{"id":22843,"date":"2020-01-06T14:00:19","date_gmt":"2020-01-06T13:00:19","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=22843"},"modified":"2024-05-01T12:44:54","modified_gmt":"2024-05-01T10:44:54","slug":"the-dead-web-ujmedia-es-a-kuratori-gyakorlat-1","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/the-dead-web-ujmedia-es-a-kuratori-gyakorlat-1\/","title":{"rendered":"THE DEAD WEB \u2013 \u00fajm\u00e9dia \u00e9s a kur\u00e1tori gyakorlat"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”m-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Julien Boily: Memento Vastum,<\/em> 2012, (r\u00e9szlet)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Besz\u00e9lget\u00e9s Nathalie Bachanddal*<\/span> | 1. r\u00e9sz<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Szegedy-Masz\u00e1k Zsuzsanna:<\/span> A Ludwig M\u00fazeumban tartott el\u0151ad\u00e1sod1<\/span> azzal az \u00e1ll\u00edt\u00e1ssal kezdted, hogy er\u0151s\u00f6dik a m\u00e9diam\u0171v\u00e9szet jelenl\u00e9te a m\u0171v\u00e9szeti vil\u00e1gban. Pontos\u00edtan\u00e1d ezt? V\u00e9lem\u00e9nyed szerint er\u0151sebb a m\u00e9diam\u0171v\u00e9szet jelenl\u00e9te az egy\u00e9b m\u0171fajok mellett az olyan nagyszab\u00e1s\u00fa ki\u00e1ll\u00edt\u00e1sokon is, mint a k\u00fcl\u00f6nf\u00e9le bienn\u00e1l\u00e9k, vagy ink\u00e1bb a kifejezetten m\u00e9diam\u0171v\u00e9szeti fesztiv\u00e1lok \u00e9s ki\u00e1ll\u00edt\u00e1sok v\u00e1lnak egyre ink\u00e1bb jellemz\u0151v\u00e9? The Dead Web \u2013 The End2<\/span> (A halott h\u00e1l\u00f3 \u2013 A v\u00e9g)<\/span> c\u00edm\u0171 leg\u00fajabb projekted a hagyom\u00e1nyos \u00e9s az \u00fajm\u00e9dia egy\u00fctt\u00e9l\u00e9s\u00e9nek tematik\u00e1j\u00e1t veszi g\u00f3rcs\u0151 al\u00e1. Szerinted melyik verzi\u00f3 szolg\u00e1lja jobban a m\u00e9diam\u0171v\u00e9szet \u00e9rdekeit \u2013 ha k\u00fcl\u00f6n platformja van, vagy ha be\u00e1gyaz\u00f3dik?<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

*<\/p>\n

https:\/\/nathaliebachand.com<\/a><\/p>\n

1<\/p>\n

https:\/\/www.ludwigmuseum.hu\/program\/kanadai-kortars-muveszet-es-technologia-kuratori-gyakorlat-tapasztalatai<\/a><\/p>\n

