege. V\u00e9lhet\u0151en ez az alkot\u00f3i gyakorlat volt az, amely e n\u00e9gy m\u0171v\u00e9sz kiv\u00e1laszt\u00e1s\u00e1nak alapvet\u0151 szempontj\u00e1ul szolg\u00e1lt. Hisz j\u00f3l l\u00e1that\u00f3an a ki\u00e1ll\u00edt\u00f3k mindegyike \u201egy\u0171jt\u00f6get\u0151\u201d \u00e9letm\u00f3dot folytat: Fridvalszki Mark a \u201ekiberkultur\u00e1lis g\u0151z\u00f6k, g\u00e1zok \u00e9s f\u00f3bi\u00e1k\u201d (Nemes Z. M\u00e1ri\u00f3) archeol\u00f3gusa, Krist\u00f3f G\u00e1bor selejt nyom\u00f3k\u00f6penyeket hasznos\u00edt \u00fajra, K\u00fatv\u00f6lgyi-Szab\u00f3 \u00c1ron \u201ek\u00f3dfejt\u0151k\u00e9nt\u201d (\u0150ze Eszter) vizsg\u00e1lja a tud\u00e1s hozz\u00e1f\u00e9rhet\u0151s\u00e9g\u00e9t, t\u00e1r fel r\u00e9g ber\u00f6gz\u00fclt viselked\u00e9snorm\u00e1kat \u00e9s azok t\u00e1rgyi lenyomatait, Szentesi Csaba pedig prepar\u00e1lt pap\u00edrlapokb\u00f3l r\u00e9tegezi k\u00e9peit.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”10″][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si l\u00e1tk\u00e9p Szentesi Csaba m\u0171veivel. Interferencia,<\/em> Traf\u00f3 Gal\u00e9ria, 2016\u00a0| Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”10″][vc_gallery type=”flexslider_style” images=”1132,1131,1130,1152″ onclick=”link_image” img_size=”full”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]B\u00e1r a ki\u00e1ll\u00edt\u00e1s layout-ja a neoavantg\u00e1rd geometrikus, illetve strukt\u00faraelv\u0171 tendenci\u00e1ival \u00e1ll\u00edtja p\u00e1rhuzamba m\u0171v\u00e9szet\u00fcket, alkot\u00f3i m\u00f3dszer\u00fckre csak bajosan lehet alkalmazni az absztrakci\u00f3, vagy ak\u00e1r a konstrukci\u00f3 fogalm\u00e1t. A dekonstru\u00e1l\u00e1s aktusa jellemz\u0151 ink\u00e1bb ezekre a munk\u00e1kra. M\u0171v\u00e9szet\u00fck m\u00e1r semmilyen form\u00e1ban sem k\u00edv\u00e1nja Clement Greenbergnek a nyelvi tartalom \u00e9s a k\u00e9p grammatik\u00e1j\u00e1t sz\u00e9tv\u00e1laszt\u00f3 krit\u00e9riumait betartani, vagy Rosalind Krauss-nak a vizu\u00e1lis m\u0171v\u00e9szetek \u00e9s a nyelv k\u00f6z\u00e9 h\u00fazott r\u00e1cs (grid) elm\u00e9let\u00e9nek megfelelni. \u00c9pp ellenkez\u0151leg: arra t\u00f6rekednek, hogy a k\u00f6rnyezet\u00fcnkben fellelhet\u0151 mechanikus, geometrikus vagy \u00e9pp algoritmikus rendszerek eredend\u0151en steril komponenseit kutass\u00e1k, melyekb\u0151l n\u00e9mik\u00e9pp az eredeti funkci\u00f3ra is visszautal\u00f3, de alapvet\u0151en \u00faj vizu\u00e1lis min\u0151s\u00e9get hozzanak l\u00e9tre. Ez a rel\u00e1ci\u00f3eszt\u00e9tika egy\u00e1ltal\u00e1n