{"id":20326,"date":"2019-11-18T15:43:27","date_gmt":"2019-11-18T14:43:27","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=20326"},"modified":"2024-05-31T11:10:13","modified_gmt":"2024-05-31T09:10:13","slug":"velence-mashogy-4-resz","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/velence-mashogy-4-resz\/","title":{"rendered":"Velence m\u00e1shogy… IV. r\u00e9sz"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

S\u00e9tanapl\u00f3 a K\u00e9pz\u0151m\u0171v\u00e9szeti Bienn\u00e1le idej\u00e9n (b\u00facs\u00fak\u00f6r\u00f6k)<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

XVIII.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Van \u00fagy, hogy az ember nem tal\u00e1l r\u00e1 egy ki\u00e1ll\u00edt\u00e1sra, \u00e9s olyan helyekre t\u00e9ved, ahov\u00e1 nem kellett volna… Vagy tal\u00e1n m\u00e9gis? \u00c9n \u00edgy jutottam el a Complesso del Ospedaletto helyett az Ospedal\u00e9ba, a Santi Giovanni e Paolo k\u00f6zk\u00f3rh\u00e1zba (melynek \u00e9p\u00fclet\u00e9ben a Scuola Grande di San Marco is tal\u00e1lhat\u00f3, Tintoretto, Palma Vecchio, Gentile \u00e9s Giovanni Bellini Szent M\u00e1rk \u00e9let\u00e9t \u00e1br\u00e1zol\u00f3 festm\u00e9nyeivel). Mivel a Bienn\u00e1le<\/em> ki\u00e1ll\u00edt\u00e1st jelz\u0151 t\u00e1bl\u00e1k az \u00e9p\u00fcleten befel\u00e9 mutattak, elindultam a s\u00fcrg\u0151ss\u00e9gi oszt\u00e1ly \u00e9s a pszichi\u00e1tria ir\u00e1ny\u00e1ba, hogy azt\u00e1n a lerobbant folyos\u00f3labirintusok v\u00e9g\u00e9n, m\u00e9g mindig a nyilakat k\u00f6vetve, egyszerre csak a v\u00e1ros egyik legvar\u00e1zslatosabb \u00e9s legrejtettebb kertj\u00e9re bukkanjak. Velence k\u0151tenger\u00e9ben mindig leny\u0171g\u00f6z a term\u00e9szet v\u00e1ratlan felbukkan\u00e1sa, ak\u00e1r a terek k\u00f6zep\u00e9n \u00e1ll\u00f3, hatalmas \u00e9s mag\u00e1nyos f\u00e1k form\u00e1j\u00e1ban, ak\u00e1r az apr\u00f3 z\u00e1rtkertekben burj\u00e1nz\u00f3 n\u00f6v\u00e9nyzet k\u00e9p\u00e9ben. De ez a k\u00f3rh\u00e1zkert att\u00f3l k\u00fcl\u00f6nleges, hogy megsz\u00e1ml\u00e1lhatatlanul sok, gy\u00f6ny\u00f6r\u0171 macska lakja. Idei l\u00e1togat\u00e1som szomor\u00fa benyom\u00e1sa mindeddig az volt, hogy mintha kevesebben lenn\u00e9nek ezek a misztikus l\u00e9nyek, akik Velence utc\u00e1in szabadon, m\u00e9lt\u00f3s\u00e1gteljesen \u00e9s \u00f6n\u00e9rzetesen j\u00e1rk\u00e1lva (szemben a szigor\u00faan p\u00f3r\u00e1zon s\u00e9t\u00e1ltatott kuty\u00e1kkal), vagy kapualjakba figyelmesen beh\u00faz\u00f3dva, esetleg kirakatokban \u00e9s k\u00f6nyvesboltok polcain pihenve, a v\u00e1rosban mindenhol megjelentek. Hov\u00e1 t\u0171ntek a macsk\u00e1k? Most v\u00e1laszt kaptam: bek\u00f6lt\u00f6ztek a k\u00f3rh\u00e1z macskarezerv\u00e1tum\u00e1ba. Ami az\u00e9rt sem v\u00e9letlen, mert a Fondamente Nove k\u00f6zvetlen k\u00f6zel\u00e9ben vagyunk, ahol, saj\u00e1t bevall\u00e1sa szerint, Joszif Brodszkij<\/span> is macsk\u00e1v\u00e1 v\u00e1ltozott. Legal\u00e1bbis ezt olvashatjuk a Velence v\u00edzjegy\u00e9<\/em>ben, a Velenc\u00e9r\u0151l \u00edrt egyik legszebb k\u00f6nyvben: \u201eMeleg, napos id\u0151 volt, az \u00e9g k\u00e9k, minden sz\u00e9p volt. H\u00e1tam m\u00f6g\u00f6tt a Fondamente \u00e9s a San Michele, a k\u00f3rh\u00e1zfal ment\u00e9n haladtam, bal v\u00e1llam szinte s\u00farolta, hunyorogtam a napra, \u00e9s hirtelen \u00fagy \u00e9reztem, macska vagyok.\u201d1<\/span> A k\u00f3rh\u00e1z var\u00e1zskertj\u00e9ben t\u0151lem sem \u00e1llt ez az \u00e9rz\u00e9s t\u00e1vol. Hab\u00e1r mindig azt gondoltam, hogy Velenc\u00e9ben sir\u00e1lyk\u00e9nt szeretn\u00e9k \u00fajj\u00e1sz\u00fcletni, de az\u00e9rt macsk\u00e1nak lenni sem lenne rossz. Azt\u00e1n valamivel k\u00e9s\u0151bb (a k\u00f3rh\u00e1zt\u00f3l egy\u00e9bk\u00e9nt nem messze) a keresett ki\u00e1ll\u00edt\u00e1st is megtal\u00e1ltam, de az m\u00e1r kor\u00e1ntsem volt olyan \u00e9rdekes, mint a macskat\u00e1rlat.[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Joszif Brodszkij: Velence v\u00edzjegye.<\/em> Ford. Het\u00e9nyi Zsuzsa, Typotex Kiad\u00f3, Budapest, 1992<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

