{"id":27325,"date":"2021-10-07T20:04:22","date_gmt":"2021-10-07T18:04:22","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=27325"},"modified":"2024-02-14T22:34:50","modified_gmt":"2024-02-14T21:34:50","slug":"a-banat-geometriaja-scully-es-a-szavak","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/a-banat-geometriaja-scully-es-a-szavak\/","title":{"rendered":"A b\u00e1nat geometri\u00e1ja | Scully \u00e9s a szavak"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”p-1-0″]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s<\/h2>\n[\/vc_column_text][vc_column_text el_class=”p-1-0″]\n

Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest1<\/span>
\n2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u201eMivel \u00fagy tetszik, az \u00e9rz\u00e9kelhet\u0151, kiterjedt t\u00e1rgyakon k\u00edv\u00fcl nincs m\u00e1s t\u00e1rgy \u2013 \u00edrja Arisztotel\u00e9sz \u2013, enn\u00e9lfogva az \u00e9rz\u00e9kelhet\u0151 form\u00e1kban vannak a gondolhat\u00f3k: mind azok, amelyeket elvontan eml\u00edt\u00fcnk, mind azok, amelyek az \u00e9rz\u00e9kelhet\u0151 t\u00e1rgyaknak habitusai \u00e9s min\u0151s\u00e9gei. Ez\u00e9rt aki nem \u00e9rz\u00e9kel semmit, nem fog sem megtanulni, sem meg\u00e9rteni semmit; amikor pedig az ember elm\u00e9lkedik, sz\u00fcks\u00e9gszer\u0171, hogy egy\u00fattal egy bizonyos k\u00e9pzetet is szeml\u00e9ljen. A k\u00e9pzetek ugyanis olyasf\u00e9l\u00e9k, mint az \u00e9rzetek \u2013 csakhogy anyag n\u00e9lk\u00fcl val\u00f3k. A k\u00e9pzet k\u00fcl\u00f6nb\u00f6zik az \u00e1ll\u00edt\u00e1st\u00f3l \u00e9s a tagad\u00e1st\u00f3l. A gondolatok kombin\u00e1ci\u00f3ja ugyanis az igaz \u00e9s a t\u00e9ves. \u00c1m mi fogja megk\u00fcl\u00f6nb\u00f6ztetni az els\u0151 gondolatokat azon k\u00edv\u00fcl, hogy nem k\u00e9pzetek? Ezek nem k\u00e9pzetek \u2013 j\u00f3llehet k\u00e9pzetek h\u00edj\u00e1n nem l\u00e9teznek.\u201d2<\/span><\/p>\n

Ha maga a m\u0171v\u00e9sz \u2013 \u00e9rz\u00e9kletes, gyakran l\u00edrai, egyszersmind nagyon pontos \u2013 sz\u00f6vegeiben nem k\u00edn\u00e1ln\u00e1 fel a szavak erej\u00e9t k\u00e9peinek \u00e9rtelmez\u00e9s\u00e9hez, tal\u00e1n nem folyamodn\u00e9k \u00e9n sem ahhoz, hogy azokat a roppant er\u0151s k\u00e9pi evidenci\u00e1kat, melyek a v\u00e1sznakon, f\u00e9mlapokon r\u00f6gz\u00fclnek, verb\u00e1lis apr\u00f3p\u00e9nzre v\u00e1ltsam. Sean Scully<\/span> autointerpret\u00e1ci\u00f3ja azonban oly gazdag \u00e9s meggy\u0151z\u0151, hogy nem t\u00e9rhetek ki az alkalmazkod\u00e1s k\u00e9nyszere al\u00f3l: miut\u00e1n maga adja ki \u2013 relacionista l\u00e9v\u00e9n \u2013 forr\u00e1sait, idoljait Mondriant\u00f3l Beckettig, Van Gogh-t\u00f3l Bob Dylanig, p\u00e1rhuzamok \u00e9s all\u00fazi\u00f3k \u00f6z\u00f6ne bontakozik ki a kapcsol\u00f3d\u00e1sok f\u00f6lt\u00e1r\u00e1s\u00e1ra.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

https:\/\/mng.hu\/kiallitasok\/sean-scully-atutazo-retrospektiv-kiallitas\/<\/a> (utols\u00f3 bel\u00e9p\u00e9s a sz\u00f6vegben hivatkozott webhelyekre: 2021. m\u00e1jus 7.)<\/p>\n

