{"id":2084,"date":"2017-04-25T17:47:05","date_gmt":"2017-04-25T15:47:05","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=2084\/"},"modified":"2024-02-15T13:14:00","modified_gmt":"2024-02-15T12:14:00","slug":"transzverzalis-foszlanyok","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/transzverzalis-foszlanyok\/","title":{"rendered":"Transzverz\u00e1lis foszl\u00e1nyok"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Digit\u00e1lis reziduumok Keresztes Zs\u00f3fia HOLYLAND<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s\u00e1ban*<\/span><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az \u00f6nadom\u00e1nyoz\u00e1s egy eksztatikus \u00e9lm\u00e9ny, amelynek sor\u00e1n a mester a szents\u00e9g darabjait, a szent testet osztja sz\u00e9t a tan\u00edtv\u00e1nyok k\u00f6z\u00f6tt. A k\u00e9sei 8. sz\u00e1zadban Aldebertus<\/span> kereszt\u00e9ny tan\u00edt\u00f3 hajsz\u00e1lait \u00e9s k\u00f6r\u00f6mdarabjait aj\u00e1nd\u00e9kozta h\u00edveinek.1<\/span> A h\u00edveknek sz\u00fcks\u00e9g\u00fck volt a szents\u00e9g fizikai nyomaira ahhoz, hogy fenntarthass\u00e1k a hit f\u00e1rads\u00e1gos munk\u00e1j\u00e1t. Ez a munka azonban maga a munk\u00e1tlans\u00e1g, amelynek teljes\u00edt\u00e9se le\u00e9p\u00edti a testis\u00e9get, s\u0151t, a testis\u00e9g megannyi megsemmis\u00fcl\u00e9se \u00e9s leboml\u00e1sa k\u00f6r\u00e9 \u00f6sszpontosul. A szents\u00e9g heterogenit\u00e1sa a test maradv\u00e1nyainak furcsa \u00f6ssze\u00e1ll\u00e1sain kereszt\u00fcl t\u0171nik fel, felt\u00e9pve a mindennapok elnyom\u00f3 homogenit\u00e1s\u00e1t. 813-ban a Mainzi Zsinat elrendelte, hogy \u201ea szentek testeit nem szabad hordozni egyik helyr\u0151l a m\u00e1sikra.\u201d2<\/span> A szent tetemek \u00e9s testr\u00e9szek deterritorializ\u00e1lt mozg\u00e1sokra hajlamosak, ez magyar\u00e1zza az ilyen tilt\u00e1sok, homogeniz\u00e1l\u00f3 t\u00f6rv\u00e9nyek \u00e9s rendeletek megalkot\u00e1s\u00e1t. Csak az k\u00e9nyszer\u00fcl \u00fajraszab\u00e1lyoz\u00e1sra, ami automatikus deterritorializ\u00e1ci\u00f3s g\u00e9pezetk\u00e9nt nyomul el\u0151re. A halott test felboml\u00e1sa, rothad\u00e1sa egy automatikus, ir\u00e1ny\u00edthatatlan folyamat, amely m\u00e9gis perverz\u00fcl fokaliz\u00e1l. Az erekly\u00e9k, szent tetemek \u00e9s nyomok jelent\u00e9seket hordoznak magukban. Jeleket, amelyek a rothad\u00e1s \u00e9s a rendetlen mozg\u00e1s \u00e1ltal tov\u00e1bb heterogeniz\u00e1l\u00f3dnak.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text css=”.vc_custom_1493154483173{margin-bottom: 40px !important;}”]\n

*<\/p>\n

Keresztes Zs\u00f3fia: HOLYLAND<\/em>
\nKur\u00e1tor: Gad\u00f3 Fl\u00f3ra
\nLabor Gal\u00e9ria, Budapest
\n2016. november 3 \u2013 november 10.[\/vc_column_text][divider line_type=”No Line” custom_height=”100″][vc_column_text]\n

1<\/p>\n

Patrick J. Geary (1991 [1978]) Furta Sacra: Thefts of Relics in the Central Middle Ages<\/em> (Princeton: Princeton Universtiy Press), 31.<\/p>\n

2<\/p>\n

Geary 1991 [1978]: 40.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2085″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keresztes Zs\u00f3fia: Biztos, hogy a mennyorsz\u00e1g is inkognit\u00f3 m\u00f3dban van tartva,<\/em> 2016, polisztirollap, akrilfest\u00e9k, c\u00e9rna | fot\u00f3: Zana Kriszti\u00e1n<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Keresztes Zs\u00f3fia<\/span> HOLYLAND<\/em>\u00a0c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s\u00e1nak k\u00f6z\u00e9ppontj\u00e1ban az idegen, poszthum\u00e1n m\u00f3don szervez\u0151d\u0151 digit\u00e1lis technol\u00f3gi\u00e1k \u00e9s a 21. sz\u00e1zad fikt\u00edv erekl\u00e9yi \u00e1llnak: \u201eA Holyland elnevez\u00e9s\u0171 ny\u00edlt, nem jelsz\u00f3v\u00e9dett Wi-Fi h\u00e1l\u00f3zat nyolc \u00e9ve el\u00e9rhet\u0151 lak\u00e1sunk konyh\u00e1j\u00e1b\u00f3l, az\u00f3ta is otthonunk kiz\u00e1r\u00f3lag ezen szeglet\u00e9ben fogadjuk az ismeretlen helyr\u0151l j\u00f6v\u0151 adatsug\u00e1rz\u00e1st, \u00edgy v\u00e1lt ez a 10 n\u00e9gyzetm\u00e9teres, pepita burkolat\u00fa t\u00e9r lak\u00e1sunk szent hely\u00e9v\u00e9.\u201d3<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

