{"id":20221,"date":"2019-08-08T12:59:39","date_gmt":"2019-08-08T10:59:39","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=20221"},"modified":"2024-05-31T11:57:42","modified_gmt":"2024-05-31T09:57:42","slug":"velence-mashogy-2-resz","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/velence-mashogy-2-resz\/","title":{"rendered":"Velence m\u00e1shogy… II. r\u00e9sz"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

S\u00e9tanapl\u00f3 a K\u00e9pz\u0151m\u0171v\u00e9szeti Bienn\u00e1le idej\u00e9n<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

VIII.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Sz\u00e1momra a legszokatlanabb ki\u00e1ll\u00edt\u00f3t\u00e9rnek mindig a templomok t\u0171nnek (hab\u00e1r Velence b\u0151velkedik a haszn\u00e1laton k\u00edv\u00fcli templomokban, \u00fagyhogy egy kis \u201eprof\u00e1n\u201d haszn\u00e1lat j\u00f3t is tesz nekik). N\u00e9ha azonban arra is van p\u00e9lda, hogy egy m\u0171 autentikus hely\u00e9re ker\u00fcl, ahogy a The Death of James Lee Byars<\/em> install\u00e1ci\u00f3 is illik a Chiesa di Santa Maria della Visitazione nemesen egyszer\u0171 \u00e9s letisztult ter\u00e9be.1<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

The Death of James Lee Byars.<\/em> Chiesa di Santa Maria della Visitaziona, Velence, 2019. m\u00e1jus 11 \u2013 november 24.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-15 p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-20-5l” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20229″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-20-5r” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20230″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

The Death of James Lee Byars,<\/em> 2019 \u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A templom bej\u00e1rat\u00e1n\u00e1l, a ki\u00e1ll\u00edt\u00e1s f\u0151 elemek\u00e9nt, egy monument\u00e1lis s\u00edreml\u00e9k-eml\u00e9km\u0171vet l\u00e1tunk, melyet James Lee Byars<\/span> (1932\u20131997) 1994-ben k\u00e9sz\u00edtett, amikor gy\u00f3gy\u00edthatatlan r\u00e1kbetegs\u00e9g\u00e9vel szembes\u00fclt (h\u00e1rom \u00e9vvel k\u00e9s\u0151bb halt meg). A k\u00edv\u00fcl-bel\u00fcl aranylemezekkel fedett paralelepipedon (mely utal a filoz\u00f3fusok k\u00f6v\u00e9re \u00e9s az alkimista \u00e1tv\u00e1ltoz\u00e1s csod\u00e1j\u00e1ra) k\u00f6zep\u00e9n egy aranydoboz \u00e1ll, ak\u00e1r egy \u00fcres ravatal vagy lez\u00e1rt s\u00edrhely. Innen, eg\u00e9szen az olt\u00e1rig, tizenhat hangsz\u00f3r\u00f3 sorfala vezet, melyekb\u0151l Zad Moultaka<\/span>nak a mostani ki\u00e1ll\u00edt\u00e1shoz kompon\u00e1lt\u00a0Vocal Shadows<\/em>\u00a0c\u00edm\u0171 m\u0171ve hallhat\u00f3, mely a gy\u00e1szszertart\u00e1sok r\u00edtus\u00e1t id\u00e9zi fel.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20291″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

The Death of James Lee Byars,<\/em> 2019 (r\u00e9szlet) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