XIX.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Fondamenta degli incurabili,<\/em> ez Brodszkij k\u00f6nyv\u00e9nek olasz c\u00edme, mely a Zattere egyik szakasz\u00e1ra utal (az egykori k\u00f3rh\u00e1z nyom\u00e1n, mely ma a Sz\u00e9pm\u0171v\u00e9szeti Akad\u00e9mia \u00e9p\u00fclete), \u00e9s ahol az egyik feh\u00e9r h\u00e1zon egy eml\u00e9kt\u00e1bla jelzi, hogy ez az a hely, melyet a nagy orosz k\u00f6lt\u0151 szeretett \u00e9s meg\u00e9nekelt (am\u00f2 e cant\u00f2<\/em>).<\/p>\n

A gy\u00f3gy\u00edthatatlanok vagy menthetetlenek, a Velenc\u00e9be hal\u00e1losan szerelmesek rakpartja ez. Fondamenta delle Zattere vagy Fondamente Nove: Velence k\u00e9t sz\u00e9ls\u0151 partja k\u00f6z\u00f6tt mindig d\u00f6nt\u0151 a v\u00e1laszt\u00e1s, mert a Velenc\u00e9hez val\u00f3 eg\u00e9sz tov\u00e1bbi viszonyt meghat\u00e1rozza. Hozz\u00e1m az ut\u00f3bbi \u00e1ll k\u00f6zelebb, a Cannaregio lepusztult vid\u00e9ke, a Halottak Sziget\u00e9re (ahol Brodszkij is nyugszik) ny\u00edl\u00f3 kil\u00e1t\u00e1ssal. De azokat is meg\u00e9rtem, akik a Zattere mellett d\u00f6ntenek, ahogyan ezt a m\u00falt sz\u00e1zadban sz\u00e1mos \u00edr\u00f3 \u00e9s m\u0171v\u00e9sz tette, f\u0151k\u00e9nt amerikaiak: m\u00e1r csak a Guggenheim-h\u00e1z (Palazzo Venier dei Leoni) k\u00f6zels\u00e9ge miatt is, mely a mai napig kultikus hely. Ide mindig \u00e9rdemes bet\u00e9rni, nem csup\u00e1n az \u00e1lland\u00f3 vagy az aktu\u00e1lis ki\u00e1ll\u00edt\u00e1s (most a The Nature of Arp<\/em> t\u00e1rlat2<\/span> l\u00e1that\u00f3), de legal\u00e1bb annyira a csod\u00e1latos szoborkert miatt. Mindenki ilyen kertr\u0151l \u00e1lmodik: Velence sz\u00edv\u00e9ben, m\u00e9gis elz\u00e1rtan, telesz\u00f3rva Giacometti, Ernst, Moore, Pomodoro \u00e9s Arp alkot\u00e1saival. Vagy ilyen, a Canal Grand\u00e9ra ny\u00edl\u00f3 \u00f3ri\u00e1steraszr\u00f3l. Vagy ak\u00e1r ilyen, a kert m\u00e9ly\u00e9ben megb\u00faj\u00f3 s\u00edrr\u00f3l, ahol Peggy Guggenheim szeretett kuty\u00e1i t\u00e1rsas\u00e1g\u00e1ban pihen.<\/p>\n

Most azonban nem fordulunk be erre, hanem a Zatter\u00e9n tov\u00e1bbhaladva visszat\u00e9r\u00fcnk a S\u00f3rakt\u00e1rba (Magazinni del Sale), egy m\u00e1sik bienn\u00e1l\u00e9s ki\u00e1ll\u00edt\u00e1sra, ami a Living Rocks: A Fragment of the Universe<\/em> c\u00edmet viseli.3<\/span> Ez egyfajta imagin\u00e1rius term\u00e9szetsz\u00ednh\u00e1z, mely a vil\u00e1g \u0151skor\u00e1t viszi sz\u00ednre, a z\u00e1tonyk\u00e9pz\u0151 (fotoszintetiz\u00e1l\u00f3) thrombolitokkal a f\u0151szerepben.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

The Nature of Arp.<\/em> Peggy Guggenheim Collection, Velence, 2019. \u00e1prilis 13 \u2013 szeptember 2., ld. http:\/\/www.guggenheim-venice.it\/inglese\/exhibitions\/arp\/index.html<\/a><\/p>\n

4<\/p>\n

Living Rocks: A Fragment of the Universe<\/em> \/\/ James Darling + Lesley Forwood. Venice Art Factory, Velence, 2019. m\u00e1jus 8 \u2013 november 24., ld. https:\/\/www.veniceartfactory.org\/living-rocks-darling-forwood<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22215″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

