{"id":25541,"date":"2020-11-14T19:49:07","date_gmt":"2020-11-14T18:49:07","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=25541"},"modified":"2022-01-08T09:08:30","modified_gmt":"2022-01-08T08:08:30","slug":"potenciaszornyek-mitologiai-szinhaza","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/potenciaszornyek-mitologiai-szinhaza\/","title":{"rendered":"Potenciasz\u00f6rnyek mitol\u00f3giai sz\u00ednh\u00e1za"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Dallos \u00c1d\u00e1m: A bika cs\u00f3kja<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Artkartell projectspace, Budapest,
\n2020. j\u00falius 15 \u2013 augusztus 22.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Garc\u00eda Lorca<\/span> elsiratta a torre\u00e1dort (Sirat\u00f3\u00e9nek Ignacio S\u00e1nchez Mej\u00edas torre\u00e1dor f\u00f6l\u00f6tt<\/em>), Devecseri G\u00e1bor<\/span> elsiratta a bik\u00e1t (Bikasirat\u00f3<\/em>). Dallos \u00c1d\u00e1m<\/span>n\u00e1l nem lehet tudni, hol kezd\u0151dik a bika \u00e9s meddig tart, hogy hol kezd\u0151dik a torre\u00e1dor \u00e9s meddig tart. Vad \u00e9s szel\u00edd, megzabol\u00e1zott \u00e9s megzabol\u00e1zatlan egyetlen l\u00e1tv\u00e1ny porondj\u00e1n van jelen. A k\u00fczdelem hely\u00e9t olykor az esedez\u0151 v\u00e1gy kiszolg\u00e1ltatotts\u00e1g-\u00e9rzete veszi \u00e1t: a kegyetlens\u00e9g kegyetlens\u00e9ge, a viszonzatlan s\u00f3v\u00e1rg\u00e1s, a l\u00e9lek f\u00e1jdalmas t\u00falcsordul\u00e1sa, a m\u00e1sik vil\u00e1g\u00e1ba val\u00f3 beleolvad\u00e1s es\u00e9lytelens\u00e9ge, mely a h\u00fasra, a testre k\u00e9nyszer\u00edti mag\u00e1t. A h\u00fast, a testet szeml\u00e9letesen kell \u00e9rteni: az anat\u00f3miai m\u00fazeumokb\u00f3l ismert izomb\u00e1buk, viasztestek logik\u00e1ja szerint, m\u00e9gse anat\u00f3miai pontoss\u00e1ggal, mert a radik\u00e1lis expresszionista technika, a fest\u00e9s hangs\u00falyozott materialit\u00e1sa maga al\u00e1 gy\u0171ri a pontos orvosi form\u00e1t. \u201eA fi\u00fa helyet cser\u00e9l az \u00e1llattal, azt\u00e1n az \u00e1llat a fi\u00faval, \u00e9s m\u00e1r \u00e9n sem tudom, ki a szenved\u0151 \u00e9s ki a szadista, hogy magamat a bik\u00e1nak vagy a hatty\u00fanak, vagy egy ismeretlen fi\u00fanak festettem meg\u201d \u2013 nyilatkozta Dallos \u00c1d\u00e1m Mag\u00f3csi Anik\u00f3<\/span>nak.1<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