2<\/p>\n

http:\/\/www.molior.ca\/en\/projets\/the-dead-web-la-fin-available-for-circulation<\/a>
\nhttps:\/\/www.ludwigmuseum.hu\/kiallitas\/dead-web-end<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”21018″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Nathalie Bachand, experiencing The Object of the Internet<\/em> by Projet EVA (2017). \u00a9 Fot\u00f3: Julia Frainier.<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Nathalie Bachand:<\/span> Szerintem mindkett\u0151re sz\u00fcks\u00e9g van: kieg\u00e9sz\u00edtik egym\u00e1st, \u00e9s m\u00e1s-m\u00e1s k\u00f6z\u00f6ns\u00e9get sz\u00f3l\u00edtanak meg, amit nagyon fontosnak tartok. A m\u00e9diam\u0171v\u00e9szet a megjelen\u00e9s\u00e9t\u0151l fogva, \u00e9veken \u00e1t a kort\u00e1rs m\u0171v\u00e9szeti k\u00f6zeggel p\u00e1rhuzamosan fejl\u0151d\u00f6tt, \u00e9s bizonyos m\u0171vek nagyobb hivatalos nyilv\u00e1noss\u00e1got kaptak \u2013 ilyenek voltak Nam June Paik<\/span>3<\/span> munk\u00e1i, hogy az egyik legk\u00e9zenfekv\u0151bb p\u00e9ld\u00e1t eml\u00edtsem. Egy\u00e9bir\u00e1nt legink\u00e1bb \u00e9rdekess\u00e9gnek sz\u00e1m\u00edtott az \u201eigazinak\u201d tekintett m\u0171v\u00e9szet mellett. Azut\u00e1n, ahogy a k\u00e9rd\u00e9sedben is megfogalmaztad, a kifejezetten a m\u00e9diam\u0171v\u00e9szetnek szentelt fesztiv\u00e1lok \u00e9s esem\u00e9nyek lassan bevezett\u00e9k a m\u0171v\u00e9szeti szc\u00e9n\u00e1ba, de legal\u00e1bbis abba a szc\u00e9n\u00e1ba, amit l\u00e9trehoztak. Gondoljunk csak a New York-ban 1966-ban megrendezett 9 Evenings: Theatre and Engineering<\/em> (9 est: sz\u00ednh\u00e1z \u00e9s technol\u00f3gia) programsorozatra, amely E.A.T., azaz Experiments in Art and Technology<\/em>4<\/span> (M\u0171v\u00e9szeti \u00e9s technol\u00f3giai k\u00eds\u00e9rletek) n\u00e9ven v\u00e1lt ismertt\u00e9, \u00e9s melynek sor\u00e1n m\u0171v\u00e9szek a Bell Lab m\u00e9rn\u00f6keivel egy\u00fcttm\u0171k\u00f6dve hoztak l\u00e9tre k\u00eds\u00e9rleti performanszokat. Az E.A.T.-re a m\u00e9dia \u00e9s digit\u00e1lis m\u0171v\u00e9szeti esem\u00e9nyek h\u00e1l\u00f3zat\u00e1nak legh\u00edresebb el\u0151djek\u00e9nt tekinthet\u00fcnk: ez a h\u00e1l\u00f3zat nagyon is jelen van Eur\u00f3pa-, \u00c1zsia-, \u00e9s Amerika-szerte, hogy m\u00e1st ne eml\u00edtsek, mint a h\u00edres linzi Ars Electronic\u00e1<\/em>t,5<\/span> amely az 1979 \u00f3ta uralkod\u00f3 fesztiv\u00e1l-forma egyik f\u0151 k\u00e9pvisel\u0151je. Az esem\u00e9nyeknek ez a nagyon er\u0151s h\u00e1l\u00f3zata \u00e9veken \u00e1t a m\u00e9dia- \u00e9s digit\u00e1lis m\u0171v\u00e9szetek f\u0151 megjelen\u00e9si form\u00e1ja volt. M\u00e9g ma is az, b\u00e1r a kort\u00e1rs m\u0171v\u00e9szeti vil\u00e1g egyre \u201enyitottabban\u201d fogadja be a m\u00e9diam\u0171v\u00e9szetet a sorai k\u00f6z\u00e9. Lass\u00fa v\u00e1ltoz\u00e1s ez, ami \u00e9ppen napjainkban \u00e9ri el tet\u0151pontj\u00e1t. Gondoljunk csak az alt+R, Alternative Reality<\/em>6<\/span> (alt+V \u2013 Alternat\u00edv val\u00f3s\u00e1g) ki\u00e1ll\u00edt\u00e1sra, amelyet id\u00e9n j\u00fanius-j\u00faliusban rendeztek a p\u00e1rizsi Palais de Tokyoban, k\u00fcl\u00f6n\u00f6s tekintettel Gr\u00e9gory Chatonsky<\/span>7<\/span> \u00fajm\u00e9dia m\u0171v\u00e9sz Terre Seconde<\/em> (M\u00e1sodik F\u00f6ld) c\u00edm\u0171 install\u00e1ci\u00f3j\u00e1ra. A mesters\u00e9ges intelligencia \u00e1ltal vizion\u00e1lt \u00faj vil\u00e1got bemutat\u00f3 install\u00e1ci\u00f3 fontos p\u00e9ld\u00e1ja a m\u00e9diam\u0171v\u00e9szet egy jelent\u0151s m\u00fazeumban val\u00f3 megjelen\u00e9s\u00e9nek. K\u00f6zelebb \u00e1ll hozz\u00e1m Rafael Lozano-Hemmer<\/span>8<\/span> nagyszab\u00e1s\u00fa egy\u00e9ni ki\u00e1ll\u00edt\u00e1sa, amit 2018 nyar\u00e1n rendezt\u00fcnk a Montreal Contemporary Art Museum-ban,9<\/span> illetve Olafur Eliasson<\/span>10<\/span> egy \u00e9vvel kor\u00e1bbi ki\u00e1ll\u00edt\u00e1sa. Jelent\u0151s\u00e9gteljes l\u00e9p\u00e9s volt a m\u00fazeum r\u00e9sz\u00e9r\u0151l, hogy ekkora nyilv\u00e1noss\u00e1got biztos\u00edtott a m\u00e9diam\u0171v\u00e9szeti gyakorlatoknak, m\u00e9g ha kiss\u00e9 megk\u00e9sve is. De nem vagyunk-e mind megk\u00e9sve, ha arr\u00f3l van sz\u00f3, hogy meg\u00e9rts\u00fck a technol\u00f3gia nemcsak a m\u0171v\u00e9szetekre, de \u00e1ltal\u00e1ban v\u00e9ve a kult\u00far\u00e1ra \u00e9s l\u00e9nyeg\u00e9ben az eg\u00e9sz k\u00f6rnyez\u0151 vil\u00e1gunkra gyakorolt hat\u00e1s\u00e1t?<\/p>\n

