{"id":22672,"date":"2019-12-29T10:09:08","date_gmt":"2019-12-29T09:09:08","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=22672"},"modified":"2024-05-31T10:29:00","modified_gmt":"2024-05-31T08:29:00","slug":"sonic-thoughts","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/sonic-thoughts\/","title":{"rendered":"\u00dajmaterialista hangontol\u00f3gia \u00e9s hanginstall\u00e1ci\u00f3-m\u0171v\u00e9szet: amikor a filoz\u00f3fia lesz a m\u0171v\u00e9szet szolg\u00e1l\u00f3l\u00e1nya"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

B\u00e1csi Barnab\u00e1s \u2013 Jeneses \u00c1d\u00e1m \u2013 Kophelyi D\u00e1niel \u2013 Zilahi Anna:<\/span> Sonic Thoughts<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Kur\u00e1torok: Kophelyi D\u00e1niel, Zilahi Anna<\/h4>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Fiatal K\u00e9pz\u0151m\u0171v\u00e9szek St\u00fadi\u00f3ja, Budapest
\n2019. szeptember 3\u201321.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

\u201eA zene folyamatos; csak a hallgat\u00e1s szakaszos\u201d<\/p>\n

John Cage1<\/span><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

\u201eA \u2019nyerses\u00e9g\u2019 nem m\u00e1s, mint a test az \u00e9nekl\u0151 hangban\u201d<\/p>\n

Roland Barthes2<\/span><\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

John Cage: \u201eIntroduction\u201d to Themes & Variations\u2019. In: Christoph Cox \u2013 Daniel Warner (eds.): Audio Culture: Readings in Modern Music.<\/em> New York: Contnuum, 2004, 224. Cage Thoreau-t parafraz\u00e1l\u00f3 kijelent\u00e9s\u00e9t 1982-b\u0151l Cox is id\u00e9zi: Christoph Cox: Beyond Representation and Signification: Toward a Sonic Materialism. Journal of Visual Culture,<\/em> 10:2 (2011), 155.<\/p>\n

2<\/p>\n

Roland Barthes: A hang nyerses\u00e9ge. Ford. Szab\u00f3 L\u00e1szl\u00f3. Replika,<\/em> 77. sz. (2011\/4), 194.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-cont-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az els\u0151sorban a Steve Goodman, Christoph Cox<\/span> \u00e9s Greg Hainge<\/span>3<\/span> munk\u00e1ss\u00e1g\u00e1hoz k\u00f6thet\u0151 materialista hangontol\u00f3gia a 21. sz\u00e1zad elej\u00e9nek \u201eontol\u00f3giai fordulat\u00e1t\u201d \u2013 mint az 1990-es \u00e9vekt\u0151l er\u0151s\u00f6d\u0151 amerikai \u00fajmaterialista filoz\u00f3fia egyik legfrissebb, onto-eszt\u00e9tikai<\/em> diszcipl\u00edn\u00e1ja \u2013 hozta el a hangm\u0171v\u00e9szet (\u00e9s ezzel egy\u00fctt a filoz\u00f3fia) ter\u00fclet\u00e9n. Az \u00fajmaterialista fordulat val\u00f3j\u00e1ban a t\u00f6rt\u00e9neti materializmus anyag-k\u00e9p\u00e9hez val\u00f3 \u201evisszat\u00e9r\u00e9snek\u201d tekinthet\u0151, s \u00edgy a megtestes\u00fcl\u00e9st, a t\u00e1rgyalkot\u00e1st \u00e9s a szubjektum l\u00e9trej\u00f6tt\u00e9t, illetve kialakul\u00e1suk k\u00f6r\u00fclm\u00e9nyeit vizsg\u00e1lja. Az interdiszciplin\u00e1ris \u00fajmaterialista elm\u00e9letek egyar\u00e1nt \u00e9p\u00edtenek a lingvisztikai, kult\u00faraelm\u00e9leti, filoz\u00f3fiai, szociol\u00f3giai, poszthumanista, gender- \u00e9s term\u00e9szettudom\u00e1nyi alapokra: \u00edgy emelik ki a val\u00f3s\u00e1g anyagi \u00e9s diszkurz\u00edv term\u00e9keinek \u00f6sszess\u00e9g\u00e9t \u00e9s az anyaghoz val\u00f3 fordul\u00e1s \u00e1ltal a val\u00f3s\u00e1ghoz val\u00f3 felel\u0151ss\u00e9gteljes visszat\u00e9r\u00e9st. (Az \u00fajmaterialist\u00e1k \u00e9ppen ez\u00e9rt foglalkoznak a glob\u00e1lis kl\u00edmakatasztr\u00f3f\u00e1val is.)<\/p>\n