nincs h\u00edj\u00e1n a verb\u00e1lis, pr\u00f3zai, esetleg irodalmi utal\u00e1soknak. Megl\u00e9v\u0151, k\u00e9szen tal\u00e1lt t\u00e1rgyi, fogalmi vagy vizu\u00e1lis szennyez\u0151d\u00e9sekb\u0151l, maradv\u00e1nyokb\u00f3l, hib\u00e1kb\u00f3l dolgoznak. Munk\u00e1jukra alapvet\u0151en jellemz\u0151 egyfajta narrat\u00edv, epikus hangv\u00e9tel, melyt\u0151l t\u00e1vol \u00e1ll a klasszikus \u00e9s neoavantg\u00e1rd ir\u00e1nyzatok analitikus szeml\u00e9lete. A vizu\u00e1lis ter\u00fcletekre kiterjed\u0151 archeol\u00f3giai kutat\u00e1saik sor\u00e1n tal\u00e1lt anyagokb\u00f3l t\u00f6rt\u00e9n\u0151 \u00e9p\u00edtkez\u00e9sbe, a technikai eszk\u00f6z\u00f6k \u00e9s elj\u00e1r\u00e1sok k\u00f6z\u00f6tt fell\u00e9p\u0151 defektusok, digit\u00e1lis hib\u00e1k, esetleg az elhaszn\u00e1l\u00f3d\u00e1sb\u00f3l ered\u0151 \u00e1tmin\u0151s\u00fcl\u00e9s foglalkoztatja \u0151ket. C\u00e9ljuk a technol\u00f3gia \u00e9s a geometria rendszer\u00e9n bel\u00fcl bek\u00f6vetkez\u0151 vagy \u00e1h\u00edtott defektus vizu\u00e1lis l\u00e1that\u00f3v\u00e1 t\u00e9tele.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1154″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si l\u00e1tk\u00e9p K\u00fatv\u00f6lgyi-Szab\u00f3 \u00c1ron (el\u0151t\u00e9rben \u00e9s jobbra) \u00e9s Krist\u00f3f G\u00e1bor m\u0171v\u00e9vel (h\u00e1tt\u00e9rben). Interferencia,<\/em> Traf\u00f3 Gal\u00e9ria, 2016 | Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Szemben a klasszikus konstrukt\u00edv ir\u00e1nyzatokkal, ahol a rend \u00e9s egy idealiz\u00e1lt, ut\u00f3pisztikus vil\u00e1gk\u00e9p lebeg az alkot\u00f3 szeme el\u0151tt, e m\u0171vekben a rendszerben l\u00e9v\u0151 hiba, vagy \u00e9pp az interferencia ok\u00e1n bek\u00f6vetkez\u0151 vizu\u00e1lis zaj, \u00e1thall\u00e1s jelenti a m\u0171vek k\u00f6zponti szervez\u0151 erej\u00e9t. Krist\u00f3f G\u00e1bor elhaszn\u00e1l\u00f3dott nyom\u00f3k\u00f6penyei, Fridvalszki Mark be\u00e1gyazott xeroxai, K\u00fatv\u00f6lgyi-Szab\u00f3 \u00c1ron objektjei, valamint Szentesi Csaba t\u00e9pett, hajtott fel\u00fcletei egy-egy egzakt, kv\u00e1zi-objekt\u00edv rendszer defektusaira \u00e9p\u00fclnek. Ezzel a rendszerkritikus szem\u00e9let\u00fckkel \u00e9s gyakorlatukkal ugyanakkor a teljess\u00e9gre, az \u00e1ltal\u00e1nosra k\u00e9rdeznek r\u00e1, m\u00edg alkot\u00f3i egy\u00e9nis\u00e9g\u00fck a h\u00e1tt\u00e9rben marad.<\/p>\n