Jelen pillanatban k\u00e9t folyamat zajlik p\u00e1rhuzamosan. A m\u00e9diam\u0171v\u00e9szet sz\u00e1mtalan specializ\u00e1lt sz\u00ednt\u00e9rre oszlik, mik\u00f6zben egyre jobban be\u00e1gyaz\u00f3dik a t\u00e1gabban vett kort\u00e1rs m\u0171v\u00e9szeti kontextusba. Fontos, hogy kivezess\u00fck az \u00fajm\u00e9dia m\u0171v\u00e9szeket a \u201edigit\u00e1lis gett\u00f3b\u00f3l\u201d, ugyanis van mondanival\u00f3juk a vil\u00e1gunkr\u00f3l, \u00e9s azt gondolom, be kell \u0151ket vonni a kort\u00e1rs m\u0171v\u00e9szeti diskurzusba. Az \u00fajm\u00e9dia \u00e9s a digit\u00e1lis m\u0171v\u00e9szet k\u00e9pes a jelenkori val\u00f3s\u00e1gunk nyelv\u00e9n fontos dolgokr\u00f3l sz\u00f3lni.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Nam_June_Paik<\/a><\/p>\n

4<\/p>\n

https:\/\/www.bell-labs.com\/programs\/experiments-art-and-technology\/genesis-of-eat\/<\/a><\/p>\n

5<\/p>\n

https:\/\/ars.electronica.art\/news\/<\/a><\/p>\n

6<\/p>\n

https:\/\/www.palaisdetokyo.com\/en\/event\/altr-alternative-reality<\/a><\/p>\n

7<\/p>\n

http:\/\/chatonsky.net<\/a><\/p>\n

8<\/p>\n

http:\/\/www.lozano-hemmer.com<\/a><\/p>\n

9<\/p>\n

https:\/\/macm.org\/en<\/a> https:\/\/macm.org\/en\/exhibitions\/rafael-lozano-hemmer-unstable-presence\/<\/a><\/p>\n

10<\/p>\n

https:\/\/www.olafureliasson.net<\/a> https:\/\/macm.org\/en\/exhibitions\/olafur-eliasson\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20883″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gr\u00e9gory Chatonsky:\u00a0Terre Seconde,<\/em> 2019. Exhibition view\u00a0alt+R, Alternative R\u00e9alit\u00e9, Palais de Tokyo. Fot\u00f3: \u00a9 Jean Christophe Lett for Audi\u00a0talents. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20884″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gr\u00e9gory Chatonsky:\u00a0Terre Seconde,<\/em> 2019. Exhibition view\u00a0alt+R, Alternative R\u00e9alit\u00e9, Palais de Tokyo. Fot\u00f3: \u00a9 Jean Christophe Lett for Audi\u00a0talents. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20885″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gr\u00e9gory Chatonsky:\u00a0Terre Seconde,<\/em> 2019. Exhibition view\u00a0alt+R, Alternative R\u00e9alit\u00e9, Palais de Tokyo. Fot\u00f3: \u00a9 Jean Christophe Lett for Audi\u00a0talents. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> A kanadai kort\u00e1rs m\u0171v\u00e9szeti szc\u00e9n\u00e1ban l\u00e9tezik int\u00e9zm\u00e9nyes\u00fclt diskurzus az \u00fajm\u00e9dia m\u0171v\u00e9szetr\u0151l? Gy\u0171jtenek a m\u00fazeumok kibernetikus, sz\u00e1m\u00edt\u00f3g\u00e9pes m\u0171v\u00e9szetet \u00e9s net.art-ot?<\/p>\n