IX.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Egy tragikusan r\u00f6vid, \u00e1m ann\u00e1l intenz\u00edvebb \u00e9let lenyomat\u00e1t ny\u00fajtja az im\u00e9nti templom mellett tal\u00e1lhat\u00f3 Palazzo Continiben megrendezett Pino Pascali<\/span> (1935\u20131968) ki\u00e1ll\u00edt\u00e1s: Dall\u2019immagine alla forma<\/em> (\u201eA k\u00e9pzett\u0151l a form\u00e1ig\u201d).2<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Pino Pascali \u2013 Dall\u2019Immagine alla Forma<\/em> (Pino Pascali \u2013 From Image to Shape). Palazzo Contini, Velence, 2019. m\u00e1jus 6 \u2013 november 24., ld. m\u00e9g: http:\/\/www.museopinopascali.it<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20248″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pino Pascali:\u00a0Mez\u0151gazdas\u00e1gi szersz\u00e1mok,<\/em> 1968 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az arte povera egyik legjelent\u0151sebb, b\u00e1r mindezid\u00e1ig kev\u00e9sb\u00e9 kanoniz\u00e1lt, sokoldal\u00fa m\u0171v\u00e9sz\u00e9nek (fotogr\u00e1fus, szobr\u00e1sz, rendez\u0151, performer) munk\u00e1ss\u00e1g\u00e1ba nyer\u00fcnk itt bepillant\u00e1st. A ki\u00e1ll\u00edt\u00e1si anyag alapj\u00e1t egy 1964\u20131965 k\u00f6z\u00f6tt (f\u0151leg d\u00e9lolasz v\u00e1rosokban: N\u00e1polyban, Capriban) k\u00e9sz\u00edtett fot\u00f3sorozat adja, de a fotogr\u00e1fia Pascalin\u00e1l mindig csak a kutat\u00e1s els\u0151 f\u00e1zisa, melyet kieg\u00e9sz\u00edtenek szobr\u00e1szati, k\u00e9pz\u0151m\u0171v\u00e9szeti, sz\u00ednh\u00e1zi tanulm\u00e1nyai. Ezt mutatja be az els\u0151 terem (Cose d\u2019acqua<\/em> | \u201eV\u00edzi dolgok\u201d), mely egyr\u00e9szt a m\u0171v\u00e9sz v\u00edz ir\u00e1nti csod\u00e1lat\u00e1t, m\u00e1sr\u00e9szt k\u00eds\u00e9rletez\u0151 szellem\u00e9t igazolja. A kutakr\u00f3l, forr\u00e1sokr\u00f3l, pocsoly\u00e1kr\u00f3l k\u00e9sz\u00edtett fot\u00f3k nyom\u00e1n Pascolit itt az foglalkoztatta, hogyan lehet szoborr\u00e1 form\u00e1zni a r\u00f6gz\u00edthetetlen mat\u00e9ri\u00e1t, az elfoly\u00f3 vizet. \u00cdgy k\u00e9sz\u00fcl a 9 mq di pozzanghere<\/em> (\u201e9 nm pocsolya\u201d, 1967) c\u00edm\u0171 szobor, melynek \u00fcres m\u00e9lyed\u00e9sei jelzik az \u00e1br\u00e1zolhatatlan elem (a v\u00edz) hely\u00e9t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-2″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20242″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pino Pascali:\u00a0Fontanella,<\/em> 1965 | Passerella sull\u2019acqua,<\/em> 1965 | Pazzanghera,<\/em> 1965 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20283″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pino Pascali:\u00a09 nm pocsolya,<\/em> 