A hangr\u00f3l<\/em> val\u00f3 (bitorl\u00f3) gondolkod\u00e1s helyett (ahogyan ezt eddig a filoz\u00f3fia tette) sz\u00f3nikus, azaz hanggal<\/em> val\u00f3 gondolkod\u00e1sra van sz\u00fcks\u00e9g, ha a hang term\u00e9szet\u00e9t kutatjuk \u2013 hangs\u00falyozza Christoph Cox.4<\/span> A sz\u00f3nikus gondolkod\u00e1s persze nem \u00fajkelet\u0171, Cox els\u0151sorban Nietzsch\u00e9ben \u00e9s Schopehauerben fedezi fel a k\u00e9t \u201eproto-sz\u00f3nikus\u201d filoz\u00f3fus \u0151st.5<\/span> Az \u00fajmaterializmus sz\u00e1m\u00e1ra a hang olyan anyag, l\u00e9tez\u0151, objekt,<\/em> amely egyed\u00fcl\u00e1ll\u00f3 prima materia<\/em> is annyiban, hogy \u00e1raml\u00e1sa vil\u00e1gunkat teljes eg\u00e9sz\u00e9ben, minden\u00fctt jelenl\u00e9v\u0151en \u00e9s kiker\u00fclhetetlen\u00fcl \u00e1thatja. Anyag teh\u00e1t nem csup\u00e1n szil\u00e1rd, id\u0151ben sok\u00e1ig konzisztens entit\u00e1s lehet, hanem \u2013 az illatokhoz \u00e9s az \u00edzekhez hasonl\u00f3an \u2013 l\u00e1thatatlan, efemer, pillanatnyi, fluktu\u00e1l\u00f3, \u00e1raml\u00f3, \u00e1tmeneti esem\u00e9ny is, amelyet a mindennapi vil\u00e1gunk tapint\u00e1son \u00e9s l\u00e1t\u00e1son alapul\u00f3, a k\u00f6rnyezet\u00fcnk objektumaira vonatkoz\u00f3 ontol\u00f3gi\u00e1ja nem \u00edr le, mert nem tartozik a l\u00e1that\u00f3 vil\u00e1ghoz (a hang megjelen\u00e9se azonban folyamatosan m\u00f3dos\u00edtja<\/em> a mindennapi ontol\u00f3gi\u00e1t.) Tegy\u00fck hozz\u00e1 Salom\u00e9 Voegelin nyom\u00e1n, hogy a megbonthatatlanul a vizu\u00e1lis gondolkod\u00e1son alapul\u00f3 vil\u00e1gunkat csak \u00edgy tudjuk a komplex megoszthat\u00f3s\u00e1gban elk\u00e9pzelni, m\u00edg a sz\u00f3nikus gondolkod\u00e1s oszthatatlan.6<\/span> A hangfiloz\u00f3fia sem a zen\u00e9b\u0151l sz\u00fcletett, hanem a hang m\u00e9lyebb megtapasztal\u00e1s\u00e1b\u00f3l: a hangb\u00f3l, mint fluxusb\u00f3l (\u00e1raml\u00e1sb\u00f3l), esem\u00e9nyb\u0151l \u00e9s effektusb\u00f3l. A sz\u00f3nikus flux<\/em> rejti a zene ontol\u00f3giai probl\u00e9m\u00e1j\u00e1t is: er\u0151teljesen fizikai<\/em> \u00e9s evidens, m\u00e9gis megfoghatatlan m\u00f3don l\u00e9tezik.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

Steve Goodman: Sonic Warfare: Sound, Affect, and the Ecology of Fear.<\/em> London, England \u2013 Cambridge, Mass.: The MIT Press, 2010, Christoph Cox: Sonic Flux: Sound, Art, and Metaphysics.<\/em> Chicago: University of Chicago Press, 2018, Greg Hainge: Noise Matters: Towards an Ontology of Noise.<\/em> New York: Bloomsbury Academic, 2013<\/p>\n

