{"id":31994,"date":"2023-07-08T19:03:55","date_gmt":"2023-07-08T17:03:55","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=31994"},"modified":"2024-09-08T09:05:03","modified_gmt":"2024-09-08T07:05:03","slug":"az-aramlas-alakzatai-keseru-ilona-mind","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/az-aramlas-alakzatai-keseru-ilona-mind\/","title":{"rendered":"Az \u00e1raml\u00e1s alakzatai"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Keser\u00fc Ilona: Mind<\/em><\/h2>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Q Contemporary, Budapest
\n2023. m\u00e1rcius 30 \u2013 j\u00falius 1.*<\/span><\/h4>\n

Kur\u00e1tor: Zsikla M\u00f3nika<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-1-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Az ember megpr\u00f3b\u00e1lja elkapni a fonalat. Olyan esetekben mondjuk ezt, amikor megpr\u00f3b\u00e1lunk meg\u00e9rteni egy gondolatmenetet, pr\u00f3b\u00e1lunk k\u00edv\u00fclr\u0151l kapcsol\u00f3dni egy folyamathoz, pr\u00f3b\u00e1ljuk felvenni a gondolatok, a form\u00e1k \u00e9s a testek mozg\u00e1s\u00e1nak ritmus\u00e1t, pr\u00f3b\u00e1lunk az \u00e1raml\u00e1s r\u00e9sz\u00e9v\u00e9 v\u00e1lni. A fonal, b\u00e1r line\u00e1risnak t\u0171nik, val\u00f3j\u00e1ban nincs se eleje, se v\u00e9ge \u2013 kifesz\u00fcl, hurkol\u00f3dik, \u00f6sszegabalyodik, majd \u00fajra kiny\u00falik a t\u00e9rben. Maga a fonal teremti meg a teret: a testek \u00e1ltal belakott fizikai teret, \u00e9s a gondolatok \u00e1raml\u00e1s\u00e1nak diszkurz\u00edv ter\u00e9t. Lehet ez a t\u00e9r egy \u00e9letm\u0171 tere, az univerzumhoz hasonlatosan folyamatosan t\u00e1gul\u00f3 t\u00e9r a m\u0171v\u00e9szett\u00f6rt\u00e9net k\u00e9pzeletbeli ter\u00e9ben, referenci\u00e1k \u00e9s kapcsol\u00f3d\u00e1sok, stil\u00e1ris \u00e9s motivikus hurkok \u00e9s csom\u00f3k szemmel \u00e9s \u00e9sszel befoghatatlan, szertelen rendszerek\u00e9nt. Lehet ez a t\u00e9r egy ki\u00e1ll\u00edt\u00e1s tere, amelyet az \u00e9letm\u0171 bet\u00f6lt, amelyben az \u00e9letm\u0171 \u00e1ramlik, \u00fajabb \u00e9s \u00fajabb egy\u00fctt\u00e1ll\u00e1sokat \u00e9s kapcsol\u00f3d\u00e1sokat felfedve: a mot\u00edvumok \u00e9s a sz\u00ednmez\u0151k szinte \u00f6sszeszikr\u00e1zva fedik fel a terekben gabalyod\u00f3 k\u00e9pzeletbeli fonal \u00fajabb \u00e9s \u00fajabb el\u00e1gaz\u00f3d\u00e1sait.<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ gradient_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text text_direction=”default”]\n

*<\/p>\n

Elhangzott a ki\u00e1ll\u00edt\u00e1s megnyit\u00f3j\u00e1n.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32004″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keser\u00fc Ilona: Mind,<\/em> 2023, Q Contemporary, ki\u00e1ll\u00edt\u00e1si n\u00e9zet \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Pr\u00f3b\u00e1lom elkapni Keser\u00fc Ilona<\/span> grandi\u00f3zus \u00e9letm\u0171v\u00e9nek fonal\u00e1t, \u00e9s csak l\u00e9p\u00e9sr\u0151l l\u00e9p\u00e9sre \u00e9rtem meg, hogy ez a fonal nem elkaphat\u00f3, hogy Keser\u00fc m\u0171v\u00e9szet\u00e9nek ereje \u00e9ppen a fonal elkaphatatlans\u00e1g\u00e1ban, megragadhatatlans\u00e1g\u00e1ban \u00e9s kiegyenes\u00edthetetlens\u00e9g\u00e9ben \u00e1ll, abban, hogy nincs ki\u00fat a k\u00e9pek erdej\u00e9b\u0151l, a hull\u00e1mz\u00f3 sz\u00ednek \u00e9s form\u00e1k ritmikus ism\u00e9tl\u0151d\u00e9seinek l\u00e1ncolat\u00e1b\u00f3l, a k\u00e9pek \u00e1raml\u00e1s\u00e1nak pulz\u00e1l\u00f3 energiamez\u0151j\u00e9b\u0151l, a t\u00e9rr\u00e9 v\u00e1l\u00f3 sz\u00edn \u00e9s a sz\u00ednmez\u0151v\u00e9 alakul\u00f3 t\u00e9r v\u00e9gtelen dialektik\u00e1j\u00e1b\u00f3l. Mindezt a legpontosabban maga a m\u0171v\u00e9sz fogalmazta meg: \u201eM\u00e1s fest\u0151 \u00e9letm\u0171vek alakul\u00e1s\u00e1t figyelve kor\u00e1bban \u00e9n is hajlamos voltam arra, hogy azok alkot\u00f3ihoz hasonl\u00f3an line\u00e1ris \u00bbkorszakokra\u00ab tagoljam m\u0171k\u00f6d\u00e9semet, de a l\u00e9trej\u00f6tt rajzok \u00e9s k\u00e9pek ellenszeg\u00fcltek. El\u00e9gg\u00e9 sok\u00e1ra \u00e9rtettem meg, hogy alapmot\u00edvumom, a GUBANC egyben m\u0171v\u00e9szi munk\u00e1lkod\u00e1som t\u00e9rbeli \u00e1br\u00e1ja, k\u00e9plete is. Minden visszat\u00e9r \u00e9s ism\u00e9tl\u0151dik, de nem a spir\u00e1l szabatos \u00e9s megnyugtat\u00f3 rendj\u00e9ben, hanem a v\u00e1ratlan elt\u0171n\u00e9sek, felbukkan\u00e1sok, \u00edvek, hurkok, kibonthatatlan csom\u00f3k \u00e9s \u00f6ml\u0151 \u00e1rad\u00e1sok egyre, szertelen\u00fcl v\u00e1ltoz\u00f3 halmaz\u00e1ban.\u201d1<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ gradient_type=”default” column_padding_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text text_direction=”default”]\n