1967 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Szint\u00e9n a v\u00edzk\u00e9pzelethez kapcsol\u00f3dik az Il porto, le barche<\/em> (\u201eKik\u00f6t\u0151, cs\u00f3nakok\u201d) terem, ahol a fotogr\u00e1fi\u00e1kat rajzok eg\u00e9sz\u00edtik ki. M\u00e9gis, az eg\u00e9sz ki\u00e1ll\u00edt\u00e1s tal\u00e1n legmegragad\u00f3bb jellegzetess\u00e9ge az a gyermeki szellem, melyet kimer\u00edthetetlen k\u00edv\u00e1ncsis\u00e1g, \u00e1lland\u00f3 felfedez\u00e9sv\u00e1gy \u00e9s j\u00e1t\u00e9koss\u00e1g jellemez. Ebb\u0151l a szempontb\u00f3l nagyon \u00e9rdekes a Giochi d\u2019infanzia<\/em> (\u201eGyermekj\u00e1t\u00e9kok\u201d) terem, ahol csak f\u00e9nyk\u00e9peket l\u00e1tunk, t\u00f6bbnyire koszos \u00e9s szeg\u00e9ny utcagyerekekr\u0151l. Ezek r\u00e9szint pontos \u00e9letk\u00e9pek, szociofot\u00f3k, de t\u00f6bbek is ann\u00e1l. Legal\u00e1bbis sz\u00e1momra az a k\u00e9p, melyen egy kisfi\u00fa \u00e9s kisl\u00e1ny t\u00e1ncol \u2013 a kisl\u00e1ny gondosan arra figyel hova l\u00e9p, m\u00edg a kisfi\u00fa esetlen\u00fcl-\u00fcgyetlen\u00fcl \u00e1ll s kin\u00e9z fel\u00e9nk \u2013 val\u00f3di \u201epunctum\u201d k\u00e9p. M\u00e9lyen megejt\u0151 ugyanis a kisfi\u00fa tekintet\u00e9nek megmagyar\u00e1zhatatlan, gyermeki szomor\u00fas\u00e1ga.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20244″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pino Pascali:\u00a0Gyermekkori j\u00e1t\u00e9kok,<\/em> 1950\u201360-as \u00e9vek \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ugyanakkor az eg\u00e9sz t\u00e1rlat arra is r\u00e1mutat, hogy Pascali maga is meg\u0151rizte gyermeki lelk\u00fclet\u00e9t, ahogy ezt k\u00fcl\u00f6n\u00f6sen az Il teatro, la maschera<\/em> (\u201eA sz\u00ednh\u00e1z, a maszk\u201d) utols\u00f3 terme illusztr\u00e1lja. Itt egyr\u00e9szt a f\u00e9nyk\u00e9peken N\u00e1poly utc\u00e1in t\u00e1ncol\u00f3 commedia dell\u2019arte szerepl\u0151ket l\u00e1tunk (Pulcinell\u00e1t \u00e9s Pazzariell\u00f3t), m\u00e1sr\u00e9szt egy arch\u00edv filmfelv\u00e9telen Pino Pascalit, ahogy a sz\u00ednpadi maskar\u00e1kat mag\u00e1ra \u00f6ltve, azokkal azonosulva, felszabadultan t\u00e1ncol. Tegy\u00fck hozz\u00e1, hogy Pulcinella \u2013 Giandomenico Tiepolo a Palazzo Rezzonic\u00f3ban tal\u00e1lhat\u00f3 fresk\u00f3sorozat\u00e1nak k\u00f6sz\u00f6nhet\u0151en \u2013 Velenc\u00e9ben is otthon van.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20247″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pino Pascali a Pulcinella <\/em>(vide\u00f3, 3\u201924\u201d) \u00e9s Pazzariello<\/em> (vide\u00f3, 1\u201916\u201d) j\u00e1t\u00e9kokban \u00a0\u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