4<\/p>\n

Christoph Cox: Sonic Thought. In: Christoph Cox \u2013 Jenny Jaskey \u2013 Suhail Malik (eds.): Realism Materialism Art.<\/em> Berlin, New York: Sternberg Press, 2015, 123\u2013129.<\/p>\n

5<\/p>\n

Nietzsche Arthur Schopehauer: A vil\u00e1g mint akarat \u00e9s k\u00e9pzet<\/em> c\u00edm\u0171 m\u0171ve kapcs\u00e1n \u00edrja: \u201eMert a zene, mint mondottam, abban k\u00fcl\u00f6nb\u00f6zik minden m\u00e1s m\u0171v\u00e9szett\u0151l, hogy nem a jelens\u00e9g k\u00e9pe, vagy, helyesebben, nem az akarat adekv\u00e1t t\u00e1rgyis\u00e1g\u00e1\u00e9, hanem maga az akarat k\u00f6zvetlen m\u00e1sa, s ilyenform\u00e1n a fizikai vil\u00e1g ellen\u00e9ben a metafizik\u00e1t, a dolgok megjelen\u00e9sform\u00e1ival szemben a mag\u00e1ban val\u00f3 dolgot jelen\u00edti meg.\u201d Friedrich Nietzsche: A trag\u00e9dia sz\u00fclet\u00e9se.<\/em> Ford. Kert\u00e9sz Imre. Eur\u00f3pa K\u00f6nyvkiad\u00f3, Budapest, 1986, 133.<\/p>\n