2<\/p>\n

Arisztotel\u00e9sz:<\/span> L\u00e9lek-filoz\u00f3fiai \u00edr\u00e1sok.<\/em> Ford. Steiger Korn\u00e9l, Eur\u00f3pa Kiad\u00f3, Budapest, 1988. 138.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27339″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | \u00dcres sz\u00edv<\/em> (Empty Heart<\/em>), 1987, olaj, lenv\u00e1szon, 182,9\u00d7182,9 cm; Van k\u00e9rd\u00e9s<\/em> (Any Questions<\/em>), 1984\u20132005, olaj, lenv\u00e1szon, 259\u00d7324 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u201eBesz\u00e9lsz valamir\u0151l, \u00e9s azut\u00e1n azt mondod, van valakinek k\u00e9rd\u00e9se? \u00c9rtelmezz\u00fck, szedj\u00fck darabokra, tegy\u00fck \u00e9rthet\u0151v\u00e9? \u00c9s term\u00e9szetesen \u0151 azt akarja mondani, hogy nem lehet \u00e9rthet\u0151v\u00e9 tenni. A festm\u00e9ny a jobb- \u00e9s a baloldalr\u00f3l sz\u00f3l \u00e9s a kib\u00e9k\u00edthetetlen viszonyr\u00f3l a kett\u0151 k\u00f6z\u00f6tt. \u00c9s arr\u00f3l, hogy nem ad v\u00e1laszokat. A festm\u00e9ny bal oldal\u00e1ra alakk\u00e9nt gondoltam. […] \u00c9s a jobb oldal\u00e1ra olyan festm\u00e9nyk\u00e9nt, amely sz\u00e9tesett, \u00e9s minden terv n\u00e9lk\u00fcl \u00fajra \u00f6sszerakt\u00e1k, az eredeti minta n\u00e9lk\u00fcl. Az egyik oldal teh\u00e1t a t\u00f6k\u00e9letess\u00e9gr\u0151l sz\u00f3l, a m\u00e1sik pedig a t\u00f6r\u00e9sr\u0151l vagy annak a lehet\u0151s\u00e9g\u00e9r\u0151l, hogy valamit elvesz\u00edt\u00fcnk, egy elveszett rendr\u0151l. \u00c9s akkor \u00f6sszeraktam \u0151ket, hogy l\u00e9trehozzak egy viszonyt. \u00c9s ez a fajta viszony az, amely a vil\u00e1gon l\u00e9tezik. \u00dagyhogy megpr\u00f3b\u00e1ltam l\u00e9tez\u0151v\u00e9 tenni ezt a viszonyt egy intenz\u00edvebb, s\u0171r\u00edtett form\u00e1ban.\u201d \u2013 \u00edrja le a fest\u0151 a Van k\u00e9rd\u00e9s<\/em>3<\/span> (1984\u20132005) c\u00edm\u0171 tabl\u00f3t, s a m\u0171v\u00e9sz interpret\u00e1ci\u00f3ja engem egy l\u00f3ugr\u00e1s szer\u0171 l\u00e9p\u00e9sre sarkall: Scully mondrianeszk<\/em>4<\/span> k\u00e9peinek elj\u00e1r\u00e1s\u00e1t k\u00f6vetve tal\u00e1n nem szents\u00e9gt\u00f6r\u00e9s Ottlik G\u00e9za<\/span> reg\u00e9nyelm\u00e9let\u00e9nek gondolatmenet\u00e9t parafraze\u00e1lni. Egyr\u00e9szt, mert maga a fest\u0151 is \u201edramatiz\u00e1lja\u201d, sujet-vel l\u00e1tja el, eg\u00e9sz\u00edti ki m\u0171veit, m\u00e1sr\u00e9szt \u00edzl\u00e9se, irodalmi hivatkoz\u00e1sai igen-igen hasonl\u00f3ak Ottlik\u00e9ihoz; Beckett, Joyce, de \u00e9s egy\u00e1ltal\u00e1n, az \u00edr irodalom, kult\u00fara mindkettej\u00fck sz\u00e1m\u00e1ra rendk\u00edv\u00fcl fontos. M\u00e1sr\u00e9szt \u2013 persze \u2013 a v\u00e9letlen. Scully a feszes eltervezetts\u00e9g mellett gyakran hivatkozik a v\u00e1ratlan esetlegess\u00e9gre, mint inspir\u00e1ci\u00f3ra, de meg technik\u00e1ja is r\u00e9szint erre alapoz\u00f3dik, hiszen a szigor\u00fanak tetsz\u0151 r\u00e1csok maguk is, a befoglalt mez\u0151k pedig mindannyiszor oldott, paszt\u00f3zus, laz\u00faros, gazdagon r\u00e9tegzett, k\u00f6zelr\u0151l, szorosan n\u00e9zve m\u00e1r-m\u00e1r expressz\u00edv, olykor Georges Soulage<\/span> vagy a mesternek is vallott Robert Ryman,<\/span> v\u00e9g\u00fcl a Scully \u00e1ltal sokszor hivatkozott Mark Rothko<\/span> fel\u00fcleteire is eml\u00e9keztet\u0151 s\u00edkok.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

Any Questions,<\/em> 1984\u20132005, olaj, lenv\u00e1szon; 259\u00d7324 cm, mag\u00e1ngy\u0171jtem\u00e9ny.<\/p>\n[\/vc_column_text][vc_column_text]\n