X.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ha Velence a maszkokon k\u00edv\u00fcl a szellemek (fantomok, k\u00eds\u00e9rtetek) v\u00e1rosa, akkor Luc Tuymans<\/span> (1958) els\u0151 olaszorsz\u00e1gi retrospekt\u00edv ki\u00e1ll\u00edt\u00e1sa3<\/span> a legadekv\u00e1tabb helysz\u00edn\u00e9re \u00e9rkezett (jegyezz\u00fck meg, hogy a M\u0171csarnokban is volt m\u00e1r t\u00f6bb mint t\u00edz \u00e9ve, egy nagyszab\u00e1s\u00fa \u00e9letm\u0171ki\u00e1ll\u00edt\u00e1sa).4<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

4<\/p>\n

Luc Tuymans: Retrospekt\u00edv.<\/em> M\u0171csarnok, Budapest, 2007. december 15 \u2013 2008. febru\u00e1r 10., ld. http:\/\/www.mucsarnok.hu<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-40-allo” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20295″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Luc Tuymans:\u00a0Schwarzheide, <\/em> 2019, m\u00e1rv\u00e1ny mozaik, 960×960 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A kort\u00e1rs k\u00e9pz\u0151m\u0171v\u00e9szet egyik legismertebb alkot\u00f3j\u00e1nak nyolcvan m\u0171v\u00e9t felsorakoztat\u00f3 t\u00e1rlat r\u00e9szletes bemutat\u00e1sa messze meghaladn\u00e1 ennek az \u00edr\u00e1snak a kereteit. Egy\u00e9bk\u00e9nt leny\u0171g\u00f6z\u0151 a Tuymans k\u00f6r\u00e9 ki\u00e9p\u00fclt menedzsment, ritk\u00e1n esik meg, hogy egy ki\u00e1ll\u00edt\u00e1s (ingyenes \u00e9s szabadon elvihet\u0151) ismertet\u0151je minden k\u00e9pr\u0151l fekete-feh\u00e9r reprodukci\u00f3t \u00e9s r\u00e9szletes le\u00edr\u00e1st k\u00f6z\u00f6lj\u00f6n, mely kit\u00e9r az alkot\u00e1s k\u00f6r\u00fclm\u00e9nyeire (gyakran a m\u0171v\u00e9sz anekdot\u00e1ival), \u00e9s m\u0171v\u00e9szetelm\u00e9leti \u00e9rtelmez\u00e9st ny\u00fajt. Val\u00f3ban, ez a ki\u00e1ll\u00edt\u00e1s mintha semmit sem b\u00edzna a v\u00e9letlenre. Azaz m\u00e9gis, mert az abszol\u00fat v\u00e9letlen, hogy az egyes k\u00e9pek k\u00f6z\u00fcl melyik sz\u00f3l\u00edtja meg a n\u00e9z\u0151t, melyik h\u00edv el\u0151 benne eml\u00e9kk\u00e9peket.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20266″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Luc Tuymans:\u00a0Turtle,<\/em> 2007, olaj, v\u00e1szon, 368\u00d7509 cm | Instant,<\/em> 2009, olaj, v\u00e1szon, 103,5\u00d770 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Tuymans m\u0171v\u00e9szete kapcs\u00e1n szinte minden elemz\u0151 kiemeli a kollekt\u00edv \u00e9s a szem\u00e9lyes eml\u00e9kezet meghat\u00e1roz\u00f3 szerep\u00e9t, mivel k\u00e9pei egyszerre id\u00e9zik fel a traumatikus m\u00faltat \u00e9s a ki\u00fcresedett jelent. A m\u0171veiben ott k\u00eds\u00e9rt\u0151 (reproduk\u00e1lt, \u00fajrahasznos\u00edtott) k\u00e9pek egyar\u00e1nt utalnak a n\u00e1ci hatalomra \u00e9s a kort\u00e1rs szappanoper\u00e1kra, imit\u00e1lnak festm\u00e9nyeket (D\u00fcrer, Goya, Ensor) vagy filmk\u00e9peket. \u00cdgy a ki\u00e1ll\u00edt\u00e1s c\u00edme \u2013 La Pelle<\/em> (\u201eA b\u0151r\u201d) \u2013 arra a Caprin tal\u00e1lhat\u00f3 vill\u00e1ra utal, melyben Curzio Malaparte meg\u00edrta a m\u00e1sodik vil\u00e1gh\u00e1bor\u00fa alatt \u00e9letrajzi reg\u00e9ny\u00e9t (La pelle),<\/em>\u00a0\u00e9s ahol Godard k\u00e9s\u0151bb, 1963-ban leforgatta, Moravia reg\u00e9nye nyom\u00e1n, A megvet\u00e9s<\/em>t, Tuymans egyik kedvenc filmj\u00e9t, mely egyik k\u00e9p\u00e9nek c\u00edm\u00e9t is adja (Le M\u00e9pris,<\/em> 2015).