{"id":20114,"date":"2019-08-07T12:44:38","date_gmt":"2019-08-07T10:44:38","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=20114"},"modified":"2024-05-31T11:14:39","modified_gmt":"2024-05-31T09:14:39","slug":"velence-mashogy-1-resz","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/velence-mashogy-1-resz\/","title":{"rendered":"Velence m\u00e1shogy… I. r\u00e9sz"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

S\u00e9tanapl\u00f3 a K\u00e9pz\u0151m\u0171v\u00e9szeti Bienn\u00e1le idej\u00e9n<\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u00c9vek \u00f3ta visszaj\u00e1rok, m\u00e1r-m\u00e1r hazat\u00e9rek Velenc\u00e9be. A v\u00e1ros, minden apr\u00f3 r\u00e9szlet\u00e9ben, sz\u00e1momra \u00f6r\u00f6k \u00e9s megunhatatlan. Ak\u00e1r m\u00fazeumokban vagy palazz\u00f3kban bolyongva, ak\u00e1r egy m\u00f3lon a Canal Grande nagy sz\u00ednpad\u00e1t n\u00e9zve \u2013 a l\u00e1tv\u00e1ny kimer\u00edthetetlen. M\u00e9gis, a Serenissima legsoksz\u00edn\u0171bb arc\u00e1t k\u00e9t\u00e9vente, a K\u00e9pz\u0151m\u0171v\u00e9szeti Bienn\u00e1le<\/i> ideje alatt mutatja, amikor az eg\u00e9sz v\u00e1ros l\u00e1tv\u00e1nyoss\u00e1gg\u00e1 v\u00e1lik, mik\u00f6zben kit\u00e1rja egy\u00e9bk\u00e9nt z\u00e1rt kapuit, \u00e9s bepillant\u00e1st enged titkos helysz\u00edneire.<\/p>\n

Abban val\u00f3sz\u00edn\u0171leg a legt\u00f6bb idel\u00e1togat\u00f3 egyet\u00e9rt, hogy a val\u00f3di Bienn\u00e1le<\/em> nem az Arsenale vagy a Giardini ter\u00fclet\u00e9n zajlik, hanem a v\u00e1rosban, a ki\u00e1ll\u00edt\u00f3t\u00e9rr\u00e9 alak\u00edtott prof\u00e1n vagy szakr\u00e1lis helysz\u00edneken. Ilyenkor ugyanis nemcsak a m\u00fazeumokban \u00e9s a gal\u00e9ri\u00e1kban, de a palot\u00e1kban, a templomokban, a sz\u00ednh\u00e1zakban, a scuol\u00e1kban, a gondolak\u00e9sz\u00edt\u0151 m\u0171helyekben, teh\u00e1t szinte b\u00e1rhol ki\u00e1ll\u00edt\u00e1sokra bukkanhatunk. Ezek a v\u00e1ratlan felfedez\u00e9sek, a m\u0171vekkel val\u00f3 v\u00e9letlen tal\u00e1lkoz\u00e1sok (hiszen a k\u00f6rbe-k\u00f6rbe bolyong\u00e1sban megf\u00e1radt utaz\u00f3k t\u00f6bbnyire nem sz\u00e1nd\u00e9kosan \u00e9rkeznek, ink\u00e1bb csak bet\u00e9vednek), teszik igaz\u00e1n eml\u00e9kezetess\u00e9 a Bienn\u00e1l\u00e9<\/em>t, mert ilyenkor val\u00f3ban megtapasztalhat\u00f3, hogyan v\u00e1ltoztatja \u00e9l\u0151v\u00e9, lelkes\u00edti \u00e1t a gyakran halottnak vagy haldokl\u00f3nak titul\u00e1lt v\u00e1rost a kort\u00e1rs m\u0171v\u00e9szet.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-cont-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20135″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Giardini, a K\u00f6zponti Pavilon bej\u00e1rata, 2019 \u00a9 Fot\u00f3: Balkon<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Velenc\u00e9ben k\u00f3sz\u00e1l\u00f3 teh\u00e1t a legjobban teszi, ha nem a programf\u00fczetekre hagyatkozik, hanem hagyja mag\u00e1t elt\u00e9vedni (ami itt egy\u00e9bk\u00e9nt sem neh\u00e9z). Hiszen egyed\u00fcl \u00edgy fedezheti fel a saj\u00e1t k\u00e9pzeletbeli m\u00fazeum\u00e1t, mely az eg\u00e9sz v\u00e1rosra kiterjed, azt minden ter\u00e9vel \u00e9s lagun\u00e1j\u00e1val egy\u00fctt mag\u00e1ba z\u00e1rja. Ezt az elvet k\u00f6vetve, ezekben a r\u00f6vid feljegyz\u00e9sekben nem esik sz\u00f3 a k\u00e9t hivatalos helysz\u00ednr\u0151l, sokkal ink\u00e1bb olyan \u201etal\u00e1lt helyekr\u0151l\u201d, melyek lehetnek t\u00f6bb\u00e9-kev\u00e9sb\u00e9 ismertek vagy ak\u00e1r teljesen ismeretlenek. Ez\u00e9rt ezek a teljess\u00e9g \u00e9s a rendszerez\u00e9s ig\u00e9nye n\u00e9lk\u00fcl, mintegy saj\u00e1t haszn\u00e1latra \u00e9s eml\u00e9keztet\u0151k\u00e9nt k\u00e9sz\u00fclt jegyzetek csak a v\u00e1rosban tett napi s\u00e9t\u00e1k lenyomatai. Egyfajta szubjekt\u00edv napl\u00f3 lapjai.<\/p>\n

A v\u00e1logat\u00e1s elve puszt\u00e1n korpor\u00e1lis: a s\u00e9ta szabadon hagyott, improvizat\u00edv ir\u00e1nya jel\u00f6li ki az el\u0151re nem l\u00e1that\u00f3 \u00fatvonalakat. Ha m\u00e9gis kirajzol\u00f3dna valami \u00f6sszef\u00fcgg\u00e9s az egyes ki\u00e1ll\u00edt\u00e1sok k\u00f6z\u00f6tt, az csup\u00e1n a n\u00e9z\u0151i vagy az \u00e9rtelmez\u0151i szem \u201e\u00e9rintetts\u00e9g\u00e9b\u0151l\u201d k\u00f6vetkezik, hiszen minden egyes \u00faj \u00e9lm\u00e9nyre kihat az \u0151t megel\u0151z\u0151 benyom\u00e1s, de \u00e9pp ez\u00e1ltal (\u00e9s a k\u00f6vetkez\u0151 fel\u00e9 val\u00f3 nyitotts\u00e1gban) j\u00f6hetnek l\u00e9tre meglep\u0151 \u00e9s gondolkod\u00e1sra \u00f6szt\u00f6nz\u0151 konstell\u00e1ci\u00f3k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