4<\/p>\n

H\u00e1tt\u00e9rf\u00fcgg\u00f6ny (Backcloth),<\/em> 1970, akril, v\u00e1szon; 198\u00d7304,8 cm, mag\u00e1ngy\u0171jtem\u00e9ny. Els\u0151sorban erre a k\u00e9pre gondolok, mely Mondrian New-yorki korszak\u00e1nak egyik f\u0151m\u0171v\u00e9t, a New York City<\/em>-sorozatot (1941\u20131942) id\u00e9zi meg, de a mondriani szerkeszt\u00e9s ad p\u00e9ld\u00e1t sz\u00e1mtalan, nagy n\u00e9gyzetes foltb\u00f3l \u00e1ll\u00f3 festm\u00e9ny kompoz\u00edci\u00f3j\u00e1nak is.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27340″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | H\u00e1tt\u00e9rf\u00fcgg\u00f6ny (Backcloth),<\/em> 1970, akril, v\u00e1szon, 198\u00d7304,8 cm; \u00c1tl\u00f3s be\u00e9kel\u00e9s (Diagonal Inset),<\/em> 1973, akril, v\u00e1szon, 243,5\u00d7243,5 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u00c9s v\u00e9g\u00fcl m\u00e9g egy indok: a pomp\u00e1s ki\u00e1ll\u00edt\u00e1st remek\u00fcl rendez\u0151 Feh\u00e9r D\u00e1vid \u2013 az impoz\u00e1ns katal\u00f3gus szerkeszt\u0151je \u00e9s legjobb szerz\u0151je \u2013 \u00edrja: Scully \u201eaz \u00f6sszef\u00e9rhetetlen min\u0151s\u00e9gek paradox harm\u00f3ni\u00e1j\u00e1t keresi\u201d,5<\/span> (szerintem azt meglelte, s m\u0171vein meg is nyilatkozik), \u00edgy ak\u00e1r m\u00e9g palimpszeszt<\/em> gyan\u00e1nt is r\u00e9tegezhetj\u00fck \u2013 nem n\u00e9z\u0151pontunkat, hanem \u2013 n\u00e9z\u0151s\u00edkjainkat.<\/em>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

Feh\u00e9r D\u00e1vid:<\/span> A fal m\u00f6g\u00f6tt: figur\u00e1k \u00e9s (h\u00e1t)terek Sean Scully m\u0171v\u00e9szet\u00e9ben. In. Sean Scully \u00c1TUTAZ\u00d3 \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s.<\/em> A Magyar Nemzeti Gal\u00e9ria kiadv\u00e1nyai, 2020\/4. Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020, 10.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27342″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | Ois\u00edn tengerz\u00f6ld (Ois\u00edn Sea Green),<\/em> 2016, olaj, alum\u00ednium, 216\u00d7190,5 cm;
\nT\u00e1jvonal mez\u0151 (Landline Field),<\/em> 2014, olaj, alum\u00ednium; 216\u00d7190,5 cm; T\u00e1jvonal tenger (Landline Sea),<\/em> 2014, olaj, lenv\u00e1szon; 216\u00d7190 cm; T\u00e1jvonal Ois\u00edn z\u00f6ld (Landline Ois\u00edn Green),<\/em> 2016, olaj, alum\u00ednium; 216\u00d7190,5 cm \u00a9 Fot\u00f3: Eln Ferenc[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”advanced” border_left_desktop=”1px” border_top_desktop=”0″ border_right_desktop=”0″ border_bottom_desktop=”0″ column_border_color=”#2b2b2b” column_border_style=”solid”][vc_column_text css=”.vc_custom_1634055941017{padding-left: 15px !important;}”](Ottlik alapj\u00e1n \u2013 s\u00edkj\u00e1n \u2013 a vez\u00e9rmot\u00edvumot egy\u00e1ltal\u00e1n nem s\u00e9rtve, teh\u00e1t) a val\u00f3s\u00e1g feneketlen \u00f6sszevisszas\u00e1g\u00e1ban m\u00e9gsem olyan rem\u00e9nytelen a rendetlens\u00e9g. Ezek az \u00fajra \u00e9s \u00fajra bele meg visszakevered\u0151 rendez\u00e9si k\u00eds\u00e9rletsorozatok, l\u00e9tmodellek, ha fokozz\u00e1k is a z\u0171rzavart, m\u00f3dot adnak a rendez\u00e9sre. Nem \u00f6nmagukon bel\u00fcl, hanem p\u00e9ld\u00e1ul a k\u00e9p sz\u00e1m\u00e1ra. Ha a 20-21. sz\u00e1zadi term\u00e9szettudom\u00e1nyt\u00f3l, valamint a g\u00e9pi k\u00e9palkot\u00e1st\u00f3l (is) befoly\u00e1solva n\u00e9zz\u00fck a k\u00e9pz\u0151m\u0171v\u00e9szetet, akkor tekinthetj\u00fck \u00fagy, hogy l\u00e9tez\u00e9smodellekb\u0151l (p\u00e9ld\u00e1ul Mondrian) vagy realit\u00e1smodellekb\u0151l (ak\u00e1r Lucian Freud) rakja \u00f6ssze a maga strukt\u00far\u00e1j\u00e1t \u2013 oly m\u00f3don, hogy az lehet\u0151leg \u00e9pebb \u00e9s igazabb, val\u00f3s\u00e1gosabban l\u00e9tez\u0151 legyen, mint az egyes modellek\u00e9 k\u00fcl\u00f6n-k\u00fcl\u00f6n. Ennek \u00e9rtelm\u00e9ben: nevezz\u00fck V1-nek azt a mintegy k\u00e9szen kapott, az \u00fagynevezett emberis\u00e9g \u00e1ltal eddig gy\u00e1rtott, megegyez\u00e9ses (konvencion\u00e1lis) val\u00f3s\u00e1gmodell\u00fcnket, melyet durva fel\u00fcletess\u00e9ggel olyasmikkel jellemezhet\u00fcnk, hogy sz\u00fclet\u00fcnk, \u00e9l\u00fcnk, meghalunk, nemzed\u00e9kek k\u00f6vetik egym\u00e1st a f\u00f6ld\u00f6n, l\u00e9trehoztak egy cartesianusnak, euklid\u00e9szinek, arisztotel\u00e9szinek, newtoninak nevezhet\u0151 kult\u00far\u00e1t; az egy\u00e9n csak egy a sok k\u00f6z\u00fcl, noha erk\u00f6lcsi k\u00f6telmein t\u00fal a maga boldogs\u00e1g\u00e1ra, \u00fcdv\u00f6ss\u00e9g\u00e9re is t\u00f6rekszik. J\u00f3l bev\u00e1lt, haszn\u00e1lhat\u00f3 elgondol\u00e1s: van benne t\u00e9r, abszol\u00fat id\u0151, oks\u00e1g, k\u00e9t\u00e9rt\u00e9k\u0171 logika, folytonoss\u00e1g, pszichol\u00f3gia, erk\u00f6lcsi \u00e9rt\u00e9krend, m\u00e9g eszt\u00e9tikai is j\u00f3csk\u00e1n. Mindny\u00e1jan elfogadjuk \u00e9s haszn\u00e1ljuk is, arra, amire val\u00f3. A k\u00e9pnek ez a V1<\/span> az egyik n\u00e9zet\u00e9t jelenti \u2013 mondjuk a second-planj\u00e1t, a newtoni mechanika k\u00f6zepes nagys\u00e1grendi n\u00e9zet\u00e9t, k\u00f6z\u00e9pn\u00e9zet\u00e9t \u2013, \u00e9s fenyegeti, m\u00e1rmint a m\u0171alkot\u00e1st, hogy mindenest\u00fcl elnyeli ez a, r\u00e1ad\u00e1sul a nyelv \u00e1ltal is hordozott k\u00e9sz val\u00f3s\u00e1gmodell. Holott nem f\u00e9r bele m\u00e1sf\u00e9le val\u00f3s\u00e1gk\u00e9szlet\u00e9vel, sz\u00e1m\u00e1ra a V1<\/span> rendje hamis \u00e9s siv\u00e1r leegyszer\u0171s\u00edt\u00e9s, vil\u00e1goss\u00e1ga talmi f\u00e9ny, kerete sz\u0171k. Keres teh\u00e1t hozz\u00e1 egy m\u00e1sik realit\u00e1smodellt, hogy kieg\u00e9sz\u00edtse egy b\u0151vebb keretben, mondjuk metamodellben.<\/p>\n

