{"id":22849,"date":"2020-01-06T12:00:37","date_gmt":"2020-01-06T11:00:37","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=22849"},"modified":"2024-05-01T12:29:09","modified_gmt":"2024-05-01T10:29:09","slug":"the-dead-web-ujmedia-es-a-kuratori-gyakorlat-2","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/the-dead-web-ujmedia-es-a-kuratori-gyakorlat-2\/","title":{"rendered":"THE DEAD WEB \u2013 \u00fajm\u00e9dia \u00e9s a kur\u00e1tori gyakorlat"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”m-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Julie Tremble: BPM 37093,<\/em> 2014, \u00e1ll\u00f3k\u00e9p a filmb\u0151l (r\u00e9szlet)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Besz\u00e9lget\u00e9s Nathalie Bachanddal | 2. r\u00e9sz<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> Gyakran elhangzik, hogy az \u00fajm\u00e9dia-m\u0171v\u00e9szet sz\u00e1mos \u00faj akad\u00e1lyt \u00e1ll\u00edt a kur\u00e1torok el\u00e9, t\u00f6bbek k\u00f6z\u00f6tt az interaktivit\u00e1s fontoss\u00e1g\u00e1t \u00e9s az efemers\u00e9g probl\u00e9m\u00e1j\u00e1t. Sz\u00e1modra mik az \u00fajm\u00e9dia-m\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1sok szervez\u00e9s\u00e9nek neh\u00e9zs\u00e9gei?<\/p>\n

NB:<\/span> A technol\u00f3giai szempontok sohasem egy ki\u00e1ll\u00edt\u00e1s legk\u00f6nnyebben kezelhet\u0151 elemei. Kiz\u00e1rt az improviz\u00e1ci\u00f3: a komplik\u00e1lt probl\u00e9m\u00e1k megold\u00e1s\u00e1hoz szakemberekre van sz\u00fcks\u00e9g, b\u00e1r sok m\u0171v\u00e9sz rendelkezik az ehhez sz\u00fcks\u00e9ges m\u0171szaki ismeretekkel. Gyakorlatiasabb szemsz\u00f6gb\u0151l \u2013 sokba ker\u00fclhet, ha m\u0171szaki eszk\u00f6z\u00f6ket, projektort, sz\u00e1m\u00edt\u00f3g\u00e9pet vagy hangrendszert kell b\u00e9relni, illetve v\u00e1s\u00e1rolni. Az egyik visszat\u00e9r\u0151 probl\u00e9ma a m\u0171szaki eszk\u00f6z\u00f6k karbantart\u00e1sa. Amikor egy ki\u00e1ll\u00edt\u00e1s k\u00e9t-h\u00e1rom h\u00f3napon kereszt\u00fcl fut, biztosnak kell lenn\u00fcnk benne, hogy a bemutatott m\u0171alkot\u00e1sok stabilan m\u0171k\u00f6dnek, ez pedig az experiment\u00e1lis kezdem\u00e9nyez\u00e9sek eset\u00e9ben probl\u00e9m\u00e1s lehet, hiszen ezek term\u00e9szet\u00fckn\u00e9l fogva instabilak. Gondoljunk csak a rotterdami V2_Lab for Unstable Media<\/em>23<\/span> (V2_Lab az instabil m\u00e9di\u00e1\u00e9rt) interdiszciplin\u00e1ris m\u0171v\u00e9szeti-technol\u00f3giai k\u00f6zpontra, amely \u00e9pp ezt a tulajdons\u00e1got t\u0171zte a z\u00e1szlaj\u00e1ra: sz\u00e1mukra ez identit\u00e1sk\u00e9pz\u0151 elem. Az instabilit\u00e1s azt\u00e1n k\u00f6nnyen vezet m\u00faland\u00f3s\u00e1ghoz: egyetlen l\u00e9p\u00e9s csup\u00e1n, ami elv\u00e1lasztja a m\u0171alkot\u00e1st a folytonos v\u00e1ltoz\u00e1st\u00f3l, att\u00f3l, hogy fokozatosan addig m\u00f3dosuljon, am\u00edg el nem t\u0171nik. Vannak restaur\u00e1torok, akik meg vannak gy\u0151z\u0151dve r\u00f3la, hogy adott helyzetben egy m\u0171alkot\u00e1snak fel kell adnia az \u00f6r\u00f6kk\u00e9val\u00f3s\u00e1g ig\u00e9ny\u00e9t. Tal\u00e1n feltehetj\u00fck magunknak a k\u00e9rd\u00e9st: nem az a logikus, hogy a vil\u00e1gon minden t\u00e1rgy el\u0151bb-ut\u00f3bb az eny\u00e9szet\u00e9 lesz? Mi\u00e9rt lenne \u00e9ppen a m\u0171v\u00e9szet el\u0151joga az \u00f6r\u00f6kl\u00e9t, ha egyszer semmi m\u00e1s sem tart \u00f6r\u00f6kk\u00e9?<\/p>\n

