{"id":3402,"date":"2017-06-15T23:14:13","date_gmt":"2017-06-15T21:14:13","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=3402\/"},"modified":"2024-02-15T14:19:09","modified_gmt":"2024-02-15T13:19:09","slug":"megszemelyesitett-targyaink","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/megszemelyesitett-targyaink\/","title":{"rendered":"Megszem\u00e9lyes\u00edtett t\u00e1rgyaink"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

N\u00e9meth Ilona: \u201eMindent becsomagolni…\u201d<\/em><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Kur\u00e1tor: Hunya Krisztina<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Knoll Gal\u00e9ria, Budapest1<\/span>
\n2017. m\u00e1rcius 23 \u2013 m\u00e1jus 20.<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A ki\u00e1ll\u00edt\u00e1s c\u00edme \u2013 \u201eMindent becsomagolni…\u201d \u2013 a m\u0171v\u00e9sz csal\u00e1di m\u00faltj\u00e1nak traumatikus esem\u00e9nyeire \u00e9s ezen kereszt\u00fcl m\u0171v\u00e9szi \u00e9s szem\u00e9lyes \u00f6nmeghat\u00e1roz\u00e1s\u00e1nak k\u00e9rd\u00e9seire vonatkozik. H\u00e1rom asztalt l\u00e1thatunk, amelyek N\u00e9meth Ilona<\/span> csal\u00e1dtagjainak tulajdon\u00e1ban \u00e1lltak. Id\u0151t\u00e1ll\u00f3, \u00f6r\u00f6kl\u0151d\u0151, tekint\u00e9lyes \u00e9s a csal\u00e1dot szimboliz\u00e1l\u00f3 t\u00e1rgyak ker\u00fcltek a k\u00f6z\u00e9ppontba, olyan darabok, amelyeknek aur\u00e1ja, t\u00f6rt\u00e9neti \u00e9s nosztalgikus \u00e9rt\u00e9ke van: \u201e\u00e1tveszik\u201d a szem\u00e9lyek hely\u00e9t \u00e9s egyben k\u00e9pviselik a Szlov\u00e1ki\u00e1ban \u00e9l\u0151 magyarok huszadik sz\u00e1zadi t\u00e1rsadalmi szerep\u00e9nek \u00e1llom\u00e1sait. A legr\u00e9gebbi darab a m\u00e1sodik vil\u00e1gh\u00e1bor\u00fa ut\u00e1ni, a Bene\u0161-dekr\u00e9tumok kapcs\u00e1n bek\u00f6vetkezett deport\u00e1l\u00e1sok tan\u00faja, amikor a kilakoltat\u00e1s sor\u00e1n a csal\u00e1dok csak legfontosabb t\u00e1rgyaikat vitt\u00e9k magukkal, a m\u00e1sodik, az \u00e9desapa \u2013 N\u00e9meth Jen\u0151 \u2013 t\u00e1rgyal\u00f3asztala, m\u00e1r a k\u00e9s\u0151bbi csehszlov\u00e1kiai politikai karrier dokumentuma. Az utols\u00f3 egy nagyn\u00e9nihez tartozik, aki eg\u00e9sz \u00e9let\u00e9ben sz\u00e1msorokat jegyzett f\u00f6l a f\u00fczeteibe ismeretlen okokb\u00f3l \u2013 ennek a k\u00e9nyszeress\u00e9gnek jelek\u00e9nt a lapok m\u00e1solat\u00e1val bor\u00edtott\u00e1k be az asztal m\u00f6g\u00f6tti falat.<\/p>\n

A t\u00e1rgyi besz\u00e9d jelent\u0151s\u00e9g\u00e9t hangs\u00falyozza \u00e9s a n\u00e9z\u0151 traumatikus \u00e9rz\u00e9s\u00e9t fokozza, hogy a h\u00e1rom t\u00e1rgy a polg\u00e1ri lak\u00e1sb\u00f3l kialak\u00edtott gal\u00e9ria h\u00e1rom kism\u00e9ret\u0171, \u00fcres szob\u00e1j\u00e1ba ker\u00fclt. Ez nemcsak egym\u00e1st\u00f3l, hanem b\u00e1rmif\u00e9le t\u00e1rgyi kontextust\u00f3l megfosztja \u0151ket: maguk maradnak, ahogyan a l\u00e1togat\u00f3 is a lecsupasz\u00edtott t\u00e9rben, aki mintha v\u00e9letlen\u00fcl ker\u00fcl volna egy k\u00f6lt\u00f6ztet\u00e9s legutols\u00f3, elsz\u00e1ll\u00edt\u00e1sra v\u00e1r\u00f3 b\u00fatorai k\u00f6z\u00e9, mik\u00f6zben \u00e9rzi, hogy a t\u00e1rgyak puszta jelenl\u00e9te s\u00falyosabb \u00fczenettel b\u00edr, mint ez a v\u00e1rakoz\u00e1s. A ki\u00e1ll\u00edt\u00e1s ez\u00e9rt egyszerre nagyon szem\u00e9lyes \u00e9s v\u00e9gtelen\u00fcl neutr\u00e1lis. Az asztalok \u2013 b\u00e1r mindegyikbe be\u00e9p\u00edtettek egy-egy z\u00f6rejt produk\u00e1l\u00f3 szerkezetet \u2013 hallgatag r\u00e9gi csal\u00e1dtagok m\u00f3dj\u00e1ra nem fedik fel magukat, nem a besz\u00e9l\u0151 m\u00falt eszk\u00f6zei, \u00e9s \u00e9pp ez\u00e9rt kieg\u00e9sz\u00edt\u00e9sre szorulnak. A ki\u00e1ll\u00edt\u00f3terekben megjelen\u0151 n\u00e9h\u00e1ny lev\u00e9lt\u00e1ri dokumentum azonban nem oldja meg a priv\u00e1t szf\u00e9r\u00e1hoz kapcsol\u00f3d\u00f3 \u00e9rzelemk\u00f6zvet\u00edt\u00e9s ig\u00e9ny\u00e9t \u00e9s a l\u00e1togat\u00f3 sz\u00e1m\u00e1ra k\u00f6z\u00f6mb\u00f6s, \u00f6nmag\u00e1ba fordul\u00f3 jelenl\u00e9t fesz\u00fclts\u00e9g\u00e9t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″][vc_column_text]\n

