{"id":27033,"date":"2021-01-05T14:46:44","date_gmt":"2021-01-05T13:46:44","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=27033"},"modified":"2024-02-14T22:30:56","modified_gmt":"2024-02-14T21:30:56","slug":"szemelyre-szabott-kodrendszerek","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/szemelyre-szabott-kodrendszerek\/","title":{"rendered":"Szem\u00e9lyre szabott k\u00f3drendszerek"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text text_direction=”default”]\n

Az alkalmazkod\u00e1sban val\u00f3 t\u00fal\u00e9l\u00e9s lehet\u0151s\u00e9gei<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-1-0″ text_direction=”default”]\n

Besz\u00e9lget\u00e9s Keresztes Zs\u00f3fi\u00e1val \u00e9s Zsikla M\u00f3nik\u00e1val<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-1-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A 2021-r\u0151l 2022-re halasztott bienn\u00e1l\u00e9n a magyar pavilonban Zsikla M\u00f3nika<\/span> kur\u00e1tor \u00e9s Keresztes Zs\u00f3fia<\/span> Az \u00e1lmok ut\u00e1n: merek dacolni a k\u00e1rokkal<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1sa l\u00e1that\u00f3 majd. Keresztes Zs\u00f3fia a fiatal \u00e9s m\u00e1r nemzetk\u00f6zi sikereket is felmutat\u00f3 magyar m\u0171v\u00e9szgener\u00e1ci\u00f3 kiemelked\u0151 k\u00e9pvisel\u0151je. Alkot\u00e1saiban mer\u00e9szen \u00e1tl\u00e9pi \u00e9s ugyanakkor \u00f6tv\u00f6zi a m\u0171v\u00e9szeti \u00e1gak \u00e9s st\u00edlusok hat\u00e1rait. A pavilon ter\u00e9t egyetlen eg\u00e9szk\u00e9nt kezel\u0151, \u00e9p\u00edt\u00e9szet, szobr\u00e1szat \u00e9s iparm\u0171v\u00e9szet hat\u00e1r\u00e1n mozg\u00f3, jellegzetesen n\u0151i n\u00e9z\u0151pont\u00fa install\u00e1ci\u00f3ja \u00f6nmagunk megismer\u00e9s\u00e9vel \u00e9s az emberi kapcsolatokkal foglakozik \u00e9s a k\u00e9pzelet t\u00e1jain tesz bels\u0151 utaz\u00e1st, melyhez t\u00f6bbek k\u00f6z\u00f6tt Szerb Antal<\/span> Utas \u00e9s holdvil\u00e1g<\/em> c\u00edm\u0171 reg\u00e9ny\u00e9b\u0151l mer\u00edtett inspir\u00e1ci\u00f3t.[\/vc_column_text][divider line_type=”Small Line” line_alignment=”default” line_thickness=”1″ divider_color=”extra-color-3″ custom_height=”60″ custom_line_width=”100″ custom_height_tablet=”40″ custom_height_phone=”30″][vc_column_text]\n

Sirbik Attila:<\/span> Milyen \u00e9rtelemben fontos sz\u00e1motokra az identit\u00e1s megtal\u00e1l\u00e1s\u00e1nak k\u00e9rd\u00e9se?<\/p>\n

Zsikla M\u00f3nika:<\/span> Azt gondolom, hogy az identit\u00e1s megtal\u00e1l\u00e1sa egy\u00e9ni \u00e9s kollekt\u00edv szempontb\u00f3l is \u00e9lethosszig tart\u00f3 projekt. Az \u00f6nazonoss\u00e1g megtal\u00e1l\u00e1s\u00e1t nem csak a szem\u00e9lyis\u00e9gfejl\u0151d\u00e9s\u00fcnk \u00e9s a szocializ\u00e1ci\u00f3 befoly\u00e1solja, hanem azok a t\u00e1rsadalmi szerepek is, amelyekkel azonosulunk, \u00e9s amelyek k\u00f6z\u00f6tt folyamatosan ing\u00e1zunk. Ezek \u00f6sszess\u00e9ge id\u0151r\u0151l-id\u0151re (vagy folyamatosan) form\u00e1lja az identit\u00e1sunkat. Az identit\u00e1s-t\u00edpusokkal kapcsolatban bennem \u00e9l egy hierarchia, \u00e9s azt gondolom, hogy addig, am\u00edg az egy\u00e9n nem tal\u00e1lja meg a saj\u00e1t \u00f6n-azonoss\u00e1g\u00e1t, addig az olyan k\u00fcl\u00f6nb\u00f6z\u0151 \u201ekollekt\u00edv\u201d identit\u00e1sokat sem lesz k\u00e9pes stabil alapokra helyezni, mint a vall\u00e1si vagy ak\u00e1r a nemzeti identit\u00e1s.<\/p>\n

Keresztes Zs\u00f3fia:<\/span> Sz\u00e1momra ez egy frusztr\u00e1l\u00f3 k\u00e9rd\u00e9s, \u00f6r\u00f6k konfliktus, gondolom a legt\u00f6bben \u00edgy vagyunk vele. R\u00e1ad\u00e1sul napjainkban rendk\u00edv\u00fcl nyomaszt\u00f3 t\u00e1rsadalmi elv\u00e1r\u00e1ss\u00e1 n\u0151tte ki mag\u00e1t az identit\u00e1s keres\u00e9se, de nem csak \u00f6nmagunk, hanem a csoportok szintj\u00e9n is. Elv\u00e1rjuk egym\u00e1st\u00f3l, hogy minden k\u00f6r\u00fclm\u00e9nyek k\u00f6z\u00f6tt defini\u00e1lni tudjuk \u00f6nmagunkat, el tudjuk helyezni magunkat valahov\u00e1. Nem egyszer\u0171 feladat nem elveszni ebben az \u00e1lland\u00f3 k\u00e9nyszerben.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

https:\/\/www.ludwigmuseum.hu\/velencei-biennale\/2022\/palyazat-eredmenye (utols\u00f3 bel\u00e9p\u00e9s a sz\u00f6vegben hivatkozott webhelyekre: 2021. janu\u00e1r 29.)<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0 full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27042″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: L\u00e1tv\u00e1nytervek az 59. Velencei Bienn\u00e1le magyar pavilonj\u00e1hoz | 3D terv: Horv\u00e1th Orsolya<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

