{"id":35047,"date":"2024-09-04T20:38:32","date_gmt":"2024-09-04T18:38:32","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=35047"},"modified":"2026-02-17T22:54:12","modified_gmt":"2026-02-17T21:54:12","slug":"idegenek-velenceben-4","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/idegenek-velenceben-4\/","title":{"rendered":"Idegenek Velenc\u00e9ben | 4."},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

S\u00e9tanapl\u00f3 a Velencei Bienn\u00e1le idej\u00e9n<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

William Kentridge \u00f6narck\u00e9pei1<\/span><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Az Arsenale negyed leg\u00e9rdekesebb ki\u00e1ll\u00edt\u00e1s\u00e1t a Bienn\u00e1le ter\u00fclet\u00e9n k\u00edv\u00fcl kell keresn\u00fcnk, az Arsenale Institute for Politics of Representation (a filoz\u00f3fus Wofgang Scheppe \u00e1ltal igazgatott) \u00e9p\u00fclet\u00e9ben. Ez William Kentridge<\/span> (1955\u2013) vide\u00f3sorozata, melyet kilenc, egyar\u00e1nt harmincperces film alkot. A sorozat a Covid idej\u00e9n k\u00e9sz\u00fclt, r\u00f6gt\u00f6n az elej\u00e9n reflekt\u00e1l is a \u201eTorschlusspanik\u201d helyzet\u00e9re, mely eg\u00e9szen m\u00e1s \u00e9rtelmet nyert a t\u00e9nyleges lez\u00e1r\u00e1sok idej\u00e9n, amikor a m\u0171v\u00e9sz (m\u00e9g ink\u00e1bb, mint alkot\u00f3munk\u00e1ja sor\u00e1n) saj\u00e1t m\u0171term\u00e9nek fogly\u00e1v\u00e1 v\u00e1lt. A m\u0171terem atmoszf\u00e9r\u00e1j\u00e1t a vet\u00edt\u0151helys\u00e9g is megid\u00e9zi, mintegy reproduk\u00e1lva Kentridge t\u00e1rgyait \u00e9s rajzait (a rajzasztalt\u00f3l a felvev\u0151kamer\u00e1ig, a biedermeier fotelt\u0151l \u00e9s a rajta elhelyezett tub\u00e1t\u00f3l a falat bor\u00edt\u00f3 rajzokig, fot\u00f3kig, \u00fajs\u00e1gkoll\u00e1zsokig, az asztalon m\u00e1szk\u00e1l\u00f3 pap\u00edregerekig…). Naponta k\u00e9tszer vet\u00edtik le az eg\u00e9sz sorozatot, b\u00e1rki b\u00e1rmikor bekapcsol\u00f3dhat \u00e9s t\u00e1vozhat. Az els\u0151 r\u00e9sz c\u00edme, \u201eA m\u0171terem term\u00e9szett\u00f6rt\u00e9nete\u201d, Plinius<\/span> Term\u00e9szett\u00f6rt\u00e9net<\/em>\u00e9t id\u00e9zi, \u00e9s a m\u0171v\u00e9szi alkot\u00e1s sokr\u00e9t\u0171 folyamat\u00e1ba enged betekint\u00e9st. M\u00e1r az els\u0151 k\u00e9psoron megfigyelhet\u0151 a val\u00f3s\u00e1g \u00e9s fikci\u00f3 j\u00e1t\u00e9ka: Kentridge a rajzai el\u0151tt s\u00e9t\u00e1l, majd bel\u00e9p saj\u00e1t alkot\u00e1s\u00e1ba, \u00e9s tov\u00e1bb rajzolja mag\u00e1t. Ez a megkett\u0151z\u0151d\u00e9s tov\u00e1bb folytat\u00f3dik, amikor \u00f6nmag\u00e1val k\u00e9sz\u00edt interj\u00fat. K\u00e9t k\u00fcl\u00f6nb\u00f6z\u0151 \u00e9nje \u00fcl egym\u00e1ssal szemben: az egyik elemz\u0151bb \u00e9s kritikusabb, a m\u00e1sik a k\u00e9pzelet vil\u00e1g\u00e1ban \u00e9l\u0151 m\u0171v\u00e9sz, aki saj\u00e1t m\u0171term\u00e9re \u00fagy tekint, mint kopony\u00e1ja belsej\u00e9re, melyben megelevenednek gondolatai \u00e9s \u00e1lmai. A m\u0171terem a darabokra hullott vil\u00e1got pr\u00f3b\u00e1lja \u00f6sszerakni, mik\u00f6zben tudat\u00e1ban van annak, hogy az \u00edgy l\u00e9trehozott t\u00e1rgyak nem felelnek meg val\u00f3s m\u00e1suknak. P\u00e9ld\u00e1ul a fest\u0151 nem iszik az asztal\u00e1ra helyezett k\u00e1v\u00e9f\u0151z\u0151b\u0151l, hanem fest\u00e9ktart\u00f3nak haszn\u00e1lja, akkor is, ha a fekete folyad\u00e9k sz\u00e9tfolyik, \u00e9s szinte lehetetlen festeni vele. Az elrontott \u00e9s sz\u00e9tt\u00e9pett k\u00e1v\u00e9f\u0151z\u0151t \u00e1br\u00e1zol\u00f3 rajzokb\u00f3l viszont b\u00e1rmikor \u00f6ssze\u00e1llhat \u2013 szinte \u00f6nmag\u00e1t\u00f3l, m\u0171v\u00e9szi beavatkoz\u00e1s n\u00e9lk\u00fcl \u2013 egy kis rinoc\u00e9rosz pap\u00edrmas\u00e9 figur\u00e1ja, aki azt\u00e1n t\u00e1ncra perd\u00fclhet egy pap\u00edr k\u00e1v\u00e9f\u0151z\u0151vel, felid\u00e9zve Kentridge anim\u00e1ci\u00f3inak \u00e9s b\u00e1bsz\u00ednh\u00e1z\u00e1nak m\u00e1gikus vil\u00e1g\u00e1t. A filmet\u0171d\u00f6kben is megfigyelhetj\u00fck, amint a m\u0171teremben a m\u0171v\u00e9szt saj\u00e1t mag\u00e1nmitol\u00f3gi\u00e1ja veszi k\u00f6rbe, az \u00e1ltala vizion\u00e1lt t\u00e1rgyak pedig t\u0151le f\u00fcggetlen, \u00f6n\u00e1ll\u00f3 \u00e9letet \u00e9lnek.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