1<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A legnagyobb \u00e9l\u0151 angol fest\u0151, Frank Auerbach<\/span> (1931), ki\u00e1ll\u00edt\u00e1sa az egyik legelrejtettebb. A San Barnaba vaporetto \u00e1llom\u00e1s fel\u00e9 kell bekanyarodnunk, hogy egy eg\u00e9szen kis gal\u00e9ri\u00e1ban (Alma Zevi) r\u00e1bukkanjunk a From Drawing to Painting<\/em> teremt\u00e1rlatra.1<\/span> Ahogy a c\u00edm sugallja, rajzok sokas\u00e1ga (h\u00faszn\u00e1l t\u00f6bb) vezet el az egyetlen festm\u00e9nyig.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Frank Auerbach: From Drawing to Painting,<\/em> Alma Zevi, Velence, 2019. m\u00e1jus 7 \u2013 augusztus 3. Ld: http:\/\/www.almazevi.com<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20120″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Frank Auerbach:\u00a0From Drawing to Painting, <\/em> 2019, Alma Zevi, Velence, r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l \u00a9 Fot\u00f3: Enrico Fiorese<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A rajzok London k\u00fcl\u00f6nb\u00f6z\u0151 l\u00e1tk\u00e9peit mutatj\u00e1k, t\u00f6bbnyire eleven sz\u00ednekkel, vibr\u00e1l\u00f3 \u00e9s kaotikus von\u00e1sokkal. A ki\u00e1ll\u00edt\u00e1s legmegragad\u00f3bb r\u00e9sze azonban egy 2018-ban k\u00e9sz\u00fclt tanulm\u00e1nysorozat: a From Studio.<\/em> Fontos a n\u00e9vad\u00e1s, hiszen Auerbach k\u00f6ztudottan a munka megsz\u00e1llottja, m\u0171v\u00e9szet\u00e9nek aszketikus szolg\u00e1ja, aki az \u00e9v valamennyi napj\u00e1n dolgozik, \u00edgy val\u00f3ban a m\u0171terem tekinthet\u0151 \u00e9lete legautentikusabb helysz\u00edn\u00e9nek (filmk\u00e9sz\u00edt\u0151 fia, Jake Auerbach, To the Studio<\/em>2<\/span> c\u00edmen forgatott egy dokumentumfilmet r\u00f3la, m\u00e9g 2001-ben).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Jake Auerbach: To the Studio<\/em><\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20122″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Frank Auerbach: Study for \u2018From the Studio\u2019, <\/em> 2019, sz\u00ednes zs\u00edrkr\u00e9ta, filctoll, \u00a0grafit, pap\u00edr, 21\u00d721 cm egyenk\u00e9nt \u00a9 Fot\u00f3: Enrico Fiorese<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A mostani, viszonylag kis m\u00e9ret\u0171 (21\u00d721 cm) rajzokon azonban nem a fest\u00e9szeti hagyom\u00e1nyhoz h\u00edven a m\u0171v\u00e9sz m\u0171term\u00e9be (a m\u0171vek l\u00e9trehoz\u00e1s\u00e1nak titokzatos m\u0171hely\u00e9be, alkimista laborat\u00f3rium\u00e1ba vagy term\u00e9keny k\u00e1osz\u00e1ba) nyerhet\u00fcnk betekint\u00e9st, hanem kitekint\u00fcnk a m\u0171terem ablak\u00e1n, \u00e9s azt a l\u00e1tv\u00e1nyt n\u00e9zz\u00fck, amit a fest\u0151 is l\u00e1t. Pontosabban a l\u00e1tv\u00e1ny alakv\u00e1ltoz\u00e1s\u00e1t csod\u00e1lhatjuk, mert minden rajzon m\u00e1s \u00e9s m\u00e1s l\u00e1tk\u00e9p t\u00e1rul el\u00e9nk. M\u00e1s a sz\u00ednes ceruz\u00e1val vagy a fekete tint\u00e1val k\u00e9sz\u00fclt rajzok sz\u00ednvil\u00e1ga, \u00e9s k\u00fcl\u00f6nb\u00f6z\u0151k a t\u00f6bb\u00e9 vagy kev\u00e9sb\u00e9 destru\u00e1lt form\u00e1k is. Auerbach valamennyi m\u0171v\u00e9t, a kezdetekt\u0151l fogva, a rombol\u00e1s teremt\u0151 ereje hatja \u00e1t, ahol az eltorz\u00edtott form\u00e1k m\u00f6g\u00f6tt v\u00e9g\u00fcl \u00faj alakot \u00f6ltenek a l\u00e9nyegi strukt\u00far\u00e1k. Az ablakb\u00f3l \u00e1br\u00e1zolt utca \u00fcresnek, kihaltnak, elhagyatottnak t\u0171nik. Egy emberek n\u00e9lk\u00fcli vil\u00e1got szeml\u00e9l\u00fcnk, mely azonban m\u00e9g k\u00e9szen \u00e1ll az emberek befogad\u00e1s\u00e1ra. Nem kell hozz\u00e1 m\u00e1s, mint hogy \u2013 a m\u0171v\u00e9sz napi rutinj\u00e1t k\u00f6vetve, a munka befejez\u00e9se ut\u00e1n \u2013 elhagyjuk a m\u0171terem \u00e1lland\u00f3 \u00e9s biztos, bels\u0151 ter\u00e9t, \u00e9s kil\u00e9pj\u00fcnk a folyton v\u00e1ltoz\u00f3 k\u00fclvil\u00e1gba.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20133″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Frank Auerbach:\u00a0From Drawing to Painting, <\/em> 2019, Alma Zevi, Velence, r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l \u00a0\u00a9 Fot\u00f3: Enrico Fiorese<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

2<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ablakok a f\u0151szerepl\u0151i G\u00fcnther F\u00f6rg<\/span> (1952\u20132013) a Palazzo Contarini Polignac-ban megrendezett ki\u00e1ll\u00edt\u00e1s\u00e1nak (F\u00f6rg in Venezia)<\/em> is.3<\/span> Itt azonban egy teljesen m\u00e1s t\u00e9rben tal\u00e1ljuk magunkat: Velence egyik leggy\u00f6ny\u00f6r\u0171bb renesz\u00e1nsz palot\u00e1j\u00e1ban, szinte k\u00f6zvetlen\u00fcl az Accademia mellett. A Dallas Museum of Arts t\u00e1mogat\u00e1s\u00e1val l\u00e9trej\u00f6tt t\u00e1rlaton a n\u00e9met sz\u00e1rmaz\u00e1s\u00fa fest\u0151 k\u00f6zel harminc m\u0171ve l\u00e1that\u00f3, \u00edgy \u00e1tfog\u00f3 k\u00e9pet kaphatunk a legink\u00e1bb Cy Twombly-hoz vagy Barnett Newmannhoz k\u00f6zel \u00e1ll\u00f3 m\u0171v\u00e9sz munk\u00e1ss\u00e1g\u00e1r\u00f3l (tal\u00e1n csak az \u0151t ismertt\u00e9 tev\u0151 \u00e9p\u00edt\u00e9szeti fotogr\u00e1fi\u00e1it hi\u00e1nyolhatjuk).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

