{"id":34953,"date":"2024-09-01T13:23:05","date_gmt":"2024-09-01T11:23:05","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=34953"},"modified":"2026-02-17T22:55:12","modified_gmt":"2026-02-17T21:55:12","slug":"idegenek-velenceben-1","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/idegenek-velenceben-1\/","title":{"rendered":"Idegenek Velenc\u00e9ben | 1."},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

S\u00e9tanapl\u00f3 a Velencei Bienn\u00e1le idej\u00e9n<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Az idei Velencei Bienn\u00e1le<\/em> c\u00edme, az \u201eIdegenek minden\u00fctt\u201d (Stranieri Ovunque<\/em>),1<\/span> sehol sem lehetne igazabb, mint Velenc\u00e9ben, ahol szinte mindenki idegen, k\u00fcl\u00f6n\u00f6sen a Bienn\u00e1le ki\u00e1ll\u00edt\u00e1sain, melyeket a helyiek el\u0151szeretettel neglig\u00e1lnak, hab\u00e1r az egyre kevesebb velencei \u0151slakos nem igaz\u00e1n sz\u00e1m\u00edt, hiszen az ide\u00e9rkez\u0151 turist\u00e1k n\u00e9lk\u00fcl\u00fck is bet\u00f6ltik a v\u00e1rost. A ki\u00e1ll\u00edt\u00f3 m\u0171v\u00e9szek nagy r\u00e9sze is idegen, hiszen Velence r\u00e9g nem kort\u00e1rs m\u0171v\u00e9szet\u00e9r\u0151l h\u00edres, hanem egykori nagy m\u0171v\u00e9szet\u00e9nek eml\u00e9k\u00e9b\u0151l \u00e9l. Az idegens\u00e9g m\u00e9rt\u00e9ke azonban elt\u00e9r\u0151, \u00edgy az sem meglep\u0151, hogy napjaink Velenc\u00e9j\u00e9nek legnagyobb fest\u0151i idegenek. Az idegens\u00e9g<\/em> teh\u00e1t olyan \u00e1tfog\u00f3 tematika, amely al\u00e1 mindenki besorolhat\u00f3, \u00edgy sz\u00e1momra a Bienn\u00e1le legnagyobb k\u00e9rd\u00e9s\u00e9t ink\u00e1bb az jelentette, hogy hol fedezhet\u0151 m\u00e9g fel a ki\u00e1ll\u00edt\u00f3t\u00e9rr\u00e9 v\u00e1ltoz\u00f3 v\u00e1rosban val\u00f3di m\u0171v\u00e9szet.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

1<\/p>\n

60th edition of the International Art Exhibition: Foreigners Everywhere \u2013 Stranieri Ovunque.<\/em> Velence, 2024. \u00e1prilis 20 \u2013 november 24., URL: https:\/\/www.labiennale.org\/en\/art\/2024<\/a> | (A hivatkozott webhelyek utols\u00f3 let\u00f6lt\u00e9se: 2024. szeptember 12.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”34966″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text css=”” text_direction=”default”]\n