Keresztes Zs\u00f3fia: HOLYLAND<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2089″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: HOLYLAND<\/em> | fot\u00f3: Zana Kriszti\u00e1n<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A ki\u00e1ll\u00edt\u00e1s kritikusan \u00e9s egyben parodisztikusan reflekt\u00e1l a digit\u00e1lis eszk\u00f6z\u00f6kh\u00f6z val\u00f3 m\u00e1gikus viszonyul\u00e1sra, \u00e9s a testetlen, megragadhatatlan szents\u00e9g paroxizmusba hajl\u00f3 v\u00e1ndorl\u00e1s\u00e1ra, ahogy a technikai eszk\u00f6z\u00f6k dobozai vagy a routerek \u00e9s h\u00e1l\u00f3zatok t\u00f6lt\u0151dnek fel megfert\u0151z\u0151d\u00f6tt szakralit\u00e1ssal. A szent f\u00e9ny m\u00e1r nem az \u00e9gb\u0151l zuhan al\u00e1, hanem a digit\u00e1lis felh\u0151b\u0151l sug\u00e1rzik er\u0151teljesen.4<\/span><\/p>\n

Az alterit\u00e1s minden egyes bet\u00f6r\u00e9se kr\u00edzist eredm\u00e9nyez a mi vil\u00e1gunkban, mik\u00f6zben az alterit\u00e1s maga is problematiz\u00e1l\u00f3dik. Paul Ricoeur<\/span> szerint \u00f6sszef\u00fcgg\u00e9s \u00e1ll fenn a kr\u00edzis \u00e9s a bev\u00e9gz\u0151d\u00e9s k\u00f6z\u00f6tt.5<\/span> M\u00edg a hal\u00e1l bev\u00e9gz\u0151d\u00e9snek tekinthet\u0151, a rothad\u00e1s az \u00f6nkonstit\u00faci\u00f3t megk\u00e9rd\u0151jelez\u0151 kr\u00edzisk\u00e9nt dekonstru\u00e1lja m\u00e9g a hal\u00e1l bev\u00e9gz\u0151d\u00e9s\u00e9t is. Nem \u00e1ll meg sem a felboml\u00e1s, sem a szents\u00e9g komplex burj\u00e1nz\u00e1sa a rothad\u00f3 testek eset\u00e9n. Radik\u00e1lisan megalapozhatatlan ezen entr\u00f3pia eredet\u00e9nek a k\u00e9rd\u00e9se.<\/p>\n

Folyamatosan \u00e9szlelj\u00fck a heterogenit\u00e1s kibontakoz\u00e1s\u00e1t, a mozg\u00e1sok megannyi elcs\u00faszott vonal\u00e1t, sz\u00e9lf\u00fatta bolyong\u00e1s\u00e1t. A rothad\u00e1s dadog\u00e1s, amely a tiszta anyagot szabad\u00edtja fel, \u201esz\u00e9tzil\u00e1lja a k\u00f3dokat, elsodor kifejez\u00e9seket \u00e9s tartalmakat, t\u00e9ny\u00e1ll\u00e1sokat \u00e9s kijelent\u00e9seket.\u201d6<\/span> Mint Gilles Deleuze<\/span> megjegyzi, a \u201eleend\u00e9s-t\u00f6mb mindig aszimmetrikus.\u201d7<\/span> A k\u00fcl\u00f6nb\u00f6z\u0151 val\u00f3s\u00e1gszintek, sz\u00f6k\u00e9svonalak, vibr\u00e1ci\u00f3k \u00e9s \u00e1rad\u00e1sok k\u00f6z\u00f6tt nem besz\u00e9lhet\u00fcnk egyenl\u0151s\u00e9gr\u0151l. Egyik jelens\u00e9g mindig sz\u00fcks\u00e9gk\u00e9ppen tel\u00edtettebb a m\u00e1sikn\u00e1l. Egyes testr\u00e9szek nagyobb hat\u00f3er\u0151vel b\u00edrnak entit\u00e1sokn\u00e1l vagy darabokn\u00e1l, m\u00edg m\u00e1s bels\u0151 szerv-elrendez\u0151d\u00e9sek jobban k\u00edn\u00e1lkoznak fel a rothad\u00e1s sz\u00e1m\u00e1ra. A szent el\u00fcszk\u00f6s\u00f6d\u00e9s egy heterog\u00e9n, mozg\u00e9kony, sz\u00e1lk\u00e1s \u00e9s foszl\u00e1nyos r\u00e9tegz\u0151d\u00e9sszint, amely a Szent metakommunikativit\u00e1s\u00e1t veti fel. Gregory Bateson<\/span> a k\u00f6vetkez\u0151k\u00e9ppen defini\u00e1lja a metakommunikativit\u00e1st: \u201eezen a szinten a diskurzus szubjektuma a besz\u00e9l\u0151k k\u00f6z\u00f6tti kapcsol\u00f3d\u00e1s maga.\u201d8<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

Keresztes Zs\u00f3fia: HOLYLAND<\/em><\/p>\n

5<\/p>\n

Paul Ricoeur (1997) Fenomenol\u00f3gia \u00e9s hermeutika<\/em> (Budapest: Kossuth Kvk.), 50.<\/p>\n

6<\/p>\n

Gilles Deleuze \u2013 Claire Parnet (2016) P\u00e1rbesz\u00e9dek<\/em> (Budapest: L\u2019Harmattan K.), 62.<\/p>\n

