{"id":27346,"date":"2021-10-06T21:53:25","date_gmt":"2021-10-06T19:53:25","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=27346"},"modified":"2024-09-28T12:52:12","modified_gmt":"2024-09-28T10:52:12","slug":"egesz-eletemben-atutazo-voltam","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/egesz-eletemben-atutazo-voltam\/","title":{"rendered":"Eg\u00e9sz \u00e9letemben (\u00e1t)utaz\u00f3 voltam"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-1-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Besz\u00e9lget\u00e9s Sean Scullyval<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-1-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u00c1tutaz\u00f3<\/em> a c\u00edme a vil\u00e1gh\u00edr\u0171 absztrakt fest\u0151, Sean Scully<\/span> retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s\u00e1nak,1<\/span> amely okt\u00f3ber 14-\u00e9n ny\u00edlt meg a Magyar Nemzeti Gal\u00e9ri\u00e1ban. A Feh\u00e9r D\u00e1vid<\/span> \u00e1ltal rendezett nagyszab\u00e1s\u00fa t\u00e1rlat mintegy 110 alkot\u00e1st bemutatva vezet v\u00e9gig a fest\u0151 \u00e9letm\u0171v\u00e9n, a korai figur\u00e1lis kompoz\u00edci\u00f3kt\u00f3l eg\u00e9szen a legfrissebb alkot\u00e1sokig. A ki\u00e1ll\u00edt\u00e1s a m\u0171v\u00e9sz els\u0151 nagyl\u00e9pt\u00e9k\u0171 m\u00fazeumi \u00f6n\u00e1ll\u00f3 bemutatkoz\u00e1sa a r\u00e9gi\u00f3ban. Sean Scully a megnyit\u00f3ra \u00e9rkezett Budapestre, ebb\u0151l az alkalomb\u00f3l besz\u00e9lgett\u00fcnk vele.[\/vc_column_text][divider line_type=”Small Line” line_alignment=”default” line_thickness=”1″ divider_color=”black” custom_height=”80″ custom_line_width=”100″ custom_height_tablet=”60″ custom_height_phone=”40″][vc_column_text]\n

Zsikla M\u00f3nika:<\/span> Tudom, hogy nem most j\u00e1r el\u0151sz\u00f6r itt. Mes\u00e9lne a Magyarorsz\u00e1ghoz f\u0171z\u0151d\u0151 viszony\u00e1r\u00f3l?<\/p>\n

Sean Scully:<\/span> Feles\u00e9gem, Liliane sz\u00fclei magyarok, ahogyan a felmen\u0151ik, a nagyn\u00e9njeik, nagyb\u00e1tyjaik \u00e9s a nagysz\u00fcleik is. Ami egyben azt jelenti, hogy a fiam geneal\u00f3gi\u00e1ja f\u00e9lig magyar, az \u00e9n r\u00e9szemr\u0151l pedig f\u00e9lig \u00edr (\u00e9s bizonyos m\u00e9rt\u00e9kben angol is). Vagyis Magyarorsz\u00e1g \u00e9s \u00cdrorsz\u00e1g a m\u00e1sodik otthona. Nyaranta gyakran utazunk a Balatonra a nagymam\u00e1hoz, de t\u00f6bbsz\u00f6r el\u0151fordult m\u00e1r az is, hogy Bajororsz\u00e1gb\u00f3l egyenesen \u00e1taut\u00f3ztunk oda. A t\u00f3 \u00e9szaki partj\u00e1n, R\u00e9vf\u00fcl\u00f6p\u00f6n, egy vicces kis helyen szoktunk megsz\u00e1llni. Van egy gy\u00f6ny\u00f6r\u0171 f\u00e9nyk\u00e9pem a helyi vas\u00fat\u00e1llom\u00e1sr\u00f3l \u2013 ez egy, az \u00f6tvenes \u00e9vek hangulat\u00e1t id\u00e9z\u0151 \u00e9p\u00fclet \u2013, amely a II. vil\u00e1gh\u00e1bor\u00fa filmjeire eml\u00e9keztet, \u00e9s azt a benyom\u00e1st kelti, mintha meg\u00e1llt volna az id\u0151. A nagyn\u00e9nik vill\u00e1ja \u2013 a k\u00f6rny\u00e9k \u00e9p\u00edt\u00e9szeti st\u00edlus\u00e1nak egy tipikus p\u00e9ld\u00e1ja \u2013 mindig \u00e9rdekl\u0151d\u00e9ssel t\u00f6lt\u00f6tt el. A kertben van egy kis k\u00fat, Liliane<\/span> nagyb\u00e1tyja ebbe ugorva lett \u00f6ngyilkos. Egy k\u00fat \u00e9s k\u00f6r\u00fcl\u00f6tte egy apr\u00f3, klausztrof\u00f3b \u00e9p\u00edtm\u00e9ny. A nagypap\u00e1ja szint\u00e9n ilyen nyomaszt\u00f3 k\u00f6r\u00fclm\u00e9nyek k\u00f6z\u00f6tt halt meg: egyszer h\u00f3viharban lesz\u00e1llt a vonatr\u00f3l, elindult a havaz\u00e1sban, le\u00fclt egy dombra, \u00e9s meghalt. Magyarorsz\u00e1gon nagyon sok a b\u00e1nat, ami engem is m\u00e9lyen meg\u00e9rint. A saj\u00e1t t\u00f6rt\u00e9neteim is hasonl\u00f3k, az \u00e9n nagyap\u00e1m felakasztotta mag\u00e1t.<\/p>\n