6<\/p>\n

Salom\u00e9 Voegelin: Sonic Materialism: How to Exist According to Sound.<\/em> https:\/\/youtu.be\/NA6DKzohUgc<\/a> (Utols\u00f3 bel\u00e9p\u00e9s: 2019. szeptember 8.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22685″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sonic Thoughts,<\/em> Fiatal K\u00e9pz\u0151m\u0171v\u00e9szek St\u00fadi\u00f3ja, 2019 \u00a9 Fot\u00f3k: Kophelyi D\u00e1niel<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A fluxusontol\u00f3gia<\/em> alapj\u00e1n az anyag\u00e1raml\u00e1sok \u00f6sszess\u00e9ge, folyamatok \u00e1tmeneti koncentr\u00e1ci\u00f3ja \u2013 l\u00e1va, g\u00e9nek, testek, nyelvek, p\u00e9nz, inform\u00e1ci\u00f3 stb. \u2013, melyek hol megszil\u00e1rdulnak, hol sz\u00e9tfolynak, de mindig izomorfikusan \u00e1thatj\u00e1k egym\u00e1st. A hangfluxus nem csup\u00e1n egy k\u00f6z\u00fcl\u00fck, hanem modellezi \u00e9s megjelen\u00edti az \u00f6sszes fluxust, ami a term\u00e9szeti vil\u00e1got alkotja. A fluxusontol\u00f3gia az objekt hely\u00e9re az esem\u00e9nyt<\/em> helyezi, ez\u00e1ltal a hang re\u00e1lis \u00e9s t\u0151l\u00fcnk f\u00fcggetlen\u00fcl val\u00f3 l\u00e9tez\u00e9s\u00e9t. A hangok id\u0151ben form\u00e1l\u00f3dnak \u00e9s \u201et\u00fal\u00e9lik\u201d a saj\u00e1t v\u00e1ltoz\u00e1saikat, nem m\u00e1sodlagos min\u0151s\u00e9gek, mint a sz\u00ednek vagy az \u00edzek. Pierre Schaeffer<\/span> objet sonore<\/em>-ja az akuzmatikus hang\u00e9rz\u00e9kel\u00e9s anal\u00edzise: itt a hang f\u00fcggetlen, (pl. egy f\u00fcgg\u00f6nnyel) elv\u00e1lasztott a forr\u00e1s\u00e1t\u00f3l. A hangok nem t\u00e1rgyak min\u0151s\u00e9gei vagy szubjektumok, hanem ontol\u00f3giai individuumok. A hangt\u00e1rgy nem statikus objekt, hanem id\u0151beni esem\u00e9nyk\u00e9nt l\u00e9tez\u0151 objekt.\u00a0A fluxusontol\u00f3gia a hangeffektusok<\/em> ontol\u00f3gi\u00e1ja is. Nietzsche, Bergson \u00e9s Deleuze lev\u00e1lasztja a t\u00e1rgyat a \u201ecsin\u00e1l\u00f3r\u00f3l\u201d, a hat\u00e1s el\u00e9r\u00e9shez nincs sz\u00fcks\u00e9g kiv\u00e1lt\u00f3 okra, a v\u00e1ltoz\u00e1s \u00f6nmag\u00e1ban is v\u00e9gbemegy.\u00a0A cselekv\u00e9s (ige) nincs t\u00f6bb\u00e9 al\u00e1rendelve a testeknek (f\u0151neveknek), a hangoknak nincs saj\u00e1tos kontextusuk, alanyuk, ez a szemantika a v\u00e1ltoz\u00e1s k\u00fcl\u00f6nb\u00f6z\u0151 er\u0151viszonyait, lehets\u00e9ges lefoly\u00e1sait, a megt\u00f6rt\u00e9n\u00e9s<\/em> k\u00fcl\u00f6nf\u00e9le eshet\u0151s\u00e9geit \u00edrja le. A hang nem punktu\u00e1lis, hanem folytonos (id\u0151beli folyamat), amely alter\u00e1l\u00f3d\u00f3 esem\u00e9nyekben hat, diff\u00faz sokf\u00e9les\u00e9g\u00e9t m\u00e9gis a koherencia \u00e9s a konzisztencia jellemzi (l\u00e1sd p\u00e9ld\u00e1ul: pillang\u00f3hat\u00e1s, Joule-Kelvin-effektus, Zeeman-hat\u00e1s).7<\/span> Cage \u00e9s az experiment\u00e1lis zene, valamint a posztminimalista tendenci\u00e1k a vizu\u00e1lis m\u0171v\u00e9szetekben (folyamatszer\u0171s\u00e9g\u00fck hangs\u00falyoz\u00e1sa, a multiszenzoros tapasztalatok, a m\u0171v\u00e9szet auton\u00f3mi\u00e1ja, m\u00e9diumspecifikuss\u00e1ga \u00e9s tiszt\u00e1n vizu\u00e1lis vagy optikai koncepci\u00f3ja) k\u00e9t utat nyitott meg a m\u0171v\u00e9szeti gyakorlatban. Az egyik a koncept, az idea, a nyelv \u00e9s diskurzus \u00e1ltal a \u201em\u0171t\u00e1rgy elanyagtalanod\u00e1s\u00e1ra\u201d t\u00f6rekv\u0151 konceptu\u00e1lis m\u0171v\u00e9szet\u00e9, valamint az anyag kiterjesztett fogalma fel\u00e9, amely t\u00falmutat a vizu\u00e1lis \u00e9s tapinthat\u00f3 t\u00e1rgyak (p\u00e9ld\u00e1ul festm\u00e9nyek \u00e9s szobrok) megszokott, k\u00f6zepes m\u00e9ret\u0171 korl\u00e1tok k\u00f6z\u00e9 szor\u00edtott ter\u00fcletein, s amely alatt az energia\u00e1ramok sokas\u00e1g\u00e1t \u00e9rtj\u00fck. S m\u00edg a konceptu\u00e1lis m\u0171v\u00e9szet gyakorlat\u00e1ban a val\u00f3s\u00e1ghoz val\u00f3 hozz\u00e1f\u00e9r\u00e9s\u00fcnk alapvet\u0151en diszkurz\u00edv,<\/em> addig a m\u00e1sodik \u00faton halad\u00f3 hangm\u0171v\u00e9szet\u00e9 nondiszkurz\u00edv;<\/em> m\u00edg az 1970-es \u00e9vekt\u0151l indul\u00f3 kritikai programok megteremtett\u00e9k a lehet\u0151s\u00e9g\u00e9t a konceptu\u00e1lis m\u0171v\u00e9szetet elemz\u0151 er\u0151teljes, kifinomult \u00e9s hat\u00e9kony elemz\u00e9seknek, addig a hangm\u0171v\u00e9szet\u00e9 hi\u00e1nyzott, alapvet\u0151en underground m\u00f3don m\u0171k\u00f6d\u00f6tt.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