1<\/p>\n

Ilona Keser\u00fc Ilona: A ki\u00e1ll\u00edt\u00e1s termei, in: Ilona Keser\u00fc Ilona: K\u00f6zel\u00edt\u00e9s gubanc \u00e1raml\u00e1s. Oknyomoz\u00e1s Ilona Keser\u00fc Ilona munk\u00e1ss\u00e1g\u00e1ban,<\/em> Baksa-So\u00f3s Vera szerk., kat. Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest, 2004, 56.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32015″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keser\u00fc Ilona: Mind,<\/em> 2023, Q Contemporary, ki\u00e1ll\u00edt\u00e1si n\u00e9zet \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A gubanc, a hurok, a hull\u00e1m \u00e9s a red\u0151 t\u00f6bb teh\u00e1t az \u00e9letm\u0171ben \u00fajra \u00e9s \u00fajra visszat\u00e9r\u0151 mot\u00edvumn\u00e1l \u2013 modell, s\u0151t, vil\u00e1gmodell, ahogy Keser\u00fc fogalmazott: \u201e\u00dagy gondolom, hogy a gubancok \u00e9s \u00e1raml\u00e1sok mindny\u00e1junkban \u00e9l\u0151 szervez\u0151d\u00e9sek \u00e9s mozg\u00e1sok. A Vil\u00e1g m\u0171k\u00f6d\u00e9s\u00e9nek alakzatai.\u201d Szervez\u0151d\u00e9sekr\u0151l \u00e9s mozg\u00e1sokr\u00f3l \u00edr, \u00e9s mindez egyszerre vonatkoztathat\u00f3 az organikus vil\u00e1g m\u0171k\u00f6d\u00e9s\u00e9re, a fizikai t\u00f6rv\u00e9nyek rendj\u00e9re \u00e9s az agyban cik\u00e1z\u00f3 gondolatok sokszor \u00e1tl\u00e1thatatlannak t\u0171n\u0151 rendszer\u00e9re, az ism\u00e9tl\u0151d\u00e9sek \u00e9s visszat\u00e9r\u00e9sek nehezen \u00e1tl\u00e1that\u00f3 labirintus\u00e1ra. \u201e\u00c1lland\u00f3an visszaj\u00e1rok a saj\u00e1t m\u00faltamba. Nem tartom lez\u00e1rtnak a szakmai tev\u00e9kenys\u00e9gem egyes szakaszait. Egy kis kondicion\u00e1l\u00e1ssal folytatni tudom r\u00e9gebbi mozdulataimat\u201d2<\/span> \u2013 nyilatkozta Keser\u00fc. M\u00e1shol pedig \u00edgy fogalmazott: \u201er\u00e9gen elt\u00fcntetett, \u00e1tfestett, csak fot\u00f3n, di\u00e1n megmaradt k\u00e9pek gy\u00f6t\u00f6rnek, hogy fessem meg \u0151ket \u00fajra, m\u00e9g az is lehet, hogy k\u00e9t lehet\u0151s\u00e9g k\u00f6z\u00fcl akkor rosszul v\u00e1lasztottam, \u00e9s az \u00e1fest\u00e9ssel megsemmis\u00edtett k\u00e9p jelenten\u00e9 a ma is \u00e9rv\u00e9nyes folytat\u00e1si lehet\u0151s\u00e9get\u201d.3<\/span><\/p>\n