James Darling, Lesley Forwood: Living Rocks: A Fragment of the Universe,<\/em> 2018, vide\u00f3 (20 perc), gy\u00f6kerek (1,5 tonna), v\u00edz (4000 l) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az \u0151sterm\u00e9szetet azonban az ausztr\u00e1l m\u0171v\u00e9szh\u00e1zasp\u00e1r, James Darling<\/span> (1946) \u00e9s Lesley Forwood<\/span> (1950), a saj\u00e1t kertj\u00fckben tal\u00e1lt, kisz\u00e1radt eukaliptuszf\u00e1kb\u00f3l teremti \u00fajra (ezeknek eredeti, t\u00f6mb\u00f6kk\u00e9 form\u00e1l\u00e1s el\u0151tti \u00e1llapot\u00e1t is l\u00e1thatjuk, egy fal\u00e1d\u00e1ban felhalmozva). Itt val\u00f3ban igaz, hogy a term\u00e9szeti t\u00e1rgyak szerepet j\u00e1tszanak: az eukaliptuszokb\u00f3l thrombolitok, \u201e\u00e9l\u0151 k\u00f6vek\u201d lesznek. Sz\u00edn\u00e9szi alak\u00edt\u00e1suk statikus \u00e9s t\u00f6k\u00e9letes. Az ausztr\u00e1l m\u0171v\u00e9szek, a re-kre\u00e1ci\u00f3<\/em> sor\u00e1n, egy harmincm\u00e9teres \u201esz\u00ednpadon\u201d helyezt\u00e9k el \u0151ket, mely a megvil\u00e1g\u00edt\u00e1s r\u00e9v\u00e9n \u00e1lland\u00f3an v\u00e1ltoz\u00f3 tengerfelsz\u00ednnek t\u0171nik, egy hatalmas vet\u00edt\u0151v\u00e1szon el\u0151tt, melynek panor\u00e1m\u00e1j\u00e1n a k\u00fcl\u00f6nb\u00f6z\u0151 f\u00f6ldkorszakok jelennek meg, egy folyamatos, megszak\u00edt\u00e1s n\u00e9lk\u00fcli k\u00f6rfolyamatban. Egyed\u00fcl az emberi civiliz\u00e1ci\u00f3ra utal\u00f3 jelek hi\u00e1nyoznak. Mindv\u00e9gig eld\u00f6nthetetlen, hogy amit l\u00e1tunk, az a m\u00falt v\u00edzi\u00f3ja vagy a k\u00e9pzelt j\u00f6v\u0151 pr\u00f3f\u00e9ci\u00e1ja. Ugyanakkor az eg\u00e9sz ink\u00e1bb eposzi, mintsem dr\u00e1mai szerkezetet mutat, mivel nincs benne semmilyen tragikus elem.<\/p>\n

A h\u00e1tt\u00e9rben ugyan felt\u0171nnek k\u00fcl\u00f6nf\u00e9le term\u00e9szeti kataklizm\u00e1k (vulk\u00e1nkit\u00f6r\u00e9sek, \u00f6z\u00f6nvizek, tombol\u00f3 viharok, puszt\u00edt\u00f3 asz\u00e1ly), de ezek nem \u00e9rintik a f\u0151szerepl\u0151ket. R\u00f6vid id\u0151 eltelt\u00e9vel (a term\u00e9szet vagy a vil\u00e1g idej\u00e9hez m\u00e9rten) minden visszat\u00e9r az eredeti, nyugalmi \u00e1llapot\u00e1ba. Az el\u0151t\u00e9rben elhelyezett \u201e\u00e9l\u0151 k\u00f6vek\u201d kiv\u00e9tel\u00e9vel, melyek a k\u00fcls\u0151 k\u00f6r\u00fclm\u00e9nyek v\u00e1ltoz\u00e1sa sor\u00e1n is v\u00e1ltozatlanok maradnak: \u0151k az \u00f6r\u00f6k t\u00fal\u00e9l\u0151k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22217″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

James Darling, Lesley Forwood: Living Rocks: A Fragment of the Universe,<\/em> 2018, vide\u00f3 (20 perc), gy\u00f6kerek (1,5 tonna), v\u00edz (4000 l) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az \u201e\u0151ssz\u00ednh\u00e1z\u201d kort\u00e1rs megrendez\u00e9s\u00e9t azonban, k\u00fcl\u00f6n\u00f6sen a mediatiz\u00e1lt r\u00e9szek miatt, jogosan \u00e9rheti kritika. Sok benne a hat\u00e1svad\u00e1sz, posztromantikus elem: v\u00e9gig patetikus zenek\u00eds\u00e9ret sz\u00f3l (Paul Stanhope<\/span> No.2 <\/em>\/2009\/ von\u00f3sn\u00e9gyese), tobz\u00f3dnak a sz\u00edn- \u00e9s f\u00e9nyj\u00e1t\u00e9kok (sarki f\u00e9nyek, meteorhull\u00e1sok, vill\u00e1ml\u00e1sok), vagy hirtelen felreppen egy hatalmas mad\u00e1rraj…<\/p>\n

Valahogy t\u00fal sz\u00e9p az eg\u00e9sz, de szemben Kanttal, aki a term\u00e9szeti fens\u00e9gesr\u0151l besz\u00e9lt, itt nincs semmilyen fens\u00e9ges elem, ami felkavarna, egyszerre tasz\u00edtana \u00e9s vonzana minket. Ebben a mediatiz\u00e1lt term\u00e9szetsz\u00ednh\u00e1zban nincs semmi f\u00e9lelmet kelt\u0151, v\u00e9gig meg\u0151rizhetj\u00fck nyugodt n\u00e9z\u0151i poz\u00edci\u00f3nkat, \u00e9s annak a biztos tudat\u00e1val t\u00e1vozhatunk, hogy az \u00e9let az ember n\u00e9lk\u00fcl is zajlik tov\u00e1bb.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22216″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

James Darling, Lesley Forwood: Living Rocks: A Fragment of the Universe,<\/em> 2018, vide\u00f3 (20 perc), gy\u00f6kerek (1,5 tonna), v\u00edz (4000 l) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