\u201e\u00c9n olvadok bele az \u00e1llatba, azt\u00e1n a fi\u00faba, \u00e9s megint vissza.\u201d Dallos \u00c1d\u00e1mmal besz\u00e9lget Mag\u00f3csi Anik\u00f3. https:\/\/papageno.hu\/featured\/2020\/03\/dallos-adam-en-olvadok-bele-az-allatba-aztan-a-fiuba-es-megint-vissza\/<\/a> (Utols\u00f3 bel\u00e9p\u00e9s a sz\u00f6vegben hivatkozott webhelyekre: 2020. szeptember 20.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25546″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: A bika etet\u00e9se II.,<\/em> (r\u00e9szlet), 2020, olaj, v\u00e1szon, 200\u00d7160 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25548″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: Borosty\u00e1n,<\/em> (r\u00e9szlet), 2020, olaj, v\u00e1szon, 190\u00d7150 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-8-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]M\u00e1r csak ez\u00e9rt is fontos az az \u00e1talak\u00edt\u00f3 er\u0151, melyet az ovidiusi vil\u00e1g- \u00e9s id\u0151felfog\u00e1s jellemz\u0151ivel lehet a legjobban le\u00edrni, s mely a Dallos-univerzumot mozgatja: a l\u00e9tez\u00e9s permanens \u00e1tv\u00e1ltoz\u00e1s mind testi, mind lelki-szellemi, \u00e9rzelmi \u00e9rtelemben, r\u00e1ad\u00e1sul nem hierarchikus \u00e9s c\u00e9lir\u00e1nyos, hanem k\u00f6rk\u00f6r\u00f6sen mozog, emberi perspekt\u00edv\u00e1b\u00f3l \u00e1tl\u00e1thatatlan folytonoss\u00e1got teremt. Dallos fest\u00e9szete is folyamatos \u00e1tv\u00e1ltoz\u00e1s-projekt: a r\u00e9gi mot\u00edvumok, sz\u00ednek, jellegzetess\u00e9gek nem vesznek el, hanem \u00e1tv\u00e1ltoznak, \u00e9s lezser term\u00e9szetess\u00e9ggel kontextualiz\u00e1lj\u00e1k \u00fajra r\u00e9gi \u00f6nmagukat. A hentes \u00e9kk\u00f6vei<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s (2015)2<\/span> egyik alapeleme volt a katal\u00f3guslap-szer\u0171en, illetve \u201eiskol\u00e1s\u201d \u00e1llathat\u00e1roz\u00f3k m\u00f3dj\u00e1n \u00e1br\u00e1zolt sz\u00e9ttrancs\u00edrozott, ugyanakkor \u201egy\u00f6ny\u00f6r\u0171\u201d mad\u00e1r- \u00e9s \u00e1llattetemek \u00e1tv\u00e1ltoz\u00e1sa. A nevezetes r\u00f3zsasz\u00edn fi\u00faaktok nemesvonal\u00fa, ironikus \u201epornogr\u00e1fi\u00e1ja\u201d, illetve az akt \u00e9s a benne lak\u00f3, bel\u0151le kiboml\u00f3, \u00e1ltal\u00e1ban az emberi testet k\u00ednz\u00f3, \u00e1tv\u00e1ltoztat\u00f3 szexu\u00e1lis energi\u00e1t form\u00e1l\u00f3 \u00e1llat p\u00e1rosaiban megk\u00e9pz\u0151d\u0151 fesz\u00fclts\u00e9g ezeken a k\u00e9pekben is jelen van, \u00e1m a l\u00e1tv\u00e1nysz\u00ednh\u00e1z terei alaposan \u00e1talakultak. Nincs hars\u00e1ny kiemel\u00e9s, s\u0151t hars\u00e1nys\u00e1g sincs: k\u00f6z\u00f6s l\u00e9tt\u00e9rbe ker\u00fcl minden entit\u00e1s, minden cselekm\u00e9ny, minden k\u00f6z\u00f6s nevez\u0151re hozott gy\u00f6ny\u00f6r \u00e9s agresszi\u00f3. Ez a kiegyenl\u00edt\u0151d\u00e9s n\u00e9mely festm\u00e9nyt a r\u00e9szletgazdag mell\u00e9rendel\u00e9sek sorozat\u00e1v\u00e1 alak\u00edt.<\/p>\n

A m\u00edtosz, mely ugyancsak meghat\u00e1roz\u00f3 r\u00e9sz\u00e9t k\u00e9pezte a Dallos-k\u00e9pek lehets\u00e9ges olvasat\u00e1nak, itt kicsap hagyom\u00e1nyos narrat\u00edv medr\u00e9b\u0151l, sokf\u00e9le autobiogr\u00e1f hordal\u00e9kot vesz mag\u00e1hoz, \u00f6nreflexi\u00f3s \u00f6rv\u00e9nyeket gener\u00e1l, anim\u00e1lis \u00f6szt\u00f6nkis\u00fcl\u00e9seket enged a maga fennk\u00f6lt mes\u00e9j\u00e9be. Persze, a m\u00edtosz narrat\u00edv s\u00e9m\u00e1i az otthonoss\u00e1g\u00e9rzet ill\u00fazi\u00f3ja miatt hasznosak: de ez a \u201eszok\u00e1s\u201d csak l\u00e1tszatra megnyugtat\u00f3, a l\u00e9nyeg pontosan a m\u00edtosz \u00e1tv\u00e1ltoz\u00e1si potenci\u00e1lj\u00e1nak felismer\u00e9s\u00e9ben van. \u201eA szok\u00e1s az a ballaszt, mely a kuty\u00e1t tulajdon ok\u00e1d\u00e9k\u00e1hoz l\u00e1ncolja\u201d \u2013 \u00edrja Proust \u00fcr\u00fcgy\u00e9n Samuel Beckett.<\/span>3<\/span><\/p>\n