7<\/p>\n

Deleuze \u2013 Parnet 2016: 63.<\/p>\n

8<\/p>\n

Gregory Bateson (2000) Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology<\/em> (Chicago and London: University of Chicago Press), 178.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2090″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Keresztes Zs\u00f3fia: Biztos, hogy a mennyorsz\u00e1g is inkognit\u00f3 m\u00f3dban van tartva,<\/em> 2016, (r\u00e9szlet), polisztirollap, akrilfest\u00e9k, c\u00e9rna | fot\u00f3: Zana Kriszti\u00e1n<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Keresztes Zs\u00f3fia HOLYLAND<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1sa a metakommunik\u00e1ci\u00f3 rezidu\u00e1lis megjelen\u00edt\u00e9s\u00e9re tesz k\u00eds\u00e9rletet. Az egyik install\u00e1ci\u00f3ban v\u00e9kony c\u00e9rn\u00e1kat, torz fonalakat l\u00e1tunk, amelyek instabil finoms\u00e1gukn\u00e1l fogva az elm\u00fal\u00e1st id\u00e9zik meg, valamint a metakommunikativit\u00e1s heteroreferenci\u00e1lis jelleg\u00e9t. Az \u00f6sszekapcsol\u00f3d\u00e1s a nyelven k\u00edv\u00fcl r\u00f6gz\u00edthet\u0151 csup\u00e1n, nyomokban, rothad\u00f3 f\u00e9regszer\u0171 ny\u00falv\u00e1nyokban, dezantropomorf form\u00e1j\u00fa vezet\u00e9kben \u00e9s sz\u00e9ttart\u00f3 fonalakban ragadhat\u00f3 meg. A kommunik\u00e1ci\u00f3 szintekkel rendelkezik, olyan riz\u00f3matikus metakommunikativit\u00e1sk\u00e9nt, amelyben a rothad\u00e1s jelenti az egyik r\u00f6gz\u00edthetetlen, f\u00f6ld alatti sz\u00f6k\u00e9svonalat. Annak ellen\u00e9re, hogy a fonalak l\u00e1tsz\u00f3lag fentr\u0151l, a k\u00e9k \u00e9g fel\u0151l \u00e9rkeznek, ez az \u00e9gbolt val\u00f3j\u00e1ban a talaj maga, amelyen fon\u00e1lf\u00e9rgek, kukacok \u00e9s meztelencsig\u00e1k falk\u00e1ba ver\u0151dve ny\u00e1lk\u00e1s\u00edtj\u00e1k a ki\u00e1ll\u00edt\u00f3terem padl\u00f3zat\u00e1t, \u00e9s a befogad\u00f3 tekintet\u00e9t. Minden l\u00e1tszat ellen\u00e9re horizontalit\u00e1ssal van itt dolgunk, a k\u00e9pzeletet \u00e9s val\u00f3s\u00e1got felbont\u00f3 rizomatikus<\/span> maradv\u00e1nnyal.9<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

9<\/p>\n

Moldvay Tam\u00e1s (2016) \u201eE mint esem\u00e9ny\u201d, Tiszat\u00e1j<\/em> 70 \u00e9vf, 9 sz., 2016, pp. 46-61.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2100″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keresztes Zs\u00f3fia: A M\u00e1rt\u00edr Terhelhet\u0151s\u00e9ge,<\/em> 2016, \u2028polisztirol lap, c\u00e9rna, akrilfest\u00e9k, Macbook dobozok, Macbook akkumul\u00e1tor | fot\u00f3: Zana Kriszti\u00e1n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Azok a fonalak, amelyek m\u00e1r sz\u00e9tm\u00e1llottak, a m\u00e1rt\u00edrok testeik\u00e9nt is felfoghat\u00f3k, amelyek m\u00e1r messze meghaladt\u00e1k a h\u00fas norm\u00e1lis, megszokott formais\u00e1g\u00e1t. Meg\u00e9l\u00e9s\u00fck egy olyan tapasztal\u00e1s, amelynek bens\u0151s\u00e9gess\u00e9ge tisztas\u00e1got k\u00f6lcs\u00f6n\u00f6z az \u00e9rz\u0151 l\u00e9leknek. Egy Drusus nev\u0171 m\u00e1rt\u00edrr\u00f3l, akit \u00e9lve el\u00e9gettek a k\u00f6vetkez\u0151t jegyezt\u00e9k f\u00f6l: \u201e\u00e9s a f\u00fcst, amely felsz\u00e1llt, el\u0171zte a d\u00e9monokat, akik odafent repkedtek, megvetem\u00edtette a d\u00e9mont \u00e9s megtiszt\u00edtotta a leveg\u0151t.\u201d10<\/span> A test el\u00e9get\u00e9se ebben a diskurzusban egyfajta tisztul\u00e1si r\u00edtus, amely nemcsak a testet tiszt\u00edtja meg annak b\u0171neit\u0151l, hanem a test k\u00f6zvetlen \u00f6kol\u00f3gi\u00e1j\u00e1t, s\u0151t, m\u00e9g az \u00e9gboltot is megszabad\u00edtja a d\u00e9moni ellens\u00e9g megsz\u00e1ll\u00e1s\u00e1t\u00f3l. Felsz\u00e1ll az el\u00e9getett test f\u00fcstje a felh\u0151be. Sokatmond\u00f3, hogy ebben a p\u00e9ld\u00e1ban a gonoszs\u00e1g fentr\u0151l \u00e9rkezik. A fenti le\u00edr\u00e1sban tetten \u00e9rhet\u0151 a fens\u00e9ggel \u00e9s a f\u00e9nnyel szembeni szkepszis, mert a d\u00e9monok odafent, az \u00e9gben repkednek, ak\u00e1rcsak az angyalok. Elv\u00e9gre nem egy\u00e9b a d\u00e9mon, mint elt\u00e9velyedett angyal. K\u00fcl\u00f6n\u00f6sen \u00e9rdekfesz\u00edt\u0151, ahogyan Keresztes \u00f6sszef\u0171zi a kozmol\u00f3gi\u00e1t \u00e9s a metafizik\u00e1t a korunkban egyre divatosabb felh\u0151 alap\u00fa informatik\u00e1val mint technol\u00f3giai jelens\u00e9ggel. A felh\u0151 elengedhetetlen saj\u00e1toss\u00e1ga a k\u00fcl\u00f6nb\u00f6z\u0151 h\u00e1l\u00f3zati \u00e1gensek k\u00f6z\u00f6tti interpenetr\u00e1ci\u00f3, amint erre felh\u00edvja a figyelmet egy, a digitalit\u00e1ssal foglalkoz\u00f3 k\u00e9zik\u00f6nyv: \u201eaz emberi \u00e9s kultur\u00e1lis tud\u00e1s egyre ink\u00e1bb interpenetr\u00e1lni fogja a term\u00e9szeti \u00e9s \u00e9p\u00edtett k\u00f6rnyezetet, egyre nagyobb fok\u00fa tel\u00edtetts\u00e9ggel.\u201d11<\/span> Nemcsak a testis\u00e9g t\u00f6lt\u0151dik fel a felh\u0151be, hanem a felh\u0151 tov\u00e1bbterjeszt\u00e9sei \u00e9s \u00f6kol\u00f3giai ny\u00falv\u00e1nyai r\u00e9v\u00e9n az elf\u00fcst\u00f6lt korporealit\u00e1s k\u00eds\u00e9rtetiess\u00e9ge visszat\u00e9r az \u00e1that\u00f3 technol\u00f3giai \u00f6kol\u00f3gi\u00e1n kereszt\u00fcl. A sz\u00e9tter\u00edtett tud\u00e1s a maga automatizmus\u00e1val negativit\u00e1st, d\u00e9monokat \u00e9s meghib\u00e1sod\u00e1sokat gener\u00e1l, a d\u00e9moni megsz\u00e1llotts\u00e1g \u00e1ltal\u00e1nos \u00f6kol\u00f3gi\u00e1j\u00e1t. A digit\u00e1lis romok, \u00e9s virtu\u00e1lis reziduumok korunk rothad\u00f3 testjei, intenz\u00edv \u00e9rzetgy\u0171jtem\u00e9nyek, amelyek \u201ealany n\u00e9lk\u00fcli individu\u00e1ci\u00f3t\u201d k\u00e9peznek.12<\/span> A felbomlotts\u00e1g itt nem kiz\u00e1r\u00f3lag a fizikai testben megy v\u00e9gbe, hiszen a digit\u00e1lis k\u00f3dok \u2013 a h\u00e1l\u00f3zatba val\u00f3 t\u00f6m\u00f6r\u00edt\u00e9shez \u2013 m\u00e1r fraktaliz\u00e1lt\u00e1k mag\u00e1t a testet is. Nem elk\u00fcl\u00f6n\u00edthet\u0151 a szent rothad\u00e1s, \u00e9s a virtualit\u00e1s a korporealit\u00e1s ir\u00e1ny\u00e1ba val\u00f3 fat\u00e1lis megny\u00edl\u00e1sa, amely rothaszt\u00f3-rombol\u00f3 g\u00e9pk\u00e9nt, h\u00e1bor\u00fas \u00f6ssze\u00e1ll\u00e1sk\u00e9nt deterritorializ\u00e1l<\/span> minden organit\u00e1st. Ennek a folyamatnak sohasem lehet v\u00e9ge, ahogy az install\u00e1ci\u00f3n szerepl\u0151 k\u00e9kes ny\u00falv\u00e1nyok is egyes\u00edtik a d\u00e9monikus eget \u00e9s a fens\u00e9ges, virtu\u00e1lis alantass\u00e1got. Mint Timothy Leary<\/span> megjegyzi, \u201ea kil\u00e9p\u00e9s ut\u00e1ni v\u00e1gyakoz\u00e1s ugyanolyan \u00e9rtelmetlen, mint az \u00e9lethez val\u00f3 ragaszkod\u00e1s.\u201d13<\/span> Nem tudunk kil\u00e9pni a metakommunikativit\u00e1s fonalai k\u00f6z\u00fcl, amelyek p\u00f3kh\u00e1l\u00f3szer\u0171en \u00f6lelnek k\u00f6rbe minket.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