SA:<\/span> A Velencei Bienn\u00e1le Magyar Pavilonj\u00e1ba tervezett Az \u00e1lmok ut\u00e1n: merek dacolni a k\u00e1rokkal<\/span> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s terve Keresztes Zs\u00f3fia ut\u00f3bbi \u00e9vekben ki\u00e9p\u00edtett, filoz\u00f3fiai, pszichol\u00f3giai alapk\u00e9rd\u00e9seket feszeget\u0151 koncepci\u00f3j\u00e1nak szerves folytat\u00e1sak\u00e9nt is tekinthet\u0151?<\/p>\n

ZSM:<\/span> A ki\u00e1ll\u00edt\u00e1s az identit\u00e1s megtal\u00e1l\u00e1s\u00e1nak k\u00e9rd\u00e9seivel foglalkozik. A koncepci\u00f3 egyik k\u00f6zvetlen el\u0151zm\u00e9nyek\u00e9nt Zs\u00f3fia 2018-as Sticky Fragility<\/em>2<\/span> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s\u00e1t eml\u00edthetn\u00e9nk. A b\u00e9csi Gianni Manhattan gal\u00e9ri\u00e1ban bemutatott anyag inspir\u00e1ci\u00f3j\u00e1t Arthur Schopenhauer<\/span> porcupine dilemm\u00e1<\/em>ja, avagy m\u00e1sk\u00e9ppen a hedgehog\u2019s dilemma<\/em> adta. A filoz\u00f3fus, majd a k\u00e9s\u0151bbiekben Freud<\/span> \u00e9s a modern pszichol\u00f3gia k\u00e9pvisel\u0151i \u00e1ltal gyakran haszn\u00e1lt metafora az intimit\u00e1s term\u00e9szet\u00e9t hivatott \u00e9rz\u00e9keltetni. Az ember mint t\u00e1rsadalmi l\u00e9ny k\u00e9ptelen arra, hogy egyed\u00fcl \u00e9ljen, ez\u00e9rt folyamatosan keresi azokat, akikkel megoszthatja gondolatait, szeretet\u00e9t, \u00e9rz\u00e9seit. B\u00e9csi ki\u00e1ll\u00edt\u00e1sa alkalm\u00e1val Zs\u00f3fia ezt a schopenhaueri metafor\u00e1t igyekezett 21. sz\u00e1zadi kontextusba helyezni. A velencei pavilonba tervezett ki\u00e1ll\u00edt\u00e1s asszociat\u00edv kiindul\u00f3pontj\u00e1t e gondolatmeneten tov\u00e1bbhaladva Szerb Antal 1937-ben megjelent Utas \u00e9s holdvil\u00e1g<\/em> c\u00edm\u0171 reg\u00e9ny\u00e9nek3<\/span> egy mozzanata adta.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Zs\u00f3fia Keresztes: Sticky Fragility.<\/em> Gianni Manhattan, B\u00e9cs, 2018. november 16 \u2013 december 21., ld. https:\/\/www.giannimanhattan.com\/exhibition\/ zsofia_keresztes_sticky_fragility<\/a>, http:\/\/zsofiakeresztes.com\/works\/sticky-fragility\/<\/a><\/p>\n