NB:<\/span> A kanadai kort\u00e1rs m\u0171v\u00e9szeti m\u00fazeumok gy\u0171jtenek m\u00e9diam\u0171v\u00e9szetet, de a t\u00f6bbi m\u0171v\u00e9szeti gyakorlathoz k\u00e9pest eleny\u00e9sz\u0151 ar\u00e1nyban. \u00c1ltal\u00e1ban kort\u00e1rs m\u0171v\u00e9szetet eml\u00edtenek, legyen b\u00e1r sz\u00f3 robotikus m\u0171v\u00e9szetr\u0151l, sz\u00e1m\u00edt\u00f3g\u00e9pes m\u0171v\u00e9szetr\u0151l, vagy net.art-r\u00f3l. M\u00e9g nem tett\u00e9k maguk\u00e9v\u00e1 az ez ir\u00e1ny\u00fa szaksz\u00f3kincset, amely k\u00fcl\u00f6nbs\u00e9get tesz a m\u00e9diamunk\u00e1k \u00e9s a kort\u00e1rs m\u0171v\u00e9szet egy\u00e9b ter\u00fcletei k\u00f6z\u00f6tt. Jelenleg egy a m\u00e9diam\u0171v\u00e9szet meg\u0151rz\u00e9s\u00e9t vizsg\u00e1l\u00f3 kutat\u00e1son dolgozom, \u00e9s minden egyes m\u00fazeumi restaur\u00e1tor, akivel interj\u00fat k\u00e9sz\u00edtett\u00fcnk, nagyj\u00e1b\u00f3l ugyanazt mondta: ugyan\u00fagy \u00e1llnak a m\u00e9diam\u0171v\u00e9szeti munk\u00e1khoz, ahogy a t\u00f6bbi m\u0171v\u00e9szeti \u00e1ghoz. Ez egyfel\u0151l j\u00f3, mert nem kirekeszt\u0151, de ugyanakkor rossz is, mert azt jelenti, hogy nem felt\u00e9tlen\u00fcl veszik figyelembe, illetve nem alkalmazz\u00e1k azokat a konkr\u00e9t technol\u00f3giai elv\u00e1r\u00e1sokat, amelyeket a m\u00e9diam\u0171v\u00e9szeti alkot\u00e1sok hossz\u00fa t\u00e1v\u00fa meg\u0151rz\u00e9se ig\u00e9nyelne. De majd id\u0151vel elv\u00e1lik, mint mindig\u2026 Mindemellett Kanad\u00e1ban a m\u0171v\u00e9szek \u00e1ltal m\u0171k\u00f6dtetett m\u0171v\u00e9szeti k\u00f6zpontok (\u201eartist-run centre\u201d) \u2013 amely egy olyan m\u0171v\u00e9szeti int\u00e9zm\u00e9ny-modell, amelynek az \u00fczemeltet\u0151i javar\u00e9szt m\u0171v\u00e9szek, \u00e9s az igazgat\u00f3tan\u00e1cs is t\u00f6bbs\u00e9g\u00e9ben m\u0171v\u00e9szekb\u0151l \u00e1ll \u2013 sokkal specifikusabb sz\u00f3kincset alkalmaznak, ha m\u00e9dia- \u00e9s digit\u00e1lis m\u0171v\u00e9szetr\u0151l van sz\u00f3. N\u00e9melyik\u00fck kifejezetten a m\u00e9dia- \u00e9s digit\u00e1lis m\u0171v\u00e9szet terjeszt\u00e9s\u00e9re szakosodott. A szakosodott \u00e9s \u00e1ltal\u00e1nos m\u0171v\u00e9szeti k\u00f6zpontoknak ez az egym\u00e1s mellett \u00e9l\u00e9se arra \u00f6szt\u00f6nzi a m\u0171v\u00e9szeti k\u00f6zeget, hogy egy olyan k\u00f6z\u00f6s nyelvet alak\u00edtson ki, amely r\u00e9v\u00e9n mind meg\u00e9rtj\u00fck egym\u00e1st. \u00c9rdemes megjegyezni, hogy l\u00e9tezik Kanad\u00e1ban egy szervezet, a Conseil qu\u00e9b\u00e9cois des arts m\u00e9diatiques \u2013 CQAM11<\/span> (Quebec-i m\u00e9diam\u0171v\u00e9szeti tan\u00e1cs), amely a f\u00fcggetlen filmt\u0151l a digit\u00e1lis m\u0171v\u00e9szeti k\u00f6zegig mag\u00e1ba s\u0171r\u00edt minden m\u0171v\u00e9szeti k\u00f6zpontot \u00e9s m\u0171v\u00e9szt, \u00e9s fontos k\u00e9rd\u00e9seket vet fel a m\u0171v\u00e9szek jogait\u00f3l a vonatkoz\u00f3 politikai probl\u00e9m\u00e1kig. Ez a szervezet a qu\u00e9bec-i m\u00e9diam\u0171v\u00e9szeti k\u00f6zeg m\u0171k\u00f6d\u00e9s\u00e9nek fontos alkot\u00f3eleme, \u00e9s t\u00f6bbek k\u00f6z\u00f6tt a terminol\u00f3giai bizonytalans\u00e1gok tiszt\u00e1z\u00e1s\u00e1ban is szerepet j\u00e1tszik.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

11<\/p>\n

https:\/\/www.cqam.org\/en\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20876″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

COD.ACT (CH), \u03c0TON,<\/em> ELEKTRA BIAN 2018 | Fot\u00f3: \u00a9gridspace<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> Van kedvenc m\u0171fajod a m\u00e9diam\u0171v\u00e9szeten bel\u00fcl?<\/p>\n