10<\/p>\n

Charles Freeman (2012) Holy Bones, Holy Dust How Relics Shaped the History of Medieval Europe<\/em> (New Haven and London: Yale University Press), 20.<\/p>\n

11<\/p>\n

Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todd Presner, Jeffrey Schnapp (2016) Digital_Humanities<\/em> (Cambridge: The MIT Press), 50.<\/p>\n

12<\/p>\n

Deleuze \u2013 Parnet 2016: 37.<\/p>\n

13<\/p>\n

Timothy Leary (2003) Az ekszt\u00e1zis politik\u00e1ja: Drog, tudat, vall\u00e1s<\/em> (Budapest: Edge 2000), 56.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2101″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keresztes Zs\u00f3fia: Vir\u00e1gz\u00f3 Router,<\/em> 2016,\u2028 (r\u00e9szlet), polisztirol lap, akrilfest\u00e9k, m\u0171vir\u00e1g, router, purhab, m\u0171anyag cs\u0151, gyorsk\u00f6t\u00f6z\u0151 | fot\u00f3: Zana Kriszti\u00e1n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Vir\u00e1gz\u00f3 Router<\/em> c\u00edm\u0171 alkot\u00e1sban egy p\u00e9ld\u00e1j\u00e1t l\u00e1thatjuk annak, amit Matteo Pasquinelli<\/span> \u201eimmateri\u00e1lis parazit\u00e1nak\u201d nevez.14<\/span> Az inform\u00e1ci\u00f3s t\u00e1rsadalom nemcsak adatokat szolg\u00e1ltat, hanem csatorn\u00e1kat, prot\u00e9ziseket, mim\u00e9tikus k\u00e9sz\u00fcl\u00e9ket, v\u00e1gyakoz\u00f3g\u00e9peket \u00e9s olyan auton\u00f3m eszk\u00f6z\u00f6ket, amelyek parazit\u00e1k m\u00f3dj\u00e1ra megsz\u00e1llj\u00e1k a t\u00e1rsadalmi \u00e9letet.15<\/span> Az install\u00e1ci\u00f3ban l\u00e1that\u00f3 p\u00e1lmafa t\u00f6rzs megid\u00e9z k\u00e9t herny\u00f3szer\u0171 lil\u00e1s parazit\u00e1t, amint kibocs\u00e1tanak magukb\u00f3l egy bizonytalan anyagot, amelyet ak\u00e1r \u201ea rossz transzparenci\u00e1jak\u00e9nt\u201d is jellemezhetn\u00e9nk. Annak dac\u00e1ra, hogy mindenki sz\u00e1m\u00e1ra l\u00e1that\u00f3, a rossz transzparenci\u00e1ja pontosan vizu\u00e1lis t\u00faltel\u00edtetts\u00e9ge \u00e9s t\u00falm\u0171k\u00f6d\u00e9se ok\u00e1n gyakorol elhom\u00e1lyos\u00edt\u00f3 \u00e9s elidegen\u00edt\u0151 hat\u00e1st a t\u00e1rsadalomra. Jean Baudrillard a rossz transzparenci\u00e1ja kapcs\u00e1n a nyilv\u00e1noss\u00e1ggal a v\u00edrusoss\u00e1got k\u00f6ti \u00f6ssze: a kibernetikai kult\u00fara \u201eminden folyamata g\u00e9piesen kapcsol\u00f3dik egym\u00e1sba, \u00e9s programoz\u00e1sa v\u00e9g n\u00e9lk\u00fcl folyik, szimbolikus szervez\u00e9s n\u00e9lk\u00fcl, transzcendens c\u00e9l n\u00e9lk\u00fcl, puszt\u00e1n az \u00f6nmag\u00e1val val\u00f3 promiszkuit\u00e1sban, amely egyben a h\u00e1l\u00f3zatok \u00e9s az integr\u00e1lt \u00e1ramk\u00f6r\u00f6k promiszkuit\u00e1sa is.\u201d16<\/span><\/p>\n