1<\/p>\n

A ki\u00e1ll\u00edt\u00e1s 2017. j\u00fanius 7-t\u0151l B\u00e9csben l\u00e1that\u00f3: Ilona N\u00e9meth \u2013 Pack Up Everything.<\/em> Knoll Galerie, B\u00e9cs, 2017. j\u00fanius 7 \u2013 szeptember 19. knollgalerie.at\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”3420″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

N\u00e9meth Ilona: 17 567 2 850 5,<\/em> 2016, install\u00e1ci\u00f3 (kinetikus objekt, tap\u00e9ta) 69,5 \u00d7 159 \u00d7 75 cm | munkat\u00e1rsak: Blazsek Andr\u00e1s, Ravasz Jonathan | fot\u00f3: Michaela\u00a0\u00a0\u010c\u00ed\u017ekov\u00e1<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]N\u00e9meth Ilona munk\u00e1j\u00e1t vizsg\u00e1lva nem el\u00e9g a szem\u00e9lyes (\u00e9s csal\u00e1di) sors elbesz\u00e9lhet\u0151s\u00e9g\u00e9nek k\u00e9rd\u00e9s\u00e9t felvetni. T\u00f6bb ponton szembes\u00fcl\u00fcnk a t\u00e1rsadalmi felel\u0151ss\u00e9ggel, nemcsak az egykori tulajdonosok \u00e9let\u00fatj\u00e1t tekintve, amir\u0151l kiz\u00e1r\u00f3lag a j\u00e1rul\u00e9kos, lev\u00e9lt\u00e1ri adatok adhatnak sz\u00e1mot, hanem akkor is, amikor a t\u00e1rgyakra m\u0171alkot\u00e1sk\u00e9nt tekint\u00fcnk, a m\u0171v\u00e9szre pedig mintegy gy\u0171jt\u0151k\u00e9nt, aki saj\u00e1t hagyat\u00e9k\u00e1nak nyilv\u00e1noss\u00e1got biztos\u00edtva igyekszik eml\u00e9ket \u00e1ll\u00edtani egy traum\u00e1nak. Ez ut\u00f3bbit pedig, mivel szem\u00e9lyesen nem \u00e9lte \u00e1t, neki is \u00fajra fel kell fedeznie, meg kell sz\u00f3laltatnia, \u00e9s ha az nem elbesz\u00e9lhet\u0151, a t\u00e1rgyakt\u00f3l tal\u00e1n akkor is elv\u00e1rhatjuk, hogy szemtan\u00fa m\u00f3dj\u00e1ra, objekt\u00edven tan\u00faskodjanak. Ez\u00e9rt fontos d\u00f6nt\u00e9s a ki\u00e1ll\u00edt\u00e1s szempontj\u00e1b\u00f3l, hogy az asztalok magukra maradnak: hiszen mik\u00e9nt b\u00edrhatunk sz\u00f3ra eml\u00e9kt\u00e1rgyakat an\u00e9lk\u00fcl, hogy valamit vissza ne id\u00e9zn\u00e9nk egykori k\u00f6rnyezet\u00fckb\u0151l, kapcsolatukb\u00f3l m\u00e1s t\u00e1rgyakkal \u00e9s szem\u00e9lyekkel? Az \u00e9let b\u00e1rmif\u00e9le jel\u00e9t n\u00e9lk\u00fcl\u00f6z\u0151, \u201eelcsomagol\u00e1sra v\u00e1r\u00f3\u201d b\u00fatorok szinte kegyt\u00e1rgyak: aur\u00e1juk megker\u00fclhetetlen \u00e9s egyben felfedhetetlen.<\/p>\n