A technol\u00f3giai m\u0171alkot\u00e1sok egy\u00e9rtelm\u0171en s\u00falyosabb probl\u00e9m\u00e1kat vetnek fel, mint a hagyom\u00e1nyosabb m\u0171v\u00e9szeti gyakorlatok term\u00e9kei. Szerintem a probl\u00e9mak\u00f6r egy m\u00e1sik aspektusa a technol\u00f3gi\u00e1t\u00f3l val\u00f3 f\u00e9lelem. Az ember f\u00e9l az ismeretlent\u0151l. F\u00e9l, hogy elvesz\u00edti az ir\u00e1ny\u00edt\u00e1st, hogy nem tudja, sz\u00fcks\u00e9g eset\u00e9n mik\u00e9nt kell \u00fajraind\u00edtani egy munk\u00e1t, vagy nem tud r\u00f3la besz\u00e9lni, esetleg nem \u00e9rti. Ez a probl\u00e9ma a m\u0171v\u00e9szet eg\u00e9sz\u00e9re is vonatkozik: sokan mindenfajta m\u0171v\u00e9szett\u0151l f\u00e9lnek, mert sz\u00fcks\u00e9g\u00fck van arra, hogy meg\u00e9rts\u00e9k, mik\u00f6zben a m\u0171v\u00e9szet befogad\u00e1sa adott esetben m\u00e1s m\u00f3dokon lehets\u00e9ges. Az \u00e9rz\u00e9s p\u00e9ld\u00e1ul mindenk\u00e9ppen a meg\u00e9rt\u00e9s egyik m\u00f3dja, de m\u00e1s jelleg\u0171 bevon\u00f3d\u00e1st ig\u00e9nyel. Ink\u00e1bb a kart\u00e9zi\u00e1nus gondolkod\u00e1st\u00f3l elt\u00e1volod\u00f3, minden lehet\u0151s\u00e9gre nyitott hozz\u00e1\u00e1ll\u00e1sra van sz\u00fcks\u00e9g, arra, hogy \u00f6nbizalommal \u00e1lljunk egy m\u0171alkot\u00e1s el\u00e9, ak\u00e1r tartalmaz technol\u00f3gi\u00e1t, ak\u00e1r nem. De hogyne, a m\u00e9diam\u0171v\u00e9szet t\u00f6bb tudatoss\u00e1got \u00e9s figyelmet ig\u00e9nyel a kur\u00e1tort\u00f3l \u00e9s a k\u00f6z\u00f6ns\u00e9gt\u0151l egyar\u00e1nt. T\u00f6bb szeretetre van sz\u00fcks\u00e9g, azt mondan\u00e1m.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

23<\/p>\n

https:\/\/v2.nl\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20932″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

v2.nl (screen capture)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> N\u00e9zeted szerint milyen \u00faj lehet\u0151s\u00e9geket k\u00edn\u00e1lnak a m\u00e9diam\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1sok? (Gondolok itt az online kiposztolt munk\u00e1kra, a megnyit\u00f3t k\u00f6vet\u0151en bizonyos id\u0151k\u00f6z\u00f6nk\u00e9nt felt\u00f6lt\u00f6tt tartalmakra stb.)<\/p>\n

NB:<\/span> Az, hogy egy m\u0171alkot\u00e1s a ki\u00e1ll\u00edt\u00e1s sor\u00e1n alakul, fejl\u0151dik, term\u00e9szetesen nem kiz\u00e1r\u00f3lag a m\u00e9diam\u0171v\u00e9szet saj\u00e1tja, de a m\u0171szaki alkot\u00f3elemek sok \u00e9rdekes lehet\u0151s\u00e9get rejtenek magukban. Az online munk\u00e1k most nagyon mennek. M\u00e1r \u00e9vek \u00f3ta vir\u00e1gkorukat \u00e9lik az online esem\u00e9nyek \u00e9s gal\u00e9ri\u00e1k. Ott van p\u00e9ld\u00e1ul a The Wrong Biennale<\/em>24<\/span> (A Rossz Bienn\u00e1le), ami 2013-ban indult nagyon \u00f6tletes form\u00e1tummal: a webes pavilonokba online kur\u00e1torokat h\u00edvtak meg, hogy \u201eberendezz\u00e9k\u201d saj\u00e1t gal\u00e9ri\u00e1jukat. A k\u00f6zponti weboldalon kereszt\u00fcl hozz\u00e1f\u00e9rhet\u0151 internetes m\u0171alkot\u00e1sok sz\u00e1zait h\u00e1rom h\u00f3napon \u00e1t lehetett el\u00e9rni. Hozz\u00e1m k\u00f6zelebbi, montreali projekt a Galerie Galerie<\/em>25<\/span> (nem \u00f6sszekeverend\u0151 a Gallery Gallery-vel), egy online ki\u00e1ll\u00edt\u00f3t\u00e9r, amely 2016 \u00f3ta mutat be digit\u00e1lis \u00e9s webes m\u0171veket. Az experiment\u00e1lis m\u0171v\u00e9szeti gyakorlatok terjeszt\u00e9se, demokratiz\u00e1l\u00e1sa \u00e9s demisztifik\u00e1l\u00e1sa r\u00e9v\u00e9n ez a fajta online fel\u00fclet a fizikai hat\u00e1rokon \u00e1t\u00edvelve j\u00f3val sz\u00e9lesebb k\u00f6z\u00f6ns\u00e9get k\u00e9pes megsz\u00f3l\u00edtani.<\/p>\n

