{"id":20398,"date":"2019-08-15T11:29:04","date_gmt":"2019-08-15T09:29:04","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=20398"},"modified":"2023-10-03T19:17:23","modified_gmt":"2023-10-03T17:17:23","slug":"signal","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/signal\/","title":{"rendered":"SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Bla\u017eej Bal\u00e1\u017e, Cyril Bla\u017eo, Stano Filko, Petra Feriancov\u00e1, Viktor Fre\u0161o, Jozef Jankovi\u010d, Michal Kern, Martin Kochan, J\u00falius Koller, Marek Kvetan, J\u00e1n Man\u010du\u0161ka, Roman Ondak, Monogramista T. D, Rudolf Sikora, Pavla Scerankov\u00e1, P\u00e9ter R\u00f3nai, Jaro Varga<\/h2>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Ludwig M\u00fazem \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazem, Budapest
\n2019. \u00e1prilis 19 \u2013 j\u00fanius 23.<\/h4>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Kur\u00e1tor: Vladim\u00edr Beskid
\nSzakmai el\u0151k\u00e9sz\u00edt\u00e9s: Popovics Vikt\u00f3ria
\nA ki\u00e1ll\u00edt\u00e1s koordin\u00e1tora: Kemenes Panna<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Ludwig M\u00fazeum a szlov\u00e1kiai konceptu\u00e1lis m\u0171v\u00e9szetek1<\/span> t\u00f6bb mint f\u00e9l \u00e9vsz\u00e1zados t\u00f6rt\u00e9net\u00e9nek mozzanatait bemutat\u00f3 ki\u00e1ll\u00edt\u00e1sa2<\/span> szellemes \u00e9s t\u00f6bbjelent\u00e9s\u0171 munk\u00e1kkal a szlov\u00e1k3<\/span> konceptualizmus gazdags\u00e1g\u00e1t \u00e9s sokr\u00e9t\u0171s\u00e9g\u00e9t prezent\u00e1lja. A h\u00e1rom gener\u00e1ci\u00f3 alkot\u00e1saib\u00f3l v\u00e1logatott, \u201evid\u00e1mparkos\u201d elrendez\u00e9se v\u00e9gig fenntartja az \u00e9rdekl\u0151d\u00e9st az egy\u00e9bk\u00e9nt mag\u00e1t nem k\u00f6nnyen megad\u00f3 konceptu\u00e1lis m\u0171v\u00e9szet ir\u00e1nt.<\/p>\n

A fel\u00fct\u00e9sk\u00e9nt \u00e9s kur\u00e1tori \u00e1ll\u00e1sfoglal\u00e1sk\u00e9nt elhelyezett m\u0171vek bevezetnek \u00e9s ugyanakkor t\u00e1j\u00e9koztatnak arr\u00f3l, hogy mi a kur\u00e1tor, Vladim\u00edr Beskid<\/span> szerint a ki\u00e1ll\u00edt\u00e1s \u2013 \u00e9s egyben t\u00e9m\u00e1ja \u2013 \u201eesszenci\u00e1ja\u201d: az els\u0151 teremben Rudolf Sikora<\/span> Felki\u00e1lt\u00f3jel<\/em>e (1974\u20132018), J\u00falius Koller<\/span> Anti-k\u00e9p<\/em>e (1969) \u00e9s Pingpong asztal<\/em>a (1990) fogadja a l\u00e1togat\u00f3t. A Felki\u00e1lt\u00f3jel<\/em> egyszerre sok mindenre r\u00e1vil\u00e1g\u00edt: mik\u00f6zben kijel\u00f6li a t\u00e1rsadalmi elk\u00f6telezetts\u00e9g \u00e9s a teljes elanyagtalanod\u00e1s k\u00f6z\u00f6tti j\u00e1t\u00e9kt\u00e9rben a konceptu\u00e1lis m\u0171v\u00e9szet egyik p\u00f3lus\u00e1t, jellemz\u0151 alkot\u00f3ja munk\u00e1ss\u00e1g\u00e1ra is (e ki\u00e1ll\u00edt\u00e1son is vannak hasonl\u00f3 munk\u00e1i), tov\u00e1bb\u00e1 r\u00e1mutat a (cseh)szlov\u00e1kiai \u00e9s kelet-eur\u00f3pai konceptu\u00e1lis m\u0171v\u00e9szet l\u00e9tez\u00e9s\u00e9nek kereteire, valamint \u2013 egy l\u00e9p\u00e9ssel t\u00e1volabbr\u00f3l n\u00e9zve \u2013 id\u0151dimenzi\u00f3ira is. A m\u0171 fot\u00f3dokument\u00e1ci\u00f3: a Felki\u00e1lt\u00f3jel<\/em> egy szobor a pr\u00e1gai \u00f3v\u00e1rosi t\u00e9ren, a k\u00e9t d\u00e1tum pedig az \u00f6tlet keletkez\u00e9s\u00e9nek (1974) \u00e9s kivitelez\u00e9s\u00e9nek \u00e9v\u00e9t (2018) jelzi.4<\/span> A m\u0171 eredetileg a p\u00e1rizsi Fiatalok Bienn\u00e1l\u00e9j\u00e1<\/em>ra k\u00e9sz\u00fclt, de \u2013 mivel a m\u0171v\u00e9sz akkor nem utazhatott ki \u2013 csak 34 \u00e9vvel k\u00e9s\u0151bb val\u00f3sult meg (a szobor \u00e9s a fotogr\u00e1fia is) Pr\u00e1g\u00e1ban. A sz\u00f6veg a felki\u00e1lt\u00f3jelen id\u00e9zet a Nobel-d\u00edjas biok\u00e9mikus Jacques Lucien Monadt\u00f3l: \u201eaz ember v\u00e9g\u00fcl is tudja, hogy egyed\u00fcl van a rideg \u00e9s feneketlen vil\u00e1g\u0171rben…\u201d5<\/span> A tudom\u00e1nyos (\u0171r)kutat\u00e1sok, az objekt\u00edv megismer\u00e9sbe \u00e9s a fejl\u0151d\u00e9sbe vetett t\u00f6retlen modernista hit f\u00e9nykor\u00e1ban tett moraliz\u00e1l\u00f3 (\u00e9s \u00edgy figyelmeztet\u0151) kijelent\u00e9s \u2013 a meg nem val\u00f3sult kozmikus \u00e1lmokat k\u00f6vet\u0151 ki\u00e1br\u00e1ndults\u00e1g ut\u00e1n \u2013 ma ink\u00e1bb naivnak t\u0171nik, \u00edgy a m\u0171 a kivitelez\u00e9sekor m\u00e1r \u00f6nironikus lett. A jelent\u00e9s nemcsak a politikai rezsimek v\u00e1ltoz\u00e1snak f\u00fcggv\u00e9ny\u00e9ben, hanem a vil\u00e1gban v\u00e9gbement ment\u00e1lis v\u00e1ltoz\u00e1sok eredm\u00e9nyek\u00e9nt is \u00e1talakult.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

A hard core, klasszikus, poszt- \u00e9s neokonceptu\u00e1lis m\u0171v\u00e9szetek terminol\u00f3gi\u00e1j\u00e1r\u00f3l most csak annyit, hogy a gondolatis\u00e1got el\u0151t\u00e9rbe (a formai szempontok el\u00e9) helyez\u0151 \u201eklasszikus\u201d konceptu\u00e1lis m\u0171v\u00e9szet (1960-as, 70-es \u00e9vek) ut\u00e1n, a m\u0171 visszanyerte anyagis\u00e1g\u00e1t (a konceptu\u00e1lis m\u0171v\u00e9szetekben a forma \u00f6nc\u00e9l\u00faan az\u00f3ta se szerepel). A posztkonceptu\u00e1lis a kort\u00e1rs m\u0171v\u00e9szetnek arra az \u00e1ltal\u00e1nos \u00e1llapot\u00e1ra vonatkozik, amelyben (a klasszikus konceptualizmus ut\u00e1n) m\u00e1r nem tekinthet reflekt\u00e1latlanul mag\u00e1ra, mintha a m\u0171v\u00e9szet \u2013 \u00f6n-, fogalmi-, t\u00e1rsadalmi stb. \u2013 reflexi\u00f3ja meg sem t\u00f6rt\u00e9nt volna. Ilyen \u00e9rtelemben az a m\u0171, ami nem posztkonceptu\u00e1lis, az nem is kort\u00e1rs. A neokonceptu\u00e1lis m\u0171v\u00e9szet enn\u00e9l sz\u0171kebb \u00e9rtelm\u0171: az az 1990 k\u00f6r\u00fcl \u00fajra er\u0151teljesen jelentkez\u0151, szint\u00e9n rematerializ\u00e1lt m\u0171v\u00e9szet, amely a konceptu\u00e1lis m\u0171v\u00e9szeti hagyom\u00e1nyokra k\u00f6zvetlen\u00fcl \u00e9p\u00edt. Ld. Tatai Erzs\u00e9bet: Neokonceptu\u00e1lis m\u0171v\u00e9szet Magyarorsz\u00e1gon a kilencvenes \u00e9vekben,<\/em> Pr\u00e6sens, Budapest, 2005; Peter Osborne: Anywhere or not at all. Philosophy of Contemporary Art.<\/em> Verso, London\u2013New York, 2013<\/p>\n