Willem de Kooning e l\u2019Italia.<\/em> Gallerie dell\u2019Accademia di Venezia, Velence, 2024. \u00e1prilis 17 \u2013 szeptember 15. \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Willem de Kooning \u00e9s az olasz hat\u00e1s2<\/span><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Az egyik legfontosabb idegen m\u0171v\u00e9sz az Accademia t\u00e1rlat\u00e1n szerepl\u0151, holland sz\u00e1rmaz\u00e1s\u00fa, de Amerik\u00e1ban alkot\u00f3 Willem de Kooning<\/span> (1904\u20131997), akinek it\u00e1liai tart\u00f3zkod\u00e1sait \u00f6r\u00f6k\u00edti meg a v\u00e1logat\u00e1s. De Konning, m\u00e1r elismert m\u0171v\u00e9szk\u00e9nt, k\u00e9tszer id\u0151z\u00f6tt hosszabban R\u00f3m\u00e1ban \u00e9s Velenc\u00e9ben: el\u0151sz\u00f6r 1959-ben, majd t\u00edz \u00e9v m\u00falva. M\u00edg az els\u0151 id\u0151szak hat\u00e1sa f\u0151leg a k\u00e9s\u0151bbi (m\u00e1r Amerik\u00e1ban sz\u00fcletett) m\u0171vek tematik\u00e1j\u00e1n l\u00e1that\u00f3, addig 1969 t\u00e9nyleges v\u00e1ltoz\u00e1st \u00e9s \u00faj technik\u00e1t hozott a m\u0171v\u00e9szet\u00e9ben: ekkor kezdett el szobrokat k\u00e9sz\u00edteni. Az els\u0151 teremben l\u00e1that\u00f3 Hostess<\/em> (1969\/73) az els\u0151 nagyobb bronz szobra. A groteszk, hatalmas, form\u00e1tlan n\u0151i test minden\u00fctt torzul\u00e1sokat mutat. Egy sz\u00e9ken \u00fcl, szemben vel\u00fcnk, karj\u00e1t sz\u00e9tt\u00e1rja, mintha cigarett\u00e1zna, mik\u00f6zben eg\u00e9sz alakja sz\u00e9tfolyik. Hasonl\u00f3 figur\u00e1k jelennek meg a 60-as \u00e9vekben festett nagy n\u0151i portr\u00e9kon (Sag Harbor,<\/em> 1964; Woman accabonac,<\/em> 1966), ahol a r\u00f3zsasz\u00edn testmassz\u00e1k deform\u00e1l\u00f3dnak. De Kooning azonban nem k\u00edm\u00e9li f\u00e9rfialakjait sem, kagyl\u00f3\u00e1s\u00f3j\u00e1n (Clamdigger,<\/em> 1972) egy maszkszer\u0171 arc tekint r\u00e1nk a meggy\u0171rt bronztestb\u0151l, de ez a szobor m\u00e1r k\u00f6rbej\u00e1rhat\u00f3.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

2<\/p>\n

Willem de Kooning e l\u2019Italia.<\/em> Gallerie dell\u2019Accademia di Venezia, Velence, 2024. \u00e1prilis 17 \u2013 szeptember 15., URL: https:\/\/www.gallerieaccademia.it\/willem-de-kooning-e-litalia<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”34974″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text css=”” text_direction=”default”]\n