Tavaly ny\u00e1ron, amikor aut\u00f3val \u00e1tszeltem az orsz\u00e1got, hogy megn\u00e9zzem a budapesti Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeumot, \u00fatk\u00f6zben a helyi zenei csatorn\u00e1t hallgattam, \u00e9s valahogy nagyon k\u00f6zel \u00e9reztem magamhoz a melankolikus cig\u00e1nyzen\u00e9t. Vezet\u00e9s k\u00f6zben pedig azon t\u00f6prengtem, hogy Magyarorsz\u00e1gnak a mez\u0151gazdas\u00e1gi adotts\u00e1gai miatt az eg\u00e9sz kontinens biol\u00f3giai gy\u00e1r\u00e1nak \u00e9s Eur\u00f3pa egyik leggazdagabb orsz\u00e1g\u00e1nak kellene lennie. Mert az orsz\u00e1g \u00e9ghajlata t\u00f6k\u00e9letes, a f\u00f6ld fekete \u00e9s term\u00e9keny, sok a nap \u00e9s az es\u0151. Vagyis minden szempontb\u00f3l t\u00f6k\u00e9letes. Az embereknek \u00e1t kellene ugraniuk a saj\u00e1t \u00e1rny\u00e9kukon, de a m\u00falt visszatartja \u0151ket.<\/p>\n

ZsM:<\/span> Az \u00e9let\u00e9nek mindig is fontos r\u00e9sze volt az utaz\u00e1s. Ennek hangs\u00falyoz\u00e1sak\u00e9nt lett a budapesti ki\u00e1ll\u00edt\u00e1s c\u00edme \u00c1tutaz\u00f3,<\/span> azaz Passenger?<\/span><\/p>\n

SS:<\/span> A c\u00edm teljess\u00e9ggel \u00f6n\u00e9letrajzi. Eg\u00e9sz \u00e9letemben (\u00e1t)utaz\u00f3 voltam. Egy fiatalkori utam \u00cdrorsz\u00e1gb\u00f3l Angli\u00e1ba vezetett, \u00e9s err\u0151l az \u00e1tkel\u00e9sr\u0151l any\u00e1m mes\u00e9lt k\u00e9s\u0151bb, amikor egy \u00e1lmomr\u00f3l besz\u00e9ltem neki, amely egy folyamatosan k\u00f6r\u00fcl\u00f6tt\u00fcnk j\u00e1rk\u00e1l\u00f3 f\u00e9rfir\u00f3l sz\u00f3lt. Any\u00e1m ekkor mes\u00e9lte el ennek a korai utaz\u00e1sunknak a t\u00f6rt\u00e9net\u00e9t. Egy haj\u00f3 fed\u00e9lzet\u00e9n utaztunk, a szeg\u00e9nyek sz\u00e1m\u00e1ra elk\u00fcl\u00f6n\u00edtett r\u00e9szen. Rettenetes k\u00f6d volt, elt\u00e9vedt\u00fcnk, \u00e9s a r\u00e1di\u00f3kapcsolat is megszakadt, a tenger pedig tele volt akn\u00e1kkal, ami nagy vesz\u00e9lyt jelentett a h\u00e1bor\u00fa ut\u00e1n. A kapit\u00e1ny \u00e9s a haj\u00f3sinasok fel-al\u00e1 rohang\u00e1ltak a fed\u00e9lzeten, \u00e9s megpr\u00f3b\u00e1lt\u00e1k eltolni az akn\u00e1kat a cs\u00f3nakt\u00f3l, m\u00e9g l\u0151ttek is ezekre, hogy felrobbanjanak. Any\u00e1m azt mondta, hogy err\u0151l a pillanatr\u00f3l \u00e1lmodhattam. Ezut\u00e1n k\u00e9t festm\u00e9nyt is k\u00e9sz\u00edtettem Precious<\/em><\/span> (1981, 1987) c\u00edmmel, ahol a festm\u00e9ny kompoz\u00edci\u00f3j\u00e1ba egy kisebb festm\u00e9nyt is belekompon\u00e1ltam. Ez a kisebb festm\u00e9ny \u00e9n magam voltam. A Passenger (\u00c1tutaz\u00f3)<\/em> c\u00edm ebb\u0151l a tapasztalatb\u00f3l sz\u00e1rmazik, hogy egy nagyobb entit\u00e1s mag\u00e1ba foglal egy kisebb entit\u00e1st, \u00e9s hordozza is azt.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Sean Scully:<\/span> \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s. Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30., ld. https:\/\/mng.hu\/kiallitasok\/sean-scully-atutazo-retrospektiv-kiallitas\/<\/a>; http:\/\/seanscullystudio.com\/<\/a> (utols\u00f3 bel\u00e9p\u00e9s a sz\u00f6vegben hivatkozott webhelyekre: 2021. janu\u00e1r 29.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0 img-840″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27350″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully \u00e9s Zsikla M\u00f3nika | Budapest, 2020<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