Ezek a kezdem\u00e9nyez\u00e9sek azonban nem t\u00f6k\u00e9letesek: az ilyen f\u00f3rumok \u00e9s er\u0151fesz\u00edt\u00e9sek t\u00e1mogat\u00e1s\u00e1nak hi\u00e1nya miatt a r\u00e9sztvev\u0151k sokszor ingyen dolgoznak. Ott van azt\u00e1n a technik\u00e1hoz val\u00f3 hozz\u00e1f\u00e9r\u00e9s kiv\u00e1lts\u00e1ga: elfelejtj\u00fck, hogy a technika nem mindenhol \u00e9s mindenki sz\u00e1m\u00e1ra k\u00f6nnyed\u00e9n hozz\u00e1f\u00e9rhet\u0151. Ez probl\u00e9m\u00e1t jelentett p\u00e9ld\u00e1ul Kub\u00e1ban, ahol 2018 november\u00e9ben Havann\u00e1ban kur\u00e1tori rezidencia programon vettem r\u00e9szt az RCAAQ,26<\/span> az Artista X Artista27<\/span> \u00e9s a Centro de Desarrollo the Las Artes Visuales j\u00f3volt\u00e1b\u00f3l. A megb\u00edzhat\u00f3 internetkapcsolat hi\u00e1nya ott t\u00e9nyleg komoly gondot okoz. Ennek jelent\u0151s hat\u00e1sa van a munk\u00e1ikra: a kommunik\u00e1ci\u00f3 \u00e9s a kapcsol\u00f3d\u00e1s k\u00e9rd\u00e9sei az ottani m\u0171alkot\u00e1sok visszat\u00e9r\u0151 t\u00e9m\u00e1i. De ennek a r\u00f6g\u00f6s val\u00f3s\u00e1gnak ellen\u00e9re az ilyen online kezdem\u00e9nyez\u00e9sek egy meglehet\u0151sen elz\u00e1rt \u201ehivatalos\u201d m\u0171v\u00e9szeti szc\u00e9n\u00e1n bel\u00fcl is sz\u00fcks\u00e9gesek.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

24<\/p>\n

https:\/\/thewrong.org<\/a><\/p>\n

25<\/p>\n

http:\/\/galeriegalerieweb.com<\/a><\/p>\n

26<\/p>\n

https:\/\/reseauartactuel.org\/?lang=en<\/a><\/p>\n

27<\/p>\n

http:\/\/artistaxartista.org<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20933″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sarah L\u2019H\u00e9rault: Il est faux de croire que tu ne reverras peut-\u00eatre jamais cette belle poubelle pas du tout instable<\/em>\u00a02017, Galerie Galerie (screen capture)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20934″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Conan Lai: Could,<\/em> 2016 | Exposition\u00a0C LA VIE \u00af\\_(\u30c4)_\/\u00af | Galerie Galerie (screen capture)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> Az \u00fajm\u00e9dia-m\u0171v\u00e9szet ut\u00e1n kur\u00e1torkodn\u00e1l a m\u0171v\u00e9szet egy\u00e9b ter\u00fcletein is? Ha igen, hogyan befoly\u00e1solja a szeml\u00e9letm\u00f3dod az \u00fajm\u00e9dia-m\u0171v\u00e9szeti kur\u00e1tori gyakorlatod?<\/p>\n

NB:<\/span> Rendeztem m\u00e1r olyan ki\u00e1ll\u00edt\u00e1st, ahol nem az \u00fajm\u00e9dia-m\u0171v\u00e9szet\u00e9 volt a f\u0151szerep. 2015 \u00e9s 2017 k\u00f6z\u00f6tt egy 32 ki\u00e1ll\u00edt\u00e1st mag\u00e1ban foglal\u00f3 nagy projekten dolgoztam az Acc\u00e8s culture<\/em> h\u00e1l\u00f3zat keretein bel\u00fcl, Montreal alap\u00edt\u00e1s\u00e1nak 375. \u00e9vfordul\u00f3j\u00e1ra, Un million d\u2019horizons (1 \u00d7 19 = 1 000 000)28<\/span><\/em> (Egymilli\u00f3 horizont) volt a c\u00edme. Ezek a 2017 nyar\u00e1n Montre\u00e1l-szerte megrendezett ki\u00e1ll\u00edt\u00e1sok a m\u0171v\u00e9szeti gyakorlatok eg\u00e9sz palett\u00e1j\u00e1t felvonultatt\u00e1k a rajzt\u00f3l a koll\u00e1zson \u00e9s a fotogr\u00e1fi\u00e1n \u00e1t a fest\u00e9szetig \u00e9s a szoborinstall\u00e1ci\u00f3kig, de interakt\u00edv \u00e9s generat\u00edv munk\u00e1k, hang- \u00e9s vide\u00f3install\u00e1ci\u00f3k, elektronika \u00e9s f\u00e9nytechnika egyar\u00e1nt szerepeltek benne. A k\u00f6r\u00fclbel\u00fcl 50 m\u0171alkot\u00e1s k\u00f6z\u00f6tt t\u00fals\u00falyban voltak a \u201ehagyom\u00e1nyos\u201d munk\u00e1k az \u00fajm\u00e9di\u00e1val szemben. Ennek a legf\u0151bb indoka az volt, hogy a \u2013 t\u00falnyom\u00f3r\u00e9szt nem szakmai \u2013 k\u00f6z\u00f6ns\u00e9g a m\u0171alkot\u00e1sok sz\u00e9les sk\u00e1l\u00e1j\u00e1b\u00f3l kapjon mer\u00edt\u00e9st. Persze bizonyos esetekben a m\u0171szaki eszk\u00f6z\u00f6k hi\u00e1nya is befoly\u00e1solta a v\u00e1laszt\u00e1st.<\/p>\n