Willem de Kooning: Tree in Naples,<\/em> 1960, olaj, v\u00e1szon; Door to the River,<\/em> 1960, olaj, v\u00e1szon; Villa Borghese,<\/em> 1960, olaj, v\u00e1szon; Hostess,<\/em> 1969\/73, bronz \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]A ki\u00e1ll\u00edt\u00e1s egyszerre mutatja be az absztrakt \u00e9s figurat\u00edv m\u0171v\u00e9szt, ez\u00e9rt a nyit\u00f3 termekben \u2013 a bronz szobrok \u00e9s festett n\u0151alakok mellett \u2013 az els\u0151 r\u00f3mai tart\u00f3zkod\u00e1s nyom\u00e1n festett eml\u00e9kk\u00e9peket is megtal\u00e1ljuk, melyeken \u00e9l\u00e9nk sz\u00ednek ragadj\u00e1k meg egy-egy hely hangulat\u00e1t. \u00cdgy a Villa Borghese<\/em> (1960) domin\u00e1ns \u00e9s hars\u00e1ny z\u00f6ldjeit er\u0151s k\u00e9kek \u00e9s s\u00e1rg\u00e1k t\u00f6rik meg. Mellett\u00fck l\u00e1that\u00f3k de Kooning m\u00e9g R\u00f3m\u00e1ban k\u00e9sz\u00fclt, c\u00edm n\u00e9lk\u00fcli \u00e9s fekete-feh\u00e9r gesztusk\u00e9pei (Black and White,<\/em> 1959), melyek legink\u00e1bb a jap\u00e1n fest\u00e9szet \u00e9s kalligr\u00e1fia hat\u00e1s\u00e1t mutatj\u00e1k. Egy \u00f6n\u00e1ll\u00f3 terembe ker\u00fcltek a m\u00e1sodik korszakhoz k\u00f6t\u0151d\u0151 apr\u00f3 bronz szobrok: tizenh\u00e1rom c\u00edm n\u00e9lk\u00fcli, deform\u00e1lt alak. K\u00f6z\u00fcl\u00fck az utols\u00f3 mintha egy keresztre fesz\u00edtett vagy egy k\u00e9pkeretb\u0151l \u00e9pp kit\u00f6rni k\u00e9sz\u00fcl\u0151 alak lenne, akinek sz\u00e9tvetett karjai \u00e9s l\u00e1bai, eltorzult arca egyszerre kelt dinamikus \u00e9s r\u00e9miszt\u0151 benyom\u00e1st. De Kooning szobrai legink\u00e1bb Francis Bacon<\/span> fest\u00e9szet\u00e9t id\u00e9zik, az \u0151 alakjai is (Gilles Deleuze<\/span> Bacon kapcs\u00e1n megfogalmazott gondolatait id\u00e9zve3<\/span>) hiszt\u00e9rikusak: eg\u00e9sz test\u00fcket \u00e1lland\u00f3sult, heves mozg\u00e1s, g\u00f6rcs\u00f6s r\u00e1ng\u00e1s j\u00e1rja \u00e1t. Ugyanebben a teremben tal\u00e1lhat\u00f3k a Michelangelo-hat\u00e1st t\u00fckr\u00f6z\u0151 bronzplasztik\u00e1k: szinte lebeg\u0151, t\u00e1ncol\u00f3 alakokkal (Floating figure,<\/em> 1972), melyeken a testet m\u00e1r nem a g\u00f6rcsbe r\u00e1ndul\u00e1s, hanem a felszabadults\u00e1g jellemzi. Szint\u00e9n megragad\u00f3k a fejszobor-tanulm\u00e1nyok: az 1972\u20131973 k\u00f6z\u00f6tt k\u00e9sz\u00fclt Head<\/em>-sorozat, melynek utols\u00f3 darabja egy \u00f3ri\u00e1s, lapos maszk, egy modern gorg\u00f3f\u0151 (k\u00edgy\u00f3k n\u00e9lk\u00fcl), mely megbabon\u00e1zza a n\u00e9z\u0151t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

3<\/p>\n

Gilles Deleuze:<\/span> Francis Bacon. Az \u00e9rzet logik\u00e1ja,<\/em> ford. Seregi Tam\u00e1s, Budapest, Atlantisz, 2014.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”34979″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text css=”” text_direction=”default”]\n

Willem de Kooning: Detour,<\/em> 1958, olaj, v\u00e1szon; Bolton Landing,<\/em> 1957, olaj, v\u00e1szon; Brown Derby Road,<\/em> 1958, olaj, v\u00e1szon \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\u00c9rdekes megjegyezni, hogy de Kooning nem sokra tartotta els\u0151 szobrait, heves gyorsas\u00e1ggal form\u00e1zta meg \u0151ket, a fest\u00e9szet sz\u00fcneteiben. Henry Moore<\/span> k\u00e9s\u0151bbi biztat\u00e1s\u00e1ra k\u00e9sz\u00edtette el (m\u00e1r a 80-as \u00e9vekben) n\u00e9h\u00e1ny kis szobr\u00e1nak nagyobb v\u00e1ltozat\u00e1t. Ezek el\u0151k\u00e9pe a Large Torso<\/em> (1974), melyen m\u00e1r megfigyelhet\u0151 a dimenzi\u00f3v\u00e1lt\u00e1s. Ez a l\u00e1b n\u00e9lk\u00fcli, durv\u00e1n f\u00e9lbev\u00e1gott test legink\u00e1bb egy facsonkra eml\u00e9keztet, egy organikus \u00e9s vegetat\u00edv form\u00e1ra.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”34976″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text css=”” text_direction=”default”]\n