2<\/p>\n

A ki\u00e1ll\u00edt\u00e1s a 2015-ben Wroc\u0142awban (Muzeum Wsp\u00f3\u0142czesne Wroc\u0142aw ) The Soft Codes. Conceptual Tendencies in Slovak Art<\/em> c\u00edmmel (ld. https:\/\/muzeumwspolczesne.pl\/mww\/wystawy\/ miekkie-kody-tendencje-konceptualne-w-sztuce-slowackiej\/?lang=en<\/a>) \u00e9s 2018-ban Pr\u00e1g\u00e1ban (Galerie hlavn\u00edho m\u011bsta Prahy) Probe I. The Story of (Post)conceptual Art in Slovakia<\/em> c\u00edmmel (ld. http:\/\/en.ghmp.cz\/past-exhibitions\/probe-1-the-story-of-slovak-post-conceptual-art\/<\/a>) rendezett t\u00e1rlatok adapt\u00e1ci\u00f3ja. Ki\u00e1ll\u00edt\u00f3k: Stano Filko (1937\u20132015), Jozef Jankovi\u010d (1937\u20131994), Michal Kern (1938\u20131994), J\u00falius Koller (1939\u20132007), Rudolf Sikora (1946), Monogrammista T. D. (1947) P\u00e9ter R\u00f3nai (1953), Bla\u017eej Bal\u00e1\u017e (1958), Roman Ondak (1966), Cyril Bla\u017eo (1970), J\u00e1n Man\u010du\u0161ka (1972\u20132011), Viktor Fre\u0161o (1974), Marek Kvetan (1976), Petra Feriancov\u00e1 (1977), Martin Kochan (1981), Pavla Scerankov\u00e1 (1980), Jaro Varga (1984).<\/span>
\nhttps:\/\/www.ludwigmuseum.hu\/kiallitas\/signal-konceptualis-es-posztkonceptualis-tendenciak-szlovak-kepzomuveszetben<\/a><\/p>\n

3<\/p>\n

Szlov\u00e1k m\u0171v\u00e9szet az, amit szlov\u00e1k identit\u00e1s\u00fa alkot\u00f3k m\u0171veltek vagy m\u0171velnek Csehszlov\u00e1ki\u00e1ban majd Szlov\u00e1ki\u00e1ban.<\/p>\n

4<\/p>\n

Az pedig m\u00e1r csak a konceptu\u00e1lis m\u0171v\u00e9szetek rajong\u00f3inak hab a tort\u00e1n, hogy Sikora munk\u00e1ja \u00e9pp ott van bemutatva, ahol egy \u00e9vvel kor\u00e1bban T\u00fcrk P\u00e9ter felki\u00e1lt\u00f3- \u00e9s k\u00e9rd\u0151jelei szerepeltek. (Ld. Minden nem l\u00e1tszik \u2013 T\u00fcrk P\u00e9ter \/1943-2015\/ \u00e9letm\u0171ki\u00e1ll\u00edt\u00e1sa,<\/em> 2018. \u00e1prilis 20 \u2013 j\u00fanius 24., https:\/\/www.ludwigmuseum.hu\/kiallitas\/minden-nem-latszik-turk-peter-1943-2015-eletmukiallitasa<\/a>)<\/p>\n

5<\/p>\n

Jacques Monod: Chance and Necessity: Essay on the Natural Philosophy of Modern Biology. Translated Austryn Wainhouse.<\/em> VINTAGE BOOKS, A Division of Random House, New York, 1972, 180. https:\/\/monoskop.org\/images\/9\/99\/ Monod_Jacques_Chance_and_Necessity.pdf<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20401″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l) \u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20402″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Rudolf Sikora:\u00a0Felki\u00e1lt\u00f3jel,<\/em> 1974\u20132018<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20578″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Julius Koller:\u00a0Antik\u00e9p \u2013 Felki\u00e1lt\u00f3jelek,<\/em> 1969<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A k\u00e9t d\u00e1tum ugyanakkor azt is el\u0151re jelzi, hogy a konceptu\u00e1lis m\u0171v\u00e9szet Szlov\u00e1ki\u00e1ban folyamatosan6<\/span> l\u00e9tezik, jelen van. Koller Anti-k\u00e9p \u2013 Felki\u00e1lt\u00f3jelek<\/em> c\u00edm\u0171 alkot\u00e1sa (1969) utal a konceptu\u00e1lis m\u0171v\u00e9szet akkori, szlov\u00e1kiai helyzet\u00e9re. Koller \u2013 akit sokan a konceptu\u00e1lis m\u0171v\u00e9szet let\u00e9tem\u00e9nyes\u00e9nek tekintenek, 1969-ben m\u00e9g fest\u0151nek tartja mag\u00e1t \u2013 k\u00e9pe minden k\u00e9ts\u00e9get kiz\u00e1r\u00f3an festm\u00e9ny, valahol a szeri\u00e1lis m\u0171v\u00e9szet \u00e9s az absztrakt expresszionizmus k\u00f6z\u00f6tt. Geometrikus rendszer a hard edge k\u00ednos pontoss\u00e1ga n\u00e9lk\u00fcl: a piros cs\u00edkos textilre raszteres rendbe felsorakoztatott feh\u00e9r felki\u00e1lt\u00f3jelek fest\u00e9s\u00e9n\u00e9l minden egyes f\u00fcgg\u0151leges vonal h\u00faz\u00e1sa k\u00f6zben elfogyott a fest\u00e9k \u2013 n\u00e9mi spontaneit\u00e1s becsemp\u00e9sz\u00e9s\u00e9vel \u2013 gyeng\u00e9den vibr\u00e1l\u00f3 fest\u0151is\u00e9get okozva a v\u00e1sznon. Noha a mot\u00edvum \u00e9s a c\u00edm a konceptualizmushoz utaln\u00e1 a k\u00e9pet, \u00e9rz\u00e9ki tulajdons\u00e1gai m\u00e9gis ellen\u00e1llnak e besorol\u00e1snak, ugyanakkor az anyagv\u00e1laszt\u00e1sban (a fest\u0151v\u00e1szon kiiktat\u00e1s\u00e1ban) van egy adag dacos dadaista von\u00e1s \u00e9s fluxusszer\u0171 j\u00e1t\u00e9koss\u00e1g is. A harmadik m\u0171 (1990-b\u0151l) egy pingpongasztal fele, mely a hi\u00e1nyz\u00f3 h\u00e1l\u00f3 ment\u00e9n a falhoz simul \u2013 a j\u00e1t\u00e9kra h\u00edv\u00e1s \u00e9s annak ilyenfajta azonnali ellehetetlen\u00edt\u00e9se legal\u00e1bb annyit k\u00f6sz\u00f6nhet a fluxusnak (ld. George Maciunas Fluxus pingpong<\/em>j\u00e1t az 1970-es \u00e9vekb\u0151l), mint a konceptu\u00e1lis m\u0171v\u00e9szetnek. A fal t\u00faloldal\u00e1n, a k\u00f6vetkez\u0151 teremben persze megtal\u00e1lhat\u00f3 az asztal m\u00e1sik fele. \u00c9rtelmez\u0151i attit\u0171d f\u00fcggv\u00e9nye, hogy ebben az abszurdban egy humoros, j\u00e1t\u00e9kos gesztust l\u00e1tunk vagy a (t\u00e1rsadalmi) kommunik\u00e1ci\u00f3 lehetetlens\u00e9g\u00e9nek metafor\u00e1j\u00e1t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

6<\/p>\n

A folyamatoss\u00e1g term\u00e9szetesen nem ilyen egyszer\u0171 k\u00e9rd\u00e9s, de az biztos, hogy az 1980-as \u00e9vekben is k\u00e9sz\u00fcltek konceptu\u00e1lis alkot\u00e1sok.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20403″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A bevezet\u00e9s teh\u00e1t el\u0151revet\u00edti, hogy lesz itt abszurd \u00e9s absztrakci\u00f3, k\u00e9p \u00e9s dokument\u00e1ci\u00f3, valamint elm\u00e9lked\u00e9s, sz\u00e1mvet\u00e9s az ember hely\u00e9r\u0151l a kozmoszban, az id\u0151intervallum pedig az 1960-as \u00e9vekt\u0151l a 2010-es \u00e9vek v\u00e9g\u00e9ig terjed. B\u00e1r a katal\u00f3gusban7<\/span> \u00e9s sz\u00f6veges \u00e1ll\u00e1sfoglal\u00e1saiban a kur\u00e1tor h\u00e1rom nemzed\u00e9kr\u0151l besz\u00e9l, az m\u00e9gis Beskid rejtett preferenci\u00e1ir\u00f3l tan\u00faskodik, hogy csup\u00e1n az alap\u00edt\u00f3 aty\u00e1k jelennek meg az \u201eel\u0151szob\u00e1ban\u201d. Kronologikusan fel\u00e9p\u00edtett ki\u00e1ll\u00edt\u00e1s eset\u00e9n ez a kezd\u00e9s \u00e9rthet\u0151 lenne, \u00e1m a rendez\u00e9sben nem \u00e9rv\u00e9nyes\u00fcl a t\u00f6rt\u00e9netis\u00e9g, s didakszisnak, oktat\u00f3 sz\u00e1nd\u00e9knak sem tal\u00e1ljuk nyom\u00e1t. Minden r\u00e9szegys\u00e9gben jelen van minden korszak \u00e9s (csaknem) minden m\u0171v\u00e9sz.<\/p>\n