Az \u00e9n szeml\u00e9letem azonban nem annyira elt\u00e9r\u0151: mindig arra t\u00f6rekszem, hogy p\u00e1rbesz\u00e9det gener\u00e1ljak a m\u0171vek k\u00f6zt, eszmecser\u00e9t, amelyben a m\u0171v\u00e9szeti gyakorlatok saj\u00e1ts\u00e1gai egy a h\u00e9tk\u00f6znapis\u00e1g korl\u00e1tait \u00e1tl\u00e9p\u0151 k\u00f6z\u00f6s nyelv sz\u00f3kincs\u00e9t k\u00e9pezik. Sz\u00e1momra a m\u00e9dia- \u00e9s a nem-m\u00e9dia-m\u0171v\u00e9szet kieg\u00e9sz\u00edtik egym\u00e1st: f\u00e9nyt vetnek egym\u00e1sra \u00e9s ez\u00e1ltal jobban t\u00fckr\u00f6zik t\u00e9nyleges val\u00f3s\u00e1gunk komplexit\u00e1s\u00e1t. Hiszen igen, olyan vil\u00e1gban \u00e9l\u00fcnk, amelyet teljesen maga al\u00e1 temetett a digit\u00e1lis r\u00e9tegek v\u00e9gtelen kuszas\u00e1ga, \u00e9s nem, a fizikai vil\u00e1g nem fog var\u00e1zs\u00fct\u00e9sre elt\u0171nni a digit\u00e1lis felh\u0151ben. Nyilv\u00e1n van mit tanulnunk a m\u00e9diam\u0171v\u00e9szetb\u0151l, hiszen egyre hibridebb l\u00e9v\u00e9n mind m\u00e9lyebbre hatol ebben a \u201evegyes val\u00f3s\u00e1g\u00fa\u201d vil\u00e1gban, hitelesen juttatva kifejez\u00e9sre t\u00f6redezett \u00e9szlel\u00e9s\u00fcnket.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

28<\/p>\n

https:\/\/nathaliebachand.com\/un-million-dhorizons-1-x-19-1-000-000<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-video-3-3″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text] \r\n \r\n <\/video-js>\r\n [\/vc_column_text][vc_column_text]\n

Video documentation The Dead Web \u2013 La fin<\/em> exhibition. Mapping Festival (Geneva), Co-production with Molior.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Dead Web<\/em>\u00a0ki\u00e1ll\u00edt\u00e1s,29<\/span> amelyet f\u00fcggetlen kur\u00e1tork\u00e9nt jegyeztem, el\u0151sz\u00f6r 2017-ben a m\u0171v\u00e9szek \u00e1ltal m\u0171k\u00f6dtetett montreali Eastern Bloc<\/em>-ban30<\/span> (Keleti Blokk) volt a ki\u00e1ll\u00edt\u00e1s, majd a 2019-ben a qu\u00e9bec-i Molior szervezet31<\/span> \u2013 melynek k\u00fcldet\u00e9se, hogy k\u00fclf\u00f6ld\u00f6n n\u00e9pszer\u0171s\u00edtse a kanadai m\u00e9diam\u0171v\u00e9szek munk\u00e1it \u2013 t\u00e1mogat\u00e1s\u00e1val mutattuk be. Ez sem \u201etiszt\u00e1n\u201d m\u00e9diam\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1s volt: Julien Boily32<\/span> olajfestm\u00e9nye \u00e9s Dominique Sirois33<\/span> & Baron Lanteigne34<\/span> vide\u00f3-szobr\u00e1szati install\u00e1ci\u00f3ja kit\u0171n\u0151en megf\u00e9rt a Projet EVA35<\/span> interakt\u00edv install\u00e1ci\u00f3ja \u00e9s Julie Tremble<\/span>36<\/span> 3D anim\u00e1ci\u00f3ja mellett, Fr\u00e9d\u00e9rique Lalibert\u00e9<\/span>37<\/span> webes install\u00e1ci\u00f3j\u00e1r\u00f3l nem is besz\u00e9lve. Nagyon k\u00f6zel \u00e1ll hozz\u00e1m a k\u00fcl\u00f6nb\u00f6z\u0151 m\u0171v\u00e9szeti gyakorlatok egy t\u00e9rben, k\u00f6z\u00f6s koncepci\u00f3 \u00e9s kontextus ment\u00e9n val\u00f3 tal\u00e1lkoz\u00e1sa; ez a szeml\u00e9let a k\u00fcl\u00f6nf\u00e9le n\u00e9z\u0151pontok felvonultat\u00e1s\u00e1val seg\u00edti el\u0151 az elm\u00e9ly\u00fclt reflexi\u00f3t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

29<\/p>\n

https:\/\/nathaliebachand.com\/2017\/01\/11\/the-dead-web<\/a><\/p>\n

30<\/p>\n

https:\/\/easternbloc.ca\/en\/exhibits-events\/exhibits\/the-dead-web-la-fin<\/a><\/p>\n