A ki\u00e1ll\u00edt\u00e1s le\u00edr\u00e1sa p\u00e1rhuzamot von N\u00e9meth Ilona alkot\u00e1sa \u00e9s egy elm\u00e9leti sz\u00f6veg, Arjun Appadurai The Thing Itself<\/em> c\u00edm\u0171 \u00edr\u00e1sa k\u00f6z\u00f6tt: \u201ea szem\u00e9lyek \u00e9s a t\u00e1rgyak nem radik\u00e1lisan k\u00fcl\u00f6nb\u00f6z\u0151 kateg\u00f3ri\u00e1k. Hiszen egyar\u00e1nt t\u00e1rsadalmi viszonyaikba \u00e9s szerep\u00fckbe be\u00e1gyazottak. S olykor egym\u00e1sba ny\u00fal\u00f3 kateg\u00f3ri\u00e1k, amikor szem\u00e9lyeket vagy csoportokat kiz\u00e1rnak az uralkod\u00f3 jogrendszerb\u0151l vagy t\u00e1rgyakat \u00f6nmagukon t\u00falmutat\u00f3 \u00e9rt\u00e9kkel ruh\u00e1znak fel.\u201d2<\/span> Az asztalok felruh\u00e1z\u00e1sa tulajdons\u00e1gokkal a nosztalgikus \u00e9rt\u00e9ken t\u00fal arra vonatkozhat, hogy \u00e1tveszik az egyes rokonok hely\u00e9t vagy megszem\u00e9lyes\u00edtenek egy eg\u00e9sz t\u00e1rsadalmi csoportot. A p\u00e1rhuzam annyiban relev\u00e1ns, hogy mind a sz\u00f6veg, mind a m\u0171 t\u00e1rgyfogalm\u00e1ban antropol\u00f3giai \u00e9s t\u00e1rsadalmi ig\u00e9nyek fedezhet\u0151k fel, amilyen p\u00e9ld\u00e1ul a behelyettes\u00edt\u00e9s, az elt\u00e1vol\u00edt\u00e1s vagy a meg\u0151rz\u00e9s gesztusa. Hans Belting hasonl\u00f3 jelens\u00e9get tulajdon\u00edt a k\u00e9pm\u00e1soknak. Kiemeli a halotti kultuszok t\u00f6rekv\u00e9s\u00e9t, hogy a holttestben m\u00e1r csak t\u00e1voll\u00e9v\u0151k\u00e9nt tapasztalt \u201elelket\u201d meg\u0151rizz\u00e9k a k\u00e9pben. Ennek keret\u00e9ben a halott test\u00e9t az \u00e9l\u0151k egy k\u00e9ppel helyettes\u00edtik, olyan szimbolikus testtel, amelynek r\u00e9v\u00e9n \u00fajra beilleszkedik a t\u00e1rsadalomba, mik\u00f6zben teste semmiv\u00e9 v\u00e1lik.3<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″][vc_column_text]\n

2<\/p>\n

Forr\u00e1s: budapest.knollgalerie.at\/817.html<\/a><\/p>\n

3<\/p>\n

V\u00f6. Hans Belting: K\u00e9p-antropol\u00f3gia. K\u00e9ptudom\u00e1nyi v\u00e1zlatok,<\/em> Kij\u00e1rat Kiad\u00f3, Budapest, 2003, 167.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”3428″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