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20261″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Luc Tuymans:\u00a0Murky Water,<\/em> 2007, olaj, v\u00e1szon, triptichon, I: 235,5\u00d7235,5 cm, II: 237\u00d7232,5 cm, III: 235,5\u00d7232,5 cm | Le M\u00e9pris (Contempt),<\/em> 2015, olaj, v\u00e1szon, 111,7\u00d7141,9 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A b\u0151r jelent\u00e9se persze kimer\u00edthetetlen. Els\u0151sorban az emberi b\u0151rre utal, mely Tuysman k\u00e9pein hol irre\u00e1lisan \u00e1ttetsz\u0151 vagy feh\u00e9r, hol hegekkel \u00e9s rejt\u00e9lyes sebekkel bor\u00edtott. Az \u00e1br\u00e1zolt testek gyakran \u00e9letlenek, b\u00e1bszer\u0171ek: Figurenek (ahogy a n\u00e1ci zsargonban h\u00edvt\u00e1k a holttesteket). Tov\u00e1bb\u00e1 a b\u0151r fel\u00fclet\u00e9n felt\u0171nhetnek s\u00falyos elv\u00e1ltoz\u00e1sok, stigm\u00e1k, gennyes kel\u00e9sek, ahogy ezt a fest\u0151 klinikai tekintete pontosan l\u00e1tja. V\u00e9g\u00fcl a test fel\u00fclete lehet makul\u00e1tlan, f\u00e9nyl\u0151 \u00e9s kont\u00farjait veszt\u0151, ilyenkor azonban m\u00e1r nem h\u00fas-v\u00e9r, hanem virtu\u00e1lis testekkel \u00e1llunk szemben. \u00c1m arr\u00f3l sem feledkezhet\u00fcnk meg, hogy b\u0151rnek tekinthet\u0151 a k\u00e9pek fel\u00fclete is, mely gyakran eg\u00e9szen m\u00e1s k\u00f6zelr\u0151l \u00e9s t\u00e1volr\u00f3l szem\u00fcgyre v\u00e9ve. Erre j\u00f3 p\u00e9lda a Mountains<\/em> (2016): a t\u00e1rlat els\u0151 nagy k\u00e9pe. T\u00e1volr\u00f3l ez val\u00f3ban a klasszikus t\u00e1jk\u00e9pekre (els\u0151sorban a k\u00ednai fest\u00e9szetre) eml\u00e9keztet, k\u00f6zelebbr\u0151l n\u00e9zve azonban nyilv\u00e1nval\u00f3v\u00e1 v\u00e1lik, hogy mindez csup\u00e1n egy (aluf\u00f3lia \u00e9s f\u00f6ldnyomok seg\u00edts\u00e9g\u00e9vel) lenyomatk\u00e9nt megkonstru\u00e1lt szerkezet, melynek \u00fcresen hagyott r\u00e9szeit \u2013 Tuymans \u00e1ll\u00edt\u00e1sa szerint \u2013 nem a leveg\u0151 \u00e9s a l\u00e9gmozg\u00e1sok, hanem a v\u00edzt\u00fckr\u00f6z\u0151d\u00e9sek inspir\u00e1lt\u00e1k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20257″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Luc Tuymans:\u00a0Mountains,<\/em> 2016, olaj, v\u00e1szon, 283\u00d7187,5 cm | Body,<\/em>\u00a01990, olaj, v\u00e1szon, 48,5\u00d738,5 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Mit is l\u00e1tunk val\u00f3j\u00e1ban? Pascalnak van egy sz\u00e9p gondolata a k\u00f6zel \u00e9s a t\u00e1vol relativit\u00e1s\u00e1r\u00f3l: \u201ea v\u00e1ros, a falu t\u00e1volr\u00f3l v\u00e1ros \u00e9s falu. De ahogy k\u00f6zeled\u00fcnk hozz\u00e1juk, h\u00e1zakk\u00e1, cserepekk\u00e9, levelekk\u00e9, f\u00fcvekk\u00e9, hangy\u00e1kk\u00e1, hangyal\u00e1bakk\u00e1 lesznek, eg\u00e9szen a v\u00e9gtelens\u00e9gig\u201d (Gondolatok<\/em> 115). Ehhez kapcsol\u00f3dva, azt mondhatjuk, hogy ami t\u00e1volr\u00f3l hegyvonulatot \u00e1br\u00e1zol\u00f3 t\u00e1jk\u00e9p, az k\u00f6zelr\u0151l \u00e1talakul a fest\u0151 a terepasztal\u00e1v\u00e1. A reprezent\u00e1ci\u00f3 el\u00e9nk t\u00e1rja saj\u00e1t hamiss\u00e1g\u00e1t. Melyik a helyes n\u00e9z\u0151pont? Az ill\u00fazi\u00f3t meg\u0151rz\u0151 elt\u00e1volod\u00e1s, vagy a kij\u00f3zan\u00edt\u00f3 k\u00f6zels\u00e9g? A k\u00f6zel \u00e9s a t\u00e1vol probl\u00e9m\u00e1ja azonban nem csak a n\u00e9z\u0151, hanem az alkot\u00f3 f\u0151 probl\u00e9m\u00e1ja is. Ez\u00e9rt az sem v\u00e9letlen, hogy az utols\u00f3 k\u00e9pen egy extr\u00e9m m\u00f3don kinagy\u00edtott mutat\u00f3ujjat l\u00e1tunk olyan \u00fcres gesztusk\u00e9nt, mely a semmi fel\u00e9, vagy m\u00e9g ink\u00e1bb: \u00f6nmaga fel\u00e9 mutat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20264″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Luc Tuymans:\u00a0Fingers,<\/em> 1995, olaj, v\u00e1szon, 37,5\u00d733 cm\u00a0\u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”helyek” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