3<\/p>\n

Szerb Antal:<\/span> Utas \u00e9s holdvil\u00e1g.<\/em> R\u00e9vai, Budapest, 1937<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27043″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: Sticky Fragility,<\/em> 2018, ki\u00e1ll\u00edt\u00e1s enteri\u0151r, Gianni Manhattan, B\u00e9cs \u00a9 Fot\u00f3: Simon Veres<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]KZS:<\/span> A b\u00e9csi ki\u00e1ll\u00edt\u00e1st az\u00e9rt emelt\u00fck ki, mert ott foglalkoztam el\u0151sz\u00f6r az identit\u00e1skeres\u00e9s problematik\u00e1j\u00e1val: ezen bel\u00fcl is kiemelten \u00e9rdekelt az emp\u00e1tia fogalma, mely \u00e1ltal k\u00f6z\u00f6ss\u00e9get v\u00e1llalunk egy m\u00e1sik l\u00e9nnyel. Ennek a jelens\u00e9gnek \u00e1ltal\u00e1ban pozit\u00edv kicseng\u00e9se van, pedig \u00e9pp\u00fagy lehetnek negat\u00edv hat\u00e1sai is egy empatikus l\u00e9nyre n\u00e9zve. A 2020-as New York-i Glossy Inviolability<\/em> c\u00edm\u0171 sz\u00f3l\u00f3 ki\u00e1ll\u00edt\u00e1som,4<\/span> m\u00e1r f\u00f3kusz\u00e1ltabban, az ut\u00f3bbi k\u00e9rd\u00e9ssel foglalkozott. A kism\u00e9ret\u0171 ki\u00e1ll\u00edt\u00f3t\u00e9rben egy fak\u00edr s\u00e9rthetetlens\u00e9g\u00e9t imit\u00e1l\u00f3 figur\u00e1j\u00e1t oltottam egy zs\u00e1km\u00e1ny\u00e1ra v\u00e1rakoz\u00f3, ki\u00e9hezett p\u00f3k test\u00e9be. A p\u00f3k h\u00e1l\u00f3iba ragadt feszes, \u00edzletesnek t\u0171n\u0151 k\u00f6nnycseppek m\u00e9rgezettek is lehetnek (itt is visszacsatoln\u00e9k a 2018-as ki\u00e1ll\u00edt\u00e1sra, ahol ezek a cseppek kifejezetten m\u00e9regcseppekk\u00e9nt voltak defini\u00e1lva). A szint\u00e9n 2020-ban, a Parthen\u00f3n-fr\u00edz teremben megrendezett Conquered Storage<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s5<\/span> m\u00e1r konkr\u00e9tan a m\u00e9rgez\u00e9sr\u0151l, a m\u00e9reg szervezetben t\u00f6rt\u00e9n\u0151 m\u0171k\u00f6d\u00e9s\u00e9r\u0151l sz\u00f3lt. A salg\u00f3polcok \u00e9s a hull\u00e1mz\u00f3 mozaiktestek mut\u00e1ci\u00f3ja, a tapasztal\u00e1sok rakt\u00e1ra, melyek v\u00e1ltoz\u00e1sra k\u00e9sztetik ezeket a testeket. Ennek k\u00f6zvetlen folytat\u00e1sa lesz a velencei pavilon, ami m\u00e1r a felismer\u00e9st \u00e9s a konfliktusokra adott lehets\u00e9ges v\u00e1laszokat v\u00e1zolja majd fel.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

Zs\u00f3fia Keresztes: \u201dGlossy Inviolability\u201d. Elijah Wheat Showroom, New York, 2020. febru\u00e1r 29 \u2013 m\u00e1jus 2., ld. https:\/\/www.elijahwheatshowroom.com\/#\/glossy-inviolability-zsofia-keresztes<\/a><\/p>\n

5<\/p>\n

Keresztes Zs\u00f3fia: CONQUERED STORAGE.<\/em> Parthen\u00f3n-fr\u00edz Terem (MKE), Budapest, 2020. szeptember 30 \u2013 okt\u00f3ber 9., ld. http:\/\/www.mke.hu\/node\/40210<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27045″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: The Failure,<\/em> 2020, ki\u00e1ll\u00edt\u00e1s enteri\u0151r, Glossy Inviolability,<\/em> Elijah Wheat Showroom, New York \u00a9 Fot\u00f3: Philip Hinge \/ Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

SA:<\/span> A ki\u00e1ll\u00edt\u00e1s teh\u00e1t felvet, \u00e9s bizonyos tekintetben k\u00f6rbej\u00e1r mind pszichol\u00f3giai, mind filoz\u00f3fiai k\u00e9rd\u00e9seket, foglalkozik t\u00f6bbek k\u00f6z\u00f6tt a kiszolg\u00e1ltatotts\u00e1g<\/span> t\u00e9ny\u00e9vel is?<\/p>\n

ZSM:<\/span> Napjainkban a pszichol\u00f3gia egyik legt\u00f6bbet hangoztatott k\u00f6zhelye, miszerint \u201eaz ember t\u00e1rsas l\u00e9ny\u201d, nemcsak k\u00e9zzelfoghat\u00f3bb\u00e1 v\u00e1lik, hanem mind szorosabban \u00f6ssze is f\u00fcgg azzal a jelens\u00e9ggel, hogy kapcsolatkeres\u00e9seink, egy\u00e9ni \u00e9s t\u00e1rsas k\u00f6zeled\u00e9seink egyre hangs\u00falyosabban helyez\u0151dnek \u00e1t a virtu\u00e1lis t\u00e9rbe. Ezt a folyamatot a jelenleg zajl\u00f3 pand\u00e9mia m\u00e9g fel is er\u0151s\u00edti. B\u00e1r eddig is tudtuk, hogy alapvet\u0151 \u2013 evol\u00faci\u00f3s m\u00faltunkban a t\u00fal\u00e9l\u00e9st seg\u00edt\u0151 \u2013 ig\u00e9ny\u00fcnk a m\u00e1sokhoz val\u00f3 kapcsol\u00f3d\u00e1s, m\u00e1sok k\u00f6zels\u00e9g\u00e9nek keres\u00e9se, most azonban (kollekt\u00edv \u00e9lm\u00e9nyk\u00e9nt) nap mint nap \u00e9rezz\u00fck az egym\u00e1st\u00f3l val\u00f3 elz\u00e1rts\u00e1g \u00e9s a t\u00e1vols\u00e1gtart\u00e1s negat\u00edv hat\u00e1sait. Mindezt folyamatosan be\u00e1rny\u00e9kolja a kiszolg\u00e1ltatotts\u00e1g<\/em> t\u00e9nye.<\/p>\n

SA:<\/span> M\u00f3nika, eml\u00edtetted Szerb Antal Utas \u00e9s holdvil\u00e1g<\/span> c\u00edm\u0171 reg\u00e9ny\u00e9t. Hogyan ker\u00fclt k\u00e9pbe, mi m\u00f3don v\u00e1lik a m\u0171 a ki\u00e1ll\u00edt\u00e1s motorj\u00e1v\u00e1?<\/p>\n