N\u00e9meth Ilona: T\u00e1rgyal\u00f3asztal\u00a01991,<\/em> 2014, interakt\u00edv objekt, 88 \u00d7\u00a0198 \u00d7 73 cm | munkat\u00e1rsak: Sz\u00e9cs\u00e9nyi-Nagy L\u00f3r\u00e1nd,\u00a0Richard Barger | fot\u00f3: Michaela\u00a0\u00a0\u010c\u00ed\u017ekov\u00e1<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az asztalok ugyan nem k\u00e9pm\u00e1sok, de meg\u0151rz\u00e9s\u00fck hasonl\u00f3 kultikus jelent\u0151s\u00e9ggel b\u00edrhat. Az eml\u00e9kek meg\u0151rz\u00e9se az \u0151s\u00f6k ir\u00e1nti tisztelet egyik form\u00e1ja, az ilyen nagy, tekint\u00e9lyes, k\u00f6z\u00f6ss\u00e9gfenntart\u00f3 er\u0151vel b\u00edr\u00f3 haszn\u00e1lati t\u00e1rgyak pedig gyakran \u00f6r\u00f6kl\u0151dnek gener\u00e1ci\u00f3kon kereszt\u00fcl a csal\u00e1di identit\u00e1s megtestes\u00edt\u0151ik\u00e9nt. N\u00e9meth Ilona jellemz\u0151en antropomorf t\u00e1rgyt\u00edpust v\u00e1lasztott, \u00edgy a ki\u00e1ll\u00edt\u00e1s \u00e9rtelmez\u00e9s\u00e9ben \u00e9ppen annyira relev\u00e1nsnak tartom Jean Baudrillardnak A t\u00e1rgyak rendszer\u00e9<\/em>r\u0151l alkotott elm\u00e9let\u00e9t, mint Appadurai sz\u00f6veg\u00e9t. Ut\u00f3bbi szerz\u0151 az indiai \u00e9s eur\u00f3pai kult\u00fara mindennapos t\u00e1rgyi vil\u00e1g\u00e1t hasonl\u00edtja \u00f6ssze abb\u00f3l a szempontb\u00f3l, hogy milyen szerepet t\u00f6ltenek be a t\u00e1rsadalomban. Elm\u00e9lete szerint Indi\u00e1ban a t\u00e1rgyi vil\u00e1g tobz\u00f3d\u00e1s\u00e1nak egyik k\u00f6vetkezm\u00e9nye, hogy nem vonhatunk \u00e9les hat\u00e1rt az emberek \u00e9s a t\u00e1rgyak k\u00f6z\u00e9, a m\u00e1sik pedig, hogy a m\u0171alkot\u00e1sokat sem v\u00e1laszthatjuk egy\u00e9rtelm\u0171en k\u00fcl\u00f6n. Az indiai t\u00f6megben az arcok \u00e9s a t\u00e1rgyak \u00f6sszemos\u00f3dnak.4<\/span> Ehhez tartozik m\u00e9g a keleti \u00e9s nyugati kult\u00fara gazdas\u00e1gi k\u00fcl\u00f6nbs\u00e9geinek kiemel\u00e9se: az amerikaiak megsz\u00e1llotts\u00e1ga a be\u00e1razhatatlan be\u00e1raz\u00e1sa, \u00e9s mivel a fogyaszt\u00e1s a c\u00e9l, semmit sem \u00e9lveznek puszt\u00e1n a materialit\u00e1s\u00e1\u00e9rt, ink\u00e1bb az absztrakt tulajdons\u00e1g\u00e9rt vagy c\u00e9l\u00e9rt, amelyet k\u00e9pvisel.5<\/span> Appadurai szerint csak akkor \u00e9rt\u00e9kelhetj\u00fck \u201ea dolgot mag\u00e1t\u201d, ha kiemelj\u00fck a kereskedelmi k\u00f6rforg\u00e1sb\u00f3l p\u00e9ld\u00e1ul egy olyan szem\u00e9lyes gesztus keret\u00e9ben, mint az aj\u00e1nd\u00e9koz\u00e1s.6<\/span> \u00c9ppen csak arra nem kapunk v\u00e1laszt, hogy k\u00e9pes-e egy t\u00e1rgy az anyagis\u00e1gban felmutatni egyedis\u00e9g\u00e9t, vagy minden esetben sz\u00fcks\u00e9g van az emberi v\u00e1gyak \u00e9s a t\u00e1rsadalmi konvenci\u00f3k k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9re? M\u00e1sk\u00e9ppen fogalmazva, lehets\u00e9ges-e visszat\u00e9rni mag\u00e1hoz a dologhoz, vagy csak a hozz\u00e1 f\u0171z\u0151d\u0151 kapcsolatunkr\u00f3l tudunk sz\u00e1mot adni?[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″][vc_column_text]\n

4<\/p>\n

Arjun Appadurai: The Thing Itself.<\/em> In: konst.gu.se<\/a> 17.<\/p>\n

5<\/p>\n

I. m., 19.<\/p>\n

6<\/p>\n

I. m., 20.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”No Line” custom_height=”30″][vc_column_text el_class=”full-img”] \r\n \r\n <\/video-js>\r\n [\/vc_column_text][vc_column_text]\n

Ilona N\u00e9meth \u2013 Pack Up Everything.<\/em> Knoll Galerie, B\u00e9cs, 2017. j\u00fanius 7 \u2013 szeptember 19. | film: Michaela\u00a0\u00a0\u010c\u00ed\u017ekov\u00e1<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”3447″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Dokumentum-m\u00e1solat 1947-b\u0151l, a \u201eMindent becsomagolni…\u201d,<\/em> (R. J. asztala<\/em>) c\u00edm\u0171 install\u00e1ci\u00f3 (2016) r\u00e9sze<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Indi\u00e1ban tal\u00e1n gy\u0151zhet az anyagis\u00e1g az absztrakci\u00f3 f\u00f6l\u00f6tt, b\u00e1r ehhez a konkl\u00fazi\u00f3hoz Appadurai nem f\u0171z magyar\u00e1zatot. A t\u00e1rgyakhoz \u00e9s \u00edgy a m\u0171alkot\u00e1sokhoz val\u00f3 viszonyunkat nem kiz\u00e1r\u00f3lag az \u00e9rzelmi k\u00f6t\u0151d\u00e9s vagy a kereskedelmi \u00e9rt\u00e9k befoly\u00e1solhatja, \u00e9s \u00fagy gondolom, hogy ebben a k\u00e9rd\u00e9sben nem elegend\u0151 az eml\u00edtett k\u00fcl\u00f6nbs\u00e9gekre hivatkozni. A t\u00e1rgyak az emberi vil\u00e1g r\u00e9szek\u00e9nt nyernek \u00e9rtelmet \u00e9s szerepet, \u00edgy akaratlanul is kapcsolatban \u00e1llnak e rendszer m\u00e1s elemeivel, \u00e9l\u0151kkel \u00e9s \u00e9lettelenekkel egyar\u00e1nt. Ilyen \u00e9rtelemben a t\u00e1rgyi vil\u00e1g tobz\u00f3d\u00e1sa v\u00e9letlenszer\u0171en l\u00e9trej\u00f6v\u0151 kapcsolatokat is jel\u00f6lhet \u2013 ki\u00e1ll\u00edt\u00e1si t\u00e1rgy \u00e9s l\u00e1togat\u00f3, m\u0171alkot\u00e1s \u00e9s ki\u00e1ll\u00edt\u00f3t\u00e9r vagy \u00e9ppen m\u0171alkot\u00e1s \u00e9s m\u0171alkot\u00e1s viszony\u00e1t. Az egym\u00e1sra hat\u00e1sok lehetnek el\u0151re megtervezettek egy ki\u00e1ll\u00edt\u00e1s vagy ak\u00e1r egy lak\u00e1sbels\u0151 berendez\u00e9sekor, de kialakulhatnak spont\u00e1n is. R\u00e1ad\u00e1sul a materialit\u00e1s gy\u0151zelm\u00e9nek kiki\u00e1lt\u00e1sa azt is sugallja, hogy az anyag \u00e9s a koncepci\u00f3 vagy \u201eabsztrakt\u201d jelent\u00e9sad\u00e1s sz\u00e9tv\u00e1laszthat\u00f3k, azonban ez nem ilyen egy\u00e9rtelm\u0171. A konceptu\u00e1lis m\u0171v\u00e9szet probl\u00e9m\u00e1i p\u00e9ld\u00e1ul \u00e9ppen abb\u00f3l fakadtak, hogy elutas\u00edtotta az anyagot az elvontabb nyelv vagy a gondolati strukt\u00far\u00e1k jav\u00e1ra.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”3429″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