XX.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Biennale<\/em> nagy katal\u00f3gusa (BAG) k\u00fcl\u00f6n kiemeli, hogy Velence n\u00e9h\u00e1ny, egy\u00e9bk\u00e9nt l\u00e1thatatlan nevezetess\u00e9ge is ki\u00e1ll\u00edt\u00f3t\u00e9rr\u00e9 v\u00e1ltozik ilyenkor: mint p\u00e9ld\u00e1ul a Complesso dell\u2019Ospedaletto, a Scala Contarini del Bovolo vagy a Chiesa delle Penitenti. Ez ut\u00f3bbi Velence egyik v\u00e9gpontj\u00e1n tal\u00e1lhat\u00f3, t\u00fal a zsid\u00f3 negyeden, ahol a Fondamenta Cannaregio a tengerbe fut. A hossz\u00fa c\u00edmet visel\u0151 ki\u00e1ll\u00edt\u00e1s, Artist Need to Create the Same Scale that Society Has the Capacity to Destroy: Mare Nostrum,<\/em>4<\/span> k\u00e9t egym\u00e1s melletti \u00e9p\u00fcletben van, a templomban \u00e9s az \u00f6regek otthon\u00e1ban, \u00e9s a k\u00e9t r\u00e9sz \u00e9lesen k\u00fcl\u00f6nv\u00e1lik egym\u00e1st\u00f3l.<\/p>\n

A Santa Maria delle Penitenti templomban tal\u00e1lhat\u00f3 r\u00e9sz val\u00f3ban \u00e9rdekes, mivel itt az alkot\u00f3k v\u00e9gig reflekt\u00e1lnak az alc\u00edm t\u00e9m\u00e1j\u00e1ra: a Mare Nostrum<\/em>ra (mely asszoci\u00e1l a Pater noster<\/em>re is). Amint bel\u00e9p\u00fcnk, egy term\u00e9szeti hangok nyom\u00e1n felvett hanginstall\u00e1ci\u00f3t hallunk, melyben a tengerz\u00fag\u00e1s domin\u00e1l, \u00e9s amely v\u00e9gigk\u00eds\u00e9r minket ezen az els\u0151 szakaszon. Lauren Bon<\/span> (1962) Mare Nostrum orat\u00f3rium<\/em>a (2019) olyan, ak\u00e1r egy rekviem, a tenger h\u0171lt helye felett. Ezt a benyom\u00e1st er\u0151s\u00edti meg, a templom f\u0151haj\u00f3j\u00e1ban, Wolfgang Laib<\/span> (1950) Passageway<\/em> (2013) install\u00e1ci\u00f3ja, ahol egy feh\u00e9r dobog\u00f3n pap\u00edrhaj\u00f3szer\u0171 aranycs\u00f3nakok s\u00fcllyednek el a rizstengerben. A templom oldalhaj\u00f3ja a ki\u00e1ll\u00edt\u00e1s legeml\u00e9kezetesebb helye, mert itt a teret Lauren Bon val\u00f3ban belekompon\u00e1lta a m\u0171v\u00e9be: eg\u00e9sz pontosan a templom padl\u00f3j\u00e1n m\u00e1r eredetileg is ott lev\u0151 nagy lyukat, melyen kereszt\u00fcl a v\u00edzre l\u00e1tunk (\u00edgy bizonyos \u00e9rtelemben egyszerre l\u00e1tjuk a templom \u00e9s a v\u00e1ros m\u00faltj\u00e1t \u00e9s j\u00f6v\u0151j\u00e9t, hiszen tudjuk: Velence s\u00fcllyed).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy: Mare Nostrum,<\/em> Chiesa di Santa Maria delle Penitenti, Velence, 2019. m\u00e1jus 11 \u2013 november 24.,
\nld. https:\/\/www.gioiellinascostidivenezia.it\/en\/artists-need-tocreate-on-the-same-scale-that-society-has-the-capacity-to-destroy-mare-nostrum-chiesa-di-santa-maria-delle-penitenti\/<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22219″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Wolfgang Laib:\u00a0Passageway,<\/em> 2013 \u00a9 Fot\u00f3: Francesca Sa https:\/\/www.flickr.com\/photos\/piccolakiwi\/48285316137\/sizes\/l\/<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ugyancsak a gy\u00e1szra utal Lauren Bon harmadik munk\u00e1ja, az olt\u00e1r m\u00f6g\u00f6tt elhelyezett St. Jerome\u2019s Study<\/em> (2007), mely felid\u00e9zi k\u00e9pz\u0151m\u0171v\u00e9szeti el\u0151k\u00e9peit (Velenc\u00e9ben sz\u00e1mos Szent Jeromos \u00e1br\u00e1zol\u00e1sra bukkanhatunk, Carpaccio a San Giorgio degli Schiavoniban lev\u0151 Szent \u00c1goston<\/em>-k\u00e9p\u00e9t \/1502\/ is sok\u00e1ig annak v\u00e9lt\u00e9k). Ugyanakkor ezen a fekete k\u00e1tr\u00e1nnyal bevont \u00edr\u00f3asztalon csak fekete t\u00e1rgyak tal\u00e1lhat\u00f3k, melyek a felismerhetetlens\u00e9gig deform\u00e1l\u00f3dtak, vagy olyan saj\u00e1tos anamorf\u00f3zist mutatnak, melyhez nem tal\u00e1ljuk a helyes n\u00e9z\u0151pontot. Mintha az eg\u00e9sz asztal, a rajta elhelyezett relikvi\u00e1kkal, egy \u0151sr\u00e9gi maradv\u00e1ny lenne: a t\u0171zv\u00e9szb\u0151l megmentett vagy a f\u00f6ldm\u00e9lyb\u0151l ki\u00e1sott, elfeketedett lelet. Ef\u00f6l\u00f6tt az asztal f\u00f6l\u00f6tt val\u00f3ban csak az elm\u00fal\u00e1son \u00e9s a hal\u00e1lon lehet medit\u00e1lni (\u201ememento mori\u201d).<\/p>\n