A sejtoszt\u00f3d\u00e1ssal szaporod\u00f3 l\u00e9nyeknek nincsen sz\u00fcks\u00e9g\u00fck semmilyen dualit\u00e1sra: testeik produktivit\u00e1sa v\u00edrusos modellt k\u00f6vet, \u00f6nreferenci\u00e1lis m\u00f3don kibocs\u00e1tja mag\u00e1b\u00f3l az egyre kisebb m\u00e9rt\u00e9k\u0171 genetikai heterogenit\u00e1ssal b\u00edr\u00f3 ut\u00f3dnemzed\u00e9keket. Nem tudhatjuk eg\u00e9szen pontosan, mik\u00e9nt szaporodik ez a fajta nyilv\u00e1noss\u00e1g. Egyszer csak azt vessz\u00fck \u00e9szre, hogy a felh\u0151 form\u00e1tlan masszak\u00e9nt a f\u00f6ldre sz\u00e1llt, \u00e9s \u00e1tvette az ir\u00e1ny\u00edt\u00e1st a h\u00e1l\u00f3zataink felett. A sejtoszt\u00f3d\u00e1sos, hibridiz\u00e1ci\u00f3s masszaszer\u0171 szaporod\u00e1s egyben \u00fcr\u00edt\u00e9s is. \u00d6sszefolyik a sz\u00fclet\u00e9s \u00e9s a sz\u00e9kel\u00e9s gesztusa, az anyag kiz\u00e1r\u00f3lag plasztikus, form\u00e1tlanul foly\u00e9kony lehet, \u00f6sszenyomhat\u00f3, felgy\u0171rhet\u0151 \u00e9s kiter\u00edthet\u0151. Gusztustalan m\u00f3don az \u00e1tl\u00e1tsz\u00f3 b\u00e9lcsatorna folyik ki a herny\u00f3 red\u0151z\u00f6tt test\u00e9b\u0151l. A transzparens b\u00e9lfal l\u00e1that\u00f3v\u00e1 teszi az em\u00e9szt\u00e9s internalit\u00e1s\u00e1t, \u00e9s ez\u00e1ltal fokaliz\u00e1lja \u00e9s \u00f6sszpontos\u00edtja a tekintet\u00fcnket. A fokaliz\u00e1ci\u00f3 vonatkoz\u00e1s\u00e1ban fontos megjegyezn\u00fcnk, hogy az \u201ekomplexifik\u00e1lja a narr\u00e1ci\u00f3 kateg\u00f3ri\u00e1j\u00e1t az\u00e1ltal, hogy a narrat\u00edv funkcionalit\u00e1s egy k\u00fcl\u00f6n\u00e1ll\u00f3, be\u00e1gyazott r\u00e9teg\u00e9t k\u00fcl\u00f6nb\u00f6zteti.\u201d17<\/span> Az install\u00e1ci\u00f3ban l\u00e1that\u00f3 herny\u00f3 \u00e1tl\u00e1tsz\u00f3 b\u00e9lcsatorn\u00e1ja is hasonl\u00f3 narrat\u00edv funkci\u00f3t t\u00f6lt be, mivel r\u00e1ir\u00e1ny\u00edtja a befogad\u00f3 tekintet\u00e9t a komplexifik\u00e1ci\u00f3 alantas rettenet\u00e9re. A transzparencia obszcenit\u00e1s\u00e1ban a t\u00falhaszn\u00e1lat l\u00e1that\u00f3v\u00e1 teszi, hogy nem marad semmi, ami elrejthet\u0151. \u00c9rdemes megeml\u00edten\u00fcnk az elhaszn\u00e1l\u00f3d\u00e1s \u00e9s a l\u00e1that\u00f3 b\u00e9lcsatorna kapcs\u00e1n egy k\u00fcl\u00f6n\u00f6sen morbid pornogr\u00e1fiai eszt\u00e9tikai form\u00e1t. Az extr\u00e9m an\u00e1lis szexpornogr\u00e1fi\u00e1kban elterjedt az \u00fagynevezett rosebudding,<\/em> amelynek sor\u00e1n a szerepl\u0151k kinyomj\u00e1k elny\u0171tt b\u00e9lizmaikat, mely \u00edgy egy kiny\u00edl\u00f3 r\u00f3zs\u00e1ra eml\u00e9keztet\u0151 h\u00fascafatot tesz l\u00e1that\u00f3v\u00e1. Mint egy cikk eml\u00edti, ennek a \u02bbvir\u00e1gnak\u2019 \u201ea szaga olyan, mint a v\u00e9r, \u00e9s az \u00edze pedig olyan, mint a nyers h\u00fas\u00e9.\u201d18<\/span> Ez a nyers, romlott h\u00fasszer\u0171 vir\u00e1g a hal\u00e1l kiny\u00edl\u00e1sa \u00e9s a rossz transzparenci\u00e1ja. Amint tal\u00e1lkozik a nyelv ezzel a torz vir\u00e1ggal, cs\u0151d\u00f6t mond minden fert\u0151tlen\u00edt\u00e9si \u00e9s megtiszt\u00edt\u00e1si t\u00f6rekv\u00e9s. Nincs teljes \u00e9s tot\u00e1lis an\u00e1lis beoml\u00e1s, csak fat\u00e1lis t\u00faltel\u00edt\u0151d\u00e9s: \u201ea megsemmis\u00fcl\u00e9s \u00fatja az elszaporod\u00e1s, a fert\u0151z\u00e9s, a tel\u00edt\u0151d\u00e9s \u00e9s a transzparencia, a kimer\u00fcl\u00e9s \u00e9s a kipusztul\u00e1s, a j\u00e1rv\u00e1ny szimul\u00e1l\u00e1sa.\u201d19<\/span> Az install\u00e1ci\u00f3n l\u00e1that\u00f3 immateri\u00e1lis parazita kieg\u00e9sz\u00edt\u00e9seket, pikkelyeket, fert\u0151z\u0151 dudorokat is tartalmaz, teh\u00e1t test\u00e9t a vir\u00e1lis tobz\u00f3d\u00e1s \u00e9s az organikus kimer\u00fcl\u00e9s kett\u0151ss\u00e9ge jellemzi. Megsz\u00fclni \u00f6nmag\u00e1t \u00e1tl\u00e1that\u00f3s\u00e1g\u00e1n\u00e1l fogva nem k\u00e9pes, csak b\u00e9lcsatorn\u00e1ja bukkan el\u0151 \u00fattalan vadonk\u00e9nt. Ez a bakterol\u00f3giai virtu\u00e1lis teny\u00e9szet utat k\u00edv\u00e1n sz\u00e1munkra a f\u00f6ld felt\u00f6r\u00e9s\u00e9hez, amely obszc\u00e9nabb a legeksztr\u00e9mebb szexu\u00e1lis aktusn\u00e1l, \u00e9s v\u00e9gtelen sorban termeli ki a k\u00fcl\u00f6nb\u00f6z\u0151 betegs\u00e9gdobozokat.20<\/span> Az elfeketed\u00e9s, a fek\u00e9lyess\u00e9g, a t\u00e1lyogok nem mint a test hib\u00e1i l\u00e9pnek fel, hanem a test m\u0171k\u00f6d\u00e9s\u00e9nek zavaraik\u00e9nt, zajk\u00e9nt. Clarke szerint a zajt nem tiszta hi\u00e1nyk\u00e9nt kell \u00e9rten\u00fcnk, hanem olyan \u201e\u00f6nreferenci\u00e1lis effektusk\u00e9nt, amely meger\u0151s\u00edti a jelet a c\u00e9lja fel\u00e9 k\u00f6zvet\u00edt\u0151 materi\u00e1lis m\u00e9dium n\u00e9lk\u00fcl\u00f6zhetetlens\u00e9g\u00e9ben.\u201d21<\/span> A zaj is rendelkezik inform\u00e1ci\u00f3\u00e9rt\u00e9kkel, mivel adapt\u00e1ci\u00f3ra k\u00e9nyszer\u00edti az \u00e1ltala \u00e9rintett rendszereket. A transzparens herny\u00f3test a h\u00fas elektronikai zajokra \u00e9s elszabadult digit\u00e1lis bitekre val\u00f3 evol\u00faci\u00f3s adapt\u00e1ci\u00f3 t\u00fcnete, amely az elfek\u00e9lyesed\u00e9sen \u00e9s elr\u00e1kosod\u00e1son kereszt\u00fcl fogalmazza meg a saj\u00e1t reakt\u00edv l\u00e9t\u00e9t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