N\u00e9meth Ilona: \u201eMindent becsomagolni…\u201d,<\/em> 2017, Knoll Gal\u00e9ria, Budapest<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A dolgok gyakran val\u00f3ban \u201e\u00f6nmaguk\u00e9rt besz\u00e9lnek\u201d, de csak ha k\u00e9pesek t\u00falmutatni \u00f6nmagukon, \u00e9s kapcsolatba ker\u00fclni vel\u00fcnk. N\u00e9meth Ilona t\u00f6bb kor\u00e1bbi install\u00e1ci\u00f3ja is hat\u00e1rozottan ig\u00e9nyli az ilyen interakci\u00f3k kialakul\u00e1s\u00e1t. Mivel kor\u00e1bbi munk\u00e1i gyakran egyetlen anyagi min\u0151s\u00e9get vagy kiemelt t\u00e1rgyat \u00e1ll\u00edtanak el\u00e9nk, ez az asztalok kiv\u00e1laszt\u00e1s\u00e1nak is hangs\u00falyt ad, azaz a szem\u00e9lyes gesztus mellett egy m\u0171v\u00e9szinek is \u00e9rv\u00e9nyes\u00fclnie kell, amely m\u00e1r a k\u00f6z\u00f6ss\u00e9gi dimenzi\u00f3ban helyezi el a t\u00e1rgyakat. 2004-es retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s\u00e1nak egyik kritikusa, Szip\u0151cs Krisztina is a szem\u00e9lyes \u00e9s a nyilv\u00e1nos viszony kett\u0151ss\u00e9g\u00e9t hangs\u00falyozza: \u201ea sz\u00e1nd\u00e9k pedig olyan t\u00e9rbeli k\u00e9pletek megteremt\u00e9s\u00e9re ir\u00e1nyul, melyek a test (az \u00e9n) \u00e9s k\u00f6rnyezete viszonylatait modellezik, legyen sz\u00f3 elemi \u00e9rz\u00e9kel\u00e9sr\u0151l vagy t\u00e1rsadalmilag meghat\u00e1rozott szerepekr\u0151l. A v\u00e9geredm\u00e9ny pedig \u00e1ltal\u00e1ban egy-egy olyan objektum, mely mag\u00e1t\u00f3l \u00e9rtet\u0151d\u0151en \u00e9s keresetlen\u00fcl k\u00e9pviseli a szavakban csak hosszadalmasan kifejthet\u0151 [\u2026] m\u0171v\u00e9szi tartalmat.\u201d7<\/span><\/p>\n