31<\/p>\n

http:\/\/molior.ca\/en<\/a><\/p>\n

32<\/p>\n

https:\/\/julienboily.com<\/a><\/p>\n

33<\/p>\n

http:\/\/dominiquesirois.net\/<\/a><\/p>\n

34<\/p>\n

http:\/\/baronlanteigne.com<\/a><\/p>\n

35<\/p>\n

http:\/\/projet-eva.org<\/a><\/p>\n

36<\/p>\n

http:\/\/julietremble.com<\/a><\/p>\n

37<\/p>\n

http:\/\/frederiquelaliberte.com<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20937″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Julien Boily: Memento Vastum,<\/em> 2012, oil painting on board. The Dead Web<\/em> \u2013 La fin exhibition. Mirage Festival 2019 (Lyon). Coproduction with Molior. \u00a9 Fot\u00f3: Kevin Buy<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20938″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Julien Boily: Memento Vastum,<\/em> 2012, oil painting on board. The Dead Web<\/em> \u2013 La fin exhibition. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20939″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dominique Sirois & Baron Lanteigne:\u00a0In Extremis,<\/em> 2019. | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Dominique Sirois.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20940″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dominique Sirois & Baron Lanteigne: In Extremis,<\/em> 2019. | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20941″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dominique Sirois & Baron Lanteigne:\u00a0In Extremis,<\/em> 2019. | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Dominique Sirois<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20942″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dominique Sirois & Baron Lanteigne:\u00a0In Extremis,<\/em> 2019. | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Dominique Sirois<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20945″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Projet EVA, The Object of the Internet,<\/em> 2017 | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20946″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Projet EVA, The Object of the Internet,<\/em> 2017 | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20947″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Projet EVA, The Object of the Internet,<\/em> 2017 | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20948″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Projet EVA, The Object of the Internet,<\/em> 2017 | The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Nathalie Bachand<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20944″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Julie Tremble:\u00a0BPM 37093,<\/em> 2014. Still from digital animation, 1 min 14 s (loop). The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20949″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Fr\u00e9d\u00e9rique Lalibert\u00e9: Infinistisme.com Forever A Prototype,<\/em> 2015-ongoing. Sculptural and web installation. The Dead Web<\/em> \u2013 La fin exhibition. Mirage Festival 2019 (Lyon). \u00a9 Fot\u00f3: Kevin Buy<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20950″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Fr\u00e9d\u00e9rique Lalibert\u00e9: Infinistisme.com Forever A Prototype,<\/em> 2015-ongoing. Sculptural and web installation (detail). The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20951″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Fr\u00e9d\u00e9rique Lalibert\u00e9: Infinistisme.com Forever A Prototype,<\/em> 2015-ongoing. Sculptural and web installation (detail). The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> Nagyon felcsig\u00e1zott Adam Basanta<\/span> All We’d Ever Need Is One Another<\/span> (Csak egym\u00e1sra lenne sz\u00fcks\u00e9g\u00fcnk, 2018) c\u00edm\u0171 munk\u00e1ja, amit az el\u0151ad\u00e1sod sor\u00e1n mutatt\u00e1l be. Ha j\u00f3l \u00e9rtem, ez egy olyan install\u00e1ci\u00f3, amelyik el\u0151sz\u00f6r k\u00e9peket gener\u00e1l, majd megvizsg\u00e1lja, hogy ezek a k\u00e9pek h\u00e1ny sz\u00e1zal\u00e9kos egyez\u00e9ssel feleltethet\u0151ek meg a k\u00fcl\u00f6nf\u00e9le adatb\u00e1zisokban fellelhet\u0151 kort\u00e1rs m\u0171v\u00e9szeti produktumoknak. A m\u0171v\u00e9szet t\u00f6rt\u00e9nete bizony\u00e1ra le\u00edrhat\u00f3 lenne \u00fagy is, mint annak a t\u00f6rt\u00e9nete, hogy mik\u00e9nt \u00e9rtelmezz\u00fck az alkot\u00f3folyamatot. Szerinted az \u00fajm\u00e9dia-m\u0171v\u00e9szet hogyan illeszkedik ebbe a narrat\u00edv\u00e1ba?<\/p>\n

NB:<\/span> Egy olyan install\u00e1ci\u00f3, mint Adam Basanta munk\u00e1ja, m\u00e1s megvil\u00e1g\u00edt\u00e1sba helyezi a \u201ehivatalos\u201d m\u0171v\u00e9szett\u00f6rt\u00e9netet, \u00e9s r\u00e1k\u00e9nyszer\u00edt minket \u2013 a m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9szeket is bele\u00e9rtve \u2013, hogy m\u00e1sk\u00e9nt tekints\u00fcnk r\u00e1. \u00dagy v\u00e9lem, hogy az All We’d Ever Need Is One Another<\/em>38<\/span> mindk\u00e9t oldalr\u00f3l m\u0171k\u00f6dik: mik\u00f6zben eml\u00e9keztet minket az ir\u00e1nyad\u00f3 \u2013 megjegyzem, jobb\u00e1ra nyugati \u2013 m\u0171v\u00e9szett\u00f6rt\u00e9neti narrat\u00edv\u00e1ra, ahhoz is hozz\u00e1j\u00e1rul, amit a m\u0171v\u00e9szetet alak\u00edt\u00f3 folyamatr\u00f3l \u00e9s annak anyagis\u00e1g\u00e1r\u00f3l gondolunk. M\u00e9ghozz\u00e1 oly m\u00f3don, hogy \u00f6sszef\u0171zi a m\u0171v\u00e9szeti produktumot az alkot\u00f3folyamattal. Az alkot\u00f3folyamat problematik\u00e1ja \u00f6sszekapcsol\u00f3dik egy bizonyos m\u00e9diaelm\u00e9lettel, amely a technikai \u00e9s technol\u00f3giai eszk\u00f6z\u00f6k haszn\u00e1lat\u00e1r\u00f3l \u00e9s a m\u0171v\u00e9szeti produktumokra gyakorolt hat\u00e1s\u00e1r\u00f3l sz\u00f3l, \u00e9s amelyet Lev Manovich<\/span>39<\/span> fogalmazott meg Az \u00fajm\u00e9dia nyelve<\/em>40<\/span> c\u00edm\u0171 2001-es k\u00f6nyv\u00e9ben. A legk\u00f6nnyebb m\u00f3dja annak, hogy \u201eelfoglaljuk\u201d ezt a k\u00e9t t\u00f6rt\u00e9neti paradigm\u00e1t \u2013 a hivatalos line\u00e1risat, amely t\u00f6bb teret ad a hagyom\u00e1nyos m\u0171v\u00e9szeti gyakorlatoknak, illetve az \u00fajm\u00e9di\u00e1val azonos\u00edthat\u00f3 folyamatokat \u2013, term\u00e9szetesen nem m\u00e1s, mint, hogy k\u00e9t p\u00e1rhuzamos, k\u00fcl\u00f6n\u00e1ll\u00f3 \u00fatnak tekints\u00fck \u0151ket, \u00e9s ne foglalkozzunk e dichot\u00f3mia mik\u00e9ntj\u00e9vel \u00e9s mi\u00e9rtj\u00e9vel. Persze k\u00e1r lenne nem \u00f6sszek\u00f6tni a pontokat a t\u00e1volban, ahogy az id\u0151ben haladva jobb r\u00e1l\u00e1t\u00e1st nyer\u00fcnk \u2013 f\u0151leg a m\u00e9diam\u0171v\u00e9szetre, ami fiatalabb, mint a t\u00f6bbi, hagyom\u00e1nyosabb m\u0171v\u00e9szeti gyakorlat. A m\u0171v\u00e9szett\u00f6rt\u00e9net sokkal t\u00f6bb \u00e9rtelmet nyerne, ha a l\u00e1t\u00e1sm\u00f3d \u00e9s meg\u00e9rt\u00e9s tekintet\u00e9ben is befogad\u00f3bbak lenn\u00e9nk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