Id\u00e1ig tart a ki\u00e1ll\u00edt\u00e1s \u00e9rdemleges r\u00e9sze. A m\u00e1sik \u00e9p\u00fcletben, egy falra felh\u00e1nyva (The Wall of Offering: To Venice with Love<\/em>) sz\u00e1mtalan p\u00e1lyakezd\u0151 vagy amat\u0151r m\u0171v\u00e9sz munk\u00e1ja tal\u00e1lhat\u00f3: rajzok, fot\u00f3k, szobrok, sz\u00f6vegek, alattuk \u00fcvegek, tengeri kagyl\u00f3k, k\u00fapcsig\u00e1k… Ha innen kimenek\u00fcl\u00fcnk az udvarba, ott a ki\u00e1ll\u00edt\u00e1s c\u00edm\u00e9t olvashatjuk (Lauren Bon mondat\u00e1t), egy piros neonszobor form\u00e1j\u00e1ban. Ugyanitt Maya Lin<\/span> (1959) Water Water Everywhere, Not a Drops to Drink<\/em> (2019) szoborcsoportj\u00e1t harminck\u00e9t, a f\u00f6ldre elhelyezett, v\u00edzcseppet szimboliz\u00e1l\u00f3 barna \u00fcveg alkotja. V\u00e9g\u00fcl sz\u00e1nd\u00e9kosan itt hagyt\u00e1k a ki\u00e1ll\u00edt\u00e1s megnyit\u00f3j\u00e1nak f\u0151 d\u00edszletelem\u00e9t (mely majd a vernissage-on is szerepelni fog): egy pingpongasztal-szer\u0171 f\u00e9masztalt, melynek sz\u00e9kei \u00f3ri\u00e1sed\u00e9nyek. Ezen a ponton az \u00e9rdekesnek indul\u00f3 ki\u00e1ll\u00edt\u00e1s t\u00e9nyleg egy rossz bl\u00f6ff\u00e9 alakul \u00e1t.[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

XXI.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az igazs\u00e1ghoz hozz\u00e1tartozik, hogy a v\u00e1rosban tal\u00e1lhat\u00f3 Bienn\u00e1le<\/em> pavilonok jelent\u0151s r\u00e9sze m\u0171v\u00e9szi szempontb\u00f3l abszol\u00fat \u00e9rt\u00e9kelhetetlen. Ahhoz, hogy h\u00fasz ki\u00e1ll\u00edt\u00e1sr\u00f3l \u00edrni lehessen, legal\u00e1bb k\u00e9tszer ennyit kell megn\u00e9zni (\u00e9s m\u00e9g \u00edgy is maradnak, a le\u00edrtak k\u00f6z\u00f6tt, k\u00f6zepes vagy gyenge t\u00e1rlatok). Az emberek t\u00f6bbs\u00e9ge viszont nem az\u00e9rt megy a Bienn\u00e1le idej\u00e9re megnyitott palot\u00e1kba vagy szokatlan terekbe, hogy a kort\u00e1rs m\u0171v\u00e9szetet tanulm\u00e1nyozza, sokkal ink\u00e1bb az\u00e9rt, hogy bepillant\u00e1st nyerjen Velence sz\u00ednfalai m\u00f6g\u00e9, elk\u00e9pzelje az egykor ott zajl\u00f3 \u00e9letet.<\/p>\n

Az\u00e9rt akadnak izgalmas m\u0171v\u00e9szeti projektek is, ilyen a legjobb nemzeti pavilonnak \u00edt\u00e9lt, Arany Oroszl\u00e1n-d\u00edjas, litv\u00e1n pavilonban l\u00e1that\u00f3 \u00f6sszm\u0171v\u00e9szeti alkot\u00e1s: Sun & Sea (Marina).5<\/span><\/em> Az install\u00e1ci\u00f3 \u00e9s opera-performance a Neon Realism<\/span> csoport munk\u00e1ja, melyet h\u00e1rom m\u0171v\u00e9sz alkot: Rugil\u0117 Barzd\u017eiukait\u0117<\/span> (1983, filmrendez\u0151), Vaiva Grainyt\u0117<\/span> (1984, \u00edr\u00f3, k\u00f6lt\u0151) \u00e9s Lina Lapelyt\u0117<\/span> (1984, el\u0151ad\u00f3 zeneszerz\u0151). Hozz\u00e1juk csatlakozik m\u00e9g k\u00f6zel h\u00fasz el\u0151ad\u00f3, a hetente k\u00e9tszer (szerd\u00e1n \u00e9s szombaton) l\u00e1that\u00f3 performance sor\u00e1n.<\/p>\n

K\u00fcl\u00f6n\u00f6s \u00e9lm\u00e9ny, hogy ha nem az Arsenale fel\u0151l k\u00f6zel\u00edtj\u00fck meg a litv\u00e1n pavilont \u2013 ami alig esik k\u00edv\u00fcl a hivatalos ki\u00e1ll\u00edt\u00e1si helysz\u00edneken (viszont megtekint\u00e9se emiatt ingyenes) \u2013, akkor v\u00e9gig kell haladnunk a San Francisco della Vigna monument\u00e1lis \u00e9s kihalt ter\u00e9n, a temet\u0151 ir\u00e1ny\u00e1ba haladva, Krisztus szenved\u00e9s\u00e9t id\u00e9z\u0151 neveket visel\u0151 utc\u00e1k sor\u00e1n \u00e1t, hogy v\u00e9g\u00fcl eljussunk az elhagyott tengeri b\u00e1zison berendezett Sun & Sea (Marina)<\/em> k\u00e9pzeletbeli tengerpartj\u00e1ra. \u00cdgy hirtelen egy teljesen m\u00e1s vil\u00e1gban \u00e9s k\u00f6rnyezetben tal\u00e1ljuk magunkat. Ha lehet\u0151s\u00e9g\u00fcnk van r\u00e1, \u00e9rdemes k\u00e9tszer is ell\u00e1togatni ide. El\u0151sz\u00f6r amikor nincs el\u0151ad\u00e1s, mert az ilyenkor szinte teljesen \u00fcres, magasban elhelyezett, k\u00f6rfolyos\u00f3szer\u0171 n\u00e9z\u0151t\u00e9rr\u0151l \u2013 mint egy karzatr\u00f3l vagy kil\u00e1t\u00f3b\u00f3l \u2013 zavartalanul szem\u00fcgyre vehetj\u00fck az eg\u00e9sz tengerparti sz\u00ednpadot.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