A V1<\/span> arr\u00f3l sz\u00f3l, hogy a val\u00f3s\u00e1g \u00e9ppen az, amit annak nevez\u00fcnk. Legyen V0<\/span> az a szolipszista elgondol\u00e1s, hogy a val\u00f3s\u00e1g csak \u00e9n vagyok, azt csak \u00e9n l\u00e1tom egyed\u00fcl. Ebben mindenesetre felold\u00f3dik az a tarthatatlan ellentmond\u00e1s, amely a V1<\/span>-et majdhogynem katasztr\u00f3famodell\u00e9 teszi: hogy az alanyt, az eg\u00e9sz modellt l\u00e9trehoz\u00f3 \u00e9s tart\u00f3 \u00e9nt is belehelyezte a modellbe. A V1<\/span> a t\u00e9rben \u00e9s az irreverzibilis id\u0151ben p\u00f3rulj\u00e1r. Meghal, ahogy sz\u00fcletett, s az a cs\u00fcggedt kis vigasza, hogy az emberis\u00e9g egym\u00e1st k\u00f6vet\u0151 nemzed\u00e9keiben esetleg megmarad r\u00f6vid anyagi l\u00e9tez\u00e9s\u00e9nek n\u00e9mi nyoma, eleny\u00e9sz\u0151 kis eml\u00e9ke, hat\u00e1sa: rosszabb a semmin\u00e9l. Hiszen a l\u00e9tez\u00e9se val\u00f3di intenzit\u00e1s\u00e1hoz, s\u00e9rtetlen eg\u00e9sz\u00e9hez k\u00e9pest ezek csak b\u00e1gyadt f\u00e9ny\u0171 l\u00e1tszatok. A V0<\/span>-ban szerencs\u00e9re azt is tudja, hogy nemcsak az egym\u00e1st k\u00f6vet\u0151 r\u00f6vid \u00e9let\u0171 nemzed\u00e9kek, nemcsak a dics\u0151s\u00e9gnek, munk\u00e1nak, erk\u00f6lcsnek hi\u00e1baval\u00f3s\u00e1ga, az abszol\u00fatum hi\u00e1nya, a visszaford\u00edthatatlan id\u0151, hanem az eg\u00e9sz V1<\/span>, sz\u00fclet\u00e9ssel-hal\u00e1llal egy\u00fctt: nem a val\u00f3s\u00e1g, hanem csak egy magunk k\u00e9sz\u00edtette modellje.<\/p>\n