G\u00fcnther F\u00f6rg: F\u00f6rg in Venice.<\/em> Palazzo Contarini Polignac, Velence, 2019. m\u00e1jus 11 \u2013 augusztus 23., Alma Zevi, Velence, 2019. m\u00e1jus 7 \u2013 augusztus 3., ld. m\u00e9g: https:\/\/maxhetzler.com<\/a> | https:\/\/dma.org<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20127″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

G\u00fcnther F\u00f6rg: Untitled, <\/em> 2003\u00a0\u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20125″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

G\u00fcnther F\u00f6rg: Untitled, <\/em> 2004 \u00a0\u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]F\u00f6rgnek az architekt\u00far\u00e1khoz val\u00f3 vonz\u00f3d\u00e1sa megfigyelhet\u0151 az Untitled<\/em> (2004) ablaksorozat\u00e1n is, melynek darabjai (32\u00d742 cm-t\u0151l 200\u00d7240 cm-ig) geometrikus konstrukci\u00f3k, n\u00e9gyzetek egym\u00e1st keretez\u0151 k\u00e9pterei. \u00cdgy ezek val\u00f3j\u00e1ban absztrakt m\u0171vek, vagy sehova se ny\u00edl\u00f3 ablakok (egyszerre utalva Mondrian \u00e9s Caspar David Friedrich festm\u00e9nyeire). Szinte valamennyi k\u00e9pen j\u00f3l kivehet\u0151, egyfajta paszpartuk\u00e9nt, a pap\u00edr feh\u00e9r kerete, \u00edgy a legkev\u00e9sb\u00e9 sem keltenek trompe l\u2019\u0153il<\/em> hat\u00e1st a palazzo nagy el\u0151csarnok\u00e1ban. Ezekkel a kv\u00e1zi-monokr\u00f3m, a sz\u00fcrke k\u00fcl\u00f6nf\u00e9le \u00e1rnyalataival (a piszkosfeh\u00e9rt\u0151l a halv\u00e1nyfeket\u00e9ig) k\u00eds\u00e9rletez\u0151, bez\u00e1rts\u00e1g \u00e9rzetet kiv\u00e1lt\u00f3 ablakk\u00e9pekkel szemben, az els\u0151 emeleten \u00e9l\u00e9nk sz\u00ednfoltokban (r\u00f3zsasz\u00edn, lila, k\u00e9k, z\u00f6ld, s\u00e1rga) tobz\u00f3d\u00f3 fest\u00e9szetet tal\u00e1lunk \u2013 r\u00e1ad\u00e1sul a palota eredeti falik\u00e1rpitjai el\u0151tt.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20130″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

G\u00fcnther F\u00f6rg: Untitled, <\/em> 2008 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20131″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

G\u00fcnther F\u00f6rg: Untitled,<\/em> 1987 \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ez a Spot Painting<\/em> sorozat (2007\u20132009) a velencei szalon kopottas eleganci\u00e1j\u00e1val \u00e9l\u00e9nk kontrasztot alkot, ahogy az egyik oldals\u00f3 szob\u00e1ban megb\u00faj\u00f3 Lead painting<\/em> (Untitled,<\/em> 1987) is, mely egy sz\u00fcrke \u00f3lomr\u00e9tegre festett, \u00e9l\u00e9nkz\u00f6ld t\u00e9glalap (\u00e9s amely strukt\u00far\u00e1j\u00e1ban az ablakk\u00e9pekre eml\u00e9keztet, csak itt a harsog\u00f3 f\u0171z\u00f6ld: mintha egy nem l\u00e9tez\u0151 term\u00e9szetet id\u00e9zne fel). Ugyancsak ezen a szinten, egy kisebb szalonban, egy asztalra helyezve, f\u00e9mrudakra sz\u00farva, F\u00f6rg bronzmaszkjai \u00e1llnak, melyeket befejezetlens\u00e9g, torzs\u00e1g, hi\u00e1ny jellemez. Ezek a f\u00e9mlapok mintegy felhasadnak a szem vagy a sz\u00e1j \u00fcres hely\u00e9n\u00e9l: a szem- \u00e9s sz\u00e1j\u00fcregek csak a lapos arcok m\u00f6g\u00f6tt felt\u00e1rul\u00f3 szakad\u00e9kot jelzik. Legjellegzetesebb p\u00e9lda erre az a n\u00e9m\u00e1n ki\u00e1lt\u00f3 fej, melynek a sz\u00e1jny\u00edl\u00e1s\u00e1ban mintha els\u00fcllyedne az arc. Szint\u00e9n az els\u0151 emeleten, csak egy m\u00e1sik oldalszob\u00e1ban, a kandall\u00f3 f\u00f6l\u00e9 helyezve, egy hasonl\u00f3 borzad\u00e1lyt kifejez\u0151 portr\u00e9t l\u00e1tunk, melynek sz\u00e1nd\u00e9kos r\u00fats\u00e1ga \u00e9s dermedt r\u00e9m\u00fclete kihat a szoba nyugodt atmoszf\u00e9r\u00e1j\u00e1ra. A legfels\u0151 (m\u00e1sodik) szinten a maszkok egy m\u00e1sik sorozat\u00e1t tal\u00e1ljuk, h\u00e1tat ford\u00edtva a palota bels\u0151 kertj\u00e9re ny\u00edl\u00f3 ablakoknak. Ezek az arcok m\u00e1r kev\u00e9sb\u00e9 laposak, mintegy \u201et\u00e9rbelies\u00fclnek\u201d, de von\u00e1saik tov\u00e1bbra is destrukt\u00edvak. Por\u00f3zus, sz\u00e9tgy\u0171rt vagy megt\u00f6rt maszkok: a huszadik sz\u00e1zad n\u00e9vtelen arcm\u00e1sai.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20159″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

G\u00fcnther F\u00f6rg: F\u00f6rg in Venize,<\/em> 2019, r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l\u00a0| \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