Sun & Sea (Marina).<\/em> An opera-performance by: Rugil\u0117 Barzd\u017eiukait\u0117, Vaiva Grainyt\u0117 and Lina Lapelyt\u0117, Padiglione Lituania, Velence, 2019. m\u00e1jus 11 \u2013 november 24., kur\u00e1tor: Lucia Pietroiusti; ld. https:\/\/sunandsea.lt\/en; https:\/\/www.theveniceinsider.com\/art-biennale-2019-lithuania\/<\/a> (utols\u00f3 hozz\u00e1f\u00e9r\u00e9s: 2019. okt\u00f3ber 2.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22220″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Neon Realism \u2013 Rugil\u0117 Barzd\u017eiukait\u0117, Vaiva Grainyt\u0117, Lina Lapelyt\u0117: Sun & Sea (Marina),<\/em> Velencei Biennale, 2019 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Egy homokos beach-et l\u00e1tunk a rajta sz\u00e9tsz\u00f3rt t\u00e1rgyakkal, melyek a megt\u00e9veszt\u00e9sig eml\u00e9keztetnek saj\u00e1t strand\u00e9lm\u00e9nyeinkre, csak val\u00f3sz\u00edn\u0171leg ritk\u00e1n tekint\u00fcnk \u00fagy a homokban hever\u0151 t\u00e1rgyakra, mintha egy csend\u00e9let (nature morte<\/em>) kompoz\u00edci\u00f3s elemei lenn\u00e9nek. Ha most azonban m\u00e9gis ezt tessz\u00fck, milyen kort\u00e1rs vanit\u00e1sokat<\/em> l\u00e1thatunk? Leter\u00edtett t\u00f6r\u00fclk\u00f6z\u0151ket (r\u00e9mes sz\u00ednekben \u00e9s ijeszt\u0151 mint\u00e1kkal), nyug\u00e1gyakat, levetett ruh\u00e1kat, papucsokat, napszem\u00fcvegeket \u00e9s szem\u00fcvegeket, szalmakalapokat, kend\u0151ket, strandt\u00e1sk\u00e1kat, nyitva felejtett sz\u00ednes \u00fajs\u00e1gokat, k\u00f6nyveket, keresztrejtv\u00e9ny-f\u00fczeteket, elsz\u00f3rt k\u00e1rty\u00e1kat, ceruz\u00e1kat, pap\u00edrlapokat, domin\u00f3kock\u00e1kat, retr\u00f3 hangulat\u00fa zsebr\u00e1di\u00f3t, k\u00f6t\u0151t\u0171t \u00e9s fonalat, minis\u00falyz\u00f3kat, tov\u00e1bb\u00e1 h\u0171t\u0151t\u00e1sk\u00e1kat, mindenf\u00e9le \u00e9telmaradv\u00e1nyokat \u00e9s szemeteket, \u00fcres \u00e9s nyitott \u00fcvegeket, k\u00fcl\u00f6nf\u00e9le j\u00e1t\u00e9k- \u00e9s homokoz\u00f3szereket, \u00fasz\u00f3gumikat \u00e9s kar\u00fasz\u00f3kat, tenisz\u00fct\u0151ket \u00e9s labd\u00e1kat, valamint egy felf\u00fajhat\u00f3 gyerekmedenc\u00e9t minip\u00e1lmaf\u00e1val, egy felborult biciklit, egy homokba s\u00fcllyedt m\u0171anyaghaj\u00f3t \u00e9s homokbuck\u00e1kon lebeg\u0151 pap\u00edrcs\u00f3nakokat… \u00c9s m\u00e9g hosszasan sorolhatn\u00e1nk, hiszen itt megjelenik a h\u00e9tk\u00f6znapok minden banalit\u00e1sa \u00e9s egyben ban\u00e1lis k\u00f6nnyeds\u00e9ge is. Kicsit irigyelj\u00fck a t\u00e1vollev\u0151ket, a val\u00f3sz\u00edn\u0171leg gondtalanul f\u00fcrd\u0151z\u0151ket… Vagy m\u00e9gsem? Ha sok\u00e1ig n\u00e9zz\u00fck a mag\u00e1nyos t\u00e1rgyakat, egyre ink\u00e1bb azt \u00e9rezz\u00fck, hogy van valami k\u00eds\u00e9rteties ebben az emberek n\u00e9lk\u00fcli vil\u00e1gban. Hogy lehet az, hogy mindenki egyszerre ment be a v\u00edzbe? Mi t\u00f6rt\u00e9nne akkor, ha v\u00e1ratlanul mind els\u00fcllyedn\u00e9nek vagy v\u00edzbe fulladn\u00e1nak, \u00e9s a magukra maradt t\u00e1rgyak alapj\u00e1n kellene azonos\u00edtani \u0151ket? Az elhagyott helyek is eml\u00e9keznek vagy eml\u00e9keztetnek az emberekre (gondoljunk a szimonid\u00e9szi mnemotechnik\u00e1ra, melynek alap\u00edt\u00f3 gesztusa szint\u00e9n a halottak azonos\u00edt\u00e1sa volt). Ezek a sz\u00e9tsz\u00f3rt t\u00e1rgyak egyszerre tekinthet\u0151k n\u00e9vtelen \u00e9letek jellegtelen \u00e9s m\u00e9gis jellemz\u0151 lenyomatainak, mik\u00f6zben egy fogyaszt\u00f3i t\u00e1rsadalom (minden sz\u00edness\u00e9g\u00e9vel egy\u00fctt is lehangol\u00f3) k\u00e9p\u00e9t ny\u00fajtj\u00e1k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22221″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Neon Realism \u2013 Rugil\u0117 Barzd\u017eiukait\u0117, Vaiva Grainyt\u0117, Lina Lapelyt\u0117: Sun & Sea (Marina),<\/em> Velencei Biennale, 2019 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A v\u00edzbefullad\u00e1s vagy a haj\u00f3t\u00f6r\u00e9s tragikus esem\u00e9ny\u00e9nek felid\u00e9z\u00e9se az\u00e9rt nem t\u0171nik olyan t\u00e1voli asszoci\u00e1ci\u00f3nak, mert m\u00e9giscsak egy opera \u00fcres (szerepl\u0151k n\u00e9lk\u00fcli) sz\u00ednpad\u00e1t l\u00e1tjuk. Egy oper\u00e1t\u00f3l pedig joggal v\u00e1rhatunk el valamilyen tragikus t\u00f6rt\u00e9n\u00e9st vagy dr\u00e1mai v\u00e9gkifejletet. Mi\u00e9rt ne lehetne a kihalt beach egy katasztr\u00f3fa ut\u00e1ni t\u00e1jk\u00e9p?<\/p>\n