NB:<\/span> Nincsenek preferenci\u00e1im. Nekem minden olyan m\u0171v\u00e9szeti gyakorlat nagyon szimpatikus, amelyik okosan k\u00e9pes sz\u00f3lni a korr\u00f3l, amiben \u00e9l\u00fcnk, \u00e9s \u00e1ltal\u00e1ban a vil\u00e1gr\u00f3l, legyen az m\u00e9diam\u0171v\u00e9szet, vagy m\u00e1s. A montreali Elektr\u00e1<\/em>n\u00e1l,12<\/span> illetve a BIAN<\/em>13<\/span> (International Digital Art Biennial \u2013 Nemzetk\u00f6zi digit\u00e1lis m\u0171v\u00e9szeti bienn\u00e1le) szervez\u00e9s\u00e9ben bet\u00f6lt\u00f6tt szerepem miatt \u00e9vek \u00f3ta dolgozom m\u00e9diam\u0171v\u00e9szettel, de rendelkezem vizu\u00e1lis m\u0171v\u00e9szeti h\u00e1tt\u00e9rrel is, \u00e9s emiatt a m\u0171v\u00e9szeti gyakorlatok sz\u00e9les palett\u00e1j\u00e1t \u00e9rzem k\u00f6zel magamhoz, a fest\u00e9szett\u0151l a webes m\u0171v\u00e9szetig.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

12<\/p>\n

https:\/\/www.elektramontreal.ca\/?lang=en<\/a><\/p>\n

13<\/p>\n

https:\/\/www.elektramontreal.ca\/bian?lang=en<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20879″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Light Society (QC-CA), Whispers,<\/em> ELEKTRA BIAN 2018 | Fot\u00f3: \u00a9gridspace<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20880″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kurt Hentschl\u00e4ger (AT\/US), FEED.X,<\/em> ELEKTRA 2019 | Fot\u00f3: \u00a9gridspace<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20882″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Edwin van der Heide (NL): Laser Sound Performance,<\/em> ELEKTRA 2019 | Fot\u00f3: \u00a9gridspace<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> A mostan\u00e1ban rendezett ki\u00e1ll\u00edt\u00e1saidr\u00f3l tartott prezent\u00e1ci\u00f3d kapcs\u00e1n felt\u0171nt, hogy sok munka alkot\u00f3eleme volt a hang, sok pedig hangot, k\u00e9peket, vagy sz\u00f6vegeket gener\u00e1lt. T\u00fckr\u00f6zi ez a v\u00e1logat\u00e1s a saj\u00e1t szem\u00e9lyes \u00e9rdekl\u0151d\u00e9sedet, vagy az \u00fajm\u00e9dia-m\u0171v\u00e9szet jelenlegi tendenci\u00e1inak kifejezetten besz\u00e9des p\u00e9ld\u00e1it l\u00e1tod benn\u00fck?<\/p>\n

NB:<\/span> Nos, nem \u00e9n rendeztem az \u00f6sszes ki\u00e1ll\u00edt\u00e1st, amit az el\u0151ad\u00e1sban eml\u00edtettem. Szerepeltek benne saj\u00e1t projektek, de olyan alkot\u00e1sokkal k\u00edv\u00e1ntam \u00e1tfog\u00f3 k\u00e9pet ny\u00fajtani a kanadai m\u00e9diam\u0171v\u00e9szetr\u0151l, amelyeket fontosnak tartottam bemutatni. A hangot, k\u00e9pet, vagy sz\u00f6veget gener\u00e1l\u00f3 munk\u00e1k (p\u00e9ld\u00e1ul a prezent\u00e1ci\u00f3mban is szerepl\u0151 V\u00e9ronique B\u00e9land<\/span> generat\u00edv install\u00e1ci\u00f3ja, a This is Major Tom to Ground Control,<\/em>14<\/span> 2019) \u00e9vek \u00f3ta szerepelnek a kort\u00e1rs m\u00e9diam\u0171v\u00e9szeti gyakorlatok k\u00f6z\u00f6tt. De nemcsak Kanad\u00e1ban: l\u00e9nyeg\u00e9ben mindenhol, ahol \u00e9rdekl\u0151d\u00e9s mutatkozik a k\u00f3dol\u00e1s, az algoritmusprogramoz\u00e1s, a mesters\u00e9ges intelligencia \u00e9s egy\u00e9b technol\u00f3giai kutat\u00e1si ter\u00fcletek ir\u00e1nt, ami nyilv\u00e1nval\u00f3an er\u0151sen jelen van Kanad\u00e1ban \u00e9s az Egyes\u00fclt \u00c1llamokban, el\u00e9g csak a Szil\u00edcium-v\u00f6lgy technol\u00f3giai ipar\u00e1ra gondolni. A tud\u00e1s \u00e9s az eszk\u00f6z\u00f6k hozz\u00e1f\u00e9rhet\u0151s\u00e9ge mindig is szerepet j\u00e1tszott a m\u00e9diam\u0171v\u00e9szeti \u201etrendek\u201d alakul\u00e1s\u00e1ban, ezek pedig a vil\u00e1g m\u00e1s r\u00e9szeinek m\u0171v\u00e9szeti identit\u00e1s\u00e1t alak\u00edtj\u00e1k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