Mindazon\u00e1ltal a kur\u00e1tor t\u00f6rekedett egy tematikus sziszt\u00e9ma kialak\u00edt\u00e1s\u00e1ra, s ennek alapj\u00e1n, az al\u00e1bbi c\u00edmek alatt, n\u00e9gy nagy csoportot hozott l\u00e9tre: 1. Z\u00e9r\u00f3 gesztusok (A l\u00e1zad\u00f3 \u00fcress\u00e9g beteljes\u00fcl);<\/em> 2. Sz\u00f6vegm\u00e1nia (Sz\u00f6veg a k\u00e9pmez\u0151ben);<\/em> 3. Bels\u0151 kozmosz (Utaz\u00e1s egy pap\u00edruniverzumon \u00e1t);<\/em> 4. A k\u00e9p \u00fajra fogalmaz\u00e1sa (A digit\u00e1lis hat\u00e1s).<\/em> Az els\u0151 kett\u0151 a klasszikus konceptu\u00e1lis m\u0171v\u00e9szet \u201edematerializ\u00e1l\u00f3\u201d t\u00f6rekv\u00e9seinek felelnek meg, a harmadik (a sok lehets\u00e9ges k\u00f6z\u00fcl) egy olyan speci\u00e1lis t\u00e9m\u00e1ra koncentr\u00e1l, amely t\u00f6bb szlov\u00e1k m\u0171v\u00e9szt foglalkoztatott. V\u00e9g\u00fcl a negyedik szint\u00e9n a konceptu\u00e1lis m\u0171v\u00e9szet probl\u00e9mafelvet\u00e9seinek folyom\u00e1nya, de csak r\u00e9szben, mert \u2013 ahogy azt az alc\u00edm is jelzi \u2013 a k\u00e9p \u00fajragondol\u00e1sa a technikai kult\u00fara kih\u00edv\u00e1saira val\u00f3 reflexi\u00f3t is implik\u00e1lja.<\/p>\n

A t\u00e9mak\u00f6r\u00f6k mindazon\u00e1ltal egym\u00e1sba folynak, \u00e1tfedik egym\u00e1st. Bizony\u00e1ra lehetett volna ebb\u0151l a szempontb\u00f3l didaktikusabban rendezni (\u00e9s olyan m\u0171veket v\u00e1logatni), hogy egy\u00e9rtelm\u0171bbek legyenek a hat\u00e1rok a k\u00fcl\u00f6nb\u00f6z\u0151 ter\u00fcletek k\u00f6z\u00f6tt, m\u00e9gis alapvet\u0151en arr\u00f3l van sz\u00f3, hogy ez szinte lehetetlen, mivel a legt\u00f6bb alkot\u00e1s egyszerre t\u00f6bb kateg\u00f3ri\u00e1ba is tartozik (ami az \u0171rr\u0151l sz\u00f3l, lehet egyszerre sz\u00f6veges, \u00e9s ami sz\u00f6veges, problematiz\u00e1lhatja mag\u00e1t a k\u00e9pis\u00e9get is), de az\u00e9rt is, mert vannak olyan munk\u00e1k is, amelyek egyik csoportba sem szuszakolhat\u00f3k be marad\u00e9ktalanul.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

7<\/p>\n

Vladim\u00edr Beskid: Signal \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben,<\/em> 2019. \u00e1prilis 19. \u2013 j\u00fanius 23. Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum Budapest. Budapest, 2019., 26.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20405″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]1. Z\u00e9r\u00f3 gesztusok (A l\u00e1zad\u00f3 \u00fcress\u00e9g beteljes\u00fcl)<\/em>
\nA kih\u00edv\u00f3an ahistorikus rendez\u00e9s azonban magyar\u00e1zatokat ig\u00e9nyelne. Ezek n\u00e9lk\u00fcl \u00fagy t\u0171nik, puszt\u00e1n formalista okb\u00f3l sodr\u00f3dott egym\u00e1s mell\u00e9 p\u00e9ld\u00e1ul 3 \u201e\u00fcres\u201d alkot\u00e1s 1967-b\u0151l, 1999-b\u0151l \u00e9s 2007\u20132018-b\u00f3l. A 3 id\u0151pont m\u00e1sf\u00e9le m\u0171v\u00e9szeti \u00e9s t\u00e1rsadalmi kontextust, s \u00edgy elt\u00e9r\u0151 alkot\u00f3i attit\u0171d\u00f6t, \u00e9s jelent\u00e9st felt\u00e9telez. Az els\u0151 m\u0171: Stano Filko<\/span> Koncept \u2013 Abszol\u00fat semmi<\/em> feh\u00e9r kartonlapja az alj\u00e1ra ceruz\u00e1val halv\u00e1nyan fel\u00edrt sz\u00f6veg\u00e9vel a tautologikus konceptu\u00e1lis m\u0171v\u00e9szet ide\u00e1j\u00e1ra t\u00f6rekszik, az elanyagtalanod\u00e1st (f\u00f6ldi k\u00f6rnyezetben) maxim\u00e1lisan teljes\u00edti. Noha nem n\u00e9lk\u00fcl\u00f6zi a humort, az\u00e9rt l\u00e9nyeg\u00e9ben \u2013 a Beskid \u00e1ltal megfogalmazott \u201ea tiszta m\u0171v\u00e9szet\u2026, a tiszta \u00e9rz\u00e9kel\u00e9s\u2026, a tiszta t\u00e9r\u2026, azaz az \u00fcress\u00e9g \u00fcnnepe…\u201d8<\/span> ir\u00e1nti lelkesed\u00e9s hatja \u00e1t.<\/p>\n

Cyrill Bla\u017eo<\/span> Mennyezet<\/em>e a lap alj\u00e1n szerepl\u0151 feliratoz\u00e1ssal (Plaf\u00f3n) b\u00e1r formailag l\u00e1tsz\u00f3lag megism\u00e9tli Filko m\u0171v\u00e9t, az \u00fcress\u00e9g ide\u00e1j\u00e1t \u00e9pphogy ironikus m\u00f3don kiford\u00edtja: a fennk\u00f6lts\u00e9get a h\u00e9tk\u00f6znapi \u00e9letbe transzform\u00e1lja.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

8<\/p>\n

Beskid: i.m. 8.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20406″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Stano Filko: Kocept \u2013 Abszol\u00fat semmi,<\/em> 1967 | Cyril Bla\u017eo: Mennyezet,<\/em> 1999<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az \u00faj konceptu\u00e1lis nemzed\u00e9k f\u00f3kusza nem a \u201eteljess\u00e9gre\u201d, a spiritu\u00e1lis \u201eki\u00fcresed\u00e9sre\u201d ir\u00e1nyul, hanem ink\u00e1bb a \u201esemmi\u201d m\u0171v\u00e9szetben haszn\u00e1lt fogalm\u00e1nak jelenvil\u00e1gunkban val\u00f3 ki\u00fcresed\u00e9s\u00e9re. Marek Kvetan<\/span> m\u00e9g tov\u00e1bb l\u00e9p: a Vakrendszer II.<\/em> c\u00edm (2007) nemcsak j\u00e1t\u00e9k a szavakkal, hanem finom ir\u00f3ni\u00e1val aktu\u00e1lis politikai jelent\u00e9ssel is \u00e1tsz\u00ednezi az \u00fcress\u00e9g eszm\u00e9j\u00e9t, amikor vakkereteinek l\u00e9cei9<\/span> eur\u00f3pai z\u00e1szl\u00f3k oszt\u00e1si mint\u00e1it k\u00f6vetik. Viktor Fre\u0161o<\/span> Komatex<\/em>ei (2018) pedig nyers materializmusukkal egyenesen szembe mennek a fennk\u00f6lt ide\u00e1kkal: ezek a t\u00e1rgyak, rugalmass\u00e1gukkal \u00e9s feh\u00e9rs\u00e9g\u00fckkel egy\u00fctt maguk az \u201eanyag\u201d.10<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

9<\/p>\n

A vakr\u00e1m\u00e1kra alapozatlan v\u00e1sznakat fesz\u00edtett.<\/p>\n

10<\/p>\n

\u201e… habos\u00edtott m\u0171anyag lemez, melynek sokf\u00e9le felhaszn\u00e1l\u00e1si ter\u00fclete van, k\u00fcl\u00f6n\u00f6s tekintettel a rekl\u00e1mipari alkalmaz\u00e1sra. K\u00fcl\u00f6nleges fel\u00fclet\u00e9nek k\u00f6sz\u00f6nhet\u0151en a K\u00f6matex j\u00f3l nyomtathat\u00f3, lakkozhat\u00f3, f\u00f3li\u00e1zhat\u00f3 \u00e9s mindenek el\u0151tt k\u00f6nnyen megmunk\u00e1lhat\u00f3\u201d. Ld. https:\/\/muanyag.hu\/termekek\/komatex<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20409″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Marek Kvetan: Vakrendszer II.,<\/em> 2007\u20132018<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20411″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Viktor Fre\u0161o: Komatex 01,<\/em> 2018<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Amikor Petra Feriancov\u00e1<\/span> (El,<\/em> 2009) kit\u00f6rli a Hamlet<\/em> p\u00e1rbesz\u00e9deit \u2013 a dr\u00e1ma \u201elelk\u00e9t\u201d \u2013, s csak a neveket \u00e9s utas\u00edt\u00e1sokat hagyja meg, majd k\u00f6nyvt\u00e1rgyk\u00e9nt, leporell\u00f3-form\u00e1ban install\u00e1lja azokat, akkor egyszerre c\u00e9lozza a besz\u00e9des feh\u00e9r \u00fcress\u00e9get \u00e9s manipul\u00e1lja a sz\u00f6veget, hogy drasztikusan k\u00e9rdezzen r\u00e1 a sz\u00f6veghez, m\u0171h\u00f6z val\u00f3 viszonyunkra. Stano Filko pedig, amikor fotogr\u00e1fi\u00e1kb\u00f3l kiv\u00e1g, vagy feh\u00e9r fest\u00e9kkel kitakar egyes r\u00e9szleteket \u2013 gyakran fejeket (a Transzcendencia sorozat<\/em>b\u00f3l [Feh\u00e9r t\u00e9r a feh\u00e9r t\u00e9rben],<\/em> 1978\u20131979; Transzcendencia,<\/em> 1976\u20131979) \u2013, akkor \u00e9pp a feh\u00e9r t\u00e9r tiszta ide\u00e1j\u00e1t sz\u00e1molja fel j\u00e1t\u00e9kosan.<\/p>\n