Ebben az esetben sem csak \u00e1t- \u00e9s \u00fajrafest\u00e9sekr\u0151l van sz\u00f3, hanem a k\u00e9pek egym\u00e1sb\u00f3l \u00e9s egym\u00e1sra k\u00f6vetkez\u00e9s\u00e9r\u0151l, arr\u00f3l, ami oly \u00e9rz\u00e9kletesen jelenik meg m\u00e1r a m\u0171v\u00e9sz korai alkot\u00e1sain \u00e1raml\u00e1sk\u00e9nt, hull\u00e1mz\u00e1sk\u00e9nt, m\u00e1skor pedig red\u0151k sokr\u00e9t\u0171, \u00e9rz\u00e9ki alakzatak\u00e9nt. Keser\u00fc red\u0151i kapcs\u00e1n a m\u0171v\u00e9sz monogr\u00e1fusa, Aknai Katalin tal\u00e1l\u00f3an hivatkozott a leibnizi \u00e9s deleuze-i \u00e9rtelemben vett red\u0151kre,4<\/span> mint par excellence barokk alakzatokra, amelyekb\u0151l mintegy kibonthat\u00f3, kihajtogathat\u00f3 az univerzum eg\u00e9sze.5<\/span> Keser\u00fc m\u0171v\u00e9szete az \u00e9rz\u00e9ki testtapasztalatokb\u00f3l kiindulva v\u00e1lik univerz\u00e1liss\u00e1. N\u00e1das P\u00e9ter szavaival: \u201edemonstrat\u00edv m\u00f3don \u00e9s ill\u0151 szer\u00e9nys\u00e9ggel megad egy vil\u00e1gk\u00e9pletet\u201d,6<\/span> amely vil\u00e1gk\u00e9plet mindig ugyanaz, m\u00e9gis sz\u00e1mos alakot \u00f6lt, a barokk \u00e9p\u00edt\u00e9szet hull\u00e1mait\u00f3l a testhajlatokig, a n\u00f6v\u00e9nyi veget\u00e1ci\u00f3 apr\u00f3 r\u00e9szleteit\u0151l a t\u00e1j lank\u00e1iig, a s\u00edrk\u00f6vek energikus hull\u00e1mvonal\u00e1t\u00f3l a M\u00f6biusk\u00e9nt megcsavart szalagokig. K\u00fcl\u00f6nb\u00f6z\u0151 szf\u00e9r\u00e1k \u00e9s spektrumok tal\u00e1lkoznak \u00e9s \u00e9rnek \u00f6ssze: sz\u00edntestek, sz\u00edngesztusok, sz\u00ednfonalak \u00e9s sz\u00edn-terek, a szemh\u00e9jon innen \u00e9s a szemh\u00e9jon t\u00fal. Fizikai impulzusokk\u00e9nt \u00e9s \u00e9teri ut\u00f3k\u00e9pekk\u00e9nt.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ gradient_type=”default” column_padding_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text text_direction=”default”]\n

2<\/p>\n

Zwickl Andr\u00e1s: Besz\u00e9lget\u00e9s Keser\u00fc Ilon\u00e1val (1988), Nagy Ildik\u00f3 szerk., in: Hatvanas \u00e9vek. \u00daj t\u00f6rekv\u00e9sek a magyar k\u00e9pz\u0151m\u0171v\u00e9szetben,<\/em> kat. Magyat Nemzeti Gal\u00e9ria, Budapest, 1991, 148.<\/p>\n

3<\/p>\n

Ilona Keser\u00fc Ilona: A ki\u00e1ll\u00edt\u00e1s termei 2004, i.m., 22.<\/p>\n

4<\/p>\n

Aknai Katalin: \u201e\u00c1lland\u00f3an visszaj\u00e1rok a m\u00faltamba\u201d. Keser\u00fc Ilona \u00e9letm\u0171v\u00e9nek vizsg\u00e1lata a hatvanas \u00e9vek perspekt\u00edv\u00e1j\u00e1b\u00f3l,<\/em> doktori disszert\u00e1ci\u00f3, ELTE BTK Filoz\u00f3fiatudom\u00e1nyi Doktori Iskola Eszt\u00e9tikai Program, k\u00e9zirat, Budapest, 2014, 55\u201356.<\/p>\n

5<\/p>\n

Gilles Deleuze: The Fold. Leibniz and the Baroque,<\/em> Continuum, London-New York, 2006 (Tom Conley ford., Paris, 1988)<\/p>\n