ZSM:<\/span> A velencei pavilonba tervezett ki\u00e1ll\u00edt\u00e1s asszociat\u00edv kiindul\u00f3pontj\u00e1t Zs\u00f3fia 2018-as b\u00e9csi ki\u00e1ll\u00edt\u00e1s\u00e1nak inspir\u00e1ci\u00f3j\u00e1n tov\u00e1bbhaladva, Szerb Antal 1937-ben megjelent Utas \u00e9s holdvil\u00e1g<\/em> c\u00edm\u0171 reg\u00e9ny\u00e9nek egy mozzanata adta. A 2000-es \u00e9vek elej\u00e9n \u2013 az \u00faj ford\u00edt\u00e1soknak k\u00f6sz\u00f6nhet\u0151en \u2013 k\u00e9zzelfoghat\u00f3 nemzetk\u00f6zi sikert is aratott m\u0171 f\u0151h\u0151se a n\u00e1sz\u00fatj\u00e1n, Velenc\u00e9be \u00e9rkezve egyed\u00fcl, feles\u00e9ge n\u00e9lk\u00fcl indul felfedezni a ravennai mozaikokat, hogy gyermekkor\u00e1t felid\u00e9zze. A porcupine dilemma<\/em> t\u00f6k\u00e9letesen illeszkedik a reg\u00e9ny t\u00f6rt\u00e9net\u00e9hez: a hajdanvolt kult\u00far\u00e1k eml\u00e9kei nemcsak arra \u00e9bresztik r\u00e1 a f\u0151h\u0151st, hogy az egy\u00e9n saj\u00e1t t\u00e1rsadalmi-kultur\u00e1lis meghat\u00e1rozotts\u00e1g\u00e1b\u00f3l nyeri az \u00f6nazonoss\u00e1g\u00e1t, hanem arra is, hogy a jelene \u00f3hatatlanul a m\u00falt fragmentumaira \u00e9p\u00fcl. Tal\u00e1n ezen a ponton fontos hangs\u00falyozni, hogy a ki\u00e1ll\u00edt\u00e1s nem a reg\u00e9ny cselekm\u00e9ny\u00e9t parafraze\u00e1lja, hanem k\u00f6lt\u0151i anal\u00f3giak\u00e9nt<\/em> haszn\u00e1lja fel a f\u0151h\u0151s ravennai mozaikokkal val\u00f3 tal\u00e1lkoz\u00e1s\u00e1nak misztikus \u00e9lm\u00e9ny\u00e9t, a megtapasztal\u00e1s azon pillanat\u00e1t, amikor a m\u0171v\u00e9szet hat\u00e1s\u00e1ra a teljess\u00e9g\u00e9lm\u00e9ny sz\u00e9trobban, \u00e9s ez az addig szil\u00e1rdnak hitt vil\u00e1gk\u00e9pet is megk\u00e9rd\u0151jelezi. A k\u00e9tely ugyanakkor egy \u00faj \u00f6sszef\u00fcgg\u00e9srendszer megsejt\u00e9s\u00e9hez is elvezet, amelynek r\u00e9v\u00e9n az ember k\u00e9pess\u00e9 v\u00e1lhat arra, hogy visszat\u00e9rjen imm\u00e1ron megv\u00e1ltozott, \u00e1tform\u00e1lt \u00f6nmag\u00e1hoz. A pavilon fedetlen udvar\u00e1ba tervezett szoboregy\u00fcttes egyfajta misztikus v\u00edzi\u00f3k\u00e9nt igyekszik megeleven\u00edteni egy ahhoz hasonlatos pillanatot, mint amikor a reg\u00e9ny f\u0151h\u0151se megpillantja a m\u00faltj\u00e1nak eml\u00e9keit id\u00e9z\u0151 ravennai mozaikokat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27061″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: Sphinx,<\/em> 2020, ki\u00e1ll\u00edt\u00e1s enteri\u0151r, Conquered Storage,<\/em> Parthen\u00f3n-fr\u00edz Terem, Budapest \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27062″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: Sphinx,<\/em> 2020, r\u00e9szlet, ki\u00e1ll\u00edt\u00e1s enteri\u0151r, Conquered Storage,<\/em> Parthen\u00f3n-fr\u00edz Terem, Budapest \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

SA:<\/span> A ki\u00e1ll\u00edt\u00e1s tereiben felsorakoz\u00f3 l\u00e9nyek egyszerre sz\u00f6vets\u00e9gesei \u00e9s ellens\u00e9gei is egym\u00e1snak? Ez okoz egyfajta fesz\u00fclts\u00e9get?<\/p>\n

KZS:<\/span> Igen, a t\u00e9r szimmetri\u00e1ja a szobrokban is visszak\u00f6sz\u00f6n majd, \u00e9s a hasonl\u00f3 terekben minden darabnak meglesz a \u201ehasonm\u00e1sa\u201d, ez okoz majd bels\u0151 fesz\u00fclts\u00e9get a figur\u00e1k k\u00f6z\u00f6tt. Ez a k\u00e9t sz\u00e1l egyr\u00e9szt az individuum \u00f6nazonoss\u00e1g\u00e1nak, \u00e9s az \u00e9n szil\u00e1rds\u00e1g\u00e1nak megtal\u00e1l\u00e1si lehet\u0151s\u00e9geivel foglalkozik, m\u00e1sr\u00e9szt r\u00e1mutat a k\u00e9ts\u00e9gbeesett \u00f6sszetartoz\u00e1sra val\u00f3 t\u00f6rekv\u00e9sre, ami \u00e1ltal s\u00e9r\u00fcl\u00e9kenny\u00e9, kiszolg\u00e1ltatott\u00e1 v\u00e1lhatunk.<\/p>\n