7<\/p>\n

Az \u00fajmaterialista hangontol\u00f3gia kritik\u00e1ja els\u0151sorban az elm\u00e9let hall\u00e1skult\u00far\u00e1val val\u00f3 kapcsolat\u00e1nak a hi\u00e1ny\u00e1t emeli ki, illetve t\u00e9vesnek tartja a hall\u00e1skult\u00fara helyettes\u00edt\u00e9s\u00e9t az ontol\u00f3gi\u00e1val. L\u00e1sd: Brian Kane: Sound Studies without Auditory Culture: a Critique of the Ontological Turn. Sound Studies<\/em> 1:1, 2015, 2\u201321.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22686″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sonic Thoughts,<\/em> Fiatal K\u00e9pz\u0151m\u0171v\u00e9szek St\u00fadi\u00f3ja, 2019<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A hang \u00e9s a hangm\u0171v\u00e9szet lev\u00e1laszt\u00e1sa a zen\u00e9r\u0151l, (az oly sok\u00e1ig a hangm\u0171v\u00e9szet szempontj\u00e1b\u00f3l erny\u0151fogalomk\u00e9nt m\u0171k\u00f6d\u0151, megfelel\u0151 onto-eszt\u00e9tikai h\u00e1tt\u00e9r n\u00e9lk\u00fcl ide utalt) konceptu\u00e1lis m\u0171v\u00e9szetr\u0151l, valamint \u00e1raml\u00e1sm\u0171v\u00e9szetk\u00e9nt, fluxm\u0171v\u00e9szetk\u00e9nt val\u00f3 elgondol\u00e1sa (az \u00fajmaterializmus egyre massz\u00edvabb hangontol\u00f3giai kutat\u00e1sainak k\u00f6sz\u00f6nhet\u0151en) lehet\u0151v\u00e9 teszi, hogy \u00f6n\u00e1ll\u00f3 m\u0171v\u00e9szeti \u00e1gk\u00e9nt tekints\u00fcnk r\u00e1. Amit a 20. sz\u00e1zad v\u00e9g\u00e9re a dekonstrukci\u00f3 nem tudott elv\u00e9gezni, azt most a materialista metafizika elv\u00e9gzi: egy \u00faj, a 21. sz\u00e1zadra kiteljesed\u0151 m\u0171v\u00e9szeti \u00e1gnak seg\u00edt meghat\u00e1roznia \u00e9s legitim\u00e1lnia \u00f6nmag\u00e1t.8<\/span><\/p>\n

A Sonic Thoughts<\/em> c\u00edm\u0171 csoportos ki\u00e1ll\u00edt\u00e1s bizony\u00e1ra az els\u0151, vagy az egyik legels\u0151, mindenk\u00e9ppen \u00fatt\u00f6r\u0151 ki\u00e1ll\u00edt\u00e1s Magyarorsz\u00e1gon, amely az \u00fajmaterializmus \u00e1ltal felvetett hangontol\u00f3giai vizsg\u00e1latokat, jellemz\u0151ket tematiz\u00e1lja. A szervez\u0151elv nem a konceptualizmus, hanem a filoz\u00f3fia. Valami, ami egy \u00e1tfog\u00f3bb, komplex egzisztencia l\u00e9t\u00e9t \u00fcnnepli. Itt semmi nincs, ami techno-install\u00e1ci\u00f3m\u0171v\u00e9szet, sz\u00e1m\u00edt\u00f3g\u00e9pekkel vez\u00e9relt interakt\u00edv folyamat lenne. Puszt\u00e1n p\u00e9ld\u00e1zatszer\u0171, a val\u00f3s\u00e1g nyers gy\u00f6ny\u00f6r\u0171s\u00e9g\u00e9re, sokf\u00e9le, v\u00e1ltoz\u00e1sban l\u00e9tez\u0151 transzparenci\u00e1j\u00e1ra r\u00e1\u00e9breszt\u0151, a vizualit\u00e1st \u00e9s az audionalit\u00e1st egym\u00e1st kieg\u00e9sz\u00edt\u0151, teljes \u00e9rt\u00e9k\u0171 metaszinteken m\u0171k\u00f6d\u00e9sben hagy\u00f3 munk\u00e1k egym\u00e1ssal egy t\u00e9rben j\u00f3l megf\u00e9r\u0151, \u00f6sszehangolt egy\u00fcttes\u00e9t \u00e9rz\u00e9kelj\u00fck. Azzal egy\u00fctt, hogy a ki\u00e1ll\u00edt\u00f3t\u00e9rnek mind a fels\u0151 r\u00e9sz\u00e9ben (amely az FKSE \u00e1lland\u00f3 ki\u00e1ll\u00edt\u00f3tere), mind pedig a most megnyitott, romos, egykori l\u00e9g\u00f3pince hangulat\u00e1t \u0151rz\u0151 alagsor\u00e1ban l\u00e1that\u00f3 install\u00e1ci\u00f3k saj\u00e1t \u00e9rz\u00e9ki val\u00f3s\u00e1gukban, sz\u00f3nikus egym\u00e1srautalts\u00e1gukban, finom \u00f6sszekapcsolts\u00e1gukban transz\u00e1llapotba hozz\u00e1k a n\u00e9z\u0151t, a m\u0171v\u00e9szek \u00e1ltal \u00f6ssze\u00e1ll\u00edtott f\u00fczetben a m\u0171vek \u00e9rtelmez\u00e9sei, a k\u00f6z\u00f6s sz\u00f3nikus filoz\u00f3fiai gondolat is vil\u00e1gosan olvashat\u00f3.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