14<\/p>\n

Matteo Pasquinelli (2013) \u201cBiosphere of Machines: Enter the Parasite\u201d In: Ariane Lourie Harrison (ed.) (2013) Architectural Theories of the Environment: Posthuman Territory<\/em> (New York: Routledge), 76.<\/p>\n

15<\/p>\n

Pasquinelli 2013: 77.<\/p>\n

16<\/p>\n

Jean Baudrillard (1990) \u201eA rossz transzparenci\u00e1ja\u201d In: S\u00e1ri L\u00e1szl\u00f3, B\u00f3kay Antal, Vilcsek B\u00e9la, Szamosi Gertr\u00fad (2002) A posztmodern irodalomtudom\u00e1ny kialakul\u00e1sa: A posztstrukturalizmust\u00f3l a posztkolonialit\u00e1sig \u2013 Sz\u00f6veggy\u0171jtem\u00e9ny<\/em> (Budapest: Osiris K\u00f6nyvkiad\u00f3), 89.<\/p>\n

17<\/p>\n

Bruce Clarke (2008) Posthuman Metamorphoses: Narrative and Systems<\/em> (New York: Fordham University Press), 31.<\/p>\n

18<\/p>\n

\/\/www.dailydot.com\/irl\/rosebudding-hardcore-porn-dangerous-trend\/<\/a><\/p>\n

19<\/p>\n

Baudrillard 2002 [1990]: 89.<\/p>\n

20<\/p>\n

Horv\u00e1th M\u00e1rk \u2013 Lov\u00e1sz \u00c1d\u00e1m (2016) The Isle of Lazaretto: Studies in Separation<\/em> (Schism Press)<\/p>\n