Azt nem tudom, hogy mi az a \u201el\u00e1zad\u00f3 t\u00e9r\u201d, de \u00e9rdekesnek tartom, hogy amit Beskid \u00edgy jellemez: \u201em\u0171v\u00e9szet teljesen lemeztelen\u00edtve, amint megk\u00eds\u00e9rli el\u00e9rni az abszol\u00fat null\u00e1t: a sokatmond\u00f3 cs\u00f6ndet, \u00e9rintetlen, romlatlan felsz\u00ednt \u00e9s teret\u201d,11<\/span> annak a Z\u00e9r\u00f3 gesztusok<\/em> c\u00edmet adja, felid\u00e9zve a magyar k\u00f6z\u00f6ns\u00e9gben T\u00f3t Endre Z\u00e9r\u00f3-m\u0171vei<\/em>t.12<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

11<\/p>\n

Beskid: i.m. 8.<\/p>\n

12<\/p>\n

Ld. p\u00e9ld\u00e1ul Zero<\/em> k\u00f3ddal \u00edrt leveleit (1972), Zero-Post<\/em> (Nulla-mail) b\u00e9lyeg\u00edv\u00e9t (1974), vagy m\u0171v\u00e9szk\u00f6nyveit: The States of Zeros, Semmi sem semmi<\/em> (1971), Nothing, Incomplete Information, Zero-Texts<\/em> (1971\u201372).<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20417″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Petra Feriancov\u00e1: El,<\/em> 2009 (r\u00e9szlet)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20414″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Stano Filko: A Transzcendencia sorozatb\u00f3l (Feh\u00e9r t\u00e9r a feh\u00e9r t\u00e9rben),<\/em> 1978\u201379<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]2. A Sz\u00f6vegm\u00e1nia (Sz\u00f6veg a k\u00e9pmez\u0151ben)<\/em> konceptu\u00e1lis m\u0171v\u00e9szetekr\u0151l l\u00e9v\u00e9n sz\u00f3 evidens \u2013 minden m\u0171ben, vagy \u201em\u00f6g\u00f6tte\u201d sz\u00f6veg \u00e1ll.<\/p>\n

Mellbev\u00e1g\u00f3ak Bla\u017eej Bala\u017e<\/span> sz\u00f3k\u00f6z n\u00e9lk\u00fcl szedett sz\u00f6vegei: egyszer nagy m\u00e9ret\u00fckkel \u2013 az apr\u00f3 csillog\u00f3 ez\u00fcstkorongok kozmosz\u00e1ban kirajzol\u00f3d\u00f3 fekete bet\u0171k: GODSAVEUS<\/em> (2003), WETRUSTIN<\/em> (2007) \u2013, m\u00e1sszor a kibet\u0171z\u00e9s neh\u00e9zs\u00e9ge r\u00e9v\u00e9n el\u0151\u00e1llt tartalom \u2013 FIRSTLYWEWERELIBERATEDBYTHEMTHENTHYOCCUPIEDUS<\/em>13<\/span> (2016) miatt.<\/p>\n

Sz\u00f6vegkisaj\u00e1t\u00edt\u00e1son alapul R\u00f3nai P\u00e9ter<\/span> Sorry …Hommage \u00e0 T\u00f3th G\u00e1bor<\/em> (1993) c\u00edm\u0171 fotogr\u00e1fi\u00e1ja. A munk\u00e1i el\u0151tt \u00e1ll\u00f3 R\u00f3nai egy olyan p\u00f3l\u00f3ban p\u00f3zol, amelyre saj\u00e1t k\u00e9pe van nyomtatva, a kez\u00e9ben egy \u00e1tl\u00e1tsz\u00f3 lap T\u00f3th G\u00e1bor szlogenj\u00e9nek r\u00e9szlet\u00e9vel: NO ART TODAY,<\/em> a mondat elej\u00e9r\u0151l hi\u00e1nyz\u00f3 SORRY<\/em> csak a R\u00f3nai-k\u00e9p c\u00edm\u00e9ben jelenik meg. K\u00e9ptelens\u00e9g<\/em> (1983\u20132003) c\u00edm\u0171 sorozat\u00e1ban \u2013 36 kis fekete k\u00e9pen \u2013 feh\u00e9rrel nyomtatott sz\u00f6vegek olvashat\u00f3ak: abszurdok (\u201ee gyenge k\u00e9p rejtett hib\u00e1i csak az \u00e9rt\u0151 sz\u00e1m\u00e1ra hozz\u00e1f\u00e9rhet\u0151k\u201d), sz\u00f3j\u00e1t\u00e9kok (\u201ek\u00e9ptelens\u00e9g\u201d, \u201eez nem k\u00e9p-mutat\u00e1s\u201d), \u00e1t\u00edrt sz\u00f3l\u00e1sok (\u201eakinek nem k\u00e9pe ne vegye mag\u00e1ra\u201d), kritikus \u00e9s \u00f6nkritikus sz\u00f6vegek (\u201eez a k\u00e9p egy halvasz\u00fcletett mozgalom el\u0151fut\u00e1ra\u201d, \u201eez a k\u00e9p t\u00falmutat saj\u00e1t jelent\u00e9ktelens\u00e9g\u00e9n\u201d, \u201eez a k\u00e9p tal\u00e1n \u00e9pp \u00fatt\u00f6r\u0151jelleg\u00e9n\u00e9l fogva \u00e9lvezhetetlen\u201d), amelyek ut\u00f3dai az Art and Language Secret Painting<\/em> c\u00edm\u0171 kett\u0151s k\u00e9p\u00e9nek (1967\u20131968).14<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

13<\/p>\n

El\u0151sz\u00f6r felszabad\u00edtottak, azt\u00e1n megsz\u00e1lltak.<\/p>\n

14<\/p>\n

A festm\u00e9ny egy fekete monokr\u00f3m n\u00e9gyzet (79\u00d779 cm, olaj v\u00e1szon), a f\u00e9nym\u00e1solt sz\u00f6veg keretben (65,5\u00d765,5 cm): \u201eEnnek a k\u00e9pnek a tartalma l\u00e1thatatlan; a tartalom jellege \u00e9s terjedelme tart\u00f3san titokban van tartva, csak a m\u0171v\u00e9sz sz\u00e1mra ismert\u201d. H\u00e1toldal\u00e1n szign\u00f3: Mel Ramsden. Art Gallery of New South Wales.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20421″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Bla\u017eej Bal\u00e1\u017e: GODSAVEUS,<\/em> 2003; WETRUSTIN,<\/em> 2007<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20513″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Bla\u017eej Bal\u00e1\u017e: FIRSTLYWEWERELIBERATEDBYTHEMTHENTHEYOCCUPIEDUS,<\/em> 2016<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20423″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

R\u00f3nai P\u00e9ter: Sorry …Hommage \u00e0\u00a0T\u00f3th G\u00e1bor,<\/em> 2003<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20427″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