M\u00e9gis, tal\u00e1n trivi\u00e1lis megold\u00e1s volna, ha a V0<\/span>-t arra haszn\u00e1ln\u00e1nk, hogy a V1<\/span>-et fel\u00fcl\u00edrjuk, vagy kirad\u00edrozzuk vele. A m\u0171v\u00e9szet ezt nem teszi; semmit sem rad\u00edroz ki soha. Egy\u00e9bk\u00e9nt a V0<\/span>-t sem haszn\u00e1lhatn\u00e1nk \u00f6nmag\u00e1ban. T\u00fal k\u00e9zenfekv\u0151, t\u00fal k\u00f6zeli n\u00e9zet, alig-alig n\u00e9zet egy\u00e1ltal\u00e1n. Azaz igen nagy \u00e1rat fizet relat\u00edv ellentmond\u00e1smentess\u00e9g\u00e9\u00e9rt: ha m\u0171k\u00f6d\u0151k\u00e9pes modell\u00e9 akarjuk kieg\u00e9sz\u00edteni, legy\u0151zhetetlen bonyolults\u00e1gokba \u00fctk\u00f6z\u00fcnk. M\u00e9gis, ha kiss\u00e9 \u00fcres is, ugyancsak elker\u00fclhetetlen \u00f6sszetev\u0151je a k\u00e9pz\u0151m\u0171v\u00e9szetnek.<\/p>\n

V\u00e9g\u00fcl elgondolhatunk, szint\u00e9n m\u00e9g el\u00e9g k\u00e9nyelmesen, ha a V0<\/span>-b\u00f3l indulunk ki, amely t\u00falk\u00f6zeli-n\u00e9zet\u0171, egy harmadik, aff\u00e9le csillagt\u00e1vlat\u00fa, a v\u00e9gtelen fel\u00e9 t\u00e1g\u00edthat\u00f3 n\u00e9zetet, amely nem azt mondja, \u201e\u00c9n vagyok\u201d, hanem csak annyit: \u201eValami van\u201d. Teljesen szem\u00e9lytelen\u00fcl, a dolgoknak V1<\/span>-beli tulajdons\u00e1gai, \u00f6sszef\u00fcgg\u00e9sei ir\u00e1nt t\u00f6k\u00e9letes k\u00f6z\u00f6nnyel, a maga szuver\u00e9n m\u00f3dj\u00e1n rendezi be a modellj\u00e9t. Amolyan zenei vagy matematikai, s a legkev\u00e9sb\u00e9 sem verb\u00e1lis alapon. Nevezhetn\u00e9nk V-v\u00e9gtelen<\/span>nek vagy V-alef<\/span>-nek, de legyen V2<\/span>. A m\u0171be, k\u00f6zelebbr\u0151l a festm\u00e9nybe, mondjuk, t\u00e1voln\u00e9zetnek \u00e9p\u00fcl be. Az ecsetvon\u00e1sok, de ink\u00e1bb a s\u00edkok, de meg egy\u00e1ltal\u00e1n, a k\u00e9p k\u00fcl\u00f6nf\u00e9le elemeinek mozg\u00e1sa, visszat\u00e9r\u0151 vagy m\u00f3dosul\u00f3 hull\u00e1mz\u00e1sa, l\u00fcktet\u00e9se imit\u00e1lja az V2<\/span>-t, tov\u00e1bb\u00e1 a m\u0171 eg\u00e9sz-n\u00e9zet\u00e9nek tektonik\u00e1ja, dinamik\u00e1ja vagy tonalit\u00e1sa tal\u00e1n \u2013 alkalmasint amit st\u00edlusnak szoktunk nevezni \u2013, vagy ami \u00edgy kozmikus t\u00e1vlatb\u00f3l legv\u00e9g\u00fcl megmarad egy-egy k\u00e9pb\u0151l: egyetlen sz\u00edn, egyetlen folt tal\u00e1n, vagy egy hull\u00e1mhossz adata, a V2<\/span> ismeretlen spektroszk\u00f3pj\u00e1n lem\u00e9rve. T\u00fal a fest\u00e9szeten – szuprematizmus, neoplaszticizmus.<\/p>\n