ZsM:<\/span> Hogyan dolgozik egy\u00fctt kur\u00e1torokkal, teoretikusokkal?<\/p>\n

SS:<\/span> Ez nagyon inform\u00e1lis, \u00e9s \u00e1ltal\u00e1ban bar\u00e1ts\u00e1gokon alapszik.<\/p>\n

ZsM:<\/span> Tegnap \u00e9l\u0151ben jelentkezett be a budapesti ki\u00e1ll\u00edt\u00e1sr\u00f3l a kur\u00e1torral, Feh\u00e9r D\u00e1viddal k\u00f6z\u00f6sen a Brooklyn Rail<\/span> nev\u0171 f\u00fcggetlen New York-i kultur\u00e1lis \u00e9s k\u00f6z\u00e9leti foly\u00f3irat online platformj\u00e1n: a David Carrier<\/span>rel \u00e9s Deborah Solomon<\/span>nal folytatott besz\u00e9lget\u00e9sben2<\/span> utalt arra, nagy szerencse, hogy a legjobb id\u0151ben \u00e9rkezett New Yorkba.<\/p>\n

SS:<\/span> Nem ismertem senkit, amikor New Yorkba \u00e9rkeztem. Nagyj\u00e1b\u00f3l olyan \u00e9rz\u00e9s volt, mintha azt k\u00e9pzeln\u00e9, hogy focizik, de a csapatban, amiben j\u00e1tszik, \u00f6n az egyetlen j\u00e1t\u00e9kos, m\u00edg a m\u00e1sik oldalon h\u00faszn\u00e1l is t\u00f6bben vannak, k\u00f6z\u00e9pen pedig egyetlen labda. Nekem ilyen volt New York. De nagyon szerencs\u00e9s vagyok, mert az els\u0151 hely, ahol \u00e9ltem, Boston volt, mik\u00f6zben mindenki, aki el\u0151sz\u00f6r \u00e9rkezett New Yorkba, megsemmis\u00fclt, mert nem volt felk\u00e9sz\u00fclve New York l\u00e9lektani hat\u00e1saira. Mindig azt mondom: boldog vagyok, hogy nem vagyok olasz. Mert el sem tudom k\u00e9pzelni, hogyan lehet egy olyan helyr\u0151l, mint Olaszorsz\u00e1g, New Yorkba integr\u00e1l\u00f3dni. Ha London egy rosszabb r\u00e9sz\u00e9r\u0151l indulsz neki New Yorknak, nagy val\u00f3sz\u00edn\u0171s\u00e9ggel sok minden rendben lesz, mert vannak hasonl\u00f3s\u00e1gok. Azt hiszem, nekem csak az\u00e9rt siker\u00fclt New Yorkot kezelnem, mert durva volt a k\u00f6rnyezet, ahol nevelkedtem, ahonnan sz\u00e1rmazom.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Sean Scully with Deborah Solomon & David Carrier: New Social Environment #150.<\/em> 2020. okt\u00f3ber 13., ld. https:\/\/brooklynrail.org\/events\/2020\/10\/13\/sean-scully-with-david-carrier-and-deborah-solomon\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0 img-840″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27352″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: Kaktusz (Cactus),<\/em> 1964, olaj, v\u00e1szon; 33\u00d727,9 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

ZsM:<\/span> A budapesti ki\u00e1ll\u00edt\u00e1s Feh\u00e9r D\u00e1vid \u00e1ltal szerkesztett katal\u00f3gus\u00e1ban szinte az \u00f6sszes tanulm\u00e1ny szerz\u0151je egym\u00e1st\u00f3l f\u00fcggetlen\u00fcl megeml\u00edti 1964-es, Kaktusz<\/span> c\u00edm\u0171 csend\u00e9let\u00e9t. Mi az \u00d6n saj\u00e1t viszonya e korai munk\u00e1j\u00e1hoz?<\/p>\n