8<\/p>\n

Tal\u00e1n nem v\u00e9letlen, hogy a karlsruhei ZKM-ben 2012. m\u00e1rcius 17 \u2013 2013. janu\u00e1r 6. k\u00f6z\u00f6tt megrendezett, reprezentat\u00edv hangm\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1shoz kapcsol\u00f3d\u00f3 monument\u00e1lis, 744 oldalas \u00e9s 1000 illusztr\u00e1ci\u00f3t tartalmaz\u00f3 k\u00f6tet is id\u00e9n ny\u00e1ron l\u00e1tott napvil\u00e1got: Peter Weibel (ed.): Sound Art. Sound as a Medium of Art.<\/em> Cambridge, Mass.: The MIT Press, 2019<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22687″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]https:\/\/balkon.art\/home\/ba-app\/uploads\/2019\/12\/01-zilahi-anna-the-river-knows-better.mp3<\/a><\/audio>[\/vc_column_text][vc_column_text]\n

ZILAHI ANNA: The River Knows Better (Ophelia Lives)<\/em><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][vc_column_text]https:\/\/balkon.art\/home\/ba-app\/uploads\/2019\/12\/04-zilahi-anna-shadow-of-breath.mp3<\/a><\/audio>[\/vc_column_text][vc_column_text]\n

ZILAHI ANNA: Shadow of Breath<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Zilahi Anna<\/span> The River Knows Better (Ophelia Lives)<\/em> c\u00edm\u0171 versmedit\u00e1ci\u00f3ja a nyelv\u00fcnk m\u00f6g\u00f6tt rejl\u0151 bels\u0151 hangok transzform\u00e1ci\u00f3s hat\u00e1s\u00e1r\u00f3l sz\u00f3l, m\u00edg Shadow of Breath<\/em> c\u00edm\u0171 install\u00e1ci\u00f3j\u00e1ban a l\u00e9gz\u00e9sfragmentumok \u201emint a falra vet\u0151d\u0151 \u00e1rnyak a plat\u00f3ni barlanghasonlatban, a z\u00e1rt val\u00f3s\u00e1gainkon k\u00edv\u00fcli vil\u00e1gra k\u00edv\u00e1ntak eml\u00e9keztetni, annak egyfajta jelenl\u00e9tet adni. Ez az \u00fajra\u00e9rtelmezett \u00e9s kieg\u00e9sz\u00edtett munka imm\u00e1r a t\u00e9r l\u00e9legzetek\u00e9nt l\u00e9p el az embert\u0151l, a hangforr\u00e1st\u00f3l f\u00fcggetlened\u0151 hang ir\u00e1ny\u00e1ba\u201d.9<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

9<\/p>\n

Az id\u00e9zetek a ki\u00e1ll\u00edt\u00e1sra nyomtatott n\u00e9gyoldalas f\u00fczetb\u0151l sz\u00e1rmaznak.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22706″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]https:\/\/balkon.art\/home\/ba-app\/uploads\/2019\/12\/02-bacsi-barnabas-reenactment.mp3<\/a><\/audio>[\/vc_column_text][vc_column_text]\n