A m\u00edtosz bizonyos \u00e9rtelemben \u00e9s \u00e9rtelmez\u0151i kontextusban \u201eszok\u00e1s\u201d (l\u00e1sd pl. az akad\u00e9mizmust), mesters\u00e9ges jelnyelv, de benne \u00e9lve az \u00f6n- \u00e9s a vil\u00e1g\u00e9rtelmez\u00e9s \u00e1b\u00e9c\u00e9je is lehet, helymeghat\u00e1roz\u00e1s, s\u00falymeghat\u00e1roz\u00e1s, az \u00f6nmagas\u00e1g gazdas\u00e1gos formatana. Se az alkot\u00f3, se a m\u0171\u00e9rtelmez\u0151 ne legyen turista, sugallja Beckett,4<\/span> aki az eszt\u00e9tikai \u00e9lm\u00e9nyt a puszta azonos\u00edt\u00e1sb\u00f3l nyeri, s akin\u00e9l a m\u00edtosz a felismer\u00e9s\u00e9ben m\u00e1r c\u00e9lba is \u00e9rt. A bika cs\u00f3kja Eur\u00f3p\u00e9 m\u00edtosz\u00e1nak szerves r\u00e9sze: itt azonban ez a m\u00edtosz az \u00f6nfelsz\u00e1mol\u00e1s \u00e1ldozata lesz, ebben a vil\u00e1gban ugyanis nincs n\u0151, legfeljebb n\u0151ies, a bika pedig csak l\u00e1tszatra agresszor, val\u00f3j\u00e1ban saj\u00e1t v\u00e1gyainak \u201egyenge\u201d \u00e9s gyeng\u00e9d rabja. Kezdhetj\u00fck r\u00f6gt\u00f6n a Minotauruszn\u00e1l is: Dallos, noha a testet hibridiz\u00e1lja, \u00e1tszerkeszti az anat\u00f3mi\u00e1t, nem teremt rejt\u00e9lyes, f\u00e9lelemmel teljes labirintusokat, hanem l\u00e1tv\u00e1nysz\u00ednh\u00e1zat k\u00edn\u00e1l, ahol az \u00f6nmag\u00e1ba zavarodott, megakasztott \u00e1tv\u00e1ltoz\u00e1sokat gy\u00e1rt\u00f3, meghib\u00e1sodott mitol\u00f3giai g\u00e9pezet tombol.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

A HENTES \u00c9KK\u00d6VEI \u2013 DALLOS \u00c1D\u00c1M ki\u00e1ll\u00edt\u00e1sa.<\/em> Plat\u00e1n Gal\u00e9ria, Budapest, 2015. m\u00e1rcius 19 \u2013 \u00e1prilis 9., ld. https:\/\/instytutpolski.pl\/budapest\/2015\/03\/19\/dallos-adam-a-hentes-ekkovei-2\/<\/a><\/p>\n

3<\/p>\n

Samuel Beckett: Proust.<\/em> Ford. Osztovits Levente, Eur\u00f3pa, Budapest, 1988, 15.<\/p>\n