6<\/p>\n

N\u00e1das P\u00e9ter: Saj\u00e1t jel. Semleges l\u00e1t\u00e1s Keser\u00fc Ilona fest\u00e9szet\u00e9ben, in: Ilona Keser\u00fc Ilona: K\u00f6zel\u00edt\u00e9s gubanc \u00e1raml\u00e1s<\/em> 2004, i.m., 10.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-5-40″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32011″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keser\u00fc Ilona: Kagyl\u00f3,<\/em> 1963, olaj, ez\u00fcstf\u00fcst, v\u00e1szon, 30\u00d751 cm \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]T\u00f6bbsz\u00f6r megadatott m\u00e1r, hogy elvesszek Keser\u00fc k\u00e9peinek erdej\u00e9ben: ez t\u00f6rt\u00e9nt 2004-ben a budapesti Ludwig M\u00fazeumban \u00e9s 2008-ban a debreceni MODEM-ben, \u00e9s ez t\u00f6rt\u00e9nik most a Q Contemporary tereiben. M\u00edg 2008-ban szinte nem is erd\u0151k\u00e9nt, hanem dzsungelk\u00e9nt, lobban\u00e9kony sz\u00ednoszlopok \u00e1tl\u00e1thatatlan, megig\u00e9z\u0151 halmazak\u00e9nt tornyosult el\u0151ttem \u00e9s felettem az \u00e9letm\u0171, most a rendk\u00edv\u00fcl eleg\u00e1ns, ugyanakkor p\u00e1ratlanul koncepci\u00f3zus kur\u00e1tori rendez\u00e9s ment\u00e9n elhelyezett k\u00e9pek lebeg\u00e9s\u00e9t \u00e9s l\u00e9legz\u00e9s\u00e9t figyelem \u2013 a fonal \u00fajabb \u00e9s \u00fajabb gubancait, a red\u0151k \u00fajabb \u00e9s \u00fajabb fodrait. A k\u00e9pek val\u00f3ban mintha l\u00e9legezn\u00e9nek, \u00e9s ha elkapjuk a k\u00e9pzeletbeli fonalat, akkor az \u00e9letm\u0171 hull\u00e1mait is elkezdj\u00fck megl\u00e1tni. \u00c9szlelj\u00fck, ahogyan az 1963-ban festett Kagyl\u00f3<\/em> puha alakzata \u00e9rz\u00e9kien domborod\u00f3, buja Form\u00e1<\/em>v\u00e1 (1968\u201369), k\u00e9s\u0151bb pedig megfoghatatlan-megfoghat\u00f3 sz\u00edn\u00f6rv\u00e9nny\u00e9, sz\u00edntestt\u00e9, \u201edereng\u0151 hangokat\u201d id\u00e9z\u0151 gesztuss\u00e1 alakul. L\u00e1thatjuk, amint a korai festm\u00e9nyen megjelen\u0151 reggeli ellenf\u00e9ny (Reggel [Ellenf\u00e9ny],<\/em> 1964) k\u00e9s\u0151bb k\u00fcl\u00f6nb\u00f6z\u0151 fest\u0151i \u00e9s plasztikai min\u0151s\u00e9gek, gesztusk\u00e9pek, geometrikus alakzatok \u00e9s gy\u0171r\u0151d\u00e9sek patchwork<\/em>j\u00e9v\u00e9 alakul. V\u00e9gigk\u00f6vethetj\u00fck, ahogyan az 1959\u201362 k\u00f6z\u00f6tt festett Tengeri f\u00fcvek<\/em> \u2013 akkor m\u00e9g a biomorf szeml\u00e9let\u0171 posztsz\u00fcrrealista formak\u00e9pz\u00e9st t\u00fckr\u00f6z\u0151 \u2013 form\u00e1i a dobozszer\u0171 plasztik\u00e1v\u00e1 l\u00e9nyeg\u00fcl\u0151 k\u00e9pmez\u0151 ter\u00e9ben kibogozhatatlan gubancc\u00e1 (Bon-bon,<\/em> 1969), majd szalagg\u00e1 \u00e9s Labirintus<\/em>s\u00e1 (Labirintus 3,<\/em> 1998) v\u00e1lnak. A szalag olykor a t\u00e9rbe is kil\u00e9p, m\u00e1skor illuz\u00f3rikusan megfestett strukt\u00farak\u00e9nt lebeg a k\u00e9pt\u00e9rben. Ha kil\u00e9p, gyakran lebeg\u0151 M\u00f6bius-szalagg\u00e1 v\u00e1lik (Kis tit\u00e1n M\u0151biusz,<\/em> 2007), megid\u00e9zve az \u00e9letm\u0171 m\u00e1s mot\u00edvumait is: a hull\u00e1mform\u00e1kat \u00e9s a nyolcasokat form\u00e1z\u00f3 gesztus\u00f6rv\u00e9nyeket, \u00e1m az\u00fattal a sz\u00ednek teljes spektrum\u00e1t z\u00e1rja \u00f6nmag\u00e1ba a megcsavarod\u00f3 szalag, mintegy lek\u00e9pezve a sz\u00ednek, \u00e9s ez\u00e1ltal a l\u00e1that\u00f3 vil\u00e1g teljess\u00e9g\u00e9t, egym\u00e1sba olvad\u00f3 \u00e1rnyalatok dinamikus \u00e1raml\u00e1sak\u00e9nt.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs” gradient_type=”default” column_padding_type=”default”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-5-40″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32014″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keser\u00fc Ilona: Nyolcasos k\u00e9p,<\/em> 1966, olaj, kr\u00e9ta, grafit, farostlemez, 70\u00d7101 cm \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u00c9rz\u00e9sem szerint Keser\u00fc ennek a dinamikus \u00e1raml\u00e1snak a form\u00e1j\u00e1t keresi, a gesztus \u00e9s a geometria, a t\u00e9r \u00e9s a s\u00edk, a plasztika \u00e9s a t\u00e1blak\u00e9p, a figur\u00e1ci\u00f3 \u00e9s az absztrakci\u00f3, a testiess\u00e9g \u00e9s a testetlens\u00e9g, az \u00e9rz\u00e9kel\u00e9s \u00e9s a k\u00e1pr\u00e1zat, a vitalit\u00e1s \u00e9s az elm\u00fal\u00e1s k\u00f6z\u00f6tt. Ezt az \u00e1raml\u00e1st t\u00fckr\u00f6zik a korai kulcsm\u0171, az Ez\u00fcst\u00f6s k\u00e9p<\/em> (1964) ism\u00e9tl\u0151d\u0151, architektonikus alakzatai, az Egyes sz\u00e1m\u00fa k\u00e9p<\/em> (1965) firkaszer\u0171 vonalnyal\u00e1bjai, a Nyolcasos k\u00e9p<\/em> (1966) \u00f6nmagukba z\u00e1r\u00f3d\u00f3, v\u00e9gtelen k\u00f6r\u00edvei, a balatonudvari s\u00edrk\u00f6vek form\u00e1it, a n\u00e9pi text\u00edli\u00e1k \u00e9s a szusz\u00e9kok strukt\u00far\u00e1it, a biklak\u00e9nt vagy kab\u00e9lk\u00e9nt is ismert als\u00f3szokny\u00e1k fodrait, a r\u00e9gi ker\u00edt\u00e9sek l\u00e1tv\u00e1ny\u00e1t id\u00e9z\u0151 mot\u00edvumok hajlatai, az \u00e9rdes v\u00e1szonfel\u00fcletek \u2013 tektonikus mozg\u00e1sok nyomaira eml\u00e9keztet\u0151 \u2013 gy\u0171r\u0151d\u00e9sei \u00e9s domborulatai (amelyek mintha form\u00e1t adn\u00e1nak a t\u00e1j test\u00e9nek \u00e9s a test t\u00e1j\u00e1nak). Ez az \u00e1raml\u00e1s figyelhet\u0151 meg azokon az alkot\u00e1sokon, amelyeken Keser\u00fc a k\u00fcl\u00f6nb\u00f6z\u0151 korszakaira jellemz\u0151 elj\u00e1r\u00e1sokkal alkotott m\u0171vek fragmentumait varrja egym\u00e1s mell\u00e9 szimult\u00e1n strukt\u00far\u00e1kk\u00e9nt, \u00e9s ez az energikus pulz\u00e1l\u00e1s v\u00e1lik szinte vizu\u00e1lis robban\u00e1ss\u00e1 az optikai \u00e9s sz\u00ednjelens\u00e9geket, a sziv\u00e1rv\u00e1nysz\u00ednek \u00e9s a b\u0151rsz\u00ednek kapcsolat\u00e1t tematiz\u00e1l\u00f3 alkot\u00e1sokon, az Ut\u00f3k\u00e9pek<\/em>en (F\u00e9nyjelek [Ut\u00f3k\u00e9p 2.],<\/em> 1984) \u00e9s a Sz\u00ednv\u00e1lt\u00f3 (Cangiante)<\/em> k\u00e9pek zenei alakzatain, k\u00fcl\u00f6n\u00f6s sz\u00ednhangjain, v\u00e9gtelen sz\u00ednsorain (Sz\u00ednv\u00e1lt\u00f3 Cangiante hangok,<\/em> 2011).<\/p>\n