38<\/p>\n

https:\/\/adambasanta.com\/allwedeverneed<\/a><\/p>\n

39<\/p>\n

http:\/\/manovich.net<\/a><\/p>\n

40<\/p>\n

https:\/\/mitpress.mit.edu\/books\/language-new-media<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20952″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Adam Basanta: All We’d Ever Need Is One Another,<\/em> 2018. Installation view. Galerie ELLEPHANT. \u00a9 Fot\u00f3: Simon Belleau. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20954″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Adam Basanta: All We’d Ever Need Is One Another,<\/em> 2018. Installation view. Galerie ELLEPHANT. \u00a9 Fot\u00f3: Simon Belleau. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20953″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Adam Basanta: All We’d Ever Need Is One Another,<\/em> 2018. Installation view. Galerie ELLEPHANT. \u00a9 Fot\u00f3: Guy L\u2019Heureux. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> Mondan\u00e1l p\u00e1r sz\u00f3t a 2019-es EIM Triennale \u2013 Espace [IM] M\u00e9dia<\/span> rendezv\u00e9nyr\u0151l?<\/p>\n

NB:<\/span> Az Espace [IM] M\u00e9dia (EIM2019)<\/em>41<\/span> trienn\u00e1le egy Sherbrooke-ban megrendezett m\u00e9diam\u0171v\u00e9szeti fesztiv\u00e1l a m\u0171v\u00e9szek \u00e1ltal m\u0171k\u00f6dtetett Sporobole42<\/span> m\u0171v\u00e9szeti k\u00f6zpont szervez\u00e9s\u00e9ben. \u00c9n 2017 \u00f3ta veszek r\u00e9szt benne k\u00fcl\u00f6nf\u00e9le min\u0151s\u00e9gekben. A fesztiv\u00e1l \u00fagy tekint a k\u00f6zt\u00e9rre, mint az \u00fajm\u00e9dia alkot\u00e1sok bemutat\u00e1s\u00e1nak saj\u00e1tos k\u00f6zeg\u00e9re. Vannak belt\u00e9ri ki\u00e1ll\u00edt\u00e1sok is, de a f\u0151 profil a m\u0171v\u00e9szeti jelenl\u00e9t a v\u00e1rosi t\u00e9rben. A 2019-es projektet \u2013 amelynek \u00c9ric Desmarais,<\/span> a Sporobole m\u0171v\u00e9szeti igazgat\u00f3ja mellett a t\u00e1rskur\u00e1tora voltam \u2013 a h\u00e1l\u00f3zati megfigyel\u00e9s tematik\u00e1j\u00e1ra h\u00faztuk fel, \u00e9s a folyamatos megfigyel\u00e9s m\u00f3dozataira reflekt\u00e1l\u00f3 munk\u00e1kkal dolgozunk. T\u00e9ny, hogy m\u00e1r nem mi rendelkez\u00fcnk az adataink felett. A k\u00e9peink a k\u00f6z\u00f6ss\u00e9gi m\u00e9dia birtok\u00e1ban vannak, minden mozdulatunk lek\u00f6vethet\u0151 az internetkapcsolatunk \u00e9s hitelk\u00e1rty\u00e1s v\u00e1s\u00e1rl\u00e1saink r\u00e9v\u00e9n. A megfigyel\u00e9s \u00e9s az \u00e9let\u00fcnkbe val\u00f3 bef\u00e9rk\u0151z\u00e9s e form\u00e1i k\u00f6z\u00fcl sok a t\u00f6rv\u00e9nyess\u00e9g hat\u00e1rait s\u00farolja, \u00e9s mi \u00fagy gondoltuk, hogy a jelenlegi \u00e9letter\u00fcnket k\u00e9pez\u0151 meta-val\u00f3s\u00e1got a m\u0171v\u00e9szet lencs\u00e9j\u00e9n kereszt\u00fcl is meg kellene vizsg\u00e1lni.<\/p>\n