4<\/p>\n

Uo., 19.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”full-5-40-allo p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25550″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: P\u00e1v\u00e1k a t\u00f6r\u00f6kf\u00fcrd\u0151ben,<\/em> (r\u00e9szlet), 2020, olaj, v\u00e1szon, 200\u00d7140 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”full-5-40-allo p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25551″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: Bikacs\u00f3k II.,<\/em> 2020, olaj, v\u00e1szon, 200×160 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”full-5-40-allo p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25552″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: Bikacs\u00f3k I.,<\/em> (r\u00e9szlet), 2020, olaj, v\u00e1szon, 200×150 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-8-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Az antik isteni attrib\u00fatumok (H\u00e9ra p\u00e1v\u00e1ja, Apoll\u00f3 hatty\u00faja, Zeusz sasa) egyid\u0151ben szinte l\u00e1tv\u00e1nyosan stigmatiz\u00e1lt\u00e1k a Dallos-k\u00e9peket. Most is jelen vannak: az egyik festm\u00e9nyen p\u00e9ld\u00e1ul kecses p\u00e1v\u00e1k etetnek egy hatalmas bik\u00e1t. De ezek a p\u00e1v\u00e1k nem azok<\/em> a p\u00e1v\u00e1k, ugyanis hatalmas emberi falloszuk van, \u00f6tv\u00f6zetl\u00e9nyek, potenciasz\u00f6rnyek,<\/em> poszthum\u00e1n h\u00fasvir\u00e1g-monstrumok. A tiszta \u00e1llatis\u00e1g nem l\u00e9tezik, a szervk\u00f6lcs\u00f6nz\u0151 d\u00f6bbenetanat\u00f3mia elmossa a hat\u00e1rt ember, \u00e1llat \u00e9s n\u00f6v\u00e9ny k\u00f6z\u00f6tt, \u00e9s minduntalan kimozd\u00edtja az antropomorf hierarchikus l\u00e1t\u00e1s f\u00f3kuszait is. Egy m\u00e1sik festm\u00e9nyen k\u00e9t te\u00e1tr\u00e1lisan, \u201epillang\u00f3san\u201d lel\u00f3gatott p\u00e1vatollazat k\u00f6zt kuporog az anat\u00f3miai b\u00e1buv\u00e1 egyszer\u0171s\u00edtett, szinte Jean-Michel Basquiat<\/span> lezsers\u00e9g\u00e9vel megrajzolt figura, a szexualit\u00e1s itt is hangs\u00falyozott \u201ekegyetlenked\u00e9s\u201d, a falloszmadarak uralj\u00e1k az extremit\u00e1sokba k\u00e9nyszer\u00fclt, felajzott emberi testet, a sz\u00e9ps\u00e9g megal\u00e1zza az anyagot, mik\u00f6zben elirigyli t\u0151le a nemz\u00e9s hatalmas erej\u00e9t, mely ugyanakkor a hal\u00e1lhoz legal\u00e1bb ugyanannyi sz\u00e1llal k\u00f6t\u0151dik, mint a sz\u00fclet\u00e9shez. A r\u00f3mai kult\u00far\u00e1ban Fascinus (Priapus) istenhez k\u00f6t\u0151d\u0151 sz\u00e1rnyas amulettek hagyom\u00e1nya is belej\u00e1tszik a humanoid nemz\u0151szervvel felszerelt hatty\u00fa alatt \u00e1h\u00edtatosan t\u00e9rdepel\u0151 p\u00e1rt \u00e1br\u00e1zol\u00f3 festm\u00e9ny megform\u00e1l\u00e1s\u00e1ba, de a g\u00f6r\u00f6g erotikus v\u00e1zafest\u00e9szet kedvelt falloszmadarainak hagyom\u00e1ny\u00e1hoz is igen k\u00f6zel \u00e1llunk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”full-5-40-allo p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25553″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: Hatty\u00fa a szaun\u00e1ban,<\/em> (r\u00e9szlet), 2020, olaj, v\u00e1szon, 200×160 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”full-5-40-allo p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25554″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: Borosty\u00e1n,<\/em> 2020, olaj, v\u00e1szon, 190×150 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”full-5-40-allo p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25555″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: Bik\u00e1k cs\u00f3kja,<\/em> 2020, olaj, v\u00e1szon, 200×150 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”full-5-40-allo p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25556″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: Hatty\u00fa a t\u00f6r\u00f6kf\u00fcrd\u0151ben,<\/em> (r\u00e9szlet), 2020, olaj, v\u00e1szon, 200×160 cm \u00a9 Fot\u00f3: \u00c1ment Gell\u00e9rt<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-8-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A ki\u00e1ll\u00edt\u00f3t\u00e9r elk\u00e9peszt\u0151en kegyetlen \u201em\u0171t\u0151i\u201d f\u00e9nyeit, white cube-szer\u0171, a k\u00fclvil\u00e1got kiz\u00e1rni v\u00e1gy\u00f3, tiszta m\u0171v\u00e9szeti \u00e9lm\u00e9nyt \u00edg\u00e9r\u0151 ter\u00e9t a festm\u00e9nyek uralkod\u00f3 k\u00e9kje hatalmas akv\u00e1riumm\u00e1 teszi, mozgalmas f\u00fcrd\u0151v\u00e9 alak\u00edtja. Az \u201eegybemos\u00f3d\u00e1st\u201d seg\u00edti az is, hogy a festm\u00e9nyek keret n\u00e9lk\u00fcl, a \u201enem nyilv\u00e1nos\u201d adal\u00e9kr\u00e9szeik kitakar\u00e1s\u00e1val, meztelen\u00fcl vannak jellen. Ebben a kontextusban nem neh\u00e9z szubkultur\u00e1lisan is szem\u00fcgyre venni a koncepci\u00f3t: k\u00e9zenfekv\u0151 p\u00e9ld\u00e1ul a (meleg) f\u00fcrd\u0151k (meleg) \u201evad\u00e1szter\u00fcleteire\u201d t\u00e9vedni, s a bika poz\u00edci\u00f3j\u00e1ba a m\u00e1ss\u00e1got mint identit\u00e1st vagy legal\u00e1bbis alkalmi performanci\u00e1t is belel\u00e1tni (a fest\u0151 r\u00e1ad\u00e1sul a Bika jegy\u00e9ben sz\u00fcletett). A v\u00e1gyak harmoniz\u00e1l\u00e1s\u00e1nak lehetetlens\u00e9ge a n\u00e9z\u00e9s minden (fiziol\u00f3giai \u00e9rtelemben eltagadhatatlan) izgalma ellen\u00e9re mint dekorat\u00edv szorong\u00e1s \u00e9s megejt\u0151 szomor\u00fas\u00e1g jelenik meg. A koreogr\u00e1fi\u00e1t folyton meg kell ism\u00e9telni, el kell j\u00e1tszani, a kudarc bor\u00edt\u00e9kolhat\u00f3s\u00e1ga ellen\u00e9re is. N\u00e1das P\u00e9ter<\/span> P\u00e1rhuzamos t\u00f6rt\u00e9netei<\/em>nek h\u00edres margitszigeti jelenete is relev\u00e1ns kontextus lehet: ebben az \u00e9rtelemben a festm\u00e9nysorozat a test tudatosan \u00f6nironikusan, nevets\u00e9gesen \u00e9s t\u00f6rt\u00e9netis\u00e9g\u00e9ben folyamatosan hamisan allegoriz\u00e1lt \u00f6szt\u00f6n\u00f6s tud\u00e1s\u00e1nak anal\u00edzise lesz egy bizarr dramaturgi\u00e1j\u00fa \u201eszexpresszionista\u201d sz\u00ednrevitel keretein bel\u00fcl. Dallos festm\u00e9nyei ebben a tekintetben a tudatos\u00edtottan ironikus r\u00edtusok repetit\u00edv, bels\u0151 tehetetlens\u00e9get, kiszolg\u00e1ltatotts\u00e1got felt\u00e1r\u00f3, \u00f6ngerjeszt\u0151 j\u00e1t\u00e9kaik\u00e9nt is \u00e9rtelmezhet\u0151ek.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