21<\/p>\n

Clarke 2008: 137.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2102″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keresztes Zs\u00f3fia: Vir\u00e1gz\u00f3 Router,<\/em> 2016,\u2028 (r\u00e9szlet), polisztirol lap, akrilfest\u00e9k, m\u0171vir\u00e1g, router, purhab, m\u0171anyag cs\u0151, gyorsk\u00f6t\u00f6z\u0151 | fot\u00f3: Zana Kriszti\u00e1n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Holyland plasztikus szents\u00e9ge itt a kivir\u00e1gz\u00f3 router \u00e1ltal megid\u00e9zett Szent Erzs\u00e9bet-legend\u00e1ba torkollik, hiszen a Wi-Fi posztmodern alamizsnak\u00e9nt sz\u00f3r\u00f3dik sz\u00e9t a szeg\u00e9nyek k\u00f6z\u00f6tt. A Wi-Fi router adakoz\u00e1s egy poszthum\u00e1n por\u00f3zus, bizonytalan aktus, amely a szents\u00e9g idegens\u00e9g\u00e9re \u00e9s t\u00e1vols\u00e1g\u00e1ra utal. Poszthum\u00e1n, technikai konstrukci\u00f3 v\u00e1ltja ki az idej\u00e9t m\u00falt kenyeret, \u00e9s a szents\u00e9g internet h\u00e1l\u00f3zatokon kereszt\u00fcl tobz\u00f3dba bomlik ki. A ragacsos, ny\u00e1lk\u00e1s \u00e9s undor\u00edt\u00f3 b\u00e9lcsatorna el\u0151t\u00f6r\u00e9se \u00e9s a r\u00f3zsa kit\u00e1rulkoz\u00e1sa val\u00f3j\u00e1ban egyazon gesztusra, a megny\u00edl\u00e1s teljess\u00e9g\u00e9re utal. Megny\u00edlni annyi, mint t\u00falz\u00f3an kivir\u00e1gozni \u00e9s rothad\u00f3an, alantasan kil\u00e9pni \u00f6nmagunkb\u00f3l. Az \u00f6nfelad\u00e1s, a transzgresszi\u00f3 \u00e9s a megsemmis\u00fcl\u00e9s k\u00e9t \u00fatja val\u00f3j\u00e1ban \u00f6sszetartozik. Minden vir\u00e1g az\u00e9rt vir\u00e1gzik, hogy rovarok \u00e9s egy\u00e9b alantas l\u00e9nyek megm\u00e1ssz\u00e1k \u00e9s meggyal\u00e1zz\u00e1k. A degrad\u00e1ci\u00f3 a r\u00f3zsa-csoda elker\u00fclhetetlen r\u00e9sze.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2103″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keresztes Zs\u00f3fia: Az Alamizsna,<\/em> 2016, (r\u00e9szlet), polisztirol lap, akrilfest\u00e9k, c\u00e9rna | fot\u00f3: Zana Kriszti\u00e1n<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az Alamizsna<\/em> c\u00edm\u0171 install\u00e1ci\u00f3 arra mutat r\u00e1, hogy a digit\u00e1lis h\u00e1l\u00f3zatok mindig \u00f6nmagukra visszahajl\u00f3k \u00e9s rekurz\u00edvan rakonc\u00e1tlanok. A h\u00e1l\u00f3zatkutat\u00e1s egyik fontos k\u00e9pvisel\u0151je Barab\u00e1si Albert L\u00e1szl\u00f3<\/span> \u00f6sszekapcsolja az internet strukt\u00far\u00e1it az AIDS-v\u00edrus \u00e9s a terrorista h\u00e1l\u00f3zatok kommunik\u00e1ci\u00f3s h\u00e1l\u00f3zatait, \u00e9s arra a k\u00f6vetkeztet\u00e9sre jut, hogy azonos h\u00e1l\u00f3zati strukt\u00far\u00e1juk van ezeknek a l\u00e1tsz\u00f3lag rendk\u00edv\u00fcl heterog\u00e9n jelens\u00e9geknek.22<\/span> Minden h\u00e1l\u00f3zat a komplexifik\u00e1ci\u00f3val egy\u00fctt csom\u00f3sodik, felgy\u0171r\u0151dik \u00e9s kaoszmol\u00f3giai sz\u00f6k\u00e9svonalakat teremt meg, ahol berobbanthatja saj\u00e1t mag\u00e1t. A robban\u00e1sok kibontj\u00e1k a multiplicit\u00e1sok rendetlens\u00e9g\u00e9t \u00e9s form\u00e1tlan tova\u00e1raml\u00e1s\u00e1t. A h\u00e1l\u00f3zatelm\u00e9let \u00e9rtelm\u00e9ben h\u00e1rom alapelvnek felelnek meg a h\u00e1l\u00f3zatok: a konnektivit\u00e1s, a minden\u00fctt jelenval\u00f3s\u00e1g \u00e9s az univerzalit\u00e1s.23<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

22<\/p>\n

Barab\u00e1si Albert L\u00e1szl\u00f3 (2013) Beh\u00e1l\u00f3zva: A h\u00e1l\u00f3zatok \u00faj tudom\u00e1nya<\/em> (Budapest: Helikon K\u00f6nyvkiad\u00f3)<\/p>\n