Az EIM2019<\/em> programj\u00e1nak tartalm\u00e1b\u00f3l: k\u00e9t okostelefonos hangs\u00e9ta Myriam Bleau<\/span>43<\/span> \u00e9s Steve Heimbecker<\/span>44<\/span> GPS alkalmaz\u00e1s\u00e1val; k\u00e9t hang-m\u0171 a vezet\u00e9k n\u00e9lk\u00fcli kapcsolat-hekkel\u00e9s \u00e9s a fake news t\u00e9mak\u00f6r\u00e9b\u0151l, egy 15 hangsz\u00f3r\u00f3b\u00f3l \u00e1ll\u00f3 immerz\u00edv h\u00e1romsz\u00f6g alak\u00fa t\u00e9rben Phillip David Stearns<\/span>45<\/span> \u00e9s Pierre-Luc Lecours<\/span>46<\/span> j\u00f3volt\u00e1b\u00f3l; h\u00e1rom szatelit-projekt Sherbrooke k\u00f6rny\u00e9k\u00e9n Meriol Lehmann,<\/span>47<\/span> Isabelle Gagn\u00e9<\/span>48<\/span> \u00e9s Alexandre Castonguay<\/span>49<\/span> & Mari\u00e1ngela Aponte N\u00fa\u00f1ez<\/span>50<\/span> kezei k\u00f6z\u00fcl (javar\u00e9szt ugyancsak k\u00fclt\u00e9ri munk\u00e1k, egy interakt\u00edv alkot\u00e1s, illetve fot\u00f3\/hanginstall\u00e1ci\u00f3k). Egy \u201ekapcsol\u00f3d\u00f3\u201d install\u00e1ci\u00f3t is bemutattunk a Sporobole gal\u00e9ri\u00e1ban: S\u00e9bastien Cliche<\/span>51<\/span> munk\u00e1ja az eml\u00e9kez\u00e9s folyamat\u00e1r\u00f3l sz\u00f3l, illetve arr\u00f3l, hogy milyen komoly szerepet j\u00e1tszik a digit\u00e1lis vil\u00e1g korunk paradigmav\u00e1lt\u00e1s\u00e1ban. Voltak m\u00e9g m\u00e1s gal\u00e9ri\u00e1kkal, illetve a sherbrooke-i sz\u00e9pm\u0171v\u00e9szeti m\u00fazeummal egy\u00fcttm\u0171k\u00f6d\u00e9sben megrendezett ki\u00e1ll\u00edt\u00e1sok is V\u00e9ronique B\u00e9land,<\/span>52<\/span> Herman Kolgen,<\/span>53<\/span> \u00e9s Philippe-Aubert Gauthier<\/span> & Tanya St-Pierre<\/span>54<\/span> munk\u00e1ib\u00f3l. Az al\u00e1bbi m\u0171v\u00e9szek k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel audiovizu\u00e1lis- \u00e9s hangperformanszokat is szervezt\u00fcnk: Jean-Pierre Aub\u00e9,<\/span>55<\/span> Tasman Richardson,<\/span>56<\/span> Jesse Osborne Lanthier,<\/span>57<\/span> S\u00e9bastien Cliche<\/span>58<\/span> & Julie Faubert,<\/span>59<\/span> Pierre-Luc Lecours<\/span>60<\/span> \u00e9s \u00c9milie Payeur.<\/span>61<\/span> \u00d6sszess\u00e9g\u00e9ben ez egy igen nagyszab\u00e1s\u00fa esem\u00e9ny, sok m\u0171v\u00e9sszel \u00e9s a legk\u00fcl\u00f6nf\u00e9l\u00e9bb m\u0171v\u00e9szi poz\u00edci\u00f3kkal.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

41<\/p>\n

https:\/\/espaceimmedia.org\/en<\/a><\/p>\n

42<\/p>\n

http:\/\/sporobole.org\/en<\/a><\/p>\n

43<\/p>\n

http:\/\/myriambleau.com\/<\/a><\/p>\n

44<\/p>\n

http:\/\/steveheimbecker.net\/<\/a><\/p>\n

45<\/p>\n

https:\/\/phillipstearns.com<\/a><\/p>\n

46<\/p>\n

https:\/\/pierreluclecours.com<\/a><\/p>\n

47<\/p>\n

https:\/\/mlehmann.ca<\/a><\/p>\n

48<\/p>\n

http:\/\/isabellegagne.ca<\/a><\/p>\n

49<\/p>\n

http:\/\/artengine.ca\/acastonguay\/<\/a><\/p>\n

50<\/p>\n

https:\/\/mariangelaaponte.com<\/a><\/p>\n

51<\/p>\n

http:\/\/aplacewhereyoufeelsafe.com<\/a><\/p>\n

52<\/p>\n

http:\/\/veroniquebeland.com<\/a><\/p>\n

53<\/p>\n

http:\/\/kolgen.net<\/a><\/p>\n

54<\/p>\n

https:\/\/st-pierre-gauthier.com<\/a><\/p>\n

55<\/p>\n

http:\/\/kloud.org<\/a><\/p>\n

56<\/p>\n

https:\/\/tasmanrichardson.com<\/a><\/p>\n

57<\/p>\n

https:\/\/jesseosbornelanthiernoir.bandcamp.com<\/a><\/p>\n

58<\/p>\n

http:\/\/aplacewhereyoufeelsafe.com<\/a><\/p>\n

59<\/p>\n

http:\/\/juliefaubert.com<\/a><\/p>\n

60<\/p>\n

https:\/\/pierreluclecours.com<\/a><\/p>\n

61<\/p>\n

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Listening Angles: Immersive Sound in Public Space | \u00a9 Fot\u00f3: Nathalie Bachand<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20986″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Listening Angles: Immersive Sound in Public Space | \u00a9 Fot\u00f3: Nathalie Bachand<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20987″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

S\u00e9bastien Cliche: Superviser l\u2019oubli,<\/em> 2019. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: Tanya St-Pierre<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20988″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

S\u00e9bastien Cliche: Superviser l\u2019oubli,<\/em> 2019. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: Tanya St-Pierre<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20989″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

S\u00e9bastien Cliche: Superviser l\u2019oubli,<\/em> 2019. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: Tanya St-Pierre<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20990″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

S\u00e9bastien Cliche: Superviser l\u2019oubli,<\/em> 2019. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: S\u00e9bastien Cliche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20991″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