Az oper\u00e1val valamennyire akkor is megismerkedhet\u00fcnk, ha \u00e9pp nincs el\u0151ad\u00e1sa, mert hangszeres k\u00eds\u00e9ret\u00e9t (egy repetit\u00edv zen\u00e9t) folyamatosan hallhatjuk a mindenfel\u00e9 elhelyezett hangsz\u00f3r\u00f3kb\u00f3l, el\u0151l hagyott sz\u00f6vegk\u00f6nyv\u00e9t pedig b\u00e1rmikor elolvashatjuk. Ezt \u00e9rdemes is megtenni, mert r\u00e9tegzett, utal\u00e1sokban gazdag anyag. Innen megtudhatjuk, hogy a strand t\u00e1vollev\u0151 szerepl\u0151i k\u00f6z\u00f6tt egyar\u00e1nt akadnak h\u00e9tk\u00f6znapi emberek (tehet\u0151s anya, ki\u00e9gett munkam\u00e1ni\u00e1s, b\u00facs\u00fazkod\u00f3 szerelmesp\u00e1r), mitol\u00f3giai alakok (szir\u00e9nek), \u00e9s karakterfigur\u00e1k (filoz\u00f3fus, panaszkod\u00f3, lelkendez\u0151). A k\u00f3rusokb\u00f3l \u00e9s nagy\u00e1ri\u00e1kb\u00f3l fel\u00e9p\u00fcl\u0151 m\u0171 sz\u00e1mos irodalmi \u00e9s sz\u00ednh\u00e1zi el\u0151zm\u00e9nyre ny\u00falik vissza: a g\u00f6r\u00f6g dr\u00e1m\u00e1kt\u00f3l (vagy az Od\u00fcsszei\u00e1<\/em>t\u00f3l) kezdve, Goldoni Nyaral\u00e1s<\/em>\u00e1n, T.S. Eliot hossz\u00fa k\u00f6ltem\u00e9nyein (A puszta orsz\u00e1g \/ \u00c1tokf\u00f6ld<\/em>), Brecht \u00e9s Gorkij (Nyaral\u00f3k<\/em>) t\u00e1rsadalomkritikus sz\u00ednh\u00e1z\u00e1n, Gertrude Stein t\u00e1jk\u00e9psz\u00ednh\u00e1z\u00e1n \u00e9s k\u00eds\u00e9rleti oper\u00e1in kereszt\u00fcl eg\u00e9szen Robert Wilson k\u00e9psz\u00ednh\u00e1z\u00e1ig (Einstein on the Beach<\/em>).<\/p>\n

A librett\u00f3 is jellegzetesen posztdramatikus sz\u00f6veg, egyfajta koll\u00e1zs, mely r\u00e9szint h\u00e9tk\u00f6znapi klis\u00e9kb\u0151l, m\u00e1sr\u00e9szt irodalmi \u00e9s t\u00e1rsadalomtudom\u00e1nyi m\u0171vekb\u0151l vett id\u00e9zetekb\u0151l \u00e1ll \u00f6ssze. Mert valamiv\u00e9 t\u00e9nyleg \u00f6ssze\u00e1ll. A mozaikszer\u0171 t\u00f6rt\u00e9netek m\u00f6g\u00f6tt kirajzol\u00f3dik n\u00e9h\u00e1ny sorsfordulat vagy term\u00e9szeti katasztr\u00f3fa (v\u00edzbefullad\u00e1s, vulk\u00e1nkit\u00f6r\u00e9s), ami determin\u00e1lja az egyes \u00e9leteket. Hal\u00e1lr\u00f3l ritk\u00e1n elm\u00e9lked\u00fcnk a strandon, itt m\u00e9gis sor ker\u00fcl r\u00e1, m\u00e9ghozz\u00e1 a \u201e3D-s l\u00e1ny n\u0151v\u00e9r\u00e9nek\u201d \u00e1ri\u00e1j\u00e1ban, aki az\u00e9rt akar egy 3D-s nyomtat\u00f3val k\u00e9sz\u00fclt h\u00fagot, hogy \u00e1ltala szabaduljon meg a saj\u00e1t hal\u00e1lf\u00e9lelm\u00e9t\u0151l, \u00e9s majd benne \u00e9ljen tov\u00e1bb…<\/p>\n