SA:<\/span> Mi sz\u00e1motokra az a 21. sz\u00e1zadi kontextus, ami lehet\u0151v\u00e9 teszi azt, hogy a k\u00e9pz\u0151m\u0171v\u00e9szeten kereszt\u00fcl k\u00f6zelebb ker\u00fclj\u00fcnk olyan alapvet\u0151 l\u00e9ttapasztalatokhoz, amiket m\u00e1r eml\u00edtettetek is, mint amilyen a s\u00e9r\u00fcl\u00e9kenys\u00e9g, a kiszolg\u00e1ltatotts\u00e1g, az egyed\u00fcll\u00e9t, vagy \u00e9ppen a t\u00e1rsas l\u00e9tre val\u00f3 g\u00f6rcs\u00f6s v\u00e1gy?<\/p>\n

ZSM:<\/span> A romantika \u00f6r\u00f6kz\u00f6ld fr\u00e1zisa, hogy a (k\u00e9pz\u0151)m\u0171v\u00e9szeten kereszt\u00fcl alapvet\u0151 l\u00e9ttapasztalatokhoz (is) k\u00f6zelebb ker\u00fclhet\u00fcnk, a \u201ekontextus\u201d viszont folyamatosan v\u00e1ltozik. A 21. sz\u00e1zad sz\u00e9d\u00fcletes temp\u00f3j\u00e1t a jelenleg zajl\u00f3 pand\u00e9mia szinte t\u00f6rv\u00e9nyszer\u0171en lass\u00edtotta le, \u00e9s t\u00f6bbek k\u00f6z\u00f6tt a (k\u00e9pz\u0151)m\u0171v\u00e9szeti k\u00f6zeg is igyekezett alkalmazkodni a kialakult helyzethez. De a zoom talk<\/em>ok, online viewing room<\/em>ok, virtu\u00e1lis t\u00e1rlatvezet\u00e9sek keresztt\u00fcz\u00e9ben, a nap v\u00e9g\u00e9n mindig az a tapasztalat, hogy a k\u00e9pz\u0151m\u0171v\u00e9szet sokkal \u00e9rz\u00e9kibb dolog ann\u00e1l, mint hogy k\u00e9pes legyen kiz\u00e1r\u00f3lag a virtu\u00e1lis t\u00e9rbe l\u00e9tezni, annak ellen\u00e9re, hogy jelenleg ez a kontextusa. Mindett\u0151l elt\u00e1volodva, sz\u00e1momra a legizgalmasabb kontextus az a \u201er\u00e9g\u00f3ta\u201d \u00e9l\u0151 tendencia, hogy a m\u0171v\u00e9szet helysz\u00ednei olyan izgalmas, gyakran eddig a nyilv\u00e1noss\u00e1g el\u0151l elz\u00e1rt terekbe tev\u0151dnek \u00e1t, amiket fel kell fedezni, \u00e9s ezek a felfedez\u00e9sek nemcsak hozz\u00e1j\u00e1rulnak, hanem fokozz\u00e1k is a befogad\u00f3i \u00e9lm\u00e9ny intenzit\u00e1s\u00e1t.<\/p>\n

SA:<\/span> Milyen szerepet t\u00f6ltenek ma be a kort\u00e1rs m\u0171v\u00e9szeti strukt\u00far\u00e1ban a bienn\u00e1l\u00e9k, ezen bel\u00fcl is Velence?<\/p>\n

ZSM:<\/span> Nemr\u00e9g hallottam Shwetal A. Patel<\/span> izgalmas el\u0151ad\u00e1s\u00e1t a z\u00fcrichi University of the Arts (ZHdK) Post-Graduate Programme in Curating<\/em> kurzus\u00e1n, amelynek az volt a c\u00edme, hogy Ellen\u00e1llni a bienn\u00e1liz\u00e1ci\u00f3nak: M\u0171v\u00e9szeti platformok k\u00e9sz\u00edt\u00e9se \u00e9s fenntart\u00e1sa a digit\u00e1lis korban.<\/em>6<\/span> V\u00e9gtelen\u00fcl \u00e9rdekes volt ez a kurzus, \u00e9s a tapasztalatok alapj\u00e1n a bienn\u00e1l\u00e9k m\u0171v\u00e9szeti strukt\u00far\u00e1kban bet\u00f6lt\u00f6tt szerep\u00e9re nem tudn\u00e9k teljesen egy\u00e9rtelm\u0171en v\u00e1laszolni. A jelenleg vir\u00e1gkor\u00e1t \u00e9l\u0151 biennaliz\u00e1ci\u00f3s folyamatokban az alapk\u00e9rd\u00e9s legink\u00e1bb az, hogy egy alulr\u00f3l felfel\u00e9 szervez\u0151d\u0151 vagy egy fel\u00fclr\u0151l lefel\u00e9 szervezett bienn\u00e1l\u00e9s strat\u00e9gi\u00e1r\u00f3l van-e \u00e9pp sz\u00f3. Illetve egy adott bienn\u00e1l\u00e9 eset\u00e9ben, mindig fontos a l\u00e9trej\u00f6tt\u00e9nek a kontextusa: az a gazdas\u00e1gi, t\u00e1rsadalmi, t\u00f6rt\u00e9nelmi, geo- \u00e9s kult\u00farpolitikai kl\u00edma, amelyben, vagy amelyre v\u00e1laszul az adott bienn\u00e1l\u00e9s kezdem\u00e9nyez\u00e9s elindult. A bienn\u00e1l\u00e9k t\u00f6rt\u00e9net\u00e9ben Velence a r\u00e9gi klasszikusnak, a \u201enagy \u00f6regnek\u201d sz\u00e1m\u00edt. Gyakran alaphivatkoz\u00e1s \u00e9s l\u00e1bjegyzet, de struktur\u00e1lisan m\u00e1r egy meghaladott modell.<\/p>\n