SS:<\/span> Nos, term\u00e9szetesen k\u00f6nnyen lehetett volna bel\u0151lem figurat\u00edv fest\u0151. J\u00f3l tudok rajzolni, \u00e9s r\u00e9gebben gy\u00f6ny\u00f6r\u0171 portr\u00e9kat k\u00e9sz\u00edtettem. De mindig valami nagyobb, szabadabb, kiterjedtebb \u00e9s nemzetk\u00f6zibb dolgot szerettem volna csin\u00e1lni, \u00e1m semmi esetre sem olyat, mint Lucian Freud. Sokan gondolj\u00e1k \u00fagy, hogy Lucian nagyszer\u0171 m\u0171v\u00e9sz, \u00e9s szerintem is remek realista, de \u00e9n nem tartom nagyszer\u0171 m\u0171v\u00e9sznek, mert a munk\u00e1ja t\u00fal hermetikus, \u00e9s ugyanezt gondolom Frank Auerbachr\u00f3l is. \u00c9n olyasmit akartam l\u00e9trehozni, ami t\u00f6bb emberhez, sz\u00e9lesebb k\u00f6z\u00f6ns\u00e9ghez jut el, \u00e9s nagyobb a hat\u00e1sa. A fest\u00e9szetemet nagyon kedvelik N\u00e9metorsz\u00e1gban, Spanyolorsz\u00e1gban, Franciaorsz\u00e1gban, Olaszorsz\u00e1gban, Amerik\u00e1ban \u00e9s K\u00edn\u00e1ban, de Angli\u00e1ban nem igaz\u00e1n. V\u00e9lem\u00e9nyem szerint mindez legink\u00e1bb arra vezethet\u0151 vissza, hogy az Egyes\u00fclt Kir\u00e1lys\u00e1g elszakadt Eur\u00f3p\u00e1t\u00f3l, \u00e9s a m\u0171v\u00e9szet\u00e9re is ez a fajta elk\u00fcl\u00f6n\u00fcl\u00e9s jellemz\u0151. A brit m\u0171v\u00e9szet l\u00e9nyeg\u00e9t tekintve excentrikus. Ismeri azt a boh\u00e9m attit\u0171d\u00f6t, a fels\u0151bb t\u00e1rsadalmi oszt\u00e1lyok kiv\u00e1lts\u00e1g\u00e1t, amikor a dolgoknak, amikkel foglalkoznak, semmi k\u00f6ze ahhoz, amivel a val\u00f3 \u00e9letben foglalkozunk? Az \u00e9n m\u0171v\u00e9szetem alapj\u00e1t azok a ritmusok adj\u00e1k, amelyek a vil\u00e1got kereszt\u00fcl-kasul beh\u00e1l\u00f3zz\u00e1k. Sz\u00e1momra ezek mindenn\u00e9l fontosabbak \u00e9s \u00e9rv\u00e9nyesebbek. De ett\u0151l f\u00fcggetlen\u00fcl: sohasem tudtam igaz\u00e1n kij\u00f6nni az angol m\u0171v\u00e9szeti sz\u00ednt\u00e9rrel.<\/p>\n

Szeretem a kaktuszokat, mert vigy\u00e1znak magukra, a leg\u00edns\u00e9gesebb k\u00f6r\u00fclm\u00e9nyek k\u00f6z\u00f6tt is \u00e9letben maradnak, \u00e9s akkor vir\u00e1goznak, amikor kedv\u00fck tartja. Mindig kiv\u00e1rj\u00e1k a legmegfelel\u0151bb pillanatot: el\u0151fordul, hogy h\u00e9t \u00e9vig nem vir\u00e1goznak, majd h\u00e1rom egym\u00e1st k\u00f6vet\u0151 \u00e9vben is vir\u00e1gba borulnak. M\u00e1r t\u00f6bbsz\u00f6r mondtam a tan\u00edtv\u00e1nyaimnak, hogy a kaktusz sz\u00e1momra olyan, mintha a m\u0171v\u00e9sz metafor\u00e1ja lenne. Gyerekk\u00e9nt furcsa fi\u00fa voltam, \u00e9s volt egy kaktuszgy\u0171jtem\u00e9nyem. Egyszer, amikor a gy\u0171jtem\u00e9ny darabjait egy kartondobozban sz\u00e1ll\u00edtottam, n\u00e9h\u00e1ny rend\u0151r meg\u00e1ll\u00edtott, \u00e9s megk\u00e9rdezte, mit viszek. Azt mondtam, hogy ez egy kartondoboz. Erre az egyik rend\u0151r azt v\u00e1laszolta: \u201eL\u00e1tom, hogy ez egy kartondoboz, de mi van benne?\u201d Mire csak annyit mondtam, hogy olyan n\u00f6v\u00e9nyek, amelyek megv\u00e9dik \u00f6nmagukat. \u201eRendben, akkor n\u00e9zz\u00fck meg \u0151ket!\u201d \u2013 felelte az egyik rend\u0151r, majd bedugta a kez\u00e9t a dobozba, \u00e9s a kaktuszok megsz\u00fart\u00e1k, \u0151 meg \u00edgy sz\u00f3lt: \u201eNagyon okos vagy, baszd meg.\u201d Sz\u00e9p t\u00f6rt\u00e9net, igaz? Amikor tan\u00edtottam, a di\u00e1kjaimt\u00f3l is kaktuszt kaptam b\u00facs\u00faaj\u00e1nd\u00e9kk\u00e9nt.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27364″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | N\u00e9lk\u00fcl, (Without),<\/em> 1988, olaj, lenv\u00e1szon, 243,8\u00d7365,8 cm | Mariana,<\/em> 1991, olaj, lenv\u00e1szon, 243,8\u00d7213,4 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

ZsM:<\/span> K\u00e9peinek c\u00edmei gyakran narrat\u00edv vonatkoz\u00e1sokkal, metafor\u00e1kkal \u00e9s asszoci\u00e1ci\u00f3kkal tel\u00edtettek. Hogyan viszonyul az irodalomhoz?<\/p>\n