14<\/p>\n

http:\/\/www.veroniquebeland.com\/Veronique_ Beland\/This_is_Major_Tom_to_Ground_ Control.html<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20887″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

V\u00e9ronique B\u00e9land: This is Major Tom to Ground Control,<\/em> 2019. Mus\u00e9e des beaux-arts de Sherbrooke. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: Fran\u00e7ois Lafrance. Image: courtesy of the museum.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20888″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

V\u00e9ronique B\u00e9land: This is Major Tom to Ground Control,<\/em> 2019. Mus\u00e9e des beaux-arts de Sherbrooke. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: Fran\u00e7ois Lafrance. Image: courtesy of the museum.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20889″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

V\u00e9ronique B\u00e9land: This is Major Tom to Ground Control,<\/em> 2019. Mus\u00e9e des beaux-arts de Sherbrooke. Espace [IM] Media 2019 \/ Sporobole. \u00a9 Fot\u00f3: Fran\u00e7ois Lafrance. Image: courtesy of the museum.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az elektromechanikus m\u0171alkot\u00e1sok, amelyeknek egyar\u00e1nt vannak mechanikus \u00e9s elektronikus alkot\u00f3elemei, a kanadai \u00fajm\u00e9dia-sz\u00ednt\u00e9r m\u00e1sik jelent\u0151s szelet\u00e9t teszik ki. Gondolok itt p\u00e9ld\u00e1ul Michel de Broin<\/span> Thresholds<\/em>15<\/span> (K\u00fcsz\u00f6b\u00f6k, 2017) c\u00edm\u0171 interakt\u00edv install\u00e1ci\u00f3j\u00e1ra; Robyn Moody<\/span> Wave Interference<\/em>16<\/span> (Hull\u00e1minterferencia, 2012) c\u00edm\u0171 kinetikus f\u00e9ny- \u00e9s hanginstall\u00e1ci\u00f3j\u00e1ra; illetve Darsha Hewitt<\/span> Electrostatic Bell Choir<\/em>17<\/span> (Elektrosztatikus csengetty\u0171k\u00f3rus, 2012\u20132013) c\u00edm\u0171 hanginstall\u00e1ci\u00f3j\u00e1ra.<\/p>\n

\u00c9rdemes eml\u00edt\u00e9st tenni a fantasztikus 3D anim\u00e1ci\u00f3kr\u00f3l \u00e9s digit\u00e1lis k\u00e9pekr\u0151l is, olyan m\u0171v\u00e9szek kezei k\u00f6z\u00fcl, mint Sabrina Ratt\u00e9,<\/span>18<\/span> Julie Tremble<\/span>19<\/span> \u00e9s Philippe Hamelin,<\/span>20<\/span> de nem hagyhatjuk figyelmen k\u00edv\u00fcl poszt-internet m\u0171v\u00e9szetet sem, amelynek egyik jeles k\u00e9pvisel\u0151je Jon Rafman<\/span>21<\/span> kanadai \u00fajm\u00e9dia-m\u0171v\u00e9sz.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

15<\/p>\n

https:\/\/micheldebroin.org\/en\/works\/thresholds-2\/<\/a><\/p>\n

16<\/p>\n

http:\/\/robynmoody.ca\/newwebsite\/the-work-2 \/wave-interference\/<\/a><\/p>\n

17<\/p>\n

http:\/\/darsha.org\/artwork\/electrostatic-bell-choir\/<\/a><\/p>\n

18<\/p>\n

http:\/\/sabrinaratte.com<\/a><\/p>\n

19<\/p>\n

http:\/\/julietremble.com<\/a><\/p>\n

20<\/p>\n

http:\/\/philippehamelin.com<\/a><\/p>\n

21<\/p>\n

http:\/\/jonrafman.com<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-video-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text] \r\n \r\n <\/video-js>\r\n [\/vc_column_text][vc_column_text]\n