SA:<\/span> Persze neh\u00e9z meg\u00edt\u00e9lni, de bizonyos tekintetben m\u00e9gis kisz\u00e1m\u00edthat\u00f3 milyen hat\u00e1ssal lehet a nemzetk\u00f6zi karrieretekre a 2022-es esem\u00e9nyen val\u00f3 r\u00e9szv\u00e9tel?<\/p>\n

KZS:<\/span> Val\u00f3sz\u00edn\u0171 t\u00f6bbf\u00e9lek\u00e9ppen els\u00fclhet, de mindenk\u00e9pp j\u00f3 platformot biztos\u00edt az eddig ki\u00e9p\u00fclt nemzetk\u00f6zi kapcsolatok egym\u00e1sba csatorn\u00e1z\u00e1s\u00e1ra, \u00e9s tov\u00e1bbi lehet\u0151s\u00e9geket is hordozhat. A sok csoportos \u00e9s kisebb \u00f6n\u00e1ll\u00f3 ki\u00e1ll\u00edt\u00e1s ut\u00e1n m\u00e1r pont id\u0151szer\u0171nek \u00e9rzek egy olyan fajta l\u00e9pt\u00e9kv\u00e1lt\u00e1st, amire a Velencei Bienn\u00e1l\u00e9n val\u00f3 szerepl\u00e9s ad lehet\u0151s\u00e9get. Egy ilyen \u00f6sszef\u00fcgg\u0151 szoborcsoport l\u00e9trehoz\u00e1sa m\u00e1r r\u00e9gi v\u00e1gyam volt.<\/p>\n

ZSM:<\/span> Azt gondolom, hogy egy m\u0171v\u00e9sz szempontj\u00e1b\u00f3l mindenk\u00e9pp megj\u00f3solhat\u00f3bb t\u00f6rt\u00e9net, hogyan hat egy bienn\u00e1l\u00e9s szerepl\u00e9s a nemzetk\u00f6zi karrierj\u00e9re, de vitathatatlanul jelent\u0151s hat\u00e1ssal van egy kur\u00e1tor p\u00e1ly\u00e1j\u00e1ra is. 2020 janu\u00e1rj\u00e1ban \u00e9n egy olyan int\u00e9zm\u00e9nyben kezdtem el dolgozni, ami nem csak az amb\u00edci\u00f3it, hanem a f\u00f3kusz\u00e1t tekintve is nemzetk\u00f6zi, rem\u00e9nyeim szerint a 2022-es szerepl\u00e9s\u00fcnk pedig m\u00e9g tov\u00e1bb \u00e1rnyalja majd ezt a k\u00f6r\u00fclm\u00e9nyt. 2023-ban Budapesten, a Ludwig M\u00fazeum ki\u00e1ll\u00edt\u00f3tereiben, pedig majd a hazai k\u00f6z\u00f6ns\u00e9g is l\u00e1thatja (vagy \u00fajra n\u00e9zheti) a ki\u00e1ll\u00edt\u00e1st, amit igyeksz\u00fcnk majd a m\u00fazeum ki\u00e1ll\u00edt\u00f3tereihez adapt\u00e1lni. Boros G\u00e9za<\/span> m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz, a Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum Velencei Bienn\u00e1le Irod\u00e1j\u00e1nak vezet\u0151je m\u00e1r az els\u0151 tal\u00e1lkoz\u00e1sunk alkalm\u00e1val k\u00f6rbevezetett minket a m\u00fazeum tereiben, \u00e9pp az\u00e9rt, hogy a velencei ki\u00e1ll\u00edt\u00e1s anyag\u00e1t, a k\u00e9s\u0151bbi budapesti bemutat\u00e1s szempontj\u00e1b\u00f3l is \u00e1t tudjuk gondolni.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

6<\/p>\n

https:\/\/www.curating.org\/resisting-biennialisation\/<\/a><\/p>\n

7<\/p>\n

Zsikla M\u00f3nika<\/span> 2020-t\u00f3l a Q Contemporary Budapest Curatorial Directora (https:\/\/qcontemporary.com\/<\/a>)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0 full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”27047″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: L\u00e1tv\u00e1nyterv az 59. Velencei Bienn\u00e1le magyar pavilonj\u00e1hoz | 3D terv: Horv\u00e1th Orsolya<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

SA:<\/span> Besz\u00e9lj\u00fcnk m\u00e9g kicsit mag\u00e1r\u00f3l a ki\u00e1ll\u00edt\u00e1sr\u00f3l. Annak t\u00e9nye, hogy a t\u00e1rsas \u00e9s egy\u00e9ni k\u00f6zeled\u00e9seink, kapcsolatkeres\u00e9seink hangs\u00falyosan billennek el a virtu\u00e1lis t\u00e9rbe, szinte k\u00f6zhelynek sz\u00e1m\u00edt. Ezt a k\u00f6zhelyet azonban, ahogyan azt m\u00e1r eml\u00edtett\u00e9tek is, a pand\u00e9mia vil\u00e1gszint\u0171 elterjed\u00e9se \u00e9s az ezzel j\u00e1r\u00f3 int\u00e9zked\u00e9sek eg\u00e9szen m\u00e1s f\u00e9nybe helyezt\u00e9k. Konkr\u00e9tan erre is utal a ki\u00e1ll\u00edt\u00e1s?<\/p>\n