A t\u00e9rben kibomlik az \u00e9letm\u0171, mint visszat\u00e9r\u00e9sek \u00e9s visszak\u00f6t\u00e9sek s\u0171r\u0171 rendszere, igazolva Aknai Katalin meg\u00e1llap\u00edt\u00e1s\u00e1t, miszerint \u201eKeser\u00fc kez\u00e9n a f\u0151 mot\u00edvumok soha nem \u00e1llnak meg: \u00e1tfordulnak, perspekt\u00edv\u00e1t v\u00e1ltanak \u2013 n\u00e9zetek kapcsol\u00f3dnak egym\u00e1sba\u201d.7<\/span> A visszak\u00f6t\u00e9s Keser\u00fc eset\u00e9n sz\u00f3 szerint is \u00e9rthet\u0151. Varrott k\u00e9pein nemcsak saj\u00e1t formak\u00e9szlet\u00e9t, hanem a m\u0171v\u00e9szet- \u00e9s kult\u00fart\u00f6rt\u00e9net s\u0171r\u0171 sz\u00f6vet\u00e9t is \u00e1t\u00e9rtelmezi a n\u00e9pm\u0171v\u00e9szeti alkot\u00e1sokt\u00f3l a barokkig, Michelangel\u00f3t\u00f3l Filippino Lippiig, Tandori Dezs\u0151t\u0151l Ottlik G\u00e9z\u00e1ig, Martyn Ferenct\u0151l Korniss Dezs\u0151ig vagy ak\u00e1r Maria Jarem\u00e1ig \u00e9s Howard Hodgkinig.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ gradient_type=”default” column_padding_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text text_direction=”default”]\n