Michel de Broin: Thresholds,<\/em> 2017. Production: Quartier des spectacles Partnership. Video: Jules Beauchamps-Desbiens and Am\u00e9lie Pelly. With the help of Samuel St-Aubin, Aida Lorrain, Paul Duchaine, Pierre Fournier, Alexis Gosselin, Fred Monat, Hans, MO., Christopher Fusaro, HMB Controls. Courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20893″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Robyn Moody:\u00a0Wave Interference,<\/em> 2012. Lightning Guerilla, Ljubljana, Slovenia (2015). Fot\u00f3: \u00a9 DK. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20896″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Darsha Hewitt: Electrostatic Bell Choir,<\/em> 2012\u20132013. \u00a9 Blackwood Gallery. Fot\u00f3: Toni Hafkenscheid. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20897″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Darsha Hewitt: Electrostatic Bell Choir,<\/em> 2012\u20132013. \u00a9 Blackwood Gallery. Fot\u00f3: Toni Hafkenscheid. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20899″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sabrina Ratt\u00e9:\u00a0Alpenglow,<\/em> 2018. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20900″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sabrina Ratt\u00e9: Inscape,<\/em> 2019. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20901″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sabrina Ratt\u00e9:\u00a0Geometry of the Dream-Space,<\/em> 2019. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20907″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Julie Tremble: Dans nos villes,<\/em> animation num\u00e9rique, 2018. Still from digital animation, 5 min 30 s. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20908″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Julie Tremble: untitled,<\/em> 2018. Digital print (ink jet). Private collection. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20910″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Philippe Hamelin: Les amis (\u00e0 l\u2019infini),<\/em> 2014. Still from 3D animation. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20912″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Jon Rafman: You are standing in an open field (Waterfall),<\/em> 2015. Image: courtesy of the artist.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> Szerinted lehet az \u00fajm\u00e9dia-m\u0171v\u00e9szet t\u00e1rsadalmilag elk\u00f6telezett?<\/p>\n

NB:<\/span> Igen, abszol\u00fat. A m\u00e9diam\u0171v\u00e9szek \u201evelesz\u00fcletett\u201d k\u00e9pess\u00e9ge, hogy a jelenr\u0151l besz\u00e9ljenek, ez\u00e9rt a m\u00e9diam\u0171v\u00e9szet sz\u00fcks\u00e9gk\u00e9ppen val\u00f3s probl\u00e9m\u00e1kra reflekt\u00e1l. Nem minden esetben, persze, de a m\u00e9diam\u0171v\u00e9szet t\u00f6bbnyire korunk fontos t\u00e1rsadalmi, politikai, \u00f6kol\u00f3giai vagy gazdas\u00e1gi probl\u00e9m\u00e1it feszegeti, m\u00e9g ha olykor tal\u00e1n metaforikus vagy szimbolikus t\u00e1vols\u00e1gb\u00f3l is.<\/p>\n

A k\u00e9rd\u00e9sre adott v\u00e1lasz att\u00f3l is f\u00fcgg, mit \u00e9rt\u00fcnk t\u00e1rsadalmi elk\u00f6telezetts\u00e9g alatt\u2026 Hogy a m\u00e9diam\u0171v\u00e9szet proakt\u00edv? Reflekt\u00e1l? Mindkett\u0151? \u00c9n azt gondolom, hogy napjaink probl\u00e9m\u00e1ira reflekt\u00e1lni \u2013 noha kev\u00e9sb\u00e9 l\u00e1that\u00f3 \u2013, de \u00e9pp\u00fagy t\u00e1rsadalmilag elk\u00f6telezett, s \u00e9pp oly hat\u00e1sos gyakorlat, mint proakt\u00edvnak lenni: eszm\u00e9kkel megv\u00e1ltoztathat\u00f3 az emberek gondolkod\u00e1sa, \u00e9s h\u00e1t minden ott kezd\u0151dik. Tal\u00e1n m\u00e9g messzebb is visz, mint a konkr\u00e9t, fizikai cselekedet, ugyanis nincsenek korl\u00e1tai, \u00e9s a nyelvek k\u00f6z\u00f6tti ford\u00edt\u00e1s manaps\u00e1g gyerekj\u00e1t\u00e9k. Az eszm\u00e9k bizony messzire k\u00e9pesek eljutni, \u00e9s id\u0151t\u00e1ll\u00f3, alapvet\u0151 fontoss\u00e1g\u00fa alkot\u00e1sok l\u00e9trej\u00f6tt\u00e9hez vezethetnek. A m\u00e9diam\u0171v\u00e9szet nyelve k\u00e9pes olyan, a t\u00e1rsadalmainkr\u00f3l alkotott eszm\u00e9k \u00e9s szempontrendszerek k\u00f6zvet\u00edt\u00e9s\u00e9re, amelyek egybehangzanak azzal, ahogy a vil\u00e1g val\u00f3s\u00e1gait megk\u00f6zel\u00edtj\u00fck: ahogy egyre ink\u00e1bb a m\u0171szaki eszk\u00f6zeink seg\u00edts\u00e9g\u00e9vel l\u00e9p\u00fcnk egym\u00e1ssal kapcsolatba, \u00e9s folyamatosan kapcsolatban is vagyunk, ugyanolyan fontos, hogy aktiv\u00e1ljuk \u00e9s er\u0151s\u00edts\u00fck a technol\u00f3gi\u00e1val szembeni kritikai hozz\u00e1\u00e1ll\u00e1sunkat. Ennek a kritikai megk\u00f6zel\u00edt\u00e9snek egy m\u00f3dja a m\u00e9diam\u0171v\u00e9szet \u00e1ltali kifejez\u00e9se.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_video link=”https:\/\/vimeo.com\/21591024″][vc_column_text]\n