Ha ezeket a f\u00fcggetlen, egym\u00e1snak b\u00e1tran ellentmond\u00f3 modelleket \u00f6sszerakjuk, \u00e9s egyszerre vet\u00edtj\u00fck a v\u00e1szonra, k\u00f6lcs\u00f6nhat\u00e1saikb\u00f3l egy magasabb val\u00f3s\u00e1g\u00e9rt\u00e9k\u0171, nagyobb rendsz\u00e1m\u00fa integrit\u00e1sra t\u00f6rekv\u0151 modell keletkezik. Ezek az eddigi V-ink egy\u00fcttesen m\u00e1r bizonyos elemi k\u00e9pi strukt\u00far\u00e1t alkotnak. Ennyib\u0151l m\u00e1r majdnem meg\u00e9l egy m\u0171alkot\u00e1s. De m\u00e9g ha fel is tenn\u00e9nk, ha csak a p\u00e9lda kedv\u00e9\u00e9rt is, hogy ezekbe a nagyj\u00e1b\u00f3l k\u00e9szen kapott l\u00e9tez\u00e9smodellekbe m\u00e1r minden meglev\u0151 dolog belef\u00e9r, a m\u0171nek legal\u00e1bb m\u00e9g egy V-re sz\u00fcks\u00e9ge van: a m\u00e9g el nem k\u00e9sz\u00fclt dolgok sz\u00e1m\u00e1ra. Nevezz\u00fck m\u00e1s indexez\u00e9ssel Vv<\/span>-nek, mert sem azt nem mondja, amit az V1<\/span>, hogy \u201eAz van, amit val\u00f3s\u00e1gnak nevez\u00fcnk\u201d, sem azt, mint az V0<\/span>-val, hogy: \u201e\u00c9n vagyok\u201d, de m\u00e9g azt sem, hogy \u201eValami van\u201d.<\/p>\n

A Vv<\/span> kijelent\u00e9se az lehetne: \u201eValami keletkezik\u201d. Az alany itt nem a V1<\/span>-beli t\u00e9rid\u0151be z\u00e1rt pont vagy vonal, nem is, mint a V0<\/span>-ban, maga a vil\u00e1g\u0171r, hanem szabadon mozog ide-oda a modellek sz\u00f6ved\u00e9k\u00e9ben, s m\u00e9retei vannak, m\u00e9lys\u00e9ge, t\u00e1gass\u00e1ga. \u00c9ppen erre kellett nek\u00fcnk az Vv<\/span>, hogy belezs\u00fafoljuk, beleszerkessz\u00fck, mintegy menet k\u00f6zben azt, ami a t\u00f6bbibe nem f\u00e9rt bele: p\u00e9ld\u00e1ul az \u00e9n dimenzi\u00f3it.<\/p>\n

S mag\u00e1t, Sean Scully eset\u00e9ben a festm\u00e9nyt, term\u00e9szetesen k\u00e9sz\u00fcl\u0151 \u00e1llapot\u00e1ban, amint esetleg \u00e9ppen a s\u00f6t\u00e9ts\u00e9gb\u0151l n\u00e9mi vil\u00e1goss\u00e1gra, a l\u00e9tez\u00e9s z\u0171rzavar\u00e1b\u00f3l a rend fel\u00e9 t\u00f6rekszik.6<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

6<\/p>\n

Ottlik G\u00e9za:<\/span> Pr\u00f3za. A reg\u00e9nyr\u0151l. https:\/\/mek.oszk.hu\/01000\/01003\/01003.htm<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27343″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sean Scully: \u00c1tutaz\u00f3<\/em> \u2013 Retrospekt\u00edv ki\u00e1ll\u00edt\u00e1s (r\u00e9szlet) | Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest, 2020. okt\u00f3ber 14 \u2013 2021. m\u00e1jus 30. | Arles-Nacht-Vincent,<\/em> 2015, olaj, lenv\u00e1szon, 160,5\u00d7160 cm (egyenk\u00e9nt) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]R\u00e1cs el\u0151tt a vil\u00e1g. A r\u00e1csban a vil\u00e1g.<\/p>\n

Dimenzi\u00f3 \u00e9s r\u00e9tegv\u00e1lt\u00e1s: az im\u00e9nti bekezd\u00e9sek, teh\u00e1t az Ottlik-sz\u00f6veg \u00e1t\u00edr\u00e1sa, ha nem is szorosan, de met\u00f3dus\u00e1ban \u00e9s tartalm\u00e1ban m\u00e9gis csak lek\u00e9pezi vagy legal\u00e1bb is imit\u00e1lja azt a folyamatot, melynek sor\u00e1n Scully inspir\u00e1ci\u00f3t \u00e9s \u201etematik\u00e1t\u201d keres \u00e9s tal\u00e1l a val\u00f3s\u00e1g h\u00e1rom ir\u00e1nyb\u00f3l val\u00f3 (val\u00f3s\u00e1gos) megk\u00f6zel\u00edt\u00e9se sor\u00e1n; eljut a t\u00e1jb\u00f3l, a t\u00e9r elemeib\u0151l vagy a saj\u00e1t fot\u00f3it\u00f3l,7<\/span> fot\u00f3ir\u00f3l,<\/em> s azok mot\u00edvumait\u00f3l festm\u00e9nyeiig. \u00c9s vissza, egy \u00fajabb r\u00e9tegben vagy dimenzi\u00f3ban: gyakran r\u00f6gz\u00edti saj\u00e1t m\u0171veinek k\u00f6zeli felv\u00e9telein a gazdagon festett fel\u00fcletek \u00e9rz\u00e9ki-anyagi val\u00f3s\u00e1g\u00e1t, s a festm\u00e9nyek \u201eb\u0151r\u00e9t\u201d kinagy\u00edtva, azok sz\u00edneit \u00e9s form\u00e1it, mintha ready made fakt\u00far\u00e1k lenn\u00e9nek, \u00fajraform\u00e1lt absztrakt konfigur\u00e1ci\u00f3v\u00e1 alak\u00edtja \u00e1t.<\/p>\n