Willem de Kooning: Large Torso,<\/em> 1974, bronz \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Az Accademia gazdag t\u00e1rlat\u00e1n a szobrok mellett festm\u00e9nyek \u00e9s rajzok is szerepelnek (ut\u00f3bbiak f\u0151leg a 60-as, 70-es \u00e9vekb\u0151l). K\u00fcl\u00f6n terembe ker\u00fcltek azok a k\u00e9pek, melyeken velencei rezonanci\u00e1t fedezhet\u00fcnk fel, mint p\u00e9ld\u00e1ul a Screams of Children come from Seagulls<\/em> (1975) absztrakt t\u00e1jk\u00e9p\u00e9n, ahol nem csup\u00e1n a c\u00edmben eml\u00edtett sir\u00e1lyok, de a sz\u00ednvil\u00e1g (r\u00f3zsasz\u00edn, sz\u00fcrke) is megid\u00e9zi Velence vil\u00e1g\u00e1t. Azonban m\u00e9g evidensebb az olasz fest\u00e9szet hat\u00e1sa. Clement Greenberg<\/span> kiemelte, hogy de Kooning k\u00e9pein r\u00e1ismerhet\u00fcnk az olasz barokk fest\u00e9szet dinamikus torzul\u00e1saira \u00e9s kicsavarodott form\u00e1ira, melyeket Tintorett\u00f3<\/span>n\u00e1l vagy Rubens<\/span>n\u00e9l l\u00e1thatunk.4<\/span> A m\u0171v\u00e9sz maga is t\u00f6bbsz\u00f6r besz\u00e9lt arr\u00f3l, hogy milyen er\u0151sen inspir\u00e1lta a velencei ecsetkezel\u00e9s, de el\u00e9g nagym\u00e9ret\u0171 absztrakt k\u00e9peire tekinten\u00fcnk (Untitled XXI,<\/em> 1982), hogy azonnal felismerhess\u00fck rajtuk a velencei iskol\u00e1ra jellemz\u0151 monumentalit\u00e1st, sz\u00ednkezel\u00e9st \u00e9s dinamik\u00e1t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

4<\/p>\n

Clement Greenberg:<\/span> L\u2019avventura del modernismo.<\/em> Szerk. Giuseppe di Salvatore, Luigi Fassi, ford. B. Cingerli, Johan & Levi, 2011.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”34977″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text css=”” text_direction=”default”]\n

Willem de Kooning: Untitled XXI,<\/em> 1982, olaj, v\u00e1szon \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Az utols\u00f3 teremben azt is megfigyelhetj\u00fck, ahogy a 80-as \u00e9vekt\u0151l kezdve a form\u00e1k leegyszer\u0171s\u00f6dnek, a sz\u00ednek reduk\u00e1l\u00f3dnak, mik\u00f6zben a m\u0171veket meghat\u00e1roz\u00f3 gesztus semmit sem vesz\u00edt kifejez\u0151erej\u00e9b\u0151l, s\u0151t, sokkal intenz\u00edvebb\u00e9 v\u00e1lik. A velencei ki\u00e1ll\u00edt\u00e1s \u00edgy nem csak az olasz hat\u00e1st mutatja, hanem komplex \u00e1ttekint\u00e9st ny\u00fajt de Kooning m\u0171v\u00e9szet\u00e9r\u0151l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”34978″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text css=”” text_direction=”default”]\n

Willem de Kooning: Untitled II,<\/em> 1983, olaj, v\u00e1szon; Untitled VI,<\/em> 1984, olaj, v\u00e1szon \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

\"Idegenek<\/a><\/div><\/div>\n
\"Idegenek<\/a><\/div><\/div>\n
\"Idegenek<\/a><\/div><\/div>\n
\"Idegenek<\/a><\/div><\/div><\/div><\/div><\/div>\t\t\t