III.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Egy g\u00f3tikus palot\u00e1ban, de m\u00e1r a kan\u00e1lis m\u00e1sik oldal\u00e1n, a Palazzo Franchetti \u00e9p\u00fclet\u00e9ben (mely a Velencei Tudom\u00e1nyos Akad\u00e9mia r\u00e9sze) kapott helyet a Dubuffet \u00e9s Velence<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s,4<\/span> melynek \u00f3ri\u00e1splak\u00e1tj\u00e1n a fest\u0151t l\u00e1tjuk, amint k\u00e9t gondol\u00e1s t\u00e1rsas\u00e1g\u00e1ban felszabadultan nevet. Ezt a der\u0171t sugallja a palota kertj\u00e9ben \u00e1ll\u00f3, a t\u00falpartr\u00f3l j\u00f3l l\u00e1that\u00f3 szobor, mely a Hourloupe-ciklus<\/em>hoz (1962\u20131974) kapcsol\u00f3dik. Sajnos a Palazzo Franchetti var\u00e1zslatos kertj\u00e9nek nagy r\u00e9sz\u00e9t a l\u00e1togat\u00f3k el\u0151l lez\u00e1rj\u00e1k, de m\u00e9g a bej\u00e1ratn\u00e1l burj\u00e1nz\u00f3 hortenziabokrok\u00e9rt \u00e9s a buja n\u00f6v\u00e9nyzet\u00e9rt is \u00e9rdemes bet\u00e9rni (k\u00fcl\u00f6n\u00f6sen a tikkaszt\u00f3 h\u0151s\u00e9gben). A teljesen fel\u00faj\u00edtott \u00e9p\u00fclet k\u00edv\u00fclr\u0151l is mesesz\u00e9p, a Dubuffet-t\u00e1rlat pedig j\u00f3 okot ad arra, hogy bel\u00fclr\u0151l is megcsod\u00e1ljuk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

Jean Dubuffet & Venezia.<\/em> Palazzo Franchetti, Velence, 2019. m\u00e1jus 10 \u2013 okt\u00f3ber 20., ld. https:\/\/www.acppalazzofranchetti.com<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20145″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dubuffet \u00e9s Velence,<\/em> 2019, r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l\u00a0| \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A ki\u00e1ll\u00edt\u00e1s aprop\u00f3j\u00e1t Jean Dubuffet<\/span> (1901\u20131985) k\u00e9t velencei tart\u00f3zkod\u00e1sa adja, melyeket h\u00fasz \u00e9v v\u00e1laszt el egym\u00e1st\u00f3l. A fest\u0151t el\u0151sz\u00f6r a Palazzo Grassiba h\u00edvj\u00e1k m\u00e9g 1964-ben, amit \u0151 remek alkalomnak tartott arra, hogy egyszerre tan\u00fas\u00edtson ellen\u00e1ll\u00e1st P\u00e1rizzsal \u00e9s a Bienn\u00e1l\u00e9val szemben az\u00e1ltal, hogy egy m\u00e1sik kultur\u00e1lis t\u00e9rben mutatja be \u00faj munk\u00e1it. Itt ker\u00fclt el\u0151sz\u00f6r nyilv\u00e1noss\u00e1g el\u00e9 a Hourloupe-ciklus,<\/em> majd ezt k\u00f6vet\u0151en, m\u00e9g ugyanebben az \u00e9vben, a Ph\u00e9nom\u00e8nes<\/em> 324 litogr\u00e1fi\u00e1ja (1958\u201359). Ezekb\u0151l a mostani ki\u00e1ll\u00edt\u00e1son is l\u00e1that\u00f3 k\u00e9t sorozat: a Th\u00e9\u00e2tre du sol<\/em> (\u201ea f\u00f6ld\/talaj sz\u00ednh\u00e1za\u201d) \u00e9s a Champs de silence<\/em> (\u201ecsendmez\u0151\u201d) t\u00edz k\u00e9pe, ahol a c\u00edmek is r\u00f6vid k\u00f6ltem\u00e9nyek (\u201ehom\u00e1lyos besz\u00e9d\u201d, \u201e\u00fatir\u00e1ny\u201d, \u201edramatikus talaj\u201d, \u201estagn\u00e1ci\u00f3\u201d, \u201ek\u00f6nnyed t\u00e1nc\u201d, \u201edegrad\u00e1ci\u00f3\u201d…). Ezt eg\u00e9sz\u00edtik ki a Texturologies<\/em> \u00e9s a Mat\u00e9riologies<\/em> anyagtanulm\u00e1nyai (\u201eneh\u00e9z f\u00f6ld\u201d,\u201egenerikus f\u00f6ld\u201d…): vagyis f\u00f6ldmint\u00e1kat \u00e9s talajlenyomatokat megjelen\u00edt\u0151, pap\u00edrmas\u00e9 k\u00e9pek \u00e9s domborm\u0171vek.<\/p>\n

Az 1984-es Mires<\/em> (\u201eC\u00e9lpontok\u201d, 1980-as \u00e9vek) ki\u00e1ll\u00edt\u00e1sra viszont m\u00e1r a kor\u00e1bban neglig\u00e1lt Bienn\u00e1l\u00e9n ker\u00fclt sor, s az eg\u00e9sz francia pavilont az ekkor 84 \u00e9ves m\u0171v\u00e9sz alkot\u00e1sai t\u00f6lt\u00f6tt\u00e9k ki, melyek sz\u00ednvil\u00e1gukban (k\u00fcl\u00f6n\u00f6sen a k\u00e9kkel \u00e9s pirossal oper\u00e1l\u00f3 Bolero sorozatban) visszautalnak a Hourloupe-ciklus<\/em>ra. Az elismer\u00e9s kapcs\u00e1n Dubuffet \u00edgy nyilatkozik: \u201eteljes joggal k\u00e9rtek fel arra, hogy a Velencei Bienn\u00e1l\u00e9n \u2013 a humanista \u00fcnneps\u00e9gek eme kegyhely\u00e9n \u2013 prezent\u00e1ljam a teljes tagad\u00e1st kifejez\u0151 k\u00e9peimet\u201d. \u00cdgy a mostani ki\u00e1ll\u00edt\u00e1snak is az alkot\u00f3hoz ill\u0151, gag-szer\u0171, lez\u00e1r\u00e1sa az a filmfelv\u00e9tel, melyen Dubuffet saj\u00e1t m\u0171vei t\u00e1rsas\u00e1g\u00e1ban, delir\u00e1lva szaval.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40-allo” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20146″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Dubuffet \u00e9s Velence,<\/em> 2019, r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l\u00a0| \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