N\u00e9meth Ilona az anyag nyelv\u00e9t sz\u00f3laltatja meg, a retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s viszont annyiban k\u00fcl\u00f6nb\u00f6zik a Mindent becsomagolni<\/em> c\u00edm\u0171t\u0151l, hogy t\u00f6bb \u00f6nmag\u00e1\u00e9rt besz\u00e9l\u0151 t\u00e1rgy alkotja, amelyek b\u00e1r nem alkotnak sorozatot, a ki\u00e1ll\u00edt\u00e1son m\u00e9gis kapcsolatba ker\u00fclnek egym\u00e1ssal a priv\u00e1t \u00e9s a nyilv\u00e1nos t\u00e9r, az ember \u00e9s t\u00e1rgyai viszony\u00e1nak k\u00e9rd\u00e9seiben. T\u00f6bbfunkci\u00f3s n\u0151<\/em> (1996) c\u00edm\u0171 munk\u00e1ja a csal\u00e1di asztalokhoz hasonl\u00f3an szint\u00e9n funkci\u00f3j\u00e1ban \u00e9s t\u00e1rgy-jelleg\u00e9ben hordozza \u00fczenet\u00e9t: egy v\u00f6r\u00f6s b\u00e1rsonnyal bor\u00edtott \u00e1gy, amelyre leheverhet\u00fcnk, mik\u00f6zben k\u00fcl\u00f6nb\u00f6z\u0151 n\u0151i hangok sz\u00f3lalnak meg bel\u0151le, felid\u00e9zve az otthont, az intimit\u00e1st \u00e9s a testis\u00e9get. A mindennapi b\u00fatordarab alkalmass\u00e1 v\u00e1lik egy feminista kritika megfogalmaz\u00e1s\u00e1ra, \u00fagy, hogy \u00f6nmag\u00e1n k\u00edv\u00fcl nem ig\u00e9nyel m\u00e1s eszk\u00f6zt. A R\u00e9sz<\/em> (2003) c\u00edm\u0171 m\u0171alkot\u00e1s is a szem\u00e9lyes teret \u201eigaz\u00edtja\u201d a ki\u00e1ll\u00edt\u00f3t\u00e9r ig\u00e9nyeihez, amennyiben nem m\u00e1s, mint egy szoba kiv\u00e1gott r\u00e9szlete, f\u00e9lbev\u00e1gott fotellel \u00e9s k\u00e1v\u00e9z\u00f3asztallal. N\u00e9meth Ilona egy m\u00e1sik k\u00fcl\u00f6n\u00f6s m\u0171ve tov\u00e1bb megy, \u00e9s a szem\u00e9lyes t\u00e9r eg\u00e9sz\u00e9t a k\u00f6z\u00f6sb\u0151l kihas\u00edtottk\u00e9nt \u00e9rtelmezi: a Kapszula<\/em> (2003), amely egy ideig az akkori Moszkva t\u00e9ren \u00e1llt, \u00e9ppen csak akkora, hogy egyetlen ember elf\u00e9rhet benne \u00e9s megteremtheti z\u00e1rt, szem\u00e9lyes z\u00f3n\u00e1j\u00e1t. \u201eAz ipari m\u00f3dszerekkel kivitelezett, t\u00f6meggy\u00e1rt\u00e1sra alkalmas minimalista term\u00e9k [\u2026] legfeljebb k\u00e9nyszer\u0171en v\u00e1llalt rabs\u00e1g, a szem\u00e9lyes t\u00e9r ill\u00fazi\u00f3ja [\u2026] szemben a val\u00f3di otthonnal, mely nemcsak fizikai, de ment\u00e1lis, \u00e9rzelmi t\u00e9r is.\u201d8<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″][vc_column_text]\n

7<\/p>\n

Szip\u0151cs Krisztina: Egy n\u0151 a t\u00e9rben. N\u00e9meth Ilona retrospekt\u00edv ki\u00e1ll\u00edt\u00e1sa. Balkon<\/em> 2004\/8.,
\nbalkon.art\/1998-2007\/<\/a><\/p>\n

8<\/p>\n

Uo.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”3427″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

N\u00e9meth Jen\u0151 megnyitja a Flora Bratislava ki\u00e1ll\u00edt\u00e1st. 1970\/2014<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A \u201eMindent becsomagolni\u2026\u201d<\/em> h\u00e1rom asztala az el\u0151bbi m\u0171alkot\u00e1sokhoz hasonl\u00f3 \u00e1ll\u00e1spontot k\u00e9pvisel \u2013 egyszerre szem\u00e9lyes eml\u00e9k \u00e9s m\u0171t\u00e1rgy, valamint egy olyan t\u00e9rben kapott helyet, amely szerkezetileg lak\u00e1s, funkci\u00f3j\u00e1ban viszont gal\u00e9ria \u2013, de a t\u00f6bbit\u0151l elt\u00e9r\u0151en egyed\u00fcl marad, a mag\u00e1ny \u00e9s a kapcsolat n\u00e9lk\u00fclis\u00e9g pedig hi\u00e1ny\u00e9rzetet kelt. A \u201ement\u00e1lis t\u00e9r\u201d \u00e9s a kapcsolatot l\u00e9tes\u00edt\u0151 t\u00e1rgy koncepci\u00f3j\u00e1b\u00f3l pontosan a hi\u00e1nyt veszi \u00e1t. \u00c9ppen az\u00e9rt nehezen befogadhat\u00f3, mivel a l\u00e1togat\u00f3t csak a hi\u00e1nyt el\u0151h\u00edv\u00f3 jelenl\u00e9ttel k\u00e9pes szembes\u00edteni, hasonl\u00f3an az \u00f6r\u00f6ks\u00e9g\u00fcl maradt t\u00e1rgyakhoz vagy a r\u00e9gi portr\u00e9k\u00e9pekhez.9<\/span><\/p>\n