ZSM:<\/span> A vil\u00e1got beh\u00e1l\u00f3z\u00f3 virtu\u00e1lis t\u00e9rben n\u00e9h\u00e1ny kattint\u00e1ssal b\u00e1rkit el\u00e9r\u00fcnk, k\u00f6rnyezetet, profilt, identit\u00e1st kre\u00e1lunk magunknak, szem\u00e9lyis\u00e9gekk\u00e9 form\u00e1l\u00f3dunk egy virtu\u00e1lis t\u00e9gelyben, amelyben azut\u00e1n minden rezd\u00fcl\u00e9s\u00fcnk elt\u00e1vol\u00edthatatlanul ott marad. A magunk ut\u00e1n hagyott nyomok kit\u00f6r\u00f6lhetetlen\u00fcl z\u00e1r\u00f3dnak be egyfajta \u00f6r\u00f6k inform\u00e1ci\u00f3s k\u00f6rforg\u00e1sba. Mindez nem csak a mindennapok tapasztalatait, hanem eg\u00e9sz identit\u00e1sunkat meghat\u00e1rozza, s ennyiben a ki\u00e1ll\u00edt\u00e1s vonatkoz\u00e1s\u00e1ban is megker\u00fclhetetlen. Zs\u00f3fia szoborkompoz\u00edci\u00f3inak hull\u00e1mz\u00f3 fel\u00fcleteit mozaikh\u00e9jak bor\u00edtj\u00e1k, \u00e9s a digit\u00e1lis-anal\u00f3g asszoci\u00e1ci\u00f3 ment\u00e9n a f\u00e9nyes kis darabokb\u00f3l kirajzol\u00f3d\u00f3 n\u00e9gyzeth\u00e1l\u00f3kat egy megfejthetetlen inform\u00e1ci\u00f3s adatb\u00e1zis h\u00e1l\u00f3zatak\u00e9nt is elgondolhatjuk. Mintha szem\u00e9lyre szabott k\u00f3drendszerek lenn\u00e9nek.<\/p>\n

SA:<\/span> A ki\u00e1ll\u00edt\u00e1s fontos elemeik\u00e9nt \u00e9rtelmez\u0151dnek olyan fogalmak is, mint a frag-ment\u00e1lts\u00e1g, vagy az \u00f6nismeret?<\/p>\n

ZSM:<\/span> A fedetlen udvaron \u00e1t a pavilon apszis\u00e1nak jobb \u00e9s a bal oldalai fel\u00e9 tart\u00f3 kapukon \u00e1thaladva az \u00f6nismeret-keres\u00e9s egy-egy lehets\u00e9ges aspektusa elevenedik meg. Igyekezt\u00fcnk tiszteletben tartani a pavilon \u00e9p\u00edt\u00e9szeti saj\u00e1toss\u00e1gait \u00e9s kihaszn\u00e1lni a t\u00e9rszerkeszt\u00e9st is jellemz\u0151 szimmetri\u00e1t.\u00a0A szimmetrikus szerkeszt\u00e9si elv Zs\u00f3fia szobrainak is kedvelt kompoz\u00edci\u00f3s form\u00e1ja. A k\u00e9t dolgot fuzion\u00e1lva v\u00e9g\u00fcl nem csak a rendez\u00e9s illeszkedik a pavilon ter\u00e9hez, hanem a ki\u00e1ll\u00edt\u00e1s \u00e1ltalunk elk\u00e9pzelt bej\u00e1r\u00e1si \u00fatvonala ment\u00e9n m\u00e9g egy v\u00e9gtelen jel is kirajzol\u00f3dik, \u201el\u00e1thatatlanul\u201d a t\u00e9rben. Mindez a k\u00f6rforg\u00e1s folyamatoss\u00e1g\u00e1t szimul\u00e1lja, vagyis, hogy az individuum saj\u00e1t t\u00e1rsadalmi-kultur\u00e1lis kontextus\u00e1b\u00f3l nyeri az \u00f6nazonoss\u00e1g\u00e1t, a jelen pedig \u00f3hatatlanul a m\u00falt fragmentumaira \u00e9p\u00fcl. A jobb \u00e9s a baloldali t\u00e9rfelek egym\u00e1snak szinte t\u00fck\u00f6rk\u00e9pei, amire a termek elnevez\u00e9s\u00e9ben is igyeksz\u00fcnk utalni. Ha az apszist\u00f3l balra haladunk akkor a Rakt\u00e1r I<\/em>-ben, ha pedig jobbra indulunk akkor a Rakt\u00e1r II<\/em>-ben tal\u00e1ljuk szembe magunkat az \u00f6nismeret-keres\u00e9s lehets\u00e9ges aspektusaival. Ami leegyszer\u0171s\u00edtve pozit\u00edv vagy negat\u00edv szcen\u00e1ri\u00f3 lehet, vagyis a \u201ekeres\u0151 \u00f6nismeret\u201d vagy megtal\u00e1lja az \u00f6nazonoss\u00e1g\u00e1t, vagy nem. A bal oldali teremsorban (Rakt\u00e1r I.<\/em>) a szobrok szimbolikusan azon emberi \u00e1llapotok csoportj\u00e1t testes\u00edtik meg, amelyek a \u201et\u00f6r\u00e9keny\u201d \u00e9s \u201eritka\u201d \u00e9lm\u00e9ny hat\u00e1sa r\u00e9v\u00e9n hozz\u00e1seg\u00edthetik az \u00f6nismeretet az individuum megtal\u00e1l\u00e1s\u00e1nak lehet\u0151s\u00e9g\u00e9hez \u00e9s az \u00e9ntelens\u00e9g levetk\u0151z\u00e9s\u00e9hez. Mindezt \u00fagy vizion\u00e1ltunk, mint a halad\u00e1st a k\u00f6z\u00e9ppont fel\u00e9, majd v\u00e9g\u00fcl ennek el\u00e9r\u00e9se a kikrist\u00e1lyosodotts\u00e1g \u00e1llapot\u00e1hoz vezethet. A jobb oldali sz\u00e1rnyban (Rakt\u00e1r II.<\/em>) pedig az \u00f6nismeret keres\u00e9s\u00e9nek m\u00e1sik lehets\u00e9ges v\u00e1lfaja, a bolyong\u00e1sszer\u0171 t\u00e9velyg\u00e9s v\u00edzi\u00f3ja elevenedhet meg. A Salg\u00f3 polcelemekre r\u00e1n\u0151tt mozaiktestek mut\u00e1l\u00f3d\u00f3 eml\u00e9kt\u00f6red\u00e9kekk\u00e9nt, d\u00e9delgetett s\u00e9relmekk\u00e9nt \u00e9s a testekkel egy\u00fctt t\u00e1pl\u00e1lt keser\u0171s\u00e9gk\u00e9nt lakj\u00e1k be a teret.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”flickity_style” images=”27055,27054,27053,27052,27051,27050,27049,27048,27046″ flickity_spacing=”30px” flickity_controls=”touch_total” flickity_touch_total_style=”default” flickity_touch_total_icon_color=”default” flickity_overflow=”visible” flickity_wrap_around=”wrap” flickity_desktop_columns=”2″ flickity_small_desktop_columns=”1″ flickity_tablet_columns=”1″ flickity_phone_columns=”1″ flickity_box_shadow=”none” image_loading=”default” onclick=”link_image” img_size=”full”][vc_column_text]\n