SS:<\/span> Az irodalom jelent\u0151s inspir\u00e1ci\u00f3 sz\u00e1momra. Egyik nagy kedvencem Karen Blixen<\/span> T\u00e1vol Afrik\u00e1t\u00f3l<\/em> c\u00edm\u0171 k\u00f6nyve,3<\/span> de t\u00f6bb kelet-eur\u00f3pai sz\u00e1rmaz\u00e1s\u00fa \u00edr\u00f3 is fontos sz\u00e1momra, p\u00e9ld\u00e1ul Arthur Koestler<\/span> \u00e9s Joseph Conrad.<\/span> A S\u00f6t\u00e9ts\u00e9g m\u00e9ly\u00e9n<\/em>t4<\/span> t\u00f6bbsz\u00f6r is elolvastam. Conradban azt szeretem, hogy angol nyelven \u00edr, m\u00e9gis mesterfokon m\u0171veli az \u00edr\u00e1st, de megmaradt a gondolkod\u00e1sa \u00e9s mondatszerkeszt\u00e9se lengyelnek. Amikor egy m\u00e1sik nyelven \u00edrsz, kil\u00e9psz a saj\u00e1t komfortz\u00f3n\u00e1db\u00f3l, sz\u00e1momra mindig leny\u0171g\u00f6z\u0151, ha valaki k\u00e9pes erre az er\u0151fesz\u00edt\u00e9sre. Joyce is ezt tette, Ibsen \u00edr\u00e1saival akart foglalkozni, \u00e9s ez\u00e9rt megtanult d\u00e1nul. Beckett franci\u00e1ul \u00edrt, \u00e9n pedig spanyolul. Nagyon \u00e9rdekes dolog idegen nyelven \u00edrni. Conrad \u00edr\u00e1saiban legink\u00e1bb az egzisztencializmusa tetszik. Leggyakrabban a brit birodalommal \u00e9s azokkal az emberekkel foglalkozik, akik olyan furcsa helyzetekbe ker\u00fclnek, hogy a nyom\u00e1s hat\u00e1s\u00e1ra meg\u0151r\u00fclnek. Nagyon szeretem a deprim\u00e1l\u00f3 orosz \u00e9s kelet-eur\u00f3pai dolgokat is: Alekszandr Szolzsenyicin<\/span> \u00edr\u00e1sait p\u00e9ld\u00e1ul faltam. Ez a fajta irodalom a v\u00e9gletekig leny\u0171g\u00f6z, de persze olvastam a klasszikusok t\u00f6bbs\u00e9g\u00e9t is: a Bront\u00eb-n\u0151v\u00e9reket vagy Jane Austen<\/span> \u00c9rtelem \u00e9s \u00e9rzelem<\/em>j\u00e9t.5<\/span> Austen a finom \u00e9rzelmekkel foglalkozik, de azok v\u00e9g\u00fcl mindig a kapitalizmus szolg\u00e1lat\u00e1ban \u00e1llnak. Szerelem? Igen. T\u00e1rsadalmi rang? Igen. Austen a kapitalizmus k\u00f6vetkezetes v\u00e9delmez\u0151je.<\/p>\n

ZsM:<\/span> \u00c9s ha m\u00e1r az irodalom sz\u00f3ba ker\u00fclt, a zen\u00e9vel milyen a kapcsolata?<\/p>\n

SS:<\/span> Zen\u00e9szcsal\u00e1dban n\u0151ttem fel, \u00e9s az \u00edr zene fantasztikus. \u00c9desany\u00e1m \u00e9nekes volt, az \u00e1ltala gyakran \u00e9nekelt dal az Unchained Melody<\/em> volt. Gyermekkoromban buszon utaztunk a variet\u00e9be (vaudeville) \u2013 tudja, a variet\u00e9 az a m\u0171faj, ami a v\u00e1ltozatos sz\u00f3rakoztat\u00f3 sz\u00ednpadi tartalmakat s\u0171r\u00edti egybe, \u00e9s egy-egy el\u0151ad\u00e1s alkalm\u00e1val b\u0171v\u00e9szek, komikusok, zsongl\u0151r\u00f6k, t\u00e1ncosok \u00e9s \u00e9nekesek \u00e1llnak sz\u00ednpadra. Az est szt\u00e1rja a mindig az utols\u00f3k\u00e9nt fell\u00e9p\u0151 n\u0151i \u00e9nekes. Nagy hat\u00e1ssal volt r\u00e1m ez a vil\u00e1g, amiben az any\u00e1m szt\u00e1rk\u00e9nt mozgott. De a nagyany\u00e1m, aki sokat ivott, szint\u00e9n \u00e9nekes volt, \u00e9s gyakran szomor\u00fa \u00edr dalokat \u00e9nekelt a kocsm\u00e1ban, ami\u00e9rt itallal fizettek neki. Majd k\u00e9s\u0151bb nekem is lett egy rockzenekarom, amiben az \u00f6cs\u00e9mmel \u00e9s Johnny Hopkins<\/span> bar\u00e1tommal k\u00f6z\u00f6sen zen\u00e9lt\u00fcnk, azt\u00e1n nyitottam egy bluesklubot, \u00e9s lett egy nagy lemezgy\u0171jtem\u00e9nyem is: John Lee Hooker, Sonny Boy Williamson, B. B. King, Robert Johnson, Etta James.<\/span> Szeretem a bluesnak azt az alapvet\u0151 tulajdons\u00e1g\u00e1t, hogy sohasem lesz barokk. John Lee Hooker k\u00e9sz\u00edtett egy felv\u00e9telt, amely \u00edgy hangzott: \u201cBoom, boom, boom, boom \/ I\u2019m gonna shoot you right down\u201d6<\/span> \u2013 azt hiszem, ez remek c\u00edm lenne egy m\u0171 sz\u00e1m\u00e1ra is, mivel a festm\u00e9nyeim p\u00e1rhuzamos von\u00e1sokkal k\u00e9sz\u00fclnek, tudja: bumm, bumm, bumm, bumm.<\/p>\n