XI.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”01″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Helyek eml\u00e9kezete, ez a f\u0151 t\u00e9m\u00e1ja a Palazzo Grassi Luogo e segni<\/em> (\u201eHely \u00e9s jelek\u201d) c\u00edm\u0171 m\u00e1sik nagy (csak a Tuymans-ki\u00e1ll\u00edt\u00e1ssal k\u00f6z\u00f6s jeggyel l\u00e1togathat\u00f3) ki\u00e1ll\u00edt\u00e1s\u00e1nak,5<\/span> amelynek helysz\u00edne a Velence v\u00e9gpontj\u00e1n tal\u00e1lhat\u00f3 Punta della Dogana. Ezen a val\u00f3ban helyspecifikus t\u00e1rlaton 36 m\u0171v\u00e9sz munk\u00e1ja szerepel (a legismertebbek: Berenice Abbott, Louise Bourgeois, Br\u00e2ncu\u0219i, Robert Wilson<\/span>), de a legintenz\u00edvebben tal\u00e1n Felix Gonzales-Torres<\/span> (1957\u20131996) van jelen, akinek Untitled<\/em> (Blood,<\/em> 1992) m\u0171ve nyitja meg a ki\u00e1ll\u00edt\u00e1st. Ez egy f\u0151leg v\u00f6r\u00f6s (\u00e9s n\u00e9h\u00e1ny feh\u00e9r) gy\u00f6ngysorb\u00f3l \u00e1ll\u00f3 s\u0171r\u0171 f\u00fcgg\u00f6ny, melyen kereszt\u00fcl kell haladnunk ahhoz, hogy a ki\u00e1ll\u00edt\u00f3t\u00e9rbe l\u00e9pj\u00fcnk. Ahogy ezt Byars eset\u00e9ben l\u00e1ttuk, a m\u0171 h\u00e1tter\u00e9t itt is egy betegs\u00e9gtapasztalat, a hal\u00e1l fenyeget\u0151 k\u00f6zels\u00e9ge adja: Gonzales-Torres 1996-ban, AIDS-ben halt meg. A m\u0171 egy\u00e9bk\u00e9nt negyedszer szerepel a Punta della Dogan\u00e1ban, \u00edgy \u00f6nmag\u00e1ban is az adott helyre utal\u00f3 eml\u00e9kt\u00e1rgy. Tov\u00e1bb\u00e1 a m\u0171v\u00e9sznek szentelt \u201ehommage\u201d a ki\u00e1ll\u00edt\u00e1s v\u00e9g\u00e9n tal\u00e1lhat\u00f3 Elaine Sturtevant<\/span> (1924\u20132014) alkot\u00e1s: a Felix Gonzales-Torres America America.<\/em>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