Keresztes Zs\u00f3fia: L\u00e1tv\u00e1nytervek az 59. Velencei Bienn\u00e1le magyar pavilonj\u00e1hoz | 3D terv: Horv\u00e1th Orsolya<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

SA:<\/span> Sokszor tekintettem \u00fagy Zs\u00f3fia l\u00e9nyeire, hogy azok olyan l\u00e9nyek, akik ciklikusan falj\u00e1k fel egym\u00e1st \u00e9s teremtik \u00fajra magukat, mik\u00f6zben nem c\u00e9ljuk a t\u00f6k\u00e9letesed\u00e9s, nem ezzel oper\u00e1lnak. Sokat t\u00e9vedek?<\/p>\n

KZS:<\/span> Nem, \u00e9n is hasonl\u00f3k\u00e9ppen k\u00e9pzelem el \u0151ket. Ez a tulajdons\u00e1guk most a velencei pavilonban is ki\u00e9lez\u0151dik majd. Nem csak a \u201esz\u00f6vets\u00e9ges-ellens\u00e9g\u201d kapcsolat t\u00fckr\u00e9ben, hanem a szobrok elrendez\u00e9se, \u00f6sszekapcsol\u00f3d\u00e1sa folyt\u00e1n is l\u00e1that\u00f3v\u00e1 v\u00e1lik majd egy olyan rendszer, mely eml\u00e9keztethet a felem\u00e9szt\u00e9s, megsemmis\u00fcl\u00e9s de \u00e9pp\u00fagy a teremt\u00e9s, l\u00e9trehoz\u00e1s, sz\u00fclet\u00e9s gesztusaira is. Tov\u00e1bb\u00e1 az \u00f6n\u00e1ll\u00f3s\u00e1g, f\u00fcggetlens\u00e9g \u00e9s az \u00f6sszetartoz\u00e1s, egy\u00fcttm\u0171k\u00f6d\u00e9s dinamik\u00e1ja \u00e1ltal az alkalmazkod\u00e1sban val\u00f3 t\u00fal\u00e9l\u00e9s lehet\u0151s\u00e9g\u00e9re is.<\/p>\n

SA:<\/span> Miut\u00e1n lekapcsolj\u00e1k a villanyokat a termekben, a pavilonban, a ki\u00e1ll\u00edt\u00e1s l\u00e9nyeinek gy\u00e1mol\u00edt\u00f3 \u00e9rint\u00e9sei \u00e9pp\u00fagy nyomot hagynak majd a m\u00e1sikon, mint destrukt\u00edv t\u00e1mad\u00e1saik?<\/p>\n

KZS:<\/span> Azt nem tudhatom, de aludtam m\u00e1r vel\u00fck egy t\u00e9rben n\u00e9h\u00e1ny hossz\u00fara ny\u00falt munkanap ut\u00e1n a m\u0171teremben, \u00e9s nagyon biztons\u00e1gos, megnyugtat\u00f3 \u00e9rz\u00e9ssel t\u00f6lt\u00f6tt el a jelenl\u00e9t\u00fck.<\/p>\n

SA:<\/span> B\u00e1r az eszt\u00e9tikai \u00e9lm\u00e9ny, az \u00e9rtelmez\u00e9s eduk\u00e1ci\u00f3 folyt\u00e1n lesz saj\u00e1tunk, ennek ellen\u00e9re b\u00edznunk kell abban, hogy az igazi m\u0171v\u00e9szet elemi szinten is k\u00e9pes hatni?<\/p>\n

ZSM:<\/span> Szerintem csakis ebben b\u00edzhatunk!<\/p>\n

KZS:<\/span> Minden ki\u00e1ll\u00edt\u00e1sl\u00e1togat\u00e1s alkalm\u00e1val ezt keresem, \u00e9s szoktam is \u00e9rezni bizonyos m\u0171vek kapcs\u00e1n ezt a hat\u00e1st, \u00edgy sz\u00e1momra ez egy l\u00e9tez\u0151 jelens\u00e9g.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-17-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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