ZsM:<\/span> Itt most esz\u00fcnkbe juthatna a ki\u00e1ll\u00edt\u00e1sr\u00f3l a Hammering<\/span> (1990) c\u00edm\u0171 festm\u00e9nye is.<\/p>\n

SS:<\/span> \u00d3, igen! A Chimes of Freedom<\/em> Bob Dylan<\/span>t\u00f3l.7<\/span> Szerintem \u0151 egy vil\u00e1grasz\u00f3l\u00f3 zseni. Rengetegen pr\u00f3b\u00e1lnak zen\u00e9lni, de Bob Dylan egy m\u00e1sik szinten m\u0171k\u00f6dik. Sok f\u00fclbem\u00e1sz\u00f3 zen\u00e9t \u00e9s dalsz\u00f6veget ismer\u00fcnk, de kev\u00e9s a Dylan\u00e9hez foghat\u00f3.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

Karen Blixen:<\/span> Out of Africa \/ Den afrikanske farm.<\/em> London: Putnam; Coppenhagen: Gyldendal, 1937. Magyarul: Volt egy farmom Afrik\u00e1ban.<\/em> Ford. Gy. Horv\u00e1th L\u00e1szl\u00f3, \u00c1rk\u00e1dia, Budapest, 1987<\/p>\n

4<\/p>\n

Joseph Conrad:<\/span> Heart of Darkness.<\/em> February, March and April 1899, Blackwood\u2019s Magazine. Magyarul: A s\u00f6t\u00e9t\u00e9s\u00e9g m\u00e9ly\u00e9n.<\/em> Ford. V\u00e1mosi P\u00e1l, Sz\u00e9pirodalmi Kiad\u00f3, Budapest, 1977<\/p>\n

5<\/p>\n

Jane Austin:<\/span> Sense and Sensibility.<\/em> London, 1811. Magyarul: \u00c9rtelem \u00e9s \u00e9rzelem.<\/em> Ford. Borb\u00e1s M\u00e1ria; Eur\u00f3pa Kiad\u00f3, Budapest, 1976<\/p>\n

6<\/p>\n

https:\/\/www.youtube.com\/watch?v=rOyj4ciJk34<\/a><\/p>\n

7<\/p>\n

https:\/\/www.youtube.com\/watch?v=gPWrnTes8aM<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27356″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | Kalap\u00e1l\u00e1s (Hammering),<\/em> 1990, olaj, v\u00e1szon, 279\u00d7442 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

ZsM:<\/span> Gyakori a szakr\u00e1lis referencia \u00e9s el\u0151k\u00e9p a fest\u00e9szet\u00e9ben, gondoljunk ak\u00e1r a sienai pikt\u00fara olyan csod\u00e1latos mesterm\u0171v\u00e9re, mint Duccio di Buoninsegna Maest\u00e0<\/span>ja (1308-1311) vagy a novgorodi ikonfest\u0151 iskola Szent Borisz \u00e9s Szent Gleb<\/span> ikonja, 1335-b\u0151l. M\u00e1skor pedig olyan k\u00e9pc\u00edmek t\u0171nnek fel, mint Madonna<\/span> vagy Adoration.<\/span> Mi a viszonya a szakralit\u00e1shoz \u00e9s a szakr\u00e1lis terekhez? Ezt f\u0151k\u00e9nt az 2019-ben, a velencei San Giorgio Maggiore templomter\u00e9ben bemutatott HUMAN<\/span> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1sa8<\/span> miatt k\u00e9rdezem.<\/p>\n