Ami igaz\u00e1n \u00e9rdekess\u00e9 teszi ezeket a fiatal m\u0171v\u00e9szeket, az az anyaghoz f\u0171z\u0151d\u0151 kifinomult viszonyuk. A szimul\u00e1krumok \u00fajrahasznos\u00edt\u00e1s\u00e1val, friss konstell\u00e1ci\u00f3ba \u00e1ll\u00edt\u00e1sa nyom\u00e1n j\u00f6nnek l\u00e9tre alkot\u00e1saik. Ehhez elengedhetetlen\u00fcl sz\u00fcks\u00e9ges egyfajta anyagelv\u0171 gondolkod\u00e1s, mely az egyes komponenseket t\u00f6k\u00e9letes m\u00f3don szelekt\u00e1lja, roncsolja, faragja, but\u00edtja, vagy \u00e9ppen cizell\u00e1lja az alkot\u00e1s l\u00e9nyege \u00e9s eszt\u00e9tikuma szempontj\u00e1b\u00f3l. Az egyes komponensek egys\u00e9gbe illeszt\u00e9se sok esetben a felhaszn\u00e1lt anyag term\u00e9szet\u00e9hez k\u00f6thet\u0151, mely finom \u00e9rz\u00e9ket k\u00edv\u00e1n nemcsak az anyagv\u00e1laszt\u00e1sban, hanem az eredeti vizu\u00e1lis- vagy \u00e9pp t\u00e1rgyi k\u00f6rnyezet megv\u00e1laszt\u00e1s\u00e1ban is. Ez a \u201emateri\u00e1lis\u201d szeml\u00e9let a n\u00e9gy m\u0171v\u00e9sz \u201eel\u0151tt j\u00e1r\u00f3\u201d Kokesch \u00c1d\u00e1m vagy Kasz\u00e1s Attila tev\u00e9kenys\u00e9g\u00e9ben m\u00e1r karakteresen tetten \u00e9rhet\u0151.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1159″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

K\u00fatv\u00f6lgyi-Szab\u00f3 \u00c1ron: 4 perccel k\u00e9s\u0151bb oldaln\u00e9zetb\u0151l<\/em> (r\u00e9szlet). Interferencia,<\/em> Traf\u00f3 Gal\u00e9ria, 2016 | Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A n\u00e9gy m\u0171v\u00e9sz mot\u00edvumrendszere s a bel\u0151l\u00fck fel\u00e9p\u00fcl\u0151 alkot\u00e1sok j\u00f3l megfigyelhet\u0151en nem line\u00e1ris id\u0151szerkezetre \u00e9p\u00fclnek, hanem \u2013 s itt kanyarodunk vissza a m\u0171vek asszambl\u00e1zs jelleg\u00e9hez \u2013 t\u00f6bb id\u0151s\u00edkkal rendelkeznek. A benn\u00fck felbukkan\u00f3 egyes id\u0151f\u00e1zisok rendre \u00f6sszekusz\u00e1l\u00f3dnak vagy \u00e9pp felcser\u00e9l\u0151dnek. Az id\u0151sz\u00e1lak h\u00e1l\u00f3v\u00e1 alakulnak, ak\u00e1rcsak napjaink t\u00e1rsadalmi \u00e9s szoci\u00e1lis nyilv\u00e1noss\u00e1g\u00e1nak szerkezete, mely els\u0151sorban j\u00f3l struktur\u00e1lt, de m\u00e1r kibogozhatatlan kommunik\u00e1ci\u00f3s rendszerek kapcsolati h\u00e1l\u00f3j\u00e1n alapszik. Mert hisz e m\u0171vek l\u00e9talapj\u00e1t is \u00e9pp ezek a rendszerek alkotj\u00e1k, mintha benn\u00fck cirkul\u00e1ln\u00e1nak v\u00e9gtelen\u00edtett t\u00f6rt\u00e9neteikkel, hasonl\u00f3k\u00e9pp a poszt-kapitalista kult\u00far\u00e1ban \u00fajra \u00e9s \u00fajra termel\u0151, elhaszn\u00e1l\u00f3, majd azt\u00e1n \u00fajrahasznosul\u00f3 k\u00e9pi- \u00e9s t\u00e1rgyi elemek vil\u00e1g\u00e1hoz, melyet tal\u00e1n Jameson \u00e9s Baudrillard \u00edrt k\u00f6r\u00fcl az 1980-as \u00e9vek v\u00e9g\u00e9n. Ut\u00f3bbinak a Rossz transzparenci\u00e1j\u00e1<\/em>ban le\u00edrt kiss\u00e9 irodalmias, a k\u00f6vetkezetes logik\u00e1t sok hely\u00fctt v\u00edzi\u00f3kra felcser\u00e9l\u0151 munk\u00e1ja t\u0171pontos k\u00e9p\u00e9t adja annak a k\u00f6zegnek, melyben a gy\u00f6ker\u00fcket \u00e9s eredet\u00fcket vesztett k\u00e9pek, jelek, t\u00e1rgyak \u2013 szimul\u00e1krumok \u2013 c\u00e9ltalan t\u00e1ncukat j\u00e1rj\u00e1k. Olyan v\u00edzi\u00f3 ez, mely tal\u00e1n William Gibson Neuromancer<\/em> tril\u00f3gi\u00e1j\u00e1nak harmadik r\u00e9sz\u00e9ben rajzol\u00f3dik ki a legplasztikusabban. A sci-fi \u00edr\u00f3 itt nem kevesebbre v\u00e1llalkozott, minthogy korunk m\u0171v\u00e9szeti gyakorlat\u00e1t egy elhagyott villa mesters\u00e9ges intelligenci\u00e1j\u00e1hoz hasonl\u00edtja, amely csal\u00e1di eml\u00e9keket\/t\u00e1rgyakat p\u00e1ros\u00edt \u00e9s z\u00e1r dobozokba \u201eunalm\u00e1ban\u201d. A sztori pikant\u00e9ri\u00e1ja, hogy a reg\u00e9ny jelen idej\u00e9nek ki\u00e9hezett m\u0171kereskedelme moh\u00f3n veti r\u00e1 mag\u00e1t ezekre az ismeretlens\u00e9gb\u0151l felbukkan\u00f3 asszambl\u00e1zsokra, s tesz meg mindent annak \u00e9rdek\u00e9ben, hogy felkutassa azok l\u00e9trehoz\u00f3j\u00e1t a galaktikumban. Nincs ki\u00fat, csak f\u00e9ny\u00e9vnyi utak![\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1164″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Fridvalszki Mark: Starless 1-12. <\/em> Digit\u00e1lis koll\u00e1zs, akril transzfer, v\u00e1szon, 60\u00d760 cm; tap\u00e9ta: digit\u00e1lis nyomat, v\u00e1ltoz\u00f3 m\u00e9retek, 2016 (r\u00e9szlet). Interferencia,<\/em> Traf\u00f3 Gal\u00e9ria, 2016 | Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Gibson reg\u00e9ny\u00e9nek \u00e9s Baudrillard dolgozat\u00e1nak v\u00e9gkicseng\u00e9se egyar\u00e1nt poszt-hum\u00e1n, apokaliptikus jelleg\u0171. Egyik\u0151j\u00fck sem keres Mad Max<\/em>-es (I-II) kit\u00f6r\u00e9si pontokat. F\u00e1tyolszer\u0171 melank\u00f3lia lengi k\u00f6r\u00fcl \u00edr\u00e1saikat, ak\u00e1rcsak a fenti n\u00e9gy m\u0171v\u00e9sz alkot\u00e1sait a megkopott klis\u00e9kkel, divatjam\u00falt gener\u00e1lt k\u00e9pekkel, a l\u00edraian \u00e1talakul\u00f3 fel\u00fcletekkel vagy \u00e9ppen a haszn\u00e1lat sor\u00e1n megnemes\u00fclt t\u00e1rgyak alkalmaz\u00e1s\u00e1val. Tal\u00e1n a legf\u0151bb oka ennek a szabads\u00e1g, a kit\u00f6r\u00e9s lehet\u0151s\u00e9g\u00e9nek v\u00edzi\u00f3j\u00e1t keres\u0151 gondolat vagy akarat