E m\u0171vek \u2013 ha j\u00f3l l\u00e1tom \u00e9s \u00e9rtem \u2013 valamif\u00e9le zenei met\u00f3dust is k\u00f6vetnek: \u00fagy r\u00e9mlik, a homof\u00f3nia<\/em> eszk\u00f6z\u00e9vel (is) \u00e9lnek.8<\/span> A homof\u00f3nia az a zenei text\u00fara,<\/em> amelyben minden hang t\u00f6bb\u00e9-kev\u00e9sb\u00e9 egyszerre mozog, azaz ugyanabban a ritmusban \u00e9l. A sz\u00ednnel kit\u00f6lt\u00f6tt s\u00e1vok \u00e9s n\u00e9gysz\u00f6gek strukt\u00far\u00e1i olyasmi \u00e9rz\u00e9st keltenek, mint az akkordok sorozata, azaz \u00fagy \u00e9rv\u00e9nyes\u00fclnek, ak\u00e1r egy f\u00fcgg\u0151leges zenei strukt\u00fara, a fel\u00fcletek fakt\u00far\u00e1ja \u00e9s text\u00far\u00e1ja ugyanakkor a polif\u00f3ni\u00e1val is le\u00edrhat\u00f3, melyben a hangok mozg\u00e1sa \u00e1ltal alkotott v\u00edzszintes zenei strukt\u00fara domin\u00e1l, s egym\u00e1st\u00f3l f\u00fcggetlenek. A homofonikus text\u00far\u00e1t f\u00fcgg\u0151leges blokkok sorozata k\u00e9pviselheti, amelyek az id\u0151 m\u00fal\u00e1s\u00e1val el\u0151fordul\u00f3 akkordokat szimboliz\u00e1lj\u00e1k, \u00e1m ezek \u00f6sszet\u00e9tele logikailag v\u00e1ltozhat. Scully festm\u00e9nyei \u2013 egyszerre ton\u00e1lis \u00e9s re\u00e1lis \u2013 szekvenci\u00e1k, s tal\u00e1n Steve Reich<\/span> repetit\u00edv kompoz\u00edci\u00f3s technik\u00e1j\u00e1hoz \u00e1llnak legk\u00f6zelebb.<\/p>\n

Scully festm\u00e9nyein az azonos m\u00e9ret\u0171 s\u00e1vok \u2013 a sz\u00e9les \u00e9s hol testes, m\u00e1skor laz\u00farosan \u00e1ttetsz\u0151 ecsetnyomok mintha valami l\u00e9pcs\u0151, fokozatr\u00f3l fokozatra l\u00e9p\u00e9s ornamentik\u00e1j\u00e1nak engedelmeskedn\u00e9nek \u2013, de semmif\u00e9le kv\u00e1zi-narr\u00e1ci\u00f3t nem rajzolnak ki. A sokszor \u00e1tfestett s\u00edkok \u2013 palimpszeszt gyan\u00e1nt \u2013 k\u00e9peket temetnek maguk al\u00e1, s ha t\u00e1volr\u00f3l tekintve l\u00e1tsz\u00f3lag ki is oltj\u00e1k a gesztusszer\u0171s\u00e9get, az expresszivit\u00e1st, \u00e9s akarva-akaratlanul is visszautalnak a sz\u00e1zad els\u0151 fel\u00e9nek klasszikus geometrikus absztrakci\u00f3j\u00e1nak puritanizmus\u00e1ra, hermetizmus\u00e1ra, spiritualizmus\u00e1ra, a szeml\u00e9l\u0151 n\u00e9z\u0151pontj\u00e1nak \u2013 a t\u00e1vols\u00e1gnak \u2013 m\u00f3dosul\u00e1s\u00e1val, m\u00e9gis csak felt\u00e1rj\u00e1k a r\u00e9szletek hihetetlen\u00fcl impulz\u00edv gazdags\u00e1g\u00e1t. Scully k\u00e9peinek k\u00e9t s\u00edkra terelt mozdulatait a sz\u00edn k\u00f6ti \u00f6ssze \u00e9s mintegy kanaliz\u00e1lja azonos ir\u00e1nyba. A s\u00e1vos, n\u00e9gysz\u00f6g\u0171 \u201erekeszek\u201d azonban \u00e1ltal\u00e1ban nem \u00e9lnek a sz\u00edn sugallta k\u00f6zvetlen jelent\u00e9ssel: legjobb k\u00e9pein a kevert \u2013 t\u00f6r\u00f6tt, tompa, bor\u00fas \u2013 sz\u00ednek vagy a p\u00e1r\u00e1s, puha sz\u00fcrk\u00e9k \u00e9s feket\u00e9k, \u00e1tlagolva az \u00e9rzelmeket m\u00e9g akkor is, ha kontrasztba ker\u00fclnek, els\u0151sorban arra hivatottak, hogy meghat\u00e1rozz\u00e1k a fest\u00e9szeti t\u00e9ny t\u00e1rgybelis\u00e9g\u00e9t (persze nem tagadva az asszoci\u00e1ci\u00f3 \u00e9s a materi\u00e1lis eredet felfedez\u00e9s\u00e9nek es\u00e9ly\u00e9t), s elk\u00fcl\u00f6n\u00edts\u00e9k azt k\u00f6rnyezet\u00e9t\u0151l, a vil\u00e1gt\u00f3l-mely-nem-fest\u00e9szet. Mindemellett Scully \u201esz\u00edntana\u201d e k\u00e9peken m\u00e9lys\u00e9gesen k\u00f6t\u0151dik a szeretett Van Gogh-\u00e9hoz: tal\u00e1n innen ered a festm\u00e9nyek nehezen megfogalmazhat\u00f3 b\u00e1nat-sug\u00e1rz\u00e1sa is, mely \u00e1t- \u00e9s \u00e1tlengi a szigor\u00fa konstrukci\u00f3t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