R\u00f3nai P\u00e9ter: K\u00e9ptelens\u00e9g Kom\u00e1rom\u2013Kom\u00e1rno,<\/em> 1983\u20132003<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Viktor Fre\u0161o Mi seg\u00edtett volna<\/em> (2005) c\u00edm\u0171 sz\u00f6vege hat nagy, k\u00e9z\u00edr\u00e1ssal tele\u00edrt lapon olvashat\u00f3: \u201eHa f\u00e9lek a p\u00e9nz\u00fcgyi bizonytalans\u00e1gt\u00f3l… Ha valakivel n\u00e9zetelt\u00e9r\u00e9sem van… Ha depresszi\u00f3s vagyok… Ha elhagy az \u00f6nbizalmam… Amikor elhagyott a csajom… Amikor meg akartam sz\u00fcntetni f\u00fcgg\u0151s\u00e9gemet…\u201d A megjelen\u00e9s ak\u00e1r az 1960-as, 70-es \u00e9veket is megid\u00e9zheti, mint ahogy a probl\u00e9m\u00e1k is nyilv\u00e1n l\u00e9teztek m\u00e1r ekkor is, a felvet\u00e9s m\u00f3dja azonban igaz\u00e1n mai.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20425″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Monogramista T. D<\/span>\u00a0Foglal\u00e1s<\/em> (1991) c\u00edm\u0171 install\u00e1ci\u00f3j\u00e1ban a k\u00f6nyveket feh\u00e9r, fekete \u00e9s piros fest\u00e9kkel festett be (csak n\u00e9melyik\u00fck gerinc\u00e9n bet\u0171zhet\u0151 ki c\u00edm), majd szuprematista kompoz\u00edci\u00f3kk\u00e1 rendezte el. A sz\u00f6vegek igazi helye azonban a k\u00f6nyvekben van \u2013 vagy lehet, hogy ez az idea m\u00e1r a m\u00falt\u00e9? Roman Ondak<\/span> a k\u00f6nyvekben elrakt\u00e1rozott \u201eegyetemes\u201d kultur\u00e1lis hagyom\u00e1nyainkat k\u00e9rd\u0151jelezi meg \u2013 \u00e9s egyben \u00e1ll\u00edt nekik eml\u00e9ket \u2013 polcrendszerre install\u00e1lt, formalinba helyezett 18 k\u00f6nyv\u00e9vel (Meghosszabb\u00edtott \u00e1lom,<\/em> 1996), k\u00f6zt\u00fck Stendhal, Victor Hugo, Brecht, Gide, Dosztojevszkij k\u00f6teteivel. A biol\u00f3giai l\u00e9nyek fizikai konzerv\u00e1l\u00e1s\u00e1nak anyaga elz\u00e1rja a k\u00f6nyvbe foglalt tud\u00e1st, \u00e9s ezzel az eg\u00e9sz a tud\u00e1s meg\u0151rz\u00e9s\u00e9nek k\u00e9ptelens\u00e9g\u00e9t invok\u00e1lja.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20431″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Monogramista T. D: Foglal\u00e1s,<\/em> 1991 ut\u00e1n<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20433″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Roman Ondak: Meghosszabb\u00edtott \u00e1lom,<\/em> 1996<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]3. Ahogy Vladimir Beskid a katal\u00f3gusban r\u00e1mutatott, a vil\u00e1gegyetem \u00e9s a f\u00f6ldi k\u00f6rnyezet nagy k\u00e9rd\u00e9sei ir\u00e1nti felbuzdul\u00e1s Csehszlov\u00e1ki\u00e1ban nem az \u0171rkutat\u00e1s, a vil\u00e1g\u0171r megh\u00f3d\u00edt\u00e1s\u00e1nak optimizmus\u00e1b\u00f3l fakadt,15<\/span> \u00e9ppen ellenkez\u0151leg: a kozmikus l\u00e1tom\u00e1sok ink\u00e1bb egy bels\u0151 teljess\u00e9g (a mikro- mintsem a makro-kozmosz) k\u00e9pei. Az ilyen t\u00edpus\u00fa munk\u00e1k befel\u00e9 fordul\u00f3 reflexi\u00f3k a politikai v\u00e1ltoz\u00e1sokra, miut\u00e1n a Vars\u00f3i Szerz\u0151d\u00e9s hadserege 1968 augusztus\u00e1ban megsz\u00e1llta Csehszlov\u00e1ki\u00e1t, \u00e9s a kommunista hatalom megszil\u00e1rd\u00edt\u00e1sa \u00e9rdek\u00e9ben a minim\u00e1lis szabads\u00e1gjogokat (mint p\u00e9ld\u00e1ul a k\u00fclf\u00f6ldre utaz\u00e1s) is visszanyirb\u00e1lt\u00e1k a \u201enormaliz\u00e1ci\u00f3\u201d nev\u00e9ben. Ez\u00e9rt lett e ki\u00e1ll\u00edt\u00e1si egys\u00e9g c\u00edme a Bels\u0151 kozmosz (Utaz\u00e1s egy pap\u00edruniverzumon \u00e1t)<\/em>.<\/p>\n

Ilyen bels\u0151 emigr\u00e1ci\u00f3s k\u00e9pek Michal Kern<\/span> mont\u00e1zsai, csillagk\u00e9pekkel, vil\u00e1gf\u00e1val, teny\u00e9rnyomattal \u00e9s embersokas\u00e1ggal. Stano Filko Asszoci\u00e1ci\u00f3k<\/em> tabl\u00f3i (I., III., XXX., XXXI.<\/em>) \u00e9s Kozmosz<\/em>-k\u00e9pei 1968\u20131969-b\u0151l ink\u00e1bb f\u00e9lelmetes (h\u00e1bor\u00fas) fenyegetetts\u00e9get sugallnak, mintsem vid\u00e1m \u0171rutaz\u00e1sokat, Rudof Sikora Felki\u00e1lt\u00f3 jelei<\/em> (1974\u20132018) \u00e9s k\u00e9rd\u0151jelei (1972-b\u0151l) pedig \u00f6kol\u00f3giai figyelmeztet\u00e9sek. Jozef Jankovi\u010d<\/span> futurisztikus \u00e9p\u00fclettervei az 1970-es \u00e9vekb\u0151l a kev\u00e9s direkt politiz\u00e1l\u00f3 m\u0171 k\u00f6z\u00e9 tartoznak (Kommunista p\u00e1rthotel a Holdon, A pozsonyi k\u00f6zbiztons\u00e1gi korm\u00e1nyzati \u00e9p\u00fclete<\/em>). Martin Kochan<\/span> aszfalt Kozmosz<\/em>a (k\u00e9sz\u00edt\u00e9s\u00e9nek fot\u00f3dokument\u00e1ci\u00f3j\u00e1val egy\u00fctt \u2013 2013) f\u00e9ny\u00e9vekre van az el\u0151d\u00f6k komolys\u00e1g\u00e1t\u00f3l, ak\u00e1rcsak Pavla Scerankov\u00e1<\/span> install\u00e1ci\u00f3i: a Hold nappal<\/em> (2018) mozgathat\u00f3 j\u00e1t\u00e9ka \u00e9s a Discovery <\/em>(2013), ahol a mobiltelefonra szerelt miniat\u0171r \u0171rsikl\u00f3-makett sug\u00e1rhajt\u00e1s\u00e1t a telefon k\u00e9perny\u0151j\u00e9n egy flex szikraes\u0151je szolg\u00e1ltatja. Azonban nem csak a fiatalokra jellemz\u0151 a h\u0171v\u00f6s t\u00e1vols\u00e1gtart\u00e1s, ironikus Koller UFO<\/em>-ja (1969) is: s\u00f6t\u00e9tk\u00e9k p\u00f6tty\u00f6s ruhaanyagon rep\u00fcl festett, feh\u00e9r elliptoid objektje.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

15<\/p>\n

Beskid: i.m. 17.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20454″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Michal Kern:\u00a0C\u00edm n\u00e9lk\u00fcl,<\/em> 1985; Fa,<\/em> 1986; C\u00edm n\u00e9lk\u00fcl,<\/em> 1985<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20455″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Stano Filko: Asszoci\u00e1ci\u00f3k XXXI. \u2013 Hold,<\/em> 1969; Asszoci\u00e1ci\u00f3k XXX. \u2013 B,<\/em> 1968\u201369; A Vil\u00e1g t\u00e9rk\u00e9pe (Rak\u00e9t\u00e1k) sorozatb\u00f3l,<\/em> 1967<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20457″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Rudolf Sikora:\u00a0A Felki\u00e1lt\u00f3jel I\u2013III.<\/em> sorozatb\u00f3l, 1974\u20132018<\/em><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20461″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Jozef Jankovi\u010d: Felf\u00fajhat\u00f3 tet\u0151s parlament terve, A pozsonyi region\u00e1lis k\u00f6zbiztons\u00e1gi korm\u00e1nyzati \u00e9p\u00fclet terve, 10. sz. Projekt \u2013 a szlov\u00e1k Erosz Centrum terve, Kommunista p\u00e1rthotel a Holdon \u2013 10. sz. terv, \u00c9p\u00edtm\u00e9nyek V., A reprezentat\u00edv szobr\u00e1szm\u0171terem terve,<\/em> 1974\u201377<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20458″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Martin Kochan: Kozmosz,<\/em> 2013<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20463″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pavla Scerankov\u00e1: Hold nappal,<\/em> 2018<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20495″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pavla Scerankov\u00e1: Nap, F\u00f6ld,<\/em> 2016<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20466″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pavla Scerankov\u00e1: Felfedez\u00e9s,<\/em> 2013<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20469″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

J\u00falius Koller: UFO,<\/em> 1969<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]4. A k\u00e9p \u00fajra fogalmaz\u00e1sa (A digit\u00e1lis hat\u00e1s)<\/em>
\nA konceptu\u00e1lis m\u0171v\u00e9szet kit\u00fcntetett ter\u00fclete a k\u00e9p problematik\u00e1ja is. Kezdetben (nyugaton) a piac-, valamint a k\u00e9p-, illetve t\u00e1rgyelleness\u00e9g ok\u00e1n ker\u00fclt a f\u00f3kuszba, ma pedig a k\u00e9pis\u00e9g, a reprezent\u00e1ci\u00f3 valamint a hagyom\u00e1nyos \u00e9s \u00faj m\u00e9diumok viszony\u00e1nak k\u00e9rd\u00e9seire helyez\u0151d\u00f6tt \u00e1t a hangs\u00faly.<\/p>\n