B\u00c1CSI BARNAB\u00c1S: Reenactment<\/em><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”22708″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]https:\/\/balkon.art\/home\/ba-app\/uploads\/2019\/12\/03-bacsi-barnabas-silence-so-loud.mp3<\/a><\/audio>[\/vc_column_text][vc_column_text]\n

B\u00c1CSI BARNAB\u00c1S: Silence SO Loud<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]B\u00e1csi Barnab\u00e1s<\/span> a materialista hangontol\u00f3gia \u00e1ltal \u00e1raml\u00e1smorfol\u00f3giai objektk\u00e9nt vizsg\u00e1lhat\u00f3 hang manifeszt\u00e1l\u00f3d\u00e1s\u00e1nak \u00e9s az \u00e9rz\u00e9kel\u0151 emberi attit\u0171d magasabb tudatoss\u00e1g fel\u00e9 halad\u00e1s\u00e1nak k\u00e9ptelens\u00e9g\u00e9b\u0151l sz\u00e1rmaz\u00f3 fesz\u00fclts\u00e9g\u00e9t vizsg\u00e1lja: \u201eKil\u00e9phet\u00fcnk-e a l\u00e1t\u00e1s hall\u00e1s el\u00e9 sorolts\u00e1g\u00e1b\u00f3l a teljesebb, audit\u00edvebb percepci\u00f3 ir\u00e1ny\u00e1ba, ahol a hang \u00f6nmag\u00e1ban is \u00e9rdemes az \u00e9szlel\u00e9sre, \u00e9s az \u00e1ltala kommunik\u00e1lt kond\u00edci\u00f3k is \u00e9rtelmet nyernek?\u201d (Reenactment<\/em>); a k\u00e9t nagy k\u0151darab k\u00f6z\u00e9 helyezett hangszed\u0151 feedbackje \u201eleleplezi szinesztetikus k\u00f6zhelyeinket: a hangforr\u00e1shoz t\u00e1rs\u00edtott hangi k\u00e9pzeteink t\u00e1vol \u00e1llnak a hangi megval\u00f3sul\u00e1st\u00f3l. (Silence SO Loud<\/em>)\u201d[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22711″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Jeneses \u00c1d\u00e1m<\/span> r\u00e1gcs\u00e1l\u00f3riaszt\u00f3inak hangja \u00e9ppen csak hallhat\u00f3 az emberi f\u00fcl sz\u00e1m\u00e1ra, \u00e9rz\u00e9kel\u00e9s\u00fcnk hat\u00e1rai pedig a val\u00f3s\u00e1g m\u00f6g\u00f6ttes, m\u00e9lyebb term\u00e9szet\u00e9t sejtetik; alluvium c\u00edm\u0171 install\u00e1ci\u00f3j\u00e1nak megafonhangja cselekv\u0151 n\u00e9lk\u00fcl gener\u00e1lja \u00f6nmag\u00e1t a t\u00e9r adotts\u00e1gaib\u00f3l, szoborelemk\u00e9nt az \u00e1llkapocscsont endogenezis\u00e9t megid\u00e9zve az emberi hall\u00e1s anat\u00f3mi\u00e1j\u00e1ra utal, amely morfol\u00f3giailag a megafon anal\u00f3gja, funkcion\u00e1lisan pedig annak inverze. Az install\u00e1ci\u00f3 azonban reflekt\u00e1l a hangt\u00e1rgy id\u0151beli meghat\u00e1rozotts\u00e1g\u00e1ra, hiszen a megafonban l\u00e9v\u0151 elem egyre f\u00e1rad, a hangja id\u0151vel megsz\u0171nik.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22712″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

JENESES \u00c1D\u00c1M: Exaptation<\/em><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”22713″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

JENESES \u00c1D\u00c1M: alluvium<\/em><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][vc_column_text]https:\/\/balkon.art\/home\/ba-app\/uploads\/2019\/12\/05-jeneses-adam-exaptation-alluvium.mp3<\/a><\/audio>[\/vc_column_text][vc_column_text]\n