N\u00e1das P\u00e9ter:<\/span> P\u00e1rhuzamos t\u00f6rt\u00e9netek.<\/em> Jelenkor, P\u00e9cs, 2005, 7\u201329.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25557″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: A bika cs\u00f3kja,<\/em> 2020, Artkartell projectspace; Kur\u00e1tor: Rieder G\u00e1bor \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25558″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: A bika cs\u00f3kja,<\/em> 2020, Artkartell projectspace; Kur\u00e1tor: Rieder G\u00e1bor \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-8-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A legt\u00f6bbsz\u00f6r szimmetrikus elrendez\u00e9s ironikus t\u00e9rtagol\u00f3 gesztusa a munk\u00e1k egy r\u00e9sz\u00e9nek szinte bizarr iparm\u0171v\u00e9szeti art deco (\u00e9rezhet\u0151 pl. Aubrey Beardsley<\/span> erotikus dekorativizmus\u00e1nak kifigur\u00e1z\u00e1sa) jelleget k\u00f6lcs\u00f6n\u00f6z, s\u0151t, a n\u00e9pm\u0171v\u00e9szet bizonyos aspektusait is j\u00e1t\u00e9kba hozza. Dallos<\/span> festm\u00e9nyeinek erej\u00e9t a dekorat\u00edv k\u00e9ts\u00e9gbees\u00e9s, a test ar\u00e1nyainak, szervarzen\u00e1lj\u00e1nak,<\/span> mitol\u00f3gi\u00e1inak sz\u00e9troncsol\u00e1sa adja, mely egyszerre mutatja meg a hagyom\u00e1nynarrat\u00edv\u00e1k ironikus t\u00f6r\u00e9seit \u00e9s viszi sz\u00ednre egy \u00faj pszichoszomatikus, hibrid kapcsolati anat\u00f3mia koreogr\u00e1fi\u00e1j\u00e1t. A meghib\u00e1sodott mitol\u00f3giai g\u00e9pezet sorra legy\u00e1rtja a maga sz\u00f6rnyeit, bele\u00e9rtve az embert is, \u00e1m ezek a l\u00e9tez\u00e9sek a fennmarad\u00e1s minimum\u00e1ra vannak programozva, a l\u00e9tez\u00e9s peremein v\u00e1rakoznak az \u00e1tv\u00e1ltoz\u00e1s rem\u00e9nytelen beteljesed\u00e9s\u00e9re.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”25559″ animation=”Fade In” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dallos \u00c1d\u00e1m: A bika cs\u00f3kja,<\/em> 2020, Artkartell projectspace; Kur\u00e1tor: Rieder G\u00e1bor \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”p-6-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”]

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