N\u00e9meth Ilona a t\u00e1rgyak \u00f6nmagukban val\u00f3 felmutat\u00e1s\u00e1val olyan \u00f6sszef\u00fcgg\u00e9seket keres, amelyekre azok saj\u00e1t alakjukkal, anyagukkal k\u00e9pesek reflekt\u00e1lni, ez azonban \u00f6nmag\u00e1ban nem el\u00e9g: az \u00e1gynak \u00e9s az asztalnak olyan sokr\u00e9t\u0171 szimb\u00f3lumokk\u00e1 kell v\u00e1lniuk, amelyek az els\u0151 esetben a \u201en\u0151is\u00e9g\u201d sz\u00e1mos vet\u00fclet\u00e9t lefedik, a m\u00e1sodikban pedig a csal\u00e1d t\u00e1rsadalmi jelent\u0151s\u00e9g\u0171 fogalm\u00e1t reprezent\u00e1lj\u00e1k. A Kapszula<\/em> eset\u00e9ben kifejezetten a ment\u00e1lis szimb\u00f3lum jelleg az \u00e9rdekes, amelyet Szip\u0151cs Krisztina kritik\u00e1ja hangs\u00falyoz: a priv\u00e1t t\u00e9r egyszerre v\u00e1lhat b\u00f6rt\u00f6nn\u00e9 \u00e9s mened\u00e9kk\u00e9, kij\u00e1tszva a k\u00e9t funkci\u00f3 k\u00f6z\u00f6tt \u2013 t\u00e1rsadalmi \u00e9s pszich\u00e9s \u00e9rtelemben is \u2013 felt\u00e9telezett hat\u00e1rokat. Jean Baudrillard, aki nyelvi jelek rendszer\u00e9b\u0151l kiindulva szimbolikus funkci\u00f3t tulajdon\u00edtott a t\u00e1rgyaknak, szint\u00e9n az el\u0151bbi k\u00e9t funkci\u00f3 \u00f6sszj\u00e1t\u00e9k\u00e1t vizsg\u00e1lta. Felismerte, hogy a t\u00e1rgyak \u201emegszem\u00e9lyes\u00edthet\u0151k\u201d, mivel sz\u00fcks\u00e9gszer\u0171en az emberhez tartoznak, egyfajta al\u00e1vetett viszonyban. \u201eA mindennapi k\u00f6rnyezet igen nagy m\u00e9rt\u00e9kben megmarad \u00bbabsztrakt\u00ab rendszernek: benne a sokf\u00e9le t\u00e1rgy \u00e1ltal\u00e1ban elszigetel\u0151dik funkci\u00f3j\u00e1ban; az ember az, aki sz\u00fcks\u00e9gleteinek megfelel\u0151en biztos\u00edtja egy\u00fctt\u00e9l\u00e9s\u00fcket egy funkcion\u00e1lis kontextusban\u201d.<\/p>\n

Baudrillard azt a probl\u00e9m\u00e1t veti fel, hogy folyamatosan szembes\u00fcln\u00fcnk kell a t\u00e1rgyis\u00e1g meg\u00e9lt val\u00f3s\u00e1g\u00e1val \u00e9s nem t\u00e9veszthetj\u00fck szem el\u0151l, hogy az mindig saj\u00e1t magunkra mint egy\u00e9nre \u00e9s mint emberre hat vissza. \u201eA h\u00e1z maga is az emberi test szimbolikus megfelel\u0151je\u201d10<\/span> \u2013 \u00edrja. Ez a testet kopors\u00f3k\u00e9nt \u00e9ppen csak v\u00e9d\u0151 Kapszula<\/em> legfontosabb k\u00e9rd\u00e9se is. A m\u0171v\u00e9sz a szem\u00e9lyes \u00e9s a nyilv\u00e1nos t\u00e9r \u00e1tfed\u00e9seire \u00e9p\u00edt, az egyes t\u00e1rgyak pedig sz\u00e1m\u00e1ra \u201et\u00e1rgyeset\u0171ek\u201d, mindig valamilyen a cselekv\u00e9shez kapcsol\u00f3dnak vagy annak kell\u00e9kei. Magukban hordozott funkci\u00f3juk akkor v\u00e1lik vil\u00e1goss\u00e1, amikor kiemelj\u00fck \u0151ket rendeltet\u00e9sszer\u0171 haszn\u00e1latukb\u00f3l \u00e9s k\u00f6rnyezet\u00fckb\u0151l, \u00e9s kider\u00fcl, hogy az \u00faj helyzetben sem tudnak szabadulni az emberi haszn\u00e1lat nyomait\u00f3l. A ki\u00e1ll\u00edt\u00e1si t\u00e9r mesters\u00e9gesen kivonja a t\u00e1rgyakat megszokott rendszer\u00fckb\u0151l, \u00edgy k\u00fcls\u0151 n\u00e9z\u0151pontb\u00f3l k\u00e9rdezhetnek r\u00e1 annak m\u0171k\u00f6d\u00e9s\u00e9re.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″][vc_column_text]\n

9<\/p>\n

Jean Baudrillard: A t\u00e1rgyak rendszere.<\/em> Ford. Albert S\u00e1ndor, Gondolat, Budapest, 1987, 11.<\/p>\n

10<\/p>\n

Baudrillard: i. m., 32.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”No Line” custom_height=”40″][vc_column_text el_class=”full-img”] \r\n \r\n <\/video-js>\r\n [\/vc_column_text][vc_column_text]\n