JENESES \u00c1D\u00c1M: Exaptation, alluvium<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Kophelyi D\u00e1niel<\/span> void statement()<\/em> c\u00edm\u0171 \u00f6nreferenci\u00e1lis install\u00e1ci\u00f3ja az objet sonore<\/em>-t, a hangot a forr\u00e1st\u00f3l elv\u00e1laszt\u00f3 f\u00fcgg\u00f6ny hangj\u00e1t tematiz\u00e1lja, mely \u201ecsak a lepel, s melynek \u00e9rtelme ebben a kontextusban csup\u00e1n \u00f6nmaga, saj\u00e1t mozg\u00e1sa, \u00e9s a mozg\u00e1ssal gener\u00e1lt hang.\u201d Ateism (U+2A55)<\/em> c\u00edm\u0171 install\u00e1ci\u00f3j\u00e1ban a mesters\u00e9ges intelligencia vall\u00e1st felv\u00e1lt\u00f3 funkci\u00f3j\u00e1nak lehet\u0151s\u00e9g\u00e9t, ember \u00e9s g\u00e9p poszthum\u00e1n vil\u00e1g\u00e1nak spiritu\u00e1lis potenci\u00e1lj\u00e1t vizsg\u00e1lja.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22719″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]https:\/\/balkon.art\/home\/ba-app\/uploads\/2019\/12\/06-kophelyi-daniel-void-statement-ateism-u-2A55.mp3<\/a><\/audio>[\/vc_column_text][vc_column_text]\n

KOPHELYI D\u00c1NIEL: void statement(), Ateism (U+2A55)<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Sonic Thoughts,<\/em> amely b\u00e1tor fiatal m\u0171v\u00e9szek remek ki\u00e1ll\u00edt\u00e1sa, voltak\u00e9ppen kollekt\u00edv gondolkod\u00e1s a hangr\u00f3l, mint prima materi\u00e1r\u00f3l, egy folytonos \u00e1tmenetben, m\u00e9gis \u00e1lland\u00f3 l\u00e9tez\u00e9sben fluktu\u00e1l\u00f3 sz\u00f3nikus objektr\u0151l, amely egy rendszeres onto-eszt\u00e9tika alapj\u00e1n ragadja meg t\u00e1rgy\u00e1t. \u00daj m\u0171v\u00e9szeti \u00e1gr\u00f3l besz\u00e9lhet\u00fcnk persze, \u00e9s \u00f6rvendetes, ha azt l\u00e1tjuk, mint most is, hogy az \u00faj hangm\u00e9dium saj\u00e1t maga mellett<\/em> a m\u0171vek k\u00e9pz\u0151m\u0171v\u00e9szeti, irodalmi stb. kiterjeszt\u00e9s\u00e9t is azonos metaszintre emeli.10<\/span> Ezt pedig term\u00e9szetes m\u00f3don, \u00e9szrev\u00e9tlen\u00fcl teszi, ami az ontol\u00f3giai st\u00e1tusz\u00e1t elnyert hang folytonos v\u00e1ltoz\u00e1s\u00e1ban megmutatkoz\u00f3 v\u00e9gtelen\u00fcl nyitott rendszer erej\u00e9t \u00e9s flexibilit\u00e1s\u00e1t mutatja.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

10<\/p>\n

Azon narrat\u00edv\u00e1k szerint, amelyek eddig a koncept art k\u00f6r\u00e9be utalt\u00e1k a hanginstall\u00e1ci\u00f3-m\u0171v\u00e9szetet, a vizualit\u00e1s sokadlagos szempont volt. Ennek ellen\u00e9re a k\u00e9pz\u0151m\u0171v\u00e9szeti terek, gal\u00e9ri\u00e1k, m\u00fazeumok term\u00e9szetes szinterei a hanginstall\u00e1ci\u00f3-ki\u00e1ll\u00edt\u00e1soknak mind a mai napig, mik\u00f6zben jelent\u0151s r\u00e9sz\u00fck akusztikai adotts\u00e1gaik miatt nem lenne alkalmas hangm\u0171v\u00e9szeti esem\u00e9nyek befogad\u00e1s\u00e1ra.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22726″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

KOPHELYI D\u00c1NIEL: void statement()<\/em><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”22725″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

KOPHELYI D\u00c1NIEL: Ateism (U+2A55)<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-1-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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