7<\/p>\n

The Color of Time: The Photographs of Sean Scully.<\/em> Steidl Verlag, G\u00f6ttingen. 2004. Nagy k\u00e1r, hogy a ki\u00e1ll\u00edt\u00e1son csak n\u00e9h\u00e1ny, s a katal\u00f3gusban is csak az Aran<\/em>-sorozat (2005), illetve a Barcelona Dark Wall<\/em> (1997) szerepel, pedig Sean Scully az \u00edrorsz\u00e1gi Aran-szigetekt\u0151l Mexik\u00f3n \u00e1t \u00c9szak-Afrik\u00e1ig sz\u00e1mtalan helyen \u00f6r\u00f6k\u00edtett meg falakr\u00f3l, ker\u00edt\u00e9sekr\u0151l, ablakokr\u00f3l \u00e9s ajt\u00f3kr\u00f3l k\u00e9sz\u00fclt k\u00e9peket, melyek sohasem \u00e9p\u00edt\u00e9szeti elemek egyszer\u0171 felv\u00e9telei. A fakul\u00f3 falak, repedezett fel\u00fcletek, \u00e9rdes \u00e9lek \u00e9s az \u00e1ltaluk keltett m\u00e9ly \u00e1rny\u00e9kok \u00e1br\u00e1zol\u00e1s\u00e1val a pusztul\u00e1sban rejl\u0151 sz\u00e9ps\u00e9get, \u00e9s a term\u00e9szet \u00e9s az \u00e9let alapvet\u0151 ellentmond\u00e1s\u00e1t id\u00e9zik meg: a szil\u00e1rds\u00e1got \u00e9s a t\u00f6r\u00e9kenys\u00e9get, az id\u0151tlens\u00e9get \u00e9s a v\u00e1ltoz\u00e1st. A fizikai \u00e9s ment\u00e1lis \u00e1llapotok metafor\u00e1ik\u00e9nt a f\u00e9nyk\u00e9pek eml\u00e9keket, \u00e9rz\u00e9seket \u00e9s gondolatokat id\u00e9znek meg. Ahogy Mondrian egy fa organikus szerkezet\u00e9nek absztrah\u00e1l\u00e1s\u00e1val, Scully \u00e9p\u00edt\u00e9szeti elemek, szerkezetek \u00e1t\u00edr\u00e1s\u00e1val jut el egy, ha nem is v\u00e9gs\u0151, de minden esetre impresssz\u00edv kv\u00e1zival\u00f3s\u00e1ghoz.<\/em><\/p>\n

8<\/p>\n

\u00c9desanyja vaudeville-\u00e9nekesn\u0151 volt, \u00e9s Scullyra kamaszkor\u00e1ban nagy hat\u00e1ssal volt a rhythm and blues. D\u00e9l-Londonban, tin\u00e9dzserk\u00e9nt, egy R&B klubot m\u0171k\u00f6dtetett, \u00e9s r\u00f6vid ideig egy R&B zenekarban is j\u00e1tszott a b\u00e1tyj\u00e1val \u00e9s egy bar\u00e1tj\u00e1val. 2016-ban a Medeski Martin & Wood<\/em> zenekar \u00fct\u0151hangszerese, Billy Martin<\/span> Scully monument\u00e1lis cortenac\u00e9l szobr\u00e1val, a Boxes of Air<\/em>rel (2015) a m\u0171v\u00e9sz tappani st\u00fadi\u00f3j\u00e1ban Boxing for Sean<\/em> c\u00edmmmel 6 t\u00e9teles \u00fct\u0151hangszeres m\u0171vet kompon\u00e1lt, melyet \u00e9l\u0151ben adtak el\u0151 a szabadban. Ld. https:\/\/www.youtube.com\/watch?v=CR4mdhUmu0M<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_raw_html]JTVCcHRfdmlldyUyMGlkJTNEJTIyNmU4ODI2Mzd3YSUyMiU1RA==[\/vc_raw_html][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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