Mindig m\u00e1s el\u0151zetesen elk\u00e9pzelni egy sz\u00ednh\u00e1zi el\u0151ad\u00e1st, \u00e9s m\u00e1s \u00e9l\u0151ben l\u00e1tni. Hi\u00e1ba ismerj\u00fck a d\u00edszleteket, hi\u00e1ba olvastuk a sz\u00f6vegk\u00f6nyvet, ezek csak hasznos el\u0151k\u00e9sz\u00fcletet jelentenek. A puszta sz\u00f6veg alapj\u00e1n ugyanis nem tudjuk elk\u00e9pzelni a t\u00e9nyleges szerepl\u0151ket (azt meg k\u00fcl\u00f6n\u00f6sen nem, hogy a szerelmesp\u00e1r Lind\u00e1j\u00e1b\u00f3l Lucas lesz). Tov\u00e1bb\u00e1 nem tudjuk elk\u00e9pzelni a sz\u00ednpadi mozgalmass\u00e1got, a folyamatos j\u00f6v\u00e9s-men\u00e9st labd\u00e1z\u00f3 gyerekekkel, fel- \u00e9s elt\u0171n\u0151 emberekkel. A f\u0151szerepl\u0151k ezzel szemben viszonylag statikusak, n\u00e9ha ugyan elhagyj\u00e1k a sz\u00ednteret (hogy f\u00fcr\u00f6djenek vagy \u00e9telt vegyenek), de azt\u00e1n \u00fajra visszat\u00e9rnek a teljes nyugalmi \u00e1llapotba vagy tesped\u00e9sbe. Az \u00e9n kedvenc szerepl\u0151m a ki\u00e9gett munkam\u00e1ni\u00e1s, aki egy t\u00f6r\u00fclk\u00f6z\u0151vel gondosan letakart nyug\u00e1gyban hever, mellette h\u00f3feh\u00e9r cip\u0151 \u00e9s vil\u00e1gos szalmakalap, melyen a mobilj\u00e1t tartja, amit szinte percenk\u00e9nt, k\u00e9nyszeresen megn\u00e9z, mik\u00f6zben egy k\u00f6nyvet olvasva, g\u00f6rcs\u00f6sen pr\u00f3b\u00e1l kikapcsol\u00f3dni. M\u00e1s szerepl\u0151k viszont pont att\u00f3l j\u00f3k, hogy ellene mennek az elv\u00e1rt karakternek. Ilyen a filoz\u00f3fus, akit val\u00f3sz\u00edn\u0171leg nem sz\u00ednes bermudanadr\u00e1gban \u00e9s tetov\u00e1lt karokkal k\u00e9pzeln\u00e9nk el. Hab\u00e1r \u0151 is olvas, \u00e9s ahogy egy igazi filoz\u00f3fust\u00f3l elv\u00e1rhat\u00f3, szak\u00e1llt visel. A szerepl\u0151k t\u00f6bbnyire elszepar\u00e1ltan fekszenek a saj\u00e1t t\u00f6r\u00fclk\u00f6z\u0151j\u00fck\u00f6n vagy nyug\u00e1gyukban (mindenki egy mon\u00e1sz, mondhatn\u00e1 a filoz\u00f3fus), bens\u0151s\u00e9ges kapcsolatot csak a szerelmesp\u00e1r eset\u00e9ben l\u00e1tunk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”22223″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Neon Realism \u2013 Rugil\u0117 Barzd\u017eiukait\u0117, Vaiva Grainyt\u0117, Lina Lapelyt\u0117: Sun & Sea (Marina),<\/em> Velencei Biennale, 2019 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Mik\u00f6zben a performance v\u00e1ltozatos \u00e9s l\u00e1tsz\u00f3lag vid\u00e1m, az eg\u00e9szet m\u00e9gis \u00e1thatja valami megmagyar\u00e1zhatatlan melank\u00f3lia. A t\u00e9tlens\u00e9g \u00e9s a munk\u00e1tlans\u00e1g sem tiszt\u00e1n felszabadult \u00e1llapot, ink\u00e1bb egyfajta letagl\u00f3zotts\u00e1g, mint amikor feksz\u00fcnk a h\u0151s\u00e9gben, amit m\u00e1r nem \u00e9lvez\u00fcnk, de mozdulni sincs er\u0151nk. A szerepl\u0151k pedig nem csup\u00e1n a t\u0171z\u0151 napnak \u201ekitettek\u201d, de az \u0151ket fentr\u0151l n\u00e9z\u0151 tekinteteknek is: a mi tekinteteinknek.<\/p>\n

N\u00e9z\u0151k\u00e9nt mintha egyfajta megford\u00edtott, \u201eisteni\u201d n\u00e9z\u0151pontb\u00f3l (sub speciae aeternitatis<\/em>) l\u00e1tn\u00e1nk r\u00e1 egy sz\u00e1munkra is ismer\u0151s szitu\u00e1ci\u00f3ra. Addig n\u00e9zhetj\u00fck, ameddig csak kedv\u00fcnk tartja, mert a performance \u00fagy \u00e9r v\u00e9get, hogy nem \u00e9r v\u00e9get, hanem \u00e9szrev\u00e9tlen\u00fcl \u00fajra kezdet\u00e9t veszi (amit csak az vesz \u00e9szre, aki olvasta a librett\u00f3t, vagy m\u00e1r legal\u00e1bb egyszer v\u00e9gighallgatta\/n\u00e9zte a hetvenperces oper\u00e1t). Mik\u00f6zben b\u00e1rki, b\u00e1rmikor kimehet.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” el_class=”p-5-5″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”120″ custom_height_tablet=”80″ custom_height_phone=”70″]