7<\/p>\n

Aknai Katalin 2014, i.m., 72.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32009″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keser\u00fc Ilona: Mind,<\/em> 2023, Q Contemporary, ki\u00e1ll\u00edt\u00e1si n\u00e9zet \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]M\u00e9gis vesz\u00e9lyes lenne t\u00falont\u00fal elm\u00e9ly\u00fclni a mot\u00edvumok ikonogr\u00e1fiai \u00e9s kult\u00fart\u00f6rt\u00e9neti kontextus\u00e1ban. Keser\u00fc a m\u0171veire \u00d6nerej\u0171 k\u00e9pek<\/em>k\u00e9nt hivatkozik. \u201eAz \u00d6nerej\u0171 Festm\u00e9ny nem akar sz\u00f3ban k\u00f6z\u00f6lhet\u0151 tartalmat, t\u00f6rt\u00e9netet, elm\u00e9letet tudatni vel\u00fcnk. Megk\u00f6zel\u00edt\u00e9s\u00e9hez nincs sz\u00fcks\u00e9g m\u00e1sra, mint a fel\u00e9je ir\u00e1nyul\u00f3 el\u0151\u00edt\u00e9letek n\u00e9lk\u00fcli figyelemre \u00e9s n\u00e9z\u00e9sre ford\u00edtott id\u0151re.\u201d8<\/span> A m\u0171vekr\u0151l visszapattannak a szavak. Tal\u00e1n erre utalt N\u00e1das, amikor \u00fagy fogalmazott, hogy Keser\u00fc fest\u00e9szete \u201enem reprodukt\u00edv, hanem t\u00fcntet\u0151en produkt\u00edv\u201d,9<\/span> illetve Tandori, amikor azt \u00edrta Keser\u00fc grafik\u00e1ir\u00f3l, hogy \u201ea vonalak \u00e9s a pontok \u00e9s a fel\u00fcletek \u00fagy alkotnak egys\u00e9get, hogy t\u00f6r\u00e9kenys\u00e9g n\u00e9lk\u00fcl jeleznek valami kem\u00e9ny metsz\u00e9s\u0171, szinte elpattan\u00f3 \u0151sk\u00e9p-szer\u0171s\u00e9get. Azonnal evidensek; \u00e9s sz\u00f3fukarok.\u201d10<\/span><\/p>\n

Keser\u00fc k\u00e9pei \u201eazonnal evidensek \u00e9s sz\u00f3fukarok\u201d, ha \u00fagy tetszik, zsigeriek. \u201eFogadjuk el, hogy a k\u00e9pek l\u00e9tez\u0151 eleven testek. Ne korl\u00e1tozzuk v\u00e9gtelen lehet\u0151s\u00e9geiket azzal, hogy bet\u0171ketrecekbe rakjuk \u0151ket. Hadd n\u00e9zze a k\u00e9peket az ember azzal a bizonytalan, sokf\u00e9le, teljes \u00f6nmag\u00e1val, amivel az \u00e9lete v\u00e1ratlan, megmagyar\u00e1zhatatlan esem\u00e9nyeiben vesz r\u00e9szt.\u201d \u2013 \u00edrja Keser\u00fc egy 1979-es jegyzet\u00e9ben.11<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ gradient_type=”default” column_padding_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

8<\/p>\n

Ilona Keser\u00fc Ilona: \u00d6nerej\u0171 festm\u00e9ny, in: Ilona Keser\u00fc Ilona: M\u0171vek 1982\u20132008,<\/em> Aknai Katalin szerk., kat. MODEM, Debrecen, 2008, 59.<\/p>\n

9<\/p>\n

N\u00e1das 2004 i.m., 9.<\/p>\n

10<\/p>\n

Tandori Dezs\u0151: V\u00e1ltozatok Keser\u00fc Ilona m\u0171veire I., in: Ilona Keser\u00fc Ilona: M\u0171vek 1959\u20131982,<\/em> Keser\u00fc Ilona szerk., A m\u0171v\u00e9sz kiad\u00e1sa, Budapest, 2002, 7.<\/p>\n

11<\/p>\n

Ilona Keser\u00fc Ilona: \u00d6nerej\u0171 festm\u00e9ny 2008, i.m., 59.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” right_padding_desktop=”15%” left_padding_tablet=”10%” right_padding_tablet=”10%” left_padding_phone=”10%” right_padding_phone=”10%” constrain_group_10=”yes” constrain_group_12=”yes” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32006″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keser\u00fc Ilona: Narancs-r\u00f3zsa k\u00f6zel\u00edt\u00e9s,<\/em> 2000, olaj, v\u00e1szon, 278\u00d7204 cm \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A \u201ek\u00e9pek l\u00e9tez\u0151 eleven testek\u201d \u2013 intenz\u00edv jelenl\u00e9t\u00fck nem engedi, hogy bet\u0171ketrecekbe rakjuk \u0151ket. Minden erre ir\u00e1nyul\u00f3 k\u00eds\u00e9rlet eleve kudarcra \u00edt\u00e9lt. Tal\u00e1n ezt \u00e9rz\u00e9keltem, amikor a terekben bolyongva sehogy sem tudtam elkapni, megragadni a k\u00e9pek k\u00f6z\u00f6tt kifesz\u00fcl\u0151, gubancol\u00f3d\u00f3, hurkol\u00f3d\u00f3 fonalat.<\/p>\n