1<\/p>\n

WILLIAM KENTRIDGE: SELF-PORTRAIT AS A COFFEE-POT.<\/em> Arsenale Institute for Politics of Representation, Velence, 2024. \u00e1prilis 17 \u2013 november 24., URL: https:\/\/www.arsenale.com\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” 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row_border_radius_applies=”bg” overflow=”visible” class=”full-20lr p-8-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”35063″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]A m\u00e1sodik, c\u00edmad\u00f3 r\u00e9sz az \u00f6narck\u00e9pk\u00e9sz\u00edt\u00e9s probl\u00e9m\u00e1ira reflekt\u00e1l. A vide\u00f3 elej\u00e9n Kentridge megpr\u00f3b\u00e1lja lerajzolni saj\u00e1t \u00e1rny\u00e9k\u00e1t, de mozdulat\u00e1nak hat\u00e1s\u00e1ra elmozdul az \u00e1rny\u00e9k, \u00edgy csak egym\u00e1sra r\u00e9tegz\u0151d\u0151 k\u00f6rvonalakat tud felskiccelni, de nem tudja megragadni \u00f6nmag\u00e1t. M\u00e1r ez a mozg\u00e1ssor is olyan, ak\u00e1r egy performansz, a m\u0171v\u00e9sz t\u00e1ncoss\u00e1 v\u00e1lik, aki hol hasonm\u00e1s\u00e1val, hol csontv\u00e1z\u00e1val, hol egy t\u00f6r\u00e9keny d\u00e9l-afrikai t\u00e1ncos-koreogr\u00e1fussal (Dada Masil\u00f3<\/span>val) t\u00e1ncol. A t\u00e1ncosn\u0151 mintha Degas egy kisplasztik\u00e1j\u00e1r\u00f3l vagy rajz\u00e1r\u00f3l l\u00e9pett volna ki, l\u00e9gies k\u00f6nnyeds\u00e9ge \u00e9les ellent\u00e9te Kentridge darabos sutas\u00e1g\u00e1nak. T\u00e1ncuk k\u00f6zben kil\u00e9pnek a val\u00f3s t\u00e9rb\u0151l \u00e9s egy k\u00f6nyv ter\u00e9ben (Robert Burton<\/span> monument\u00e1lis Anatomy of Melancholy<\/em>-j\u00e1nak lapjain) folytatj\u00e1k a mozg\u00e1st. A t\u00e1nc jelentheti a gondolkod\u00e1s metafor\u00e1j\u00e1t (mint Nietzsch\u00e9<\/span>n\u00e9l vagy Alain Badiou<\/span>-n\u00e1l2<\/span>), de tekinthet\u00fcnk r\u00e1 a m\u0171v\u00e9szi alkot\u00e1s paradigm\u00e1jak\u00e9nt is. Eszerint olyan szabadon \u00e9s j\u00e1tszi k\u00f6nnyeds\u00e9ggel kellene alkotni, ahogyan a t\u00e1ncos t\u00e1ncol. Kentridge m\u00e9gis m\u00e1s m\u00f3don szabad\u00edtja fel mag\u00e1t, nem a test, hanem az imagin\u00e1ci\u00f3<\/em> seg\u00edts\u00e9g\u00e9vel. \u00cdgy tud \u00e1tl\u00e9pni saj\u00e1t fizikai hat\u00e1rain, mik\u00e9nt a t\u00fck\u00f6r k\u00e9t oldala k\u00f6zt is k\u00f6nnyed\u00e9n \u00e1ts\u00e9t\u00e1l, t\u00fck\u00f6rk\u00e9p\u00e9vel t\u00e1ncolva vagy kerget\u0151zve. \u00c1m mindek\u00f6zben \u00f6nmag\u00e1val szemben t\u00e1vols\u00e1gtart\u00f3 marad: kritikus \u00e9nje kijav\u00edtja a m\u0171v\u00e9szi \u00e9nje \u00e1ltal k\u00e9sz\u00edtett rajzokat, szigor\u00faan komment\u00e1lja \u0151ket. Kentridge azonban a saj\u00e1t tan\u00e1csait sem fogadja meg, \u00f6nmag\u00e1val is vit\u00e1zik. A