SS:<\/span> A szents\u00e9g sz\u00e1momra nem sz\u00f3 szerint \u00e9rtend\u0151, sokkal ink\u00e1bb atmoszf\u00e9ra. M\u00e9lyen k\u00f6t\u0151d\u00f6m a szents\u00e9g \u00e9s a spiritualit\u00e1s eszm\u00e9j\u00e9hez. De nagyon liber\u00e1lis vagyok, ha vall\u00e1si meggy\u0151z\u0151d\u00e9sr\u0151l vagy a saj\u00e1t viselked\u00e9semr\u0151l van sz\u00f3. Magamra \u00fagy tekintek, mint aki nem f\u00e9rne bele az odaad\u00f3 vall\u00e1s szigor\u00e1ba. Olyan vagyok, mint valami keljfeljancsi, amit hi\u00e1ba pr\u00f3b\u00e1lsz fell\u00f6kni, mindig felpattan. De a vall\u00e1snak minden vonatkoz\u00e1sa meg\u00e9rint. Az a v\u00e1gy vez\u00e9rel minket, hogy spiritu\u00e1lisak legy\u00fcnk, ezt azonban a vil\u00e1g jobb\u00e1 t\u00e9tel\u00e9vel, \u00e9s nem templomok \u00e9p\u00edt\u00e9s\u00e9vel kellene el\u00e9rn\u00fcnk. Egyszer baleset \u00e9rt a texasi Childressben, aminek mintegy 100 000 lakosa \u00e9s nagyj\u00e1b\u00f3l sz\u00e1z temploma van, de az volt az egyik legsiv\u00e1rabb \u00e9s legbar\u00e1ts\u00e1gtalanabb hely, ahol valaha j\u00e1rtam. Amiben \u00e9n hiszek, az a spiritualit\u00e1s, a kedvess\u00e9g \u00e9s a m\u00e1sokkal val\u00f3 t\u00f6r\u0151d\u00e9s, mert szerintem ezek azok a dolgok, amelyek val\u00f3ban hi\u00e1nyoznak. A velencei HUMAN<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1som alkalm\u00e1val azt szerettem volna, hogy a t\u00e1rlat anyaga ne egy k\u00f6r\u00fclhat\u00e1rolt hitvil\u00e1got t\u00fckr\u00f6zz\u00f6n.<\/p>\n

ZsM:<\/span> A diptichon \u00e9s a triptichon k\u00e9pform\u00e1tumban szakr\u00e1lis utal\u00e1sokat kell keresn\u00fcnk, vagy ink\u00e1bb a hegeli t\u00e9zis-antit\u00e9zis-szint\u00e9zis dialektik\u00e1j\u00e1t kell l\u00e1tnunk egy-egy ilyen kompoz\u00edci\u00f3s s\u00e9m\u00e1ban?<\/p>\n

SS:<\/span> Sz\u00e1momra ezek a k\u00e9pform\u00e1tumok nem f\u00fcggenek \u00f6ssze a szakralit\u00e1ssal. Ez sokkal ink\u00e1bb egy olyan p\u00e1rbesz\u00e9dr\u0151l sz\u00f3l, amelyben a panelek r\u00e1k\u00e9rdeznek egym\u00e1s identit\u00e1s\u00e1ra. N\u00e9mileg hasonl\u00f3an a t\u00fckr\u00f6z\u0151d\u00e9s fogalm\u00e1hoz \u00e9s Narcisszusz m\u00edtosz\u00e1hoz, aki a saj\u00e1t t\u00fck\u00f6rk\u00e9p\u00e9t csod\u00e1lja. Ott is hasonl\u00f3 t\u00f6rt\u00e9nik: az egyik f\u00e9l a m\u00e1sikat f\u00fcrk\u00e9szi. Az egyik ilyen t\u00fck\u00f6rfestm\u00e9nyemet is ki\u00e1ll\u00edtottuk a budapesti ki\u00e1ll\u00edt\u00e1son \u2013 \u00fagy \u00e9rzem, fontos bemutatni, mert ez egy el\u00e9gg\u00e9 nagyszab\u00e1s\u00fa sorozat. A triptichon olyan eg\u00e9sz, amely megosztja \u00f6nmag\u00e1t. Egyes\u00fcl\u00e9sre t\u00f6rekszik, mik\u00f6zben r\u00e9szekb\u0151l \u00e1ll. Rengeteget foglalkozom ilyen metafor\u00e1kkal. Visszat\u00e9rve a hegeli asszoci\u00e1ci\u00f3ra, \u00e9n az egyes\u00edt\u00e9sen \u00e9s a megbont\u00e1son kereszt\u00fcl folyamatosan az egys\u00e9g fogalm\u00e1val szembes\u00fcl\u00f6k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

8<\/p>\n

Sean Scully: HUMAN.<\/em> San Giorgio Maggiore, Velence, 2019. majus 8 \u2013 okt\u00f3ber 13., ld. https:\/\/human-venice.com\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27360″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | Mi tesz minket is (What Makes Us Too),<\/em> 2017; Figura k\u00e9kben (Figure in Blue),<\/em> 2003; Kibeford\u00edtva (Uninsideout),<\/em> 2018\u20132020; Fekete n\u00e9gyzet (Black Square),<\/em> 2020; Szint\u00e9n 30 (30 Also),<\/em> 2018, (r\u00e9szlet) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