IV.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Velenc\u00e9be tett rendszeres l\u00e1togat\u00e1sok egy m\u00e1sik fontos p\u00e9ld\u00e1j\u00e1val is tal\u00e1lkozhatunk, ha tov\u00e1bbs\u00e9t\u00e1lunk a Teatro La Fenic\u00e9hez, a vil\u00e1g egyik legismertebb zen\u00e9s sz\u00ednh\u00e1z\u00e1hoz (mely nev\u00e9hez \u2013 \u201ef\u0151nix\u201d \u2013 h\u00edven t\u00f6bbsz\u00f6r is felt\u00e1madt, legutolj\u00e1ra 2004-ben, amikor a sz\u00e1nd\u00e9kos gy\u00fajtogat\u00e1s \u00e1ldozat\u00e1ul esett \u00e9p\u00fcletet \u00fajra megnyitott\u00e1k, \u00e9s az\u00f3ta teljes sz\u00e9ps\u00e9g\u00e9ben t\u00fcnd\u00f6k\u00f6l).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20149″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Teatro La Fenice\u00a0| \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A sz\u00ednh\u00e1z emeleti kis term\u00e9ben egy Pina Bausch<\/span>-nak (1940\u20132009) szentelt fot\u00f3ki\u00e1ll\u00edt\u00e1s5<\/span> l\u00e1that\u00f3, mely elvileg ingyenes, val\u00f3j\u00e1ban viszont vagy egy el\u0151ad\u00e1sra, vagy a sz\u00ednh\u00e1z l\u00e1togat\u00e1s\u00e1ra sz\u00f3l\u00f3 jeggyel kell rendelkezn\u00fcnk a megtekint\u00e9s\u00e9hez. Itt \u00e1tfog\u00f3 k\u00e9pet kaphatunk arr\u00f3l, hogy a nyolcvanas \u00e9vekt\u0151l kezdve milyen gyakran fordult meg Velenc\u00e9ben a Wuppert\u00e1li T\u00e1ncsz\u00ednh\u00e1z, legfontosabb el\u0151ad\u00e1saival (Caf\u00e9 M\u00fcller,<\/em> a K\u00e9kszak\u00e1ll,<\/em> a Tavaszi \u00e1ldozat,<\/em> a Szekf\u0171k<\/em>…). A legend\u00e1s bemutat\u00f3kat felid\u00e9z\u0151 f\u00e9nyk\u00e9pek, plak\u00e1tok mellett egy pr\u00f3b\u00e1r\u00f3l forgatott dokumentumfilmet n\u00e9zhet\u00fcnk meg a pont t\u00edz \u00e9ve elhunyt t\u00e1ncos-koreogr\u00e1fusra eml\u00e9kezve. (Z\u00e1r\u00f3jelben tegy\u00fck hozz\u00e1, hogy az el\u0151ad\u00e1sokr\u00f3l k\u00e9sz\u00fclt, t\u00f6bbnyire fekete-feh\u00e9r felv\u00e9telek sokkal t\u00f6bbet el\u00e1rulnak a t\u00e1nc megragadhatatlan l\u00e9nyeg\u00e9r\u0151l, mint Mikhail Baryshnikovnak a Contini Gal\u00e9ri\u00e1ban l\u00e1that\u00f3, f\u0151leg indiai t\u00e1ncokr\u00f3l \u00e9s argentin tang\u00f3kr\u00f3l k\u00e9sz\u00edtett, sz\u00ednes \u201egiccs\u201d fotogr\u00e1fi\u00e1i). A La Fenice ki\u00e1ll\u00edt\u00e1si anyag\u00e1ban k\u00fcl\u00f6n\u00f6sen megragad\u00f3 a k\u00e9t Pina Bausch portr\u00e9 k\u00f6z\u00f6tti k\u00fcl\u00f6nbs\u00e9g: m\u00edg az 1980-as \u00e9vekben k\u00e9sz\u00fclt fekete-feh\u00e9r k\u00e9p egy szomor\u00fa, z\u00e1rt arcot mutat, mintegy a semmib\u0151l kiemelkedve, addig a 2005-\u00f6s, sz\u00ednes felv\u00e9tel h\u00e1tter\u00e9t a kivil\u00e1g\u00edtott nagysz\u00ednpad adja. A t\u00e1ncos arca itt is f\u00e1radt, befel\u00e9 fordul\u00f3, de mosolyog. Bels\u0151 ragyog\u00e1sa eg\u00e9szen szer\u00e1fiv\u00e1 teszi egyszerre t\u00f6r\u00e9keny \u00e9s er\u0151s alakj\u00e1t. A k\u00e9pre n\u00e9zve \u00fajra f\u00e1jdalmasan \u00e1t\u00e9rezhetj\u00fck, hogy milyen bet\u00f6ltetlen (\u00e9s bet\u00f6lthetetlen) az az \u0171r, melyet a kort\u00e1rs t\u00e1ncsz\u00ednh\u00e1zban maga m\u00f6g\u00f6tt hagyott.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

Pina Bausch, gli anni veneziani. Mostra fotografica,<\/em> Teatro La Fenice, Velence, 2019. j\u00fanius 20 \u2013 j\u00falius 14., ld. https:\/\/www.teatrolafenice.it<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20150″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Pina Bausch\u00a0| \u00a9 Fot\u00f3: Walter Vogel, www.desingel.be<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

V.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ha id\u0151k\u00f6zben elf\u00e1radn\u00e1nk a s\u00e9t\u00e1ban, \u00e9rdemes megpihenni a k\u00f6zvetlen\u00fcl a Teatro La Fenice mellett tal\u00e1lhat\u00f3 Ateneo Veneto nagy aul\u00e1j\u00e1ban, ahol val\u00f3ban ingyenesen l\u00e1togathat\u00f3 Edmund de Waal<\/span> (1964) psalm<\/em> (\u201ezsolt\u00e1r\u201d) ki\u00e1ll\u00edt\u00e1s\u00e1nak egyik r\u00e9sze (a nagyobb anyag a velencei gett\u00f3 Zsid\u00f3m\u00fazeum\u00e1ban van).6<\/span> Az Aula Magn\u00e1ba az angol m\u0171v\u00e9sz egy nagy feh\u00e9r dobozt \u2013 egy steril k\u00f6nyvt\u00e1rszob\u00e1t \u2013 helyezett el, melyet a \u201esz\u00e1m\u0171zet\u00e9s k\u00f6nyvt\u00e1r\u00e1v\u00e1\u201d form\u00e1lt \u00e1t. A bels\u0151 falakra elhelyezett k\u00f6nyvespolcokon \u2013 Edmund de Waal absztrakt feh\u00e9r t\u00e1rgyakat \u0151rz\u0151 feh\u00e9r t\u00e1rl\u00f3i mellett \u2013 k\u00f6zel k\u00e9tezer k\u00f6nyv tal\u00e1lhat\u00f3, sz\u00e1m\u0171zet\u00e9sre k\u00e9nyszer\u00fclt vagy a sz\u00e1m\u0171zet\u00e9st tematiz\u00e1l\u00f3 \u00edr\u00f3k toll\u00e1b\u00f3l: Ovidiust\u00f3l \u00e9s Dant\u00e9n \u00e1t eg\u00e9szen Brechtig, Benjaminig \u00e9s kort\u00e1rs libanoni, sz\u00edriai, ir\u00e1ni, palesztin szerz\u0151ikig.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