WHITE BOX | PREVIEW,<\/em> 2011 | Video: Yan Breuleux, Music: Alain Thibault<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz-MZs:<\/span> Mes\u00e9ln\u00e9l kicsit b\u0151vebben a montreali Elektra Fesztiv\u00e1l<\/em> \u00e9s a Nemzetk\u00f6zi Digit\u00e1lis M\u0171v\u00e9szeti Bienn\u00e1le<\/em> t\u00f6rt\u00e9net\u00e9r\u0151l \u00e9s fejl\u0151d\u00e9s\u00e9r\u0151l?<\/p>\n

NB:<\/span> Az Elektr\u00e1<\/em>val elt\u00f6lt\u00f6tt t\u00edz \u00e9v sor\u00e1n lehet\u0151s\u00e9gem volt nemcsak k\u00f6zelr\u0151l l\u00e1tni, de hozz\u00e1 is j\u00e1rulni e k\u00e9t szervez\u0151d\u00e9s, a fesztiv\u00e1l \u00e9s a bienn\u00e1le alakul\u00e1s\u00e1hoz. Az Elektra<\/em> \u00e9s a BIAN,<\/em> az International Digital Art Biennale ugyanannak a szervezetnek \u00e9s csapatnak a k\u00e9t nagyon elt\u00e9r\u0151 projektje. M\u00edg az Elektra<\/em> egy \u00e9vente megrendezett 4-5 napos, r\u00f6vid form\u00e1tum\u00fa fesztiv\u00e1l, performanszokkal \u00e9s t\u00f6bbnyire hangalap\u00fa, illetve vizu\u00e1lis munk\u00e1k bemutat\u00f3ival, a Bienn\u00e1le pedig egy eg\u00e9sz h\u00f3napon \u00e1t, vagy m\u00e9g tov\u00e1bb tart\u00f3 ki\u00e1ll\u00edt\u00e1s, ami a m\u00e9diam\u0171v\u00e9szeti gyakorlatok sz\u00e9les palett\u00e1j\u00e1r\u00f3l v\u00e1logat install\u00e1ci\u00f3kat: interaktivit\u00e1s, generativit\u00e1s, mesters\u00e9ges intelligencia, robotika, elektronika, 3D anim\u00e1ci\u00f3, hang, vide\u00f3 stb. Viszont, am\u00edg a Bienn\u00e1le relat\u00edve fiatal m\u00e9g (el\u0151sz\u00f6r 2012-ben rendezt\u00fck meg), az Elektra<\/em> m\u00e1r r\u00e9g\u00f3ta l\u00e9tezik. Id\u00e9n volt a huszadik. Alain Thibault,<\/span>22<\/span> maga is m\u0171v\u00e9sz \u00e9s elektronikus zen\u00e9sz, azzal a sz\u00e1nd\u00e9kkal alap\u00edtotta az Elektr\u00e1<\/em>t, hogy l\u00e1that\u00f3v\u00e1 tegye a bekategoriz\u00e1lhatatlan \u00e9s kev\u00e9ss\u00e9 ismert m\u0171v\u00e9szeti gyakorlatokat. 1999-ben a m\u00e9diam\u0171v\u00e9szet sokkalta k\u00eds\u00e9rletibb, \u00e9s j\u00f3val k\u00edv\u00fcl\u00e1ll\u00f3bb m\u0171v\u00e9szeti forma volt, mint manaps\u00e1g. Az Elektra<\/em> tov\u00e1bbi c\u00e9lja volt, hogy el\u0151seg\u00edtse, \u00f6szt\u00f6n\u00f6zze, \u00e9s nagyobb k\u00f6z\u00f6ns\u00e9g el\u00e9 t\u00e1rja a zen\u00e9szek \u00e9s a k\u00e9pz\u0151m\u0171v\u00e9szek egy\u00fcttm\u0171k\u00f6d\u00e9s\u00e9t. Akkoriban m\u00e9g nem volt f\u00f3ruma az AV (audiovizu\u00e1lis) performansznak vagy a vide\u00f3zene-m\u0171v\u00e9szetnek, ahol az arra fog\u00e9kony k\u00f6z\u00f6ns\u00e9g el\u00e9 ker\u00fclhetett volna. Sz\u00f3val r\u00e9szint a kanadai k\u00f6z\u00f6ns\u00e9g \u00e9s a m\u0171v\u00e9szeti k\u00f6zeg ez ir\u00e1ny\u00fa ig\u00e9ny\u00e9nek a kiel\u00e9g\u00edt\u00e9s\u00e9re sz\u00fcletett az Elektra<\/em>.<\/p>\n

… 2. r\u00e9sz<\/a><\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

22<\/p>\n

www.alainthibault.com<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”40″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

\"THE<\/a><\/div><\/div>\n
\"THE<\/a><\/div><\/div><\/div><\/div><\/div>\t\t\t