R\u00f3nai P\u00e9ter fekete, monokr\u00f3m k\u00e9p-t\u00e1rgyai (\u00c9let az \u00e9let ut\u00e1n,<\/em> 1981)16<\/span> a hely\u00fck\u00f6n vannak a semmi, az \u00fcress\u00e9g term\u00e9ben, ugyanakkor sz\u00e9p \u00e1tvezet\u00e9st is k\u00e9peznek a k\u00e9p \u00fajra fogalmaz\u00e1s\u00e1hoz. A Monogramista T. D V\u00f6r\u00f6s n\u00e9gyzet I\u2013III.<\/em> c\u00edm\u0171 k\u00e9pei (1980) tiszteletad\u00e1sk\u00e9nt is felfoghat\u00f3ak Malevics fel\u00e9, ugyanakkor a n\u00e9gyzetekre k\u00fcl\u00f6nb\u00f6z\u0151 m\u00f3don elhelyezett v\u00f6r\u00f6s foltos \u2013 \u00e1tv\u00e9rzett \u2013 g\u00e9zlapok sebekre utaltak: a szuprematizmus, a k\u00e9p, vagy a v\u00f6r\u00f6ss\u00e9g s\u00e9r\u00fcl\u00e9kenys\u00e9g\u00e9re? (Az orosz fest\u0151re t\u00f6bb teremben is t\u00f6rt\u00e9nnek utal\u00e1sok a ki\u00e1ll\u00edt\u00e1son: T. D m\u00e9g egy prepar\u00e1lt kott\u00e1t szentel Malevicsnek a Partit\u00far\u00e1k album<\/em>b\u00f3l \/1976\u20131978\/: Csend Malevicsnek,<\/em> P\u00e9ter R\u00f3nai pedig az Autocenz\u00fara: Malevics<\/em> \/1990\/17<\/span> valamint a Dada Malevics<\/em> \/1975\u20131989\/ c\u00edm\u0171 k\u00e9pekkel is szerepel.)[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

16<\/p>\n

R\u00f3nai k\u00f6nyv\u00e9ben ez az install\u00e1ci\u00f3 Antimalevics<\/em> (1975\u20131995) c\u00edmmel szerepel. Ld. Peter R\u00f3nai<\/em> \/ R\u00f3nai P\u00e9ter. Szerk. R\u00f3nai P\u00e9ter, Bratislava: FO ART, s.r.o., 2012<\/p>\n

17<\/p>\n

Cenz\u00far\u00e1zott Malevics<\/em> (1987). R\u00f3nai: i.m. 51.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20470″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

R\u00f3nai P\u00e9ter: \u00c9let az \u00e9let ut\u00e1n I\u2013IV.,<\/em> 1982<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20471″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

R\u00f3nai P\u00e9ter:\u00a0DADA Malevics,<\/em> 1989<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20472″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Monogramista T. D: V\u00f6r\u00f6s n\u00e9gyzet I\u2013III.,<\/em> 1980<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20593″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Monogramista T. D: A Partit\u00far\u00e1k albumb\u00f3l (Csendet!, Gy\u00f3gy\u00edt\u00f3 csend, 500 V, Altat\u00f3, Csendet Malevicsnek, Eine kleine Nachtmusik),<\/em> 1976\u20131978<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Marek Kvetan IDOC \u2013 Hal\u00e1l. 17., 17v, 17 h.<\/em> (2004\u20132006) c\u00edm\u0171 nyomatai egy olyan sorozat r\u00e9sz\u00e9t alkotj\u00e1k, amelyben Kvetan hal\u00e1l-jeleneteket (ez esetben aut\u00f3balesetet) v\u00e1lasztott ki weblapokr\u00f3l \u00e9s azokat egy szoftver seg\u00edts\u00e9g\u00e9vel \u2013 a sz\u00ednek ar\u00e1ny\u00e1t megtartva \u2013 absztrakt, sz\u00edns\u00e1vokb\u00f3l \u00e1ll\u00f3 k\u00e9pekk\u00e9 transzform\u00e1lta. A digit\u00e1lis korszakban k\u00e9zenfekv\u0151ek ezek a manipul\u00e1ci\u00f3k, azonban Kvetan m\u0171vei nem err\u0151l, hanem sokkal ink\u00e1bb k\u00e9phaszn\u00e1latunkr\u00f3l, illetve az absztrakci\u00f3 ki\u00fcresed\u00e9s\u00e9r\u0151l, \u00e9s \u00edgy a k\u00e9p fogalm\u00e1r\u00f3l sz\u00f3lnak. Ikon, image, virtu\u00e1lis fel\u00fclet vagy eszt\u00e9tikai t\u00e1rgy? A megoszthat\u00f3 k\u00e9pek korszak\u00e1ban azzal kell szembes\u00fcln\u00fcnk, hogy \u00e9szlel\u00e9s\u00fcnkben mennyire k\u00f6nnyen transzmut\u00e1l\u00f3dik egyikb\u0151l a m\u00e1sik: hogy v\u00e1lik p\u00e9ld\u00e1ul a horrorb\u00f3l eszt\u00e9tikai fel\u00fclet. Mindez persze nemcsak a hal\u00e1l k\u00e9peire vonatkozik: sz\u00f6vegek, vagy ak\u00e1r eg\u00e9sz k\u00f6nyvek is \u00e1talak\u00edthat\u00f3k a nagy digit\u00e1lis elnyel\u0151 seg\u00edts\u00e9g\u00e9vel. Marek Kvetan light box-a \u2013 TXT. Biblia<\/em> (2003) \u2013 a Biblia sz\u00f6veg\u00e9t is k\u00e9pp\u00e9, apr\u00f3 n\u00e9gyzetekb\u0151l \u00e1ll\u00f3 zizeg\u0151, dekorat\u00edv (a sz\u00f6veg fel\u0151l n\u00e9zve \u00e9rtelmetlen) fel\u00fclett\u00e9 alak\u00edtja \u00e1t. Demonstrat\u00edvan ez el\u00e9 helyezt\u00e9k Kinek van nagyobb<\/em> (2012\u20132018) c\u00edm\u0171 install\u00e1ci\u00f3j\u00e1t: a m\u0171v\u00e9sz 37 k\u00fcl\u00f6nb\u00f6z\u0151 nyelv\u0171 Bibli\u00e1t tornyozott egym\u00e1sra. J\u00f3 konstell\u00e1ci\u00f3 Kvetan e h\u00e1rom munk\u00e1j\u00e1nak az elhelyez\u00e9se egym\u00e1s k\u00f6zel\u00e9ben (az egyik itt, az ut\u00f3bbi kett\u0151 a Z\u00e9r\u00f3 gesztusok<\/em> term\u00e9ben), mert bizonyos tekintetben k\u00e9tf\u00e9le v\u00e9glet fel\u00e9 k\u00f6zel\u00edtve csaknem \u00f6ssze\u00e9rnek ott, ahol a test \u00e9lete v\u00e9get \u00e9r; egyfel\u0151l a hal\u00e1llal, m\u00e1sfel\u0151l pedig a sz\u00f6vegek absztrakt term\u00e9szet\u00e9b\u0151l k\u00f6vetkez\u0151en.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

The Death of James Lee Byars.<\/em> Chiesa di Santa Maria della Visitaziona, Velence, 2019. m\u00e1jus 11 \u2013 november 24.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20481″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Marek Kvetan: IDOC DEATH 17; 17V; 17H,<\/em> 2004\u20132006<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20477″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Marek Kvetan: Kinek van nagyobb?,<\/em> 2012; Marek Kvetan: TXT (Biblia),<\/em> 2003<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20479″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Marek Kvetan: Kinek van nagyobb?,<\/em> 2012<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Pavla Scerankov\u00e1 k\u00e9t vide\u00f3 et\u0171dj\u00e9ben \u2013 Boxing<\/em> (2005), Bemegy-kimegy<\/em> (2007) \u2013 egy\u00e1ltal\u00e1n nem a k\u00e9pet problematiz\u00e1lja: egyszer\u0171en csak haszn\u00e1lja a mozg\u00f3k\u00e9pet. Ha valamit, akkor m\u00e1r ink\u00e1bb az alkot\u00e1s \u00e9rtelm\u00e9t problematiz\u00e1lta: minden esetre szellemesen \u00e9s humorosan t\u0171nnek el t\u00e1rgyak a szem\u00fcnk el\u0151l, l\u00e9p \u00e1t a m\u0171v\u00e9sz asztalokon, sz\u00e9keken, k\u00f6nnyed mozdulattal megsemmis\u00edtve azokat, t\u00f6ri sz\u00e9t doboz\u00e1t, amelyb\u0151l fel\u00e1ll…[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_video_lightbox link_style=”play_button_2″ nectar_play_button_color=”Default-Accent-Color” image_url=”20492″ hover_effect=”defaut” box_shadow=”none” border_radius=”none” play_button_size=”larger” video_url=”https:\/\/www.youtube.com\/watch?time_continue=2&v=t_Bxj-ceUso”][vc_column_text]\n