6<\/p>\n

Edmund de Waal: psalm,<\/em> Museo Ebraico di Venezia & Ateneo Veneto, Velence, 2019. m\u00e1jus 8 \u2013 szeptember 29., ld. https:\/\/www.psalmvenice.org<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20161″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Edmund de Waal: psalm,<\/em> 2019, Ateneo Veneto \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A k\u00f6nyvek a szerz\u0151k eredeti nemzetis\u00e9ge szerint vannak csoportos\u00edtva, tal\u00e1n Walter Benjamint\u00f3l akad a legt\u00f6bb. Mintha a sz\u00e1m\u0171z\u00f6ttek val\u00f3ban elvesztett\u00e9k volna anyanyelv\u00fcket, m\u0171veik a legk\u00fcl\u00f6nb\u00f6z\u0151bb nyelveken szerepelnek (pl. egy magyar nyelv\u0171 N\u00e9met emberekre is r\u00e1bukkanhatunk). A magyar r\u00e9szleg viszont el\u00e9g meglep\u0151: itt egyetlen magyar nyelv\u0171 k\u00f6nyv sincs, ford\u00edt\u00e1sban vagy a k\u00f6nyv eredeti nyelv\u00e9n viszont megtal\u00e1ljuk Kert\u00e9sz Imre, Krasznahorkai L\u00e1szl\u00f3, Ker\u00e9nyi K\u00e1roly, B\u00e1nffy Mikl\u00f3s, Arthur Koestler, Elie Wiesel \u00e9s Georg Szirtes m\u0171veit (ez ut\u00f3bbit\u00f3l a The Photographer at Sixteen<\/em>t, mely magyarul nemr\u00e9g jelent meg, El\u0151h\u00edv\u00e1s<\/em> c\u00edmen). A k\u00fcl\u00f6nb\u00f6z\u0151 nyelv\u0171 k\u00f6nyveket szabadon leemelhetj\u00fck a polcokr\u00f3l, kedv\u00fcnk szerint olvashatjuk \u0151ket, vagy a benn\u00fck elhelyezett kis pap\u00edrlapokra (ex librisekre) fel\u00edrhatjuk a nev\u00fcnket, hogy l\u00e1ss\u00e9k: nem maradtak \u00e9rintetlen\u00fcl. Ezzel a gesztussal mintegy megmenthetj\u00fck \u0151ket a feled\u00e9st\u0151l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-20-5l p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20164″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-20-5r p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20163″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Edmund de Waal: psalm,<\/em> 2019, Ateneo Veneto \u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Kil\u00e9pve a k\u00f6nyvt\u00e1rszob\u00e1b\u00f3l \u00e9s k\u00f6rbej\u00e1rva azt, a feh\u00e9r doboz k\u00fcls\u0151 falain, a m\u0171v\u00e9sz k\u00e9z\u00edr\u00e1s\u00e1val, a t\u00f6rt\u00e9nelem v\u00e9szkorszakai sor\u00e1n el\u00e9getett vagy megsemmis\u00edtett k\u00f6nyvt\u00e1rak neveit olvashatjuk: az alexandriait\u00f3l kezdve eg\u00e9szen a szarajev\u00f3i vagy az alepp\u00f3i k\u00f6nyvt\u00e1rig. Mindezt egy Heine id\u00e9zet k\u00eds\u00e9ret\u00e9ben: \u201eAhol k\u00f6nyveket \u00e9getnek, ott v\u00e9g\u00fcl embereket is fognak\u201d. A psalm<\/em> vak\u00edt\u00f3an feh\u00e9r \u00e9s tiszta tere azonban nem a jogos harag \u00e9s felh\u00e1borod\u00e1s, hanem az eml\u00e9kez\u00e9s, a tiszteletad\u00e1s, a megnyugv\u00e1s \u00e9s az elcsendes\u00fcl\u00e9s helye. Egy kis id\u0151re kiszak\u00edt minket Velence ny\u00fczsg\u0151 forgatag\u00e1b\u00f3l, azt a rem\u00e9nyt t\u00e1pl\u00e1lva, hogy m\u00e9g ma is sz\u00fcletnek \u00faj k\u00f6nyvt\u00e1rak, mert elemi sz\u00fcks\u00e9g\u00fcnk van r\u00e1juk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20166″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Edmund de Waal: psalm,<\/em> 2019, Museo Ebraico di Venezia \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