Keser\u00fc m\u0171vei ellen\u00e1llnak a sz\u00f6vegszer\u0171 interpret\u00e1ci\u00f3nak. Olykor azonban maguk is sz\u00f6vegekk\u00e9nt m\u0171k\u00f6dnek. P\u00e9ld\u00e1ul a Q Contemporary ki\u00e1ll\u00edt\u00e1s\u00e1nak tet\u0151pontj\u00e1n, a leg\u00fajabb alkot\u00e1sokat bemutat\u00f3 t\u00e9regys\u00e9gben, amelynek festm\u00e9nyei a m\u0171v\u00e9sz kor\u00e1bbi \u00dczenet<\/em>-k\u00e9peit \u00e9rtelmezik \u00fajra (\u00c9g\u0151 tenger, [\u00dczenet r\u00e9szlete 1.],<\/em> 2022; Ellenmozg\u00e1s [\u00dczenet r\u00e9szlete 2.],<\/em> 2022; \u00dczenet r\u00e9szlete 4.,<\/em> 2022; Jelek \u00e1tl\u00f3s t\u00e9rben [\u00dczenet r\u00e9szlete 5.],<\/em> 2022). \u201eRejtjeles \u00edr\u00e1s. Hittem a l\u00e1that\u00f3 \u00e9s meg\u00e9rlelt form\u00e1k kifejez\u0151 erej\u00e9ben, \u00fagy gondoltam, hogy ezeket a dolgokat t\u00e9nyleg olvasni lehet. Hogy amit belefestek, vagy amilyen \u00e9n vagyok akkor, amikor csin\u00e1lom, \u00e9s amikre gondolok, azt valamilyen m\u00f3don ezek k\u00f6z\u00f6lni tudj\u00e1k. Persze ez nem eg\u00e9szen \u00edgy van, de a k\u00e9pek ilyen ig\u00e9nnyel k\u00e9sz\u00fcltek. Az volt a tervem ezzel az \u00dczenet<\/em>-problematik\u00e1val, hogy ezeket a jeleket \u00f3ri\u00e1si m\u00e9retben egyenk\u00e9nt fogom megfesteni, egy v\u00e1szonra egy nagy jelet \u00e9s ebb\u0151l \u00f6ssze lehet rakni egy h\u00e1zfal nagys\u00e1g\u00fa k\u00e9pet, k\u00e9psort vagy k\u00e9pfolyamatot.\u201d12<\/span> \u2013 fogalmazott a m\u0171v\u00e9sz, m\u00e1skor pedig a k\u00f6vetkez\u0151ket \u00edrta: \u201eAz \u00dczenet<\/em> k\u00e9pek val\u00f3j\u00e1ban el nem mondhat\u00f3 fontos dolgokat szeretn\u00e9nek k\u00f6zvet\u00edteni, mintha sz\u00f3 szerint nem leford\u00edthat\u00f3, de a legs\u00fcrg\u0151sebben k\u00f6z\u00f6lni akart \u00e9s mindenki sz\u00e1m\u00e1ra sz\u00fcks\u00e9ges mondand\u00f3t pr\u00e9seln\u00e9k az \u00edr\u00e1shoz hasonl\u00f3an sorokba szedett sz\u00ednes alakzatokba. Mintha n\u00e9ma lenn\u00e9k, \u00e9s \u00edrni se tudn\u00e9k, de azt gondoln\u00e1m, hogy ezeket a sorokat m\u00e9gis k\u00f6zz\u00e9 kell tennem, hogy \u00e1lljanak ott \u00f6nmaguk\u00e9rt.\u201d13<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ gradient_type=”default” column_padding_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text text_direction=”default”]\n

12<\/p>\n

Zwickl Andr\u00e1s 1991, i.m., 147\u2013148.<\/p>\n

13<\/p>\n

Ilona Keser\u00fc Ilona: A ki\u00e1ll\u00edt\u00e1s termei 2004, i.m., 48.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32017″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keser\u00fc Ilona: Mind,<\/em> 2023, Q Contemporary, ki\u00e1ll\u00edt\u00e1si n\u00e9zet \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Keser\u00fc \u00fajra \u00e9s \u00fajra megfesti a jeleket, amelyek ez\u00fattal monument\u00e1lisabbak, oldottabbak, expressz\u00edvebbek, olykor lebeg\u0151ek, olykor l\u00e1ngol\u00f3ak (m\u00e1r f\u0151iskolai mestere, Sz\u0151nyi Istv\u00e1n is \u00f6ntudatlanul r\u00e1\u00e9rzett arra, hogy Keser\u00fc val\u00f3j\u00e1ban jeleket fest14<\/span>). Tandori egy kor\u00e1bbi \u00dczenet-festm\u00e9ny kapcs\u00e1n azt \u00edrta, hogy \u201enem okvetlen\u00fcl \u00bbjelek\u00ab \u00e1llnak \u00f6ssze ezen a k\u00e9pen a sz\u00f3 megszokott \u00e9rtelm\u00e9ben vett k\u00f6zl\u00e9ss\u00e9\u201d, a rajta l\u00e9v\u0151 alakzatok \u201enem \u00fasznak, nem r\u00f6gz\u0151dnek, nem helyezkednek el (hiszen mozg\u00e1suk sincs), nem morfol\u00f3giaiak, nem \u00e1br\u00e1zol\u00f3 jelleg\u0171ek. […] A meg nem lelt, a nem \u00e9rtett kimenetel k\u00e9pe ez \u2013 s az eg\u00e9szen konkr\u00e9t, k\u00f6r\u00fclhat\u00e1rolt \u00bb\u00e1br\u00e1k\u00ab ugyan\u00fagy nem jutnak nagyobb pontoss\u00e1gig, mint az \u00e1tfirk\u00e1lt nyolcasok, a f\u00e9ny-\u00e1rnyas fel\u00fcletek, a leheletnyi s\u00edkmegbont\u00e1sok stb. Az \u00fczenet foghatatlan \u2013 \u00edgy foghat\u00f3 fel val\u00f3s\u00e1gnak.\u201d15<\/span><\/p>\n