ZsM:<\/span> Nagyon \u00e9rdekelne a festm\u00e9nyek inset<\/span> r\u00e9szeinek k\u00e9sz\u00fcl\u00e9se. Amikor n\u00e9zem a festm\u00e9nyeit, szinte sohasem tudom eld\u00f6nteni, hogy a beillesztett panelek technikailag hogyan k\u00e9sz\u00fclnek. A festm\u00e9nyekkel egy id\u0151ben, vagy azokt\u00f3l teljesen f\u00fcggetlen\u00fcl?<\/p>\n

SS:<\/span> K\u00fcl\u00f6n festem \u0151ket, az a l\u00e9nyeg\u00fck, hogy ezek insertek (bet\u00e9tek). Az inset<\/em> beilleszt\u00e9se pedig teljesen k\u00fcl\u00f6n m\u0171velet: beillesztem, ezzel pedig r\u00e1k\u00e9nyszer\u00edtem \u0151ket egy p\u00e1ly\u00e1ra. N\u00e9ha el\u0151fordul, hogy egy inset vizu\u00e1lisan sokkal er\u0151sebb, mint egy m\u00e1sik, ennek ellen\u00e9re a m\u00e1sik fizikailag m\u00e9gis massz\u00edvabb. Sokat sz\u00f3rakozom ezekkel a szempontokkal.<\/p>\n

ZsM:<\/span> Ha j\u00f3l tudom, a budapesti ki\u00e1ll\u00edt\u00e1sra t\u00f6bb k\u00e9pen is kicser\u00e9lte az inset<\/span>eket. Mi a motiv\u00e1ci\u00f3ja egy-egy inset<\/span> cser\u00e9j\u00e9nek?<\/p>\n

SS:<\/span> Igen, az Uninsideout<\/em> (2018\u20132020) \u2013 a nagy spray-triptichon \u2013 eset\u00e9ben megv\u00e1ltoztattam a bet\u00e9teket, mert azt gondoltam, hogy az eredeti elk\u00e9pzel\u00e9sem t\u00fal minimal volt, egyszer\u0171en nem mondott eleget. Szerettem volna bonyolultabb\u00e1, vadabb\u00e1, ambici\u00f3zusabb\u00e1 tenni \u2013 olyann\u00e1, ami t\u00f6bb k\u00e9rd\u00e9st is felvet. De miut\u00e1n \u0151r\u00fcltebb\u00e9 tettem, m\u00e1r nagyon tetszett. Tudja, ez a festm\u00e9ny a harm\u00f3nia gondolat\u00e1nak megsemmis\u00edt\u00e9s\u00e9r\u0151l, az el\u0151t\u00e9r \u00e9s a h\u00e1tt\u00e9r fogalm\u00e1nak lebont\u00e1s\u00e1r\u00f3l sz\u00f3l. Ez az egyik kedvenc k\u00e9pem a ki\u00e1ll\u00edt\u00e1son.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”26807″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | \u00a0Kibeford\u00edtva (Uninsideout),<\/em> 2018\u20132020\u00a0\u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

ZsM:<\/span> Mi a k\u00f6vetkez\u0151 t\u00e1rlat, amire k\u00e9sz\u00fcl?<\/p>\n

SS:<\/span> Pillanatnyilag m\u00e9g nem tudom pontosan. November 5-\u00e9n hivatalos leszek egy megnyit\u00f3ra a Wuppertal k\u00f6zel\u00e9ben tal\u00e1lhat\u00f3 Skulpturenpark Waldfriedenben rendezett ki\u00e1ll\u00edt\u00e1somhoz9<\/span> kapcsol\u00f3d\u00f3an [Sean Scully \u00f6n\u00e1ll\u00f3 t\u00e1rlat\u00e1t j\u00faniust\u00f3l kezd\u0151d\u0151en a janu\u00e1ri z\u00e1r\u00e1sig a pand\u00e9mia miatt szakaszonk\u00e9nt nyitott\u00e1k meg, egy-egy szobor fel\u00e1ll\u00edt\u00e1s\u00e1val \u2013 a szerk.], ezt k\u00f6vet\u0151en pedig szervezek egy esem\u00e9nyt a New York-i st\u00fadi\u00f3mban. Szeretn\u00e9m bemutatni 12 Landline<\/em> festm\u00e9nyemet \u00e9s egy fekete n\u00e9gyzetemet. Ezek a Landline<\/em> festm\u00e9nyek nagyobb m\u00e9ret\u0171ek, mint amiket a budapesti ki\u00e1ll\u00edt\u00e1son bemutatunk, \u00e9s a tucatnyi m\u0171 egy\u00fctt monument\u00e1lis k\u00e9pet ad ki.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

9<\/p>\n

Sean Scully \u2013 Insideoutside.<\/em> Skulpturenpark Waldfrieden, Wuppertal, 2020. j\u00fanius 10 \u2013 2021. janu\u00e1r 3., ld. https:\/\/skulpturenpark-waldfrieden.de\/en\/exhibitions\/current\/details\/sean-scully-insideoutside.html<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_raw_html]JTVCcHRfdmlldyUyMGlkJTNEJTIyNmU4ODI2Mzd3YSUyMiU1RA==[\/vc_raw_html][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-17-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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