S\u00e9bastien Cliche: Superviser l\u2019oubli,<\/em> 2019. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: S\u00e9bastien Cliche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20992″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Philippe-Aubert Gauthier & Tanya St-Pierre: Intertypes,<\/em> 2019. Still from 3D animation. Image: courtesy of the artists.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20993″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Philippe-Aubert Gauthier & Tanya St-Pierre: Intertypes,<\/em> 2019. Still from 3D animation. Image: courtesy of the artists.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20994″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Philippe-Aubert Gauthier & Tanya St-Pierre: Intertypes,<\/em> 2019. Still from 3D animation. Image: courtesy of the artists.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20995″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Philippe-Aubert Gauthier & Tanya St-Pierre: Intertypes,<\/em> 2019. Still from 3D animation. Image: courtesy of the artists.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> 2020-ban a budapesti Ludwig M\u00fazeumba utazik a Dead Web<\/span> ki\u00e1ll\u00edt\u00e1s. Tervezitek-e magyar m\u0171v\u00e9szek bevon\u00e1s\u00e1t, \u00e9s ha igen, kik j\u00f6hetnek sz\u00f3ba?<\/p>\n

NB:<\/span> Hogyne, mindenk\u00e9ppen bevonunk magyar m\u0171v\u00e9szeket is \u2013 \u00e9ppen ez az izgalmas a Dead Web<\/em> ki\u00e1ll\u00edt\u00e1s k\u00fclf\u00f6ldi bemutat\u00e1s\u00e1ban (k\u00f6sz\u00f6net a Moliornak) \u2013, ahogy tett\u00fck azt 2019 m\u00e1jus\u00e1ban a genfi Mapping Festival<\/em>62<\/span> eset\u00e9ben is. Ott h\u00e1rom sv\u00e1jci munka is szerepelt: Lauren Huret<\/span>63<\/span> szobor- \u00e9s vide\u00f3install\u00e1ci\u00f3ja a k\u00f6z\u00f6ss\u00e9gi h\u00e1l\u00f3 moder\u00e1torainak neh\u00e9z munk\u00e1j\u00e1r\u00f3l Praying for my Haters<\/em> (Im\u00e1dkozom a gy\u0171l\u00f6lk\u00f6d\u0151im\u00e9rt) c\u00edmmel; Simon and Romain de Diesbach<\/span>64<\/span> [I]<\/em> c\u00edm\u0171, t\u00f6r\u00f6tt iPhone-okb\u00f3l \u00e1ll\u00f3 falk\u00e9p-sorozata; illetve Lukas Truniger<\/span>65<\/span> \u00e9s Nicolas Hein<\/span>66<\/span> az elveszett nyelvek j\u00f6v\u0151j\u00e9t tematiz\u00e1l\u00f3 generat\u00edv install\u00e1ci\u00f3ja Membranes<\/em> c\u00edmmel. \u00cdgy \u00faj ki\u00e1ll\u00edt\u00e1s j\u00f6tt l\u00e9tre, amely az internet v\u00e9g\u00e9nek spekulat\u00edv elk\u00e9pzel\u00e9s\u00e9t boncolgat\u00f3 \u00faj szempontokkal \u00e9s megk\u00f6zel\u00edt\u00e9sekkel eg\u00e9sz\u00edtette ki az eredeti koncepci\u00f3t \u2013 \u00e9s \u00e9ppen ez az, amit a Dead Web<\/em> ki\u00e1ll\u00edt\u00e1s Ludwig M\u00fazeum-beli kiad\u00e1s\u00e1n\u00e1l is szeretn\u00e9nk megval\u00f3s\u00edtani. 2019 j\u00fanius\u00e1ban kezdt\u00fcnk rajta dolgozni, amikor a Molior j\u00f3volt\u00e1b\u00f3l kur\u00e1tori rezidencia programon vettem r\u00e9szt a Ludwig M\u00fazeumban,67<\/span> s akkor K\u00f3nya B\u00e9l\u00e1<\/span>val, a Ludwig M\u00fazeum M\u0171t\u00e1rgyv\u00e9delmi \u00e9s Restaur\u00e1tor Oszt\u00e1ly\u00e1nak oszt\u00e1lyvezet\u0151j\u00e9vel kezdt\u00fck el a kur\u00e1tori munk\u00e1t.<\/p>\n

Sipos D\u00e1niel ford\u00edt\u00e1sa.<\/h5>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

62<\/p>\n

https:\/\/2019.mappingfestival.com<\/a><\/p>\n

63<\/p>\n

http:\/\/laurenhuret.com<\/a><\/p>\n

64<\/p>\n

http:\/\/simondediesba.ch<\/a><\/p>\n

65<\/p>\n

https:\/\/lukastruniger.net<\/a><\/p>\n

66<\/p>\n

https:\/\/nicolahein.com<\/a><\/p>\n

67<\/p>\n

https:\/\/www.ludwigmuseum.hu\/en\/collection-care-and-conservation<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20956″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Lauren Huret:\u00a0Praying For My Haters,<\/em> 2019. The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20957″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Lauren Huret:\u00a0Praying For My Haters,<\/em> 2019. The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20959″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Simon & Romain de Diesbach:\u00a0[I],<\/em> 2017. The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20960″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Simon & Romain de Diesbach:\u00a0[I],<\/em> 2017. The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20961″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Lukas Truniger & Nicola Hein: Membranes,<\/em> 2017. The Dead Web<\/em> \u2013 La fin exhibition. Mapping Festival 2019 (Geneva). Coproduction with Molior. \u00a9 Fot\u00f3: Olivier Miche<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”40″ text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

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