VI.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A k\u00f6nyvt\u00e1r is heterot\u00f3pia, ahogy ezt Michel Foucault<\/span> klasszikus tanulm\u00e1nya, az \u201eElt\u00e9r\u0151 terek\u201d (Des espaces autres)<\/em> \u00e1ll\u00edtja. A heterot\u00f3pi\u00e1k eszerint olyan \u201eellen helyek\u201d, melyek minden l\u00e9tez\u0151 helyen k\u00edv\u00fcl \u00e1llnak, \u00e1m ugyanakkor konkr\u00e9t, val\u00f3di form\u00e1t \u00f6lt\u0151 terek. Ilyenek (a teljess\u00e9g ig\u00e9nye n\u00e9lk\u00fcl): az elmegy\u00f3gyint\u00e9zetek, a bord\u00e9lyh\u00e1zak, a b\u00f6rt\u00f6n\u00f6k, a temet\u0151k, a kol\u00f3ni\u00e1k, a kertek, a m\u00fazeumok \u00e9s els\u0151sorban a sz\u00ednh\u00e1z (mely a sz\u00ednpadt\u00e9rben t\u00f6bb k\u00fcl\u00f6nb\u00f6z\u0151 teret \u2013 ak\u00e1r t\u00f6bb heterot\u00f3pi\u00e1t is \u2013 mag\u00e1ba foglal).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20174″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Peter Halley: Heterot\u00f3pi\u00e1k,<\/em> 2019, Zattere, Velence \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” id=”halley” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Peter Halley<\/span> (1953) amerikai m\u0171v\u00e9sz \u00e9s teoretikus, az 1980-as \u00e9vekbeli \u201e\u00faj konceptualizmus\u201d meghat\u00e1roz\u00f3 alakja, most egy nagy ki\u00e1ll\u00edt\u00e1st rendezett Heterot\u00f3pi\u00e1k<\/em> c\u00edmen a Zattere egykori s\u00f3rakt\u00e1r\u00e1ban (Emporio dei Sali).7<\/span> A hossz\u00fa, csatornaszer\u0171 t\u00e9rben szob\u00e1r\u00f3l szob\u00e1ra haladunk, ak\u00e1r egy egyenes labirintusban, ahol elt\u00e9vedni nem lehet, elbizonytalanodni viszont igen, hiszen a villog\u00f3 LED falak folyamatosan megragadhatatlan t\u00e9r\u00e9lm\u00e9nyt ny\u00fajtanak. Egym\u00e1sba olvad az aktu\u00e1lis \u00e9s a virtu\u00e1lis val\u00f3s\u00e1g, egyfajta sz\u00e9d\u00fcletet keltve. De ez csup\u00e1n fizikai \u00e9rz\u00e9s, kiss\u00e9 olyan, mintha egy modern elvar\u00e1zsolt kast\u00e9lyban j\u00e1rn\u00e1nk, csak itt nem mozog alattunk a talaj, \u00e9s nem tal\u00e1lkozunk \u00f6nmagunkkal szembe a t\u00fck\u00f6rszob\u00e1ban (a t\u00fck\u00f6r am\u00fagy is, Foucault<\/span> szerint, egyszerre ut\u00f3pia \u00e9s heterot\u00f3pia). Mindek\u00f6zben egy szigor\u00faan megkonstru\u00e1lt vil\u00e1gban vagyunk, melyet \u00e9rezhet\u0151en sem a v\u00e1ls\u00e1g, sem a deviancia nem jellemez. Hab\u00e1r egyfajta \u00e1tfog\u00f3 (t\u00f6rt\u00e9neti \u00e9s ment\u00e1lis) \u00e9rt\u00e9kv\u00e1ls\u00e1gra vagy legal\u00e1bbis elbizonytalanod\u00e1sra utal az a l\u00e1togat\u00f3i t\u00e9rk\u00e9p \u00e9s \u00fatmutat\u00f3, melynek a bej\u00e1rati kapur\u00f3l adott le\u00edr\u00e1sa szerint, sokan azt gondolj\u00e1k, hogy az \u00c9den kapuja alig k\u00fcl\u00f6nb\u00f6zik egy szupermarket bej\u00e1rat\u00e1t\u00f3l. M\u00e1sok viszont (teszi hozz\u00e1 a sz\u00f6veg) \u00fagy v\u00e9lik, hogy ahhoz, hogy erre a v\u00e9gs\u0151 helyre eljuthassunk, kereszt\u00fcl kell haladnunk a Hal\u00e1l V\u00f6lgy\u00e9n, \u00e9s emiatt a Paradicsomnak nincs semmilyen kapura sz\u00fcks\u00e9ge. Ha a nyolc szob\u00e1hoz hozz\u00e1rendelt enigmatikus \u2013 egyszerre szakr\u00e1lis \u00e9s prof\u00e1n \u2013 komment\u00e1rokat figyelmesen elolvassuk, akkor egy gondolati utat is bej\u00e1rhatunk. \u00cdgy \u00e9r\u00fcnk el az utols\u00f3 szoba robotautomat\u00e1j\u00e1hoz, mely a ptolemaioszi \u00e9s a kopernikuszi vil\u00e1g \u00f6sszeolvad\u00e1s\u00e1t, \u201eJanus-arc\u00fas\u00e1g\u00e1t\u201d illusztr\u00e1lja. Ezzel mintegy visszat\u00e9r\u00fcnk a Foucault-sz\u00f6veg<\/span> kiindul\u00f3pontj\u00e1hoz, mely szerint a \u201et\u00e9r korszak\u00e1t\u201d \u00e9lj\u00fck, ez a t\u00e9r azonban t\u00e1volr\u00f3l sem egynem\u0171 vagy \u00fcres, hanem \u00e1lland\u00f3an v\u00e1ltoz\u00f3 viszonyrendszerek alkotj\u00e1k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

7<\/p>\n

Peter Halley: Heterotopia I,<\/em> Zattere, Velence, 2019. m\u00e1jus 8 \u2013 augusztus 10., ld. http:\/\/accademiavenezia.it<\/a><\/p>\n[\/vc_column_text][nectar_icon icon_family=”fontawesome” icon_style=”border-animation” icon_border_thickness=”1px” icon_color_type=”color_scheme” icon_color=”Extra-Color-1″ icon_padding=”0px” pointer_events=”all” icon_fontawesome=”fa fa-camera” icon_size=”30″ url=”https:\/\/balkon.art\/home\/online-2019\/peter-halley-heterotipia-1\/” margin_top=”30″ margin_right=”20″ margin_bottom=”0″ margin_left=”30″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-20-5l p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20176″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”full-20-5r p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20180″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Peter Halley: Heterot\u00f3pi\u00e1k,<\/em> 2019, Zattere, Velence \u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Halley ki\u00e1ll\u00edt\u00e1sa egy k\u00eds\u00e9rlet a Foucault-sz\u00f6veg tov\u00e1bbgondol\u00e1s\u00e1ra, harminc\u00f6t \u00e9vvel annak els\u0151 publik\u00e1l\u00e1sa ut\u00e1n (hab\u00e1r a sz\u00f6veg els\u0151 v\u00e1ltozat\u00e1t Foucault m\u00e1r 1967-ben el\u0151adta).8<\/span> Val\u00f3ban sz\u00fcks\u00e9gszer\u0171 teh\u00e1t, hogy ennyi id\u0151 eltelt\u00e9vel \u00fajra\u00e9rtelmezz\u00fck a heterot\u00f3pi\u00e1k fogalm\u00e1t, \u00e9s \u00fajradefini\u00e1ljuk a hozz\u00e1juk val\u00f3 viszonyunkat. Mik\u00f6zben az is igaz, hogy az \u00edgy l\u00e9trej\u00f6tt ki\u00e1ll\u00edt\u00e1s egy hideg konstrukci\u00f3 marad, mely k\u00e9tszeri \u2013 el\u0151re \u00e9s visszafel\u00e9 \u2013 v\u00e9gigj\u00e1r\u00e1sa sor\u00e1n sem \u00e9rint meg igaz\u00e1n.<\/p>\n

Sokkal er\u0151sebb \u00e9lm\u00e9ny enn\u00e9l az, amikor kil\u00e9pve a Heterot\u00f3pi\u00e1k<\/em> kapuj\u00e1n, megpillantjuk magunk el\u0151tt a foucault-i heterot\u00f3pi\u00e1k par excellence p\u00e9ld\u00e1it: a haj\u00f3kat. Az \u00e1lland\u00f3an helyv\u00e1ltoztathat\u00f3 haj\u00f3, mint egy r\u00f6gz\u00edthetetlen, \u00fasz\u00f3 t\u00e9rdarab, a szabads\u00e1g \u00e9s a szabad k\u00e9pzelet biztos\u00edt\u00e9ka, hiszen \u201ea haj\u00f3 n\u00e9lk\u00fcli civiliz\u00e1ci\u00f3kban elapadnak az \u00e1lmok\u201d. Ennyiben Foucault heterot\u00f3pia-\u00e1lma a legautentikusabb helysz\u00edn\u00e9re \u00e9rkezett.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