Tandori k\u00fcl\u00f6n\u00f6s paradoxont r\u00f6gz\u00edt: az \u00fczenetet \u00e9pp foghatatlans\u00e1ga teszi val\u00f3s\u00e1gk\u00e9nt felfoghat\u00f3v\u00e1. Pontosan att\u00f3l v\u00e1lik a jel \u201el\u00e9tez\u0151 eleven testt\u00e9\u201d, hogy nem hordoz jelent\u00e9st. A k\u00e9pek r\u00e1ad\u00e1sul nem t\u00f6bbek t\u00f6red\u00e9kekn\u00e9l. Minden kor\u00e1bbi \u00dczenet<\/em>-festm\u00e9nyn\u00e9l monument\u00e1lisabbak, de \u00edgy is r\u00e9szletei a h\u00e1zfal nagys\u00e1g\u00fa, szemmel befoghatatlan, \u00e9sszel pedig felfoghatatlan eg\u00e9sznek. Keser\u00fc mint\u00e1i, mint\u00e1zatai, szekvenci\u00e1i mind mintha ennek a tengerl\u00e9pt\u00e9k\u0171 hull\u00e1mz\u00f3 eg\u00e9sznek lenn\u00e9nek a fragmentumai, melyek persze \u00f6nmagukban is teljesek \u2013 egyszerre z\u00e1rtak \u00e9s nyitottak, ha \u00fagy tetszik, \u00f6nerej\u0171ek.<\/p>\n

\u00dajra id\u00e9zem az id\u00e9n 90. sz\u00fclet\u00e9snapj\u00e1t \u00fcnnepl\u0151, \u00e1m az elm\u00falt id\u0151szakban is p\u00e1ratlan intenzit\u00e1s\u00fa m\u0171veket alkot\u00f3 Keser\u00fc Ilona mondatait: \u201eAz \u00d6nerej\u0171 Festm\u00e9ny nem akar sz\u00f3ban k\u00f6z\u00f6lhet\u0151 tartalmat, t\u00f6rt\u00e9netet, elm\u00e9letet tudatni vel\u00fcnk. Megk\u00f6zel\u00edt\u00e9s\u00e9hez nincs sz\u00fcks\u00e9g m\u00e1sra, mint a fel\u00e9je ir\u00e1nyul\u00f3 el\u0151\u00edt\u00e9letek n\u00e9lk\u00fcli figyelemre \u00e9s n\u00e9z\u00e9sre ford\u00edtott id\u0151re.\u201d16<\/span><\/p>\n

A ki\u00e1ll\u00edt\u00e1s \u00e1tfogja az \u00e9letm\u0171 \u00e9vtizedekben m\u00e9rhet\u0151 idej\u00e9t, egy\u00fattal megteremti a k\u00e9pek fel\u00e9 ir\u00e1nyul\u00f3, el\u0151\u00edt\u00e9letek n\u00e9lk\u00fcli figyelem tereit. Imm\u00e1r r\u00e1nk h\u00e1rul a feladat, hogy elegend\u0151 id\u0151t ford\u00edtsunk a n\u00e9z\u00e9sre ahhoz, hogy Keser\u00fc \u00f6nerej\u0171 festm\u00e9nyei felt\u00e1ruljanak.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″ gradient_type=”default” column_padding_type=”default”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”” text_direction=”default”]\n

14<\/p>\n

V\u00f6. Zwickl Andr\u00e1s 1991, i.m., 140\u2013141.<\/p>\n

15<\/p>\n

Tandori 2002, i.m., 27.<\/p>\n

16<\/p>\n

Ilona Keser\u00fc Ilona: \u00d6nerej\u0171 festm\u00e9ny,<\/em> 2008, i.m., 59.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” right_padding_desktop=”15%” left_padding_tablet=”10%” constrain_group_4=”yes” right_padding_tablet=”10%” left_padding_phone=”10%” constrain_group_6=”yes” right_padding_phone=”10%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32018″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keser\u00fc Ilona: \u00dczenet r\u00e9szlet 4.,<\/em> 2022, olaj, v\u00e1szon, 170\u00d7120 cm \u00a9 Fot\u00f3: T\u00f3th D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”1%” bottom_margin=”1%” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”]

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