23<\/p>\n

Eugene Thacker (2004) \u201cNetworks, Swarms and Multitudes\u201d In: Arthur Kroker and Marilouise Kroker (eds.) (2004) Life in the Wires: The Theory Reader<\/em> (New World Perspectives Books ), 170.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2112″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keresztes Zs\u00f3fia: Az Alamizsna,<\/em> 2016, polisztirol lap, akrilfest\u00e9k, c\u00e9rna | fot\u00f3: Zana Kriszti\u00e1n<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A rothad\u00f3 szentek maradv\u00e1nyai a test m\u00faland\u00f3s\u00e1ga ellen\u00e9re a szents\u00e9g \u00e1ltal\u00e1noss\u00e1g\u00e1t \u00e9s heterog\u00e9n multiplicit\u00e1s\u00e1t fedt\u00e9k fel. Nem rothadhat k\u00e9t szent test ugyan\u00fagy, viszont a szents\u00e9g azonos, amely a felboml\u00e1s maradv\u00e1nyaiban s\u0171r\u0171s\u00f6dik. Az install\u00e1ci\u00f3ban l\u00e1thatunk \u00e9l\u00e9nk narancssz\u00edn\u0171 c\u00e9rn\u00e1kat, amelyek egy torz k\u00e9zbe akadnak bele. A megt\u00f6rts\u00e9g \u00f6sszegabalyodotts\u00e1ga a h\u00e1l\u00f3zatban megl\u00e9v\u0151 k\u00e1osz lehet\u0151s\u00e9g\u00e9t teszi nyilv\u00e1nval\u00f3v\u00e1. Ezek a kezek hozz\u00e1nk k\u00e9pest v\u00e9gtelen exteriorit\u00e1ssal rendelkeznek, azonban minden egy\u00e9b testis\u00e9gt\u0151l is idegenek. Lev\u00e1gott, komplexifik\u00e1l\u00f3 \u00e9s red\u0151z\u0151 rel\u00e1ci\u00f3k, mint a megt\u00f6rts\u00e9g torz \u00f6ssze\u00e1ll\u00e1sai rombolj\u00e1k a h\u00e1l\u00f3zatok harm\u00f3ni\u00e1j\u00e1t, valamint a testi integrit\u00e1st. K\u00fcl\u00f6n\u00f6s affektivit\u00e1ssal rendelkezik a k\u00e9z, mivel az alantas \u00e9s a vir\u00e1lis fel\u00e9 fordul, \u00e9s nem al\u00e1rendelhet\u0151 semmilyen hasznoss\u00e1gnak. A k\u00e9z rothaszt \u00e9s egyben el is rothad. K\u00fcl\u00f6n\u00f6s, horrorisztikus t\u00f6rt\u00e9netet k\u00f6zvet\u00edt sz\u00e1munkra a k\u00e1oszm\u00e9dia. Egy elhagyatott alb\u00e9rleti lak\u00e1sban egy lev\u00e1gott, elrothadt emberi kezet tal\u00e1ltak 2017 janu\u00e1rj\u00e1ban.24<\/span> A rothadt k\u00e9z semmilyen ir\u00e1nyt nem mutat, csak a rothad\u00e1s komplex \u00e9s megd\u00f6bbent\u0151 hi\u00e1nyos jelenl\u00e9t\u00e9re utal. A cikk arr\u00f3l sz\u00e1mol be, hogy ez az elhagyott testr\u00e9sz d\u00f6bbenetet keltett. Hasonl\u00f3 m\u00f3don d\u00f6bbenetet kelt Keresztes m\u0171v\u00e9nek befogad\u00f3j\u00e1ban az a k\u00f6r\u00fclm\u00e9ny, az elhagyatott, inoperat\u00edv \u00e9s poszthum\u00e1n val\u00f3s\u00e1g felbomlaszt\u00f3an vonzza a tekintetet. Az alantass\u00e1g, az eszt\u00e9tika felboml\u00e1sa, a rossz transzparenci\u00e1ja olyan jelens\u00e9gek, amelyek egy rothadt k\u00e9z mark\u00e1ban s\u0171r\u0171s\u00f6dnek \u00f6ssze.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

24<\/p>\n

\/\/444.hu\/2017\/01\/23\/rohado-emberi-kezet-talaltak-egy-budapesti-alberletben#<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”2114″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Keresztes Zs\u00f3fia: Vir\u00e1gz\u00f3 Router,<\/em> 2016\u2028, polisztirol lap, akrilfest\u00e9k, m\u0171vir\u00e1g, router, purhab, m\u0171anyag cs\u0151, gyorsk\u00f6t\u00f6z\u0151 | fot\u00f3: Zana Kriszti\u00e1n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

BIBLIOGR\u00c1FIA:<\/p>\n

Barab\u00e1si Albert L\u00e1szl\u00f3 (2013) Beh\u00e1l\u00f3zva: A h\u00e1l\u00f3zatok \u00faj tudom\u00e1nya<\/em> (Budapest: Helikon K\u00f6nyvkiad\u00f3)<\/p>\n

Bateson, Gregory (2000) Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology<\/em> (Chicago and London: University of Chicago Press)<\/p>\n

Baudrillard, Jean (1990) \u201eA rossz transzparenci\u00e1ja\u201d In: S\u00e1ri L\u00e1szl\u00f3, B\u00f3kay Antal, Vilcsek B\u00e9la, Szamosi Gertr\u00fad (2002) A posztmodern irodalomtudom\u00e1ny kialakul\u00e1sa: A posztstrukturalizmust\u00f3l a posztkolonialit\u00e1sig \u2013 Sz\u00f6veggy\u0171jtem\u00e9ny<\/em> (Budapest: Osiris K\u00f6nyvkiad\u00f3)<\/p>\n

Burdick, Anne, Drucker, Johanna, Lunenfeld, Peter, Presner, Todd, Schnapp, Jeffrey (2016) Digital Humanities<\/em> (Cambridge: The MIT Press)<\/p>\n

Kristeva, Julia (1992) Black Sun: Depression and Melancholia<\/em> (New York: Columbia University Press)<\/p>\n

Clarke, Bruce (2008) Posthuman Metamorphoses: Narrative and Systems<\/em> (New York: Fordham University Press)<\/p>\n

Deleuze, Gilles \u2013 Parnet, Claire (2016) P\u00e1rbesz\u00e9dek<\/em> (Budapest: L\u2019Harmattan K.)<\/p>\n

Freeman, Charles (2012) Holy Bones, Holy Dust How Relics Shaped the History of Medieval Europe<\/em> (New Haven and London: Yale University Press)<\/p>\n

Geary, Patrick J. (1991 [1978]) Furta Sacra: Thefts of Relics in the Central Middle Ages<\/em> (Princeton: Princeton Universtiy Press)<\/p>\n

Horv\u00e1th M\u00e1rk \u2013 Lov\u00e1sz \u00c1d\u00e1m (2016) The Isle of Lazaretto: Studies in Separation<\/em> (Schism Press)<\/p>\n

Leary, Timothy (2003) Az ekszt\u00e1zis politik\u00e1ja: Drog, tudat, vall\u00e1s<\/em> (Budapest: Edge 2000)<\/p>\n

Moldvay Tam\u00e1s (2016) \u201eE mint esem\u00e9ny\u201d, Tiszat\u00e1j<\/em> 70 \u00e9vf, 9 sz., 2016, pp. 46-61.<\/p>\n

Pasquinelli, Matteo (2013) \u201cBiosphere of Machines: Enter the Parasite\u201d In: Ariane Lourie Harrison (ed.) (2013) Architectural Theories of the Environment: Posthuman Territory<\/em> (New York: Routledge)<\/p>\n

Ricoeur, Paul (1997) Fenomenol\u00f3gia \u00e9s hermeutika<\/em> (Budapest: Kossuth Kvk.)<\/p>\n

Thacker, Eugene (2004) \u201cNetworks, Swarms and Multitudes\u201d In: Arthur Kroker and Marilouise Kroker (eds.) (2004) Life in the Wires: The Theory Reader<\/em> (New World Perspectives Books)<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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