Ilona N\u00e9meth \u2013 Pack Up Everything.<\/em> Knoll Galerie, B\u00e9cs, 2017. j\u00fanius 7 \u2013 szeptember 19. | film: Michaela\u00a0\u00a0\u010c\u00ed\u017ekov\u00e1<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az olyan hagyom\u00e1nyos b\u00fatorok, mint az asztal szimbolik\u00e1j\u00e1t Baudrillard a hagyom\u00e1nyos csal\u00e1dfelfog\u00e1s hierarchikus t\u00e9rszervez\u00e9s\u00e9ben keresi. \u201eA t\u00e1rgyak, ezek az antropomorf h\u00e1ziistenek, azzal, hogy a t\u00e9rben testes\u00edtik meg a csoport \u00e9rzelmi kapcsolatait \u00e9s \u00e1lland\u00f3s\u00e1g\u00e1t, szinte halhatatlann\u00e1 v\u00e1lnak, m\u00edgnem egy modern nemzed\u00e9k sz\u00e1m\u0171zi, sz\u00e9tsz\u00f3rja vagy \u00e9ppen visszatelep\u00edti \u0151ket a r\u00e9gi t\u00e1rgyak nosztalgikus id\u0151szer\u0171s\u00e9g\u00e9be.\u201d11<\/span> A v\u00e1ltoz\u00e1s, az \u00e1talakul\u00e1s elker\u00fclhetetlennek l\u00e1tszik. A t\u00e1rgyak funkci\u00f3j\u00e1nak v\u00e1ltoz\u00e1sa \u2013 az otthonb\u00f3l a m\u00fazeumba ker\u00fcl\u00e9s vagy \u00e9ppen ford\u00edtva \u2013 k\u00fcl\u00f6nb\u00f6z\u0151 hozz\u00e1\u00e1ll\u00e1sokat, n\u00e9z\u0151pontokat k\u00f6vetelnek meg a bens\u0151s\u00e9ges viszonyt\u00f3l a szinte steril, neutr\u00e1lis tekintetig. A t\u00e1rgyak helye a t\u00e1rsadalomban is megv\u00e1ltozott, ahogyan a csal\u00e1dok is v\u00e1ltoz\u00e1sokon mentek kereszt\u00fcl: az asztal ma m\u00e1r nem a csal\u00e1d k\u00f6z\u00e9ppontja, legfeljebb form\u00e1lisan, a nagym\u00e9ret\u0171, ov\u00e1lis, fekete \u00edr\u00f3asztal pedig szint\u00e9n nem lehetne egy modern dolgoz\u00f3szoba kell\u00e9ke. \u00cdgy a b\u00fatorok a r\u00e9gi vil\u00e1g a let\u0171n\u00e9s\u00e9t jelk\u00e9pezik, m\u0171t\u00e1rgyakk\u00e1 v\u00e1lnak \u00e9s olyan leletekk\u00e9, amelyek cs\u00f6ndben megh\u00faz\u00f3dnak a pinc\u00e9k m\u00e9ly\u00e9n, \u00e9s ha napvil\u00e1gra hozzuk \u0151ket, m\u00e1r nem tudnak a t\u00e1rgyak \u00faj rendszer\u00e9be beilleszkedni. A kapcsolatot azonban megteremthetj\u00fck vel\u00fck \u2013 de csak bizonyos t\u00e1vols\u00e1gb\u00f3l \u2013 mert a csal\u00e1d, az \u00f6sszetartoz\u00e1s \u00e9s a t\u00e1rsadalmi felel\u0151ss\u00e9g egykori meg\u00e9lt val\u00f3s\u00e1gai a lak\u00e1sgal\u00e9ria ter\u00e9ben meg\u00fctk\u00f6znek saj\u00e1t, mindennapos val\u00f3s\u00e1gunkkal.<\/p>\n

N\u00e9meth Ilona t\u00e1rgyainak k\u00fcl\u00f6nlegess\u00e9ge, hogy \u00e1t tudnak alakulni m\u0171alkot\u00e1ss\u00e1, mik\u00f6zben meg\u0151rzik t\u00e1rgyjelleg\u00fcket. A \u201eMindent becsomagolni\u2026\u201d<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s azonban sz\u00e1nd\u00e9kosan \u00e9p\u00edt a t\u00e1vols\u00e1gtart\u00e1sra. A traum\u00e1t az egym\u00e1st\u00f3l elv\u00e1lasztott, szinte elz\u00e1rt t\u00e1rgyak \u00f6nmagukban k\u00e9pviselik. Mindh\u00e1rom asztal automatikusan ny\u00edlik \u00e9s \u00f6sszez\u00e1rul, az egyik\u00fck ritmikus, sz\u00edvdobban\u00e1shoz hasonl\u00f3 hangokkal tudatja vel\u00fcnk az elmondhatatlant \u2013 tudatja, de nem tudja elmondani. A n\u00e9z\u0151 zavara \u00e9rthet\u0151 a t\u00e1vols\u00e1gtart\u00f3 t\u00e1rgyakkal szemben, amelyek tal\u00e1n egy nagyobb ki\u00e1ll\u00edt\u00e1s r\u00e9szeik\u00e9nt megtal\u00e1lj\u00e1k majd a hely\u00fcket.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″][vc_column_text]\n

11<\/p>\n

Baudrillard: i. m., 18.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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