k\u00fcl\u00f6nb\u00f6z\u0151 \u00e9nek megsokszoroz\u00f3d\u00e1sa v\u00e9g\u00fcl odavezet, hogy az \u00f6narck\u00e9pk\u00e9sz\u00edt\u00e9s lehetetlen feladatt\u00e1 v\u00e1lik, hiszen ki tudn\u00e1 megmondani, hogy az \u00e9nnek melyik \u00e9nje portr\u00e9j\u00e1t kellene elk\u00e9sz\u00edtenie? Vagy mi\u00e9rt is ne ismerhetne a m\u0171v\u00e9sz leghitelesebb \u00f6narck\u00e9p\u00e9re egy k\u00e1v\u00e9f\u0151z\u0151ben? Arra, hogy mi\u00e9rt \u00e9pp egy k\u00e1v\u00e9f\u0151z\u0151ben, nincs m\u00e1s v\u00e1lasz, mint hogy Kentridge m\u00e1r \u00e9vtizedek \u00f3ta rajzolja \u0151ket (k\u00fcl\u00f6n\u00f6sen a Bialetti k\u00e1v\u00e9f\u0151z\u0151ket \u00e9s k\u00fcl\u00f6nf\u00e9le formav\u00e1ltozataikat), ahogy m\u00e1s t\u00e1rgyakat \u00e9s \u00e1llatokat is (gondoljunk a villanyp\u00f3zn\u00e1kra, telefonokokra, \u00edr\u00f3g\u00e9pekre, harson\u00e1kra, macsk\u00e1kra, rinoc\u00e9roszokra…). B\u00e1rmelyik lehetne m\u0171v\u00e9szi \u00f6narck\u00e9p, \u00e9s tal\u00e1n mind az is, hiszen Kentridge-n\u00e9l a t\u00e1rgyak \u00e9letre kelnek, \u00e1tlelkes\u00fclnek, \u00e9s egy olyan saj\u00e1tos vil\u00e1got alkotnak, mely elevenebb, mint a val\u00f3s\u00e1g vil\u00e1ga, \u00e9s amely seg\u00edt kit\u00f6rni vagy kivonulni (a jellegzetes menetek vagy felvonul\u00e1sok sor\u00e1n) a val\u00f3s\u00e1gba z\u00e1rts\u00e1gb\u00f3l. A j\u00e1rv\u00e1ny alatt a johannesburgi m\u0171term\u00e9be z\u00e1rt m\u0171v\u00e9sznek a korl\u00e1tlan \u00e9s szabad m\u0171v\u00e9szi k\u00e9pzelet seg\u00edts\u00e9g\u00e9vel siker\u00fclt megalkotnia egy olyan et\u0171dsorozatot, mely humort, \u00e9letszeretetet \u00e9s optimizmust sug\u00e1roz, \u00e9s amely \u2013 a kis t\u00e1rgyak fel\u00e9 ir\u00e1nyul\u00f3 lankadatlan figyelm\u00e9vel \u2013 val\u00f3di nagy m\u0171v\u00e9szet.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ column_padding_type=”default” gradient_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

2<\/p>\n

Alain Badiou:<\/span> La danse comme m\u00e9taphore de la pens\u00e9e, in Petit manuel d\u2019inesth\u00e9tique,<\/em> Seuil, Paris, 1998, URL: http:\/\/lesilencequiparle.unblog.fr\/2010\/02\/16\/petit-manuel-dinesthetique-la-danse-comme-metaphore-de-la-pensee-1-alain-badiou\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0 full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” 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el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” 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\u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

\"Idegenek<\/a><\/div><\/div>\n
\"Idegenek<\/a><\/div><\/div>\n
\"Idegenek<\/a><\/div><\/div>\n
\"Idegenek<\/a><\/div><\/div><\/div><\/div><\/div>\t\t\t