Luogo e segni.<\/em> Punta della Dogana, Velence, 2019. m\u00e1rcius 24 \u2013 december 15., ld. https:\/\/www.palazzograssi.it<\/a><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][nectar_icon icon_family=”fontawesome” icon_style=”border-animation” icon_border_thickness=”1px” icon_color_type=”color_scheme” icon_color=”Extra-Color-1″ icon_padding=”0px” pointer_events=”all” icon_fontawesome=”fa fa-camera” icon_size=”30″ url=”https:\/\/balkon.art\/home\/online-2019\/luogo-e-segni\/” margin_top=”30″ margin_right=”20″ margin_bottom=”0″ margin_left=”30″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-6-6″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20297″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

STURTEVANT: Felix Gonzalez-Torres America America,<\/em> 2004 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”01″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ahogy a c\u00edm is mutatja, Sturtevant 2004-es m\u0171ve \u00fajra\u00e9rtelmezi Gonzales-Torres \u00e9g\u0151sorokb\u00f3l \u00e1ll\u00f3, emblematikus Americ\u00e1<\/em>j\u00e1t, mely az 1994-es Bienn\u00e1le amerikai pavilonj\u00e1t nyitotta meg. A mostani ki\u00e1ll\u00edt\u00e1son a f\u00e9nyf\u00fcz\u00e9rek (melyek az\u00f3ta mindk\u00e9t m\u0171v\u00e9sz \u201ememento mori\u201d-j\u00e1v\u00e1 v\u00e1ltak) m\u00f6g\u00f6tti ablakon a Canal Grande t\u00e1rul el\u00e9nk. Ahogy ez a p\u00e1ratlan kil\u00e1t\u00e1s adja t\u00f6bb m\u00e1s helyspecifikus m\u0171nek a h\u00e1tter\u00e9t is, k\u00f6zt\u00fck Cerith Wyn Evans<\/span> (1958) install\u00e1ci\u00f3j\u00e1nak (We are in Yucatan and Every Unpredicted Things,<\/em> 2012\u20132014), melynek egyetlen t\u00e1rgya a t\u00e9rben elhelyezett, kisz\u00e1m\u00edthatatlan ritmus szerint felvillan\u00f3 \u00e9s kialv\u00f3, \u00f3ri\u00e1s velencei csill\u00e1r.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][image_with_animation image_url=”20270″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Cerith Wyn Evans: We Are in Yucatan and Every Unpredicted Thing,<\/em> 2012\u20132014 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Nem t\u00falz\u00e1s azt \u00e1ll\u00edtani, hogy Velence ezen a t\u00e1rlaton f\u0151szerepl\u0151v\u00e9 v\u00e1lik. Ennek m\u00e1sik p\u00e9ld\u00e1ja Roni Horn<\/span> (1955) Well and Truly<\/em> install\u00e1ci\u00f3ja (2009\u20132010), melynek c\u00e9lja \u2013 ahogy ezt Pino Pascali eset\u00e9ben m\u00e1r l\u00e1ttuk \u2013 a lehetetlen megk\u00eds\u00e9rt\u00e9se, a v\u00edz szoborr\u00e1 form\u00e1z\u00e1sa. Egy nagy el\u0151csarnokban megk\u00f6v\u00fclt v\u00edzt\u00f6mb\u00f6kk\u00e9nt j\u00e1rhatjuk k\u00f6rbe azt a t\u00edz, a k\u00e9k k\u00fcl\u00f6nb\u00f6z\u0151 \u00e1rnyalataiban j\u00e1tsz\u00f3 \u00fcveghengert, melyek a term\u00e9szetes f\u00e9ny hat\u00e1s\u00e1ra is folyamatosan v\u00e1ltoztatj\u00e1k a sz\u00edn\u00fcket.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20024″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Roni Horn: Well and Truely,<\/em> 2009\u20132010 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Mindezek ut\u00e1n feltehetj\u00fck a k\u00e9rd\u00e9st: vajon melyik Velence igazi k\u00e9pe, leghitelesebb szimul\u00e1kruma? A pisl\u00e1kol\u00f3 antik csill\u00e1r vagy a sz\u00ednj\u00e1tsz\u00f3 v\u00edzt\u00f6mb? Ak\u00e1r mindkett\u0151t tekinthetj\u00fck annak, m\u00e9gis, ha felmegy\u00fcnk az \u00e9p\u00fclet tetej\u00e9n tal\u00e1lhat\u00f3 Belvedere-kil\u00e1t\u00f3ra, onnan eg\u00e9sz Velence el\u00e9nk t\u00e1rul. \u00c9s val\u00f3sz\u00edn\u0171leg minden idel\u00e1togat\u00f3 sz\u00e1m\u00e1ra ez a hely \u00e9s l\u00e1tv\u00e1ny marad a legeml\u00e9kezetesebb.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

\"Velence<\/a><\/div><\/div>\n
\"Velence<\/a><\/div><\/div>\n
\"Velence<\/a><\/div><\/div>\n
\"Velence<\/a><\/div><\/div><\/div><\/div><\/div>\t\t\t

La Pelle \u2013 Luc Tuymans.<\/em> Palazzo Grassi, Velence, 2019. m\u00e1rcius 24 \u2013 2020. janu\u00e1r 6., ld. https:\/\/www.palazzograssi.it<\/a><\/p>\n