hi\u00e1nya. A kereteket csak a z\u00e1rt rendszerben el\u0151\u00e1ll\u00f3 hiba felmutat\u00e1s\u00e1val pr\u00f3b\u00e1lj\u00e1k felt\u00f6rni, vagy annak saj\u00e1t maga \u00e1ltal l\u00e9trehozott defektus\u00e1t felmutatni. Szempontjukb\u00f3l a strukt\u00fara, a tiszta geometria, a g\u00e9p precizit\u00e1sa szinte kiz\u00e1r\u00f3lag a rendszer term\u00e9szet\u00e9nek felt\u00e1r\u00e1sa \u00e9s bemutat\u00e1sa szempontj\u00e1b\u00f3l l\u00e9nyeges. Alternat\u00edv\u00e1t nem mutatnak fel. Ez az alapvet\u0151 szeml\u00e9leti k\u00fcl\u00f6nbs\u00e9g v\u00e1lasztja el a kor\u00e1bbi rendszerelv\u0171 hagyom\u00e1nyokat a mai strukt\u00fara-centrikus t\u00f6rekv\u00e9sekt\u0151l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”1″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1166″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si l\u00e1tk\u00e9p Krist\u00f3f G\u00e1bor m\u0171veivel (balra) \u00e9s Fridvalszki Mark: Hommage f\u00fcr das Material III.<\/em> c\u00edm\u0171 vide\u00f3j\u00e1val (jobbra). Interferencia,<\/em> Traf\u00f3 Gal\u00e9ria, 2016 | Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]De vajon beteljes\u00edthet\u0151 \u00e1lom-e a szimul\u00e1krumok vil\u00e1g\u00e1b\u00f3l val\u00f3 szabadul\u00e1s? Van-e arra m\u00f3d, hogy \u00fagy haszn\u00e1ljuk fel azokat, hogy el ne vesszen a l\u00e9nyeg? S vajon el\u00e9gs\u00e9ges-e mindehhez a rendszer bels\u0151 kritik\u00e1ja, mely a hib\u00e1k felmutat\u00e1s\u00e1n alapul? Vagy ez a m\u00f3dszer is csup\u00e1n egy kikacsint\u00e1s a \u201eposthistoire\u201d melankolikus f\u00e1tyla m\u00f6g\u00fcl? Esetleg ezek a l\u00fcke k\u00e9rd\u00e9sek csak azon hib\u00e1k, defektusok egyike, melyeket a rendszer enged meg \u00f6nmaga \u00e9s annak lak\u00f3ja sz\u00e1m\u00e1ra?<\/p>\n

A diskurzus ugyan\u00fagy keretek k\u00f6z\u00e9 szorult, ahogy ezek a m\u0171vek is. S csak n\u00e9ha, ilyen alkot\u00e1sok l\u00e1tt\u00e1n mer\u00fcl fel a szabads\u00e1g k\u00e9rd\u00e9s\u00e9nek jogoss\u00e1ga.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1171″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Krist\u00f3f G\u00e1bor: Heidi: Absztrakt 1020823M.<\/em> ofszet nyom\u00f3k\u00f6peny, 169\u00d7216 cm, 2016 | Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1175″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Ki\u00e1ll\u00edt\u00e1si l\u00e1tk\u00e9p Szentesi Csaba m\u0171veivel. Interferencia,<\/em> Traf\u00f3 Gal\u00e9ria, 2016 | Fot\u00f3: Sur\u00e1nyi Mikl\u00f3s<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

<\/i>