Pavla Scerankov\u00e1: Bemegy-kimegy,<\/em> 2007; Boksz,<\/em> 2005<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A ki\u00e1ll\u00edt\u00e1son szerepl\u0151 objektek m\u00e9g ink\u00e1bb sz\u00e9tfesz\u00edtik ezt a n\u00e9gyes feloszt\u00e1st. B\u00e1rmilyen \u201etiszta \u00e9s \u00fcres\u201d a v\u00edz, pr\u00f3zais\u00e1ga ezeken t\u00fali helyet jel\u00f6l ki sz\u00e1m\u00e1ra. J\u00falius Koller Egy poh\u00e1r tiszta viz<\/em>e (1964) ugyan m\u00e9g kev\u00e9sb\u00e9 t\u00e1volodik el18<\/span> a z\u00e9r\u00f3 eszm\u00e9ny\u00e9t\u0151l, de 2000-es \u00e9vekbeli reflexi\u00f3j\u00e1ban, J\u00e1n Man\u010du\u0161ka<\/span> Amennyi vizet a sz\u00e1mban tudok tartani, miel\u0151tt elt\u0171nne,<\/em> (2006) c\u00edm\u0171 munk\u00e1j\u00e1ban (egy poh\u00e1r v\u00edz) a v\u00edz v\u00e9gk\u00e9pp nem szimbolikus, ink\u00e1bb h\u00e9tk\u00f6znapi, j\u00e1t\u00e9kos valami, \u00e9s konkr\u00e9t fizikai l\u00e9te (\u00e9s mennyis\u00e9ge) ker\u00fcl el\u0151t\u00e9rbe. Marek Kvetan Megfigyel\u0151<\/em>je (2010), Viktor Fre\u0161o kiprepar\u00e1lt Liftjei (2015) v\u00e9gk\u00e9pp nem tal\u00e1lj\u00e1k itt hely\u00fcket.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

18<\/p>\n

\u00c9s ink\u00e1bb Szentj\u00f3by Tam\u00e1s egy \u00fcveg H\u0171l\u0151 viz<\/em>\u00e9vel (1965) \u00e9s Michael Craig-Martin: T\u00f6lgyfa<\/em> (1973) c\u00edm\u0171 egy poh\u00e1r viz\u00e9vel \u00e1ll rokons\u00e1gban.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20493″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

J\u00e1n Man\u010du\u0161ka: Amennyi vizet a sz\u00e1mban tudok tartani, miel\u0151tt elt\u0171nne,<\/em> 2006; J\u00falius Koller: Egy poh\u00e1r tiszta v\u00edz,<\/em> 1964<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20-60″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-6-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20494″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

J\u00e1n Man\u010du\u0161ka: Amennyi vizet a sz\u00e1mban tudok tartani, miel\u0151tt elt\u0171nne,<\/em> 2006<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20-60″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-6-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20496″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Marek Kvetan: Megfigyel\u0151,<\/em> 2010; R\u00f3nai P\u00e9ter: Gyakorlat,<\/em> 1992<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20500″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Viktor Fre\u0161o: Liftek,<\/em> 2015<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20680″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20517″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Jaro Varga: Valaki m\u00e1snak az \u00e1lm\u00e1ban,<\/em> 2017 (r\u00e9szlet)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A ki\u00e1ll\u00edt\u00e1s k\u00f6zep\u00e9n egy vitrinben kaptak helyet a szlov\u00e1k konceptualizmus kezdeteir\u0151l sz\u00f3l\u00f3 dokumentumok \u00e9s f\u00f6l\u00f6tt\u00fck n\u00e9h\u00e1ny korai m\u0171 \u2013 egy kort\u00e1rs reflexi\u00f3val (Roman Ond\u00e1k) kieg\u00e9sz\u00edtve. Alex Mlyn\u00e1r\u010dik<\/span> \u00e9s Stano Filko Happsoc I.<\/em>19<\/span> plak\u00e1tja 1965\/1975-b\u0151l (a manifesztum Zita Kostrov\u00e1<\/span> k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel), amelyre aktu\u00e1lis pozsonyi adatokat nyomtattak: \u201eegy darab v\u00e1r; egy darab Duna; 142 090 darab l\u00e1mpaoszlop; 128 729 darab tv-k\u00e9sz\u00fcl\u00e9k; 6 temet\u0151; 138 936 n\u0151; 128 727 f\u00e9rfi; 49 991 kutya\u201d stb. A m\u0171 c\u00edme happy socialism<\/em>k\u00e9nt vagy happy society<\/em>k\u00e9nt oldhat\u00f3 fel.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

19<\/p>\n

Jana Ger\u017eov\u00e1 szerint ez az els\u0151 szlov\u00e1k konceptu\u00e1lis alkot\u00e1s (ugyanabban az \u00e9vben k\u00e9sz\u00fclt, mint Joseph Kosuth Egy \u00e9s h\u00e1rom sz\u00e9k<\/em> c\u00edm\u0171 install\u00e1ci\u00f3ja \u00e9s Szentj\u00f3by Tam\u00e1s H\u0171l\u0151 vi<\/em>ze). Jana Ger\u017eov\u00e1: M\u00edtosz \u00e9s val\u00f3s\u00e1g \u2013 konceptu\u00e1lis m\u0171v\u00e9szet Szlov\u00e1ki\u00e1ban. In Conceptual Art at the Turn of Millenium. Konceptu\u00e1lne umenie na zlome tis\u00edcro\u010di. Konceptu\u00e1lis M\u0171v\u00e9szet az ezredfordul\u00f3n.<\/em> Ed. Jana Ger\u017eov\u00e1 \u2013 Tatai Erzs\u00e9bet, AICA Section Hungary & Slovak Section of AICA, Budapest\u2013Bratislava, 2002, 25\u201331.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20503″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A fot\u00f3dokument\u00e1ci\u00f3val jelen lev\u0151 Stano Filko, Milo\u0161 Laky, J\u00e1n Zavarsk\u00fd<\/span> Feh\u00e9r t\u00e9r a feh\u00e9r t\u00e9rben<\/em> (1973\u20131974)20<\/span> c\u00edm\u0171 environmentje egyfajta \u00e9rz\u00e9kenys\u00e9g nev\u00e9ben problematiz\u00e1lja a konceptualizmust. Hogy ez a koncept v\u00e9g\u00e9t jelentette volna, vagy egyfajta beteljesed\u00e9s\u00e9t, neh\u00e9z eld\u00f6nteni, mint ahogy azt is, hogy a feh\u00e9r fest\u00e9k fr\u00f6ccsent\u00e9se a \u201ev\u00e9gtelen \u0171r\u201d megval\u00f3s\u00edt\u00e1sa fel\u00e9 t\u00f6rekv\u00e9s-e vagy ink\u00e1bb dadaista-fluxus j\u00e1t\u00e9k (J\u00falius Koller: J\u00e1t\u00e9k-festm\u00e9ny \u2013 Antihappening,<\/em> 1967).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

20<\/p>\n

1977 \u00e1prilis\u00e1ban Budapesten, a Fiatal M\u0171v\u00e9szek Klubj\u00e1ban is ki\u00e1ll\u00edtott\u00e1k, 2001 okt\u00f3ber\u00e9ben a pozsonyi Magyar Int\u00e9zetben, majd 2009-ben Trnav\u00e1ban, a J\u00e1n Koniarek Gal\u00e9ri\u00e1ban rekonstru\u00e1lt\u00e1k. Ld. Vlasim\u00edr Beskid (ed): SONDA 1. P\u0159\u00edb\u011bh slov\u00e1nsk\u00e9ho (post)konceptu\u00e1ln\u00edho um\u011bn\u00ed. PROBE 1 The Story of Slovak (Post)conceptual art.<\/em> (ki\u00e1ll\u00edt\u00e1si katal\u00f3gus), Galerie hlavn\u00edho m\u011bsta Prahy, Pr\u00e1ga, 2018, 45.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20506″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

J\u00falius Koller: J\u00e1t\u00e9k \u2013 Festm\u00e9ny (Antihappening),<\/em> 1967; Mi\u00e9rt (Antifestm\u00e9ny),<\/em> 1969<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Koller tenger (more)<\/em> felirat\u00fa k\u00e9p\u00e9nek szerepeltet\u00e9se21<\/span> (1963\u20131964) ink\u00e1bb problematikus.22<\/span> Noha igen szellemes megold\u00e1st eredm\u00e9nyezett, hogy azt a rendez\u0151 Koller azonos id\u0151ben k\u00e9sz\u00edtett Hegycs\u00facsok<\/em> c\u00edm\u0171 (\u00e9s felirat\u00fa), k\u00e9s\u0151bbi Nomoreart<\/em> c\u00edm\u0171 (\u00e9s felirat\u00fa, 1979), valamint R\u00f3nai P\u00e9ter Antikoller<\/em> c\u00edm\u0171 \u00e9s no more felirat\u00fa 1993-as k\u00e9p\u00e9vel vette k\u00f6r\u00fcl. Ha a nyugati m\u0171v\u00e9szett\u00f6rt\u00e9net-\u00edr\u00e1s kateg\u00f3ri\u00e1it \u00e9s m\u00f3dszertan\u00e1t vessz\u00fck alapul,23<\/span> akkor aligha mondhat\u00f3, hogy a \u201emore\u201d volna az els\u0151 konceptu\u00e1lis alkot\u00e1s, mivel a konceptualizmus, mint mozgalom, vagy mint kidolgozott elm\u00e9let m\u00e9g nem is l\u00e9tezett. (Ebb\u0151l a szempontb\u00f3l a Happsoc \u201ekonceptualizmusa\u201d is hasonl\u00f3an problematikus, azzal a l\u00e9nyeges k\u00fcl\u00f6nbs\u00e9ggel, hogy itt a m\u0171 maga konceptu\u00e1lis, abban az \u00e9rtelemben, ahogyan a \u201eklasszikus\u201d konceptu\u00e1lis m\u0171v\u00e9szetre ma is gondolunk, m\u00edg a more ink\u00e1bb a sz\u00fcrrealizmusnak \u00e9s az absztrakci\u00f3nak k\u00f6sz\u00f6nhet sokat.) Ha a konceptualizmus teoretikusainak szeme el\u0151tt ez a m\u0171 lebeghetett volna… \u2013 gondolhatn\u00e1nk, csakhogy 1967-ig Koller nem \u00e1ll\u00edtotta ki ezt a k\u00e9p\u00e9t, s \u00edgy nem is indulhatott ki bel\u0151le a konceptu\u00e1lis mozgalom, hi\u00e1ba \u00e1ll felirat a k\u00e9p kell\u0151s k\u00f6zep\u00e9n. Ez term\u00e9szetesen semmit nem von le Koller m\u0171v\u00e9szet\u00e9b\u0151l (sem egyetlen k\u00e9p\u00e9nek jelent\u0151s\u00e9g\u00e9b\u0151l).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