8<\/p>\n

Michel Foucault: Des espaces autres.<\/em> In U\u0151: Dits et \u00e9crits: 1954\u20131988,<\/em> Paris, \u00c9dition Gallimard, 1980\u20131988, IV, 752\u2013762. Magyarul: Michel Foucault: Elt\u00e9r\u0151 terek. In U\u0151: Nyelv a v\u00e9gtelenhez: Tanulm\u00e1nyok, el\u0151ad\u00e1sok, besz\u00e9lget\u00e9sek.<\/em> Szerk. Suty\u00e1k Tibor, Latin Bet\u0171k, Debrecen, 2000, 147\u2013156.; valamint: Michel Foucault, M\u00e1s terekr\u0151l (1967): Heterot\u00f3pi\u00e1k, ford. Erhardt Mikl\u00f3s, http:\/\/exindex.hu<\/a> (utols\u00f3 hozz\u00e1f\u00e9r\u00e9s: 2019. augusztus 5.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20172″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

\u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

VII.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ha m\u00e1r a Magazzini del Sale (vagy archaikusabb nev\u00e9n: Emporio dei Sali) \u00e9p\u00fclet\u00e9ben j\u00e1runk, \u00e9rdemes bet\u00e9rni az itt tal\u00e1lhat\u00f3 Vedova Alap\u00edtv\u00e1ny (Fondazione Vedova) \u00faj ki\u00e1ll\u00edt\u00e1s\u00e1ra,9<\/span> melynek kur\u00e1tora Georg Baselitz<\/span> (1938). A k\u00e9t m\u0171v\u00e9sz bar\u00e1ts\u00e1ga az 1960-as \u00e9vek elej\u00e9n, eg\u00e9sz pontosan Emilio Vedova<\/span> (1919\u20132006) k\u00e9t\u00e9ves Berlini tart\u00f3zkod\u00e1s\u00e1nak idej\u00e9n \u2013 1963 v\u00e9g\u00e9t\u0151l 1965 k\u00f6zep\u00e9ig \u2013 kezd\u0151d\u00f6tt. A mostani ki\u00e1ll\u00edt\u00e1shoz, k\u00f6zel tizenh\u00e1rom \u00e9vvel bar\u00e1tja hal\u00e1la ut\u00e1n, Baselitz (akinek saj\u00e1t retrospekt\u00edv ki\u00e1ll\u00edt\u00e1sa nem messze innen, az Accademi\u00e1n l\u00e1that\u00f3)10<\/span> tizen\u00f6t m\u0171vet v\u00e1lasztott ki az \u00e9letm\u0171b\u0151l: az 1950-es, 60-as \u00e9s 80-as \u00e9vekb\u0151l. A hossz\u00fa, egyenes ki\u00e1ll\u00edt\u00f3t\u00e9r k\u00e9t oldal\u00e1n, k\u00e9t \u00f3ri\u00e1s pann\u00f3n helyezt\u00e9k el a fekete-feh\u00e9r, absztrakt festm\u00e9nyeket, k\u00f6z\u00e9pen a k\u00e9t m\u0171v\u00e9sz k\u00f6z\u00f6s fot\u00f3j\u00e1val (mely az 1962-es kasseli document\u00e1n k\u00e9sz\u00fclt).[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

9<\/p>\n

Emilio Vedova di\/by Georg Baselitz.<\/em> FondazioneVedova, Velence, 2019. \u00e1prilis 18 \u2013 november 3., ld. https:\/\/www.fondazionevedova.org<\/a><\/p>\n

10<\/p>\n

Baselitz.<\/em> Galerie Accademia, Velence, 2019. m\u00e1jus 8 \u2013 okt\u00f3ber 6., ld. http:\/\/www.gallerieaccademia.it<\/a><\/p>\n[\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20186″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-20r” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”20182″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Emilio Vedova di\/by Georg Baselitz,<\/em> 2019, Fondazione Vedova, Velence \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A jobboldali pann\u00f3n a kor\u00e1bbi korszakb\u00f3l kilenc k\u00e9pet, a baloldalin a k\u00e9s\u0151bbi korszakb\u00f3l hatot l\u00e1thatunk. Az els\u0151 sorozat elt\u00e9r\u0151 m\u00e9ret\u0171 m\u0171veit megfest\u00e9s\u00fck idej\u00e9n a Palazzo Grassiban \u00e1ll\u00edtott\u00e1k ki (\u00edgy a Scontro di Situazione<\/em> sorozat 1959-es k\u00e9peit) \u00e9s ezeket most a Per la Spagna<\/em> (1961) \u00e9s az Immagine del Tempo<\/em> (1958) festm\u00e9nyei eg\u00e9sz\u00edtik ki. A baloldali k\u00e9pek mind azonos m\u00e9ret\u0171ek (280\u00d7280 cm), \u00e9s az Oltre<\/em> \u00e9s a Di Umano<\/em> sorozat r\u00e9szei. Nagyon izgalmas, ahogy a h\u00fasz \u00e9v elt\u00e9r\u00e9ssel megsz\u00fclet\u0151 k\u00e9pek szemben\u00e9znek egym\u00e1ssal, \u00e9s ugyanazt a forradalmi gondolkod\u00e1sm\u00f3dot, radikalit\u00e1st t\u00fckr\u00f6zik. Hozz\u00e1 kell tenn\u00fcnk, hogy a befel\u00e9 haladva emelked\u0151 \u00e9s kiss\u00e9 megd\u0151l\u0151 ki\u00e1ll\u00edt\u00f3t\u00e9r \u2013 melynek alj\u00e1t pall\u00f3szer\u0171 fapadl\u00f3 fedi, oldalfalain l\u00e1tszanak az eredeti t\u00e9gl\u00e1k, tetej\u00e9t pedig aszimmetrikusan z\u00e1rja le egy gerendasor \u2013 maga is eg\u00e9szen k\u00fcl\u00f6nleges t\u00e9r\u00e9lm\u00e9nyt ny\u00fajt. Azt a furcsa sz\u00e9d\u00fcletet \u00e9lhetj\u00fck \u00e1t benne, amit Velenc\u00e9ben j\u00e1rva (ahol nincsenek egyenes vonalak, minden emelkedik \u00e9s lejt) folyton megtapasztalhatunk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”padding-10-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

\"Velence<\/a><\/div><\/div>\n
\"Velence<\/a><\/div><\/div>\n
\"Velence<\/a><\/div><\/div>\n
\"Velence<\/a><\/div><\/div><\/div><\/div><\/div>\t\t\t