21<\/p>\n

B\u00e1r az itt szerepelt rajz nem azonos az 1963\u20131964-es festm\u00e9nnyel (olaj v\u00e1szon, 69\u00d749,5 cm, SOGA Gy\u0171jtem\u00e9ny, Pozsony). L. Ger\u017eov\u00e1: i.m. 26.<\/p>\n

22<\/p>\n

Ger\u017eov\u00e1 amellett \u00e9rvelt, hogy a m\u0171 konceptu\u00e1lisk\u00e9nt val\u00f3 felc\u00edmk\u00e9z\u00e9se mitikus karakter\u0171. Egyfel\u0151l \u2012 v\u00e9lem\u00e9nye szerint \u2012 a k\u00e9p szorosabb \u00f6sszef\u00fcgg\u00e9sben \u00e1ll a kubista \u00e9s futurista fest\u00e9szet sz\u00f3haszn\u00e1lat\u00e1val, m\u00e1sfel\u0151l \u2012 Kollert id\u00e9zve: \u201e…hiszen \u00e9n fest\u0151 vagyok, sz\u00e1momra izgalmasabbak a sz\u00ednek egy k\u00e9tdimenzi\u00f3s fel\u00fcleten \u2026\u201d (1967) \u2012 kifejti, hogy a m\u0171v\u00e9sz csak az 1960-as \u00e9vek v\u00e9ge fel\u00e9 fordult a konceptu\u00e1lis m\u0171vek fel\u00e9, s v\u00e9g\u00fcl azt is r\u00f6gz\u00edti, hogy az els\u0151 interpret\u00e1ci\u00f3, mely a m\u0171vet konceptu\u00e1lisnak nevezi ut\u00f3lagos,
\n1979-b\u0151l val\u00f3. Ger\u017eov\u00e1 i.m. 31\u201335.<\/p>\n

23<\/p>\n

M\u00e1rpedig azt tessz\u00fck, ahogy a \u201eszocializmus\u201d idej\u00e9n is tett\u00fck.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20-60″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20509″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

R\u00f3nai P\u00e9ter: AntiKoller (no more),<\/em> 1993<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az elnevez\u00e9sek Nyugatr\u00f3l sz\u00e1rmaztak ugyan \u2013 m\u00e1s \u201ekult\u00farmorzs\u00e1kkal\u201d egy\u00fctt \u2013, de ez nem jelenti azt, hogy maga a m\u0171v\u00e9szi \u201etermel\u00e9s\u201d is nyugati sz\u00e1rmaz\u00e9k volna. A m\u0171v\u00e9szek lokalit\u00e1sukba \u00e1gyazott, viszont auton\u00f3m alkot\u00f3kk\u00e9nt hozt\u00e1k l\u00e9tre m\u0171veiket \u00e9s lok\u00e1lis jelent\u0151s\u00e9g\u00fckkel, jelent\u00e9s\u00fckkel egy\u00fctt vissza \u2013, illetve bekapcsolhat\u00f3ak a kult\u00fara ma m\u00e1r glob\u00e1lis v\u00e9rkering\u00e9s\u00e9be. Ha a kateg\u00f3ri\u00e1k alkalmasak helyi jelens\u00e9gek le\u00edr\u00e1s\u00e1ra \u00e9s \u00e9rtelmez\u00e9s\u00e9re, akkor \u00e9rdemes azokat haszn\u00e1lni. Az pedig a vasf\u00fcgg\u00f6ny \u00e9s a szigor\u00edt\u00e1sok ellen\u00e9re sem csoda, hogy m\u0171v\u00e9szek (vagy p\u00e9ldak\u00e9peik, mestereik), akik kor\u00e1bban, m\u00e9g ha a perif\u00e9ri\u00e1n is, de a nemzetk\u00f6zileg \u00e9rv\u00e9nyes m\u0171v\u00e9szeten szocializ\u00e1l\u00f3dtak \u2013 \u00e9s ha b\u00e1rmily v\u00e9kony csatorn\u00e1n kereszt\u00fcl \u00e9s szaggatott m\u00f3don is, de inform\u00e1ci\u00f3cser\u00e9ben volt r\u00e9sz\u00fck \u2013, azok tev\u00e9kenys\u00e9g\u00fckben \u00e9s gondolkod\u00e1sukban \u201emagukt\u00f3l\u201d is eljutottak \u2013 k\u00f6rny\u00e9k\u00fcnk\u00f6n \u00e9pp a szocre\u00e1l ellen\u00e9ben \u2013 a m\u0171v\u00e9szet fogalmis\u00e1g\u00e1hoz. Vagy \u00e9ppen a spiritu\u00e1lis tartalmak keres\u00e9s\u00e9hez, a tov\u00e1bbi formai redukci\u00f3hoz vagy ahhoz, hogy komolyan vegy\u00e9k annak \u00e9lettel val\u00f3 kapcsolat\u00e1t \u00e9s a kor probl\u00e9m\u00e1ira \u00e9rz\u00e9kenyen reflekt\u00e1lhat\u00f3 jelleg\u00e9t (ahogy azt ma is teszik). An\u00e9lk\u00fcl, hogy l\u00e9p\u00e9sr\u0151l l\u00e9p\u00e9sre k\u00f6vetend\u0151 p\u00e9ld\u00e1kat m\u00e1soln\u00e1nak.<\/p>\n

Ahogy a ki\u00e1ll\u00edt\u00e1si egys\u00e9gekben felvetett t\u00e9m\u00e1k, \u00fagy a kelet-eur\u00f3pai m\u0171v\u00e9szetben a nyugati kateg\u00f3ri\u00e1k szerint megnevezett m\u0171v\u00e9szeti gondolatok, tendenci\u00e1k sem v\u00e1laszthat\u00f3k el seb\u00e9szk\u00e9ssel egym\u00e1st\u00f3l. Keveredtek, egyszerre voltak jelen \u2013 nemcsak egy id\u0151ben, egy m\u0171v\u00e9szn\u00e9l, hanem ak\u00e1r egy m\u0171ben is \u2013 a konceptu\u00e1lis m\u0171v\u00e9szet felvet\u00e9sei, a fluxus-gondolkod\u00e1s \u00e9s attit\u0171d\u00f6k, valamint a k\u00e9s\u0151modernizmus redukcionista t\u00f6rekv\u00e9sei.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20514″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Rudolf Sikora: Habitat I\u2013III.,<\/em> 1975\u20132009<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20516″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Monogramista T. D: A Monogramista mondatai,<\/em> 2013\u20132014<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20518″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Marek Kvetan: Otthonunkban,<\/em> 2018<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20519″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Marek Kvetan: Otthonunkban,<\/em> 2018 (r\u00e9szlet)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20682″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

SIGNAL \u2013 Konceptu\u00e1lis \u00e9s posztkonceptu\u00e1lis tendenci\u00e1k a szlov\u00e1k k\u00e9pz\u0151m\u0171v\u00e9szetben<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20515″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Viktor Fre\u0161o: X (a M\u0171 modellel sorozatb\u00f3l),<\/em> 2015<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Ludwig M\u00fazeum terei persze nem v\u00e9gtelenek, a l\u00e1that\u00f3an igen szerte\u00e1gaz\u00f3 \u00e9s v\u00e1ltozatos szlov\u00e1k konceptu\u00e1lis m\u0171v\u00e9szet eg\u00e9sze nyilv\u00e1n nem bemutathat\u00f3 itt \u00e9s most. M\u00e9gis k\u00e9rd\u00e9s, vajon mi\u00e9rt d\u00f6nt\u00f6tt a kur\u00e1tor egy hard core konceptu\u00e1lis ki\u00e1ll\u00edt\u00e1s mellett, ahol az els\u0151 gener\u00e1ci\u00f3 m\u0171v\u00e9szet\u00e9t el\u00e9g \u00e1rnyaltan mutatta be, m\u00edg a k\u00e9s\u0151bbiekn\u00e9l \u201eszigor\u00fabb\u201d volt a sz\u0171r\u00e9s: kimaradtak olyan alkot\u00f3k munk\u00e1i \u2013 n\u0151k\u00e9 f\u0151leg (p\u00e9ld\u00e1ul Lucia Tk\u00e1cov\u00e1, Ana Daucikov\u00e1, horribile dictu: N\u00e9meth Ilona) \u2013, amelyek r\u00e9v\u00e9n a mai posztkonceptu\u00e1lis m\u0171v\u00e9szet komplexebb \u00e9s a val\u00f3s\u00e1ghoz k\u00f6zelebb \u00e1ll\u00f3 k\u00e9p\u00e9t lehetett volna ny\u00fajtani.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-2″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20521″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Viktor Fre\u0161o: I Was Here,<\/em> 2019<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-1-1″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

<\/i>