{"id":19812,"date":"2004-10-01T16:21:46","date_gmt":"2004-10-01T14:21:46","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=19812"},"modified":"2024-06-07T17:04:00","modified_gmt":"2024-06-07T15:04:00","slug":"the-new-painting","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/the-new-painting\/","title":{"rendered":"The New Painting"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ color_overlay=”rgba(0,0,0,0.01)” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Elina Brotherus ki\u00e1ll\u00edt\u00e1sa*<\/span><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Mai Man\u00f3 H\u00e1z, Budapest
\n2004. szeptember 14 \u2013 okt\u00f3ber 24.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A kort\u00e1rs \u201efot\u00f3 alap\u00fa\u201d m\u0171v\u00e9szetben nem egy alkot\u00f3 haszn\u00e1lja fel saj\u00e1t \u00e9lete esem\u00e9nyeit m\u0171ve nyersanyag\u00e1ul. K\u00f6z\u00fcl\u00fck Nan Goldin<\/span> neve a legismertebb. Hasonl\u00f3 nyomvonalon halad a harmincas \u00e9vei elej\u00e9n j\u00e1r\u00f3, finn sz\u00e1rmaz\u00e1s\u00fa Elina Brotherus<\/span> is. Az aktu\u00e1lis \u00e9letrajz szerint Brotherus felv\u00e1ltva \u00e9l P\u00e1rizsban \u00e9s Helsinkiben. Az eredetileg vegy\u00e9sz v\u00e9gzetts\u00e9g\u0171 h\u00f6lgy term\u00e9szettudom\u00e1nyi st\u00fadiumai k\u00f6zepe t\u00e1j\u00e1n, 1995-ben kezdett a f\u00e9nyk\u00e9pez\u00e9ssel foglalkozni. Mint egy internetes oldalon \u00f6nmag\u00e1r\u00f3l elmondja, a diplomaszerz\u00e9st k\u00f6vet\u0151en felhagyott a tudom\u00e1nyos-analitikus gondolkod\u00e1ssal, \u00e9s mindink\u00e1bb az intu\u00edci\u00f3 \u00e9s a l\u00e1tv\u00e1ny kifejez\u0151 eszk\u00f6zei kezdt\u00e9k foglalkoztatni. Ennek hat\u00e1s\u00e1ra iratkozott be a helsinki K\u00e9pz\u0151- \u00e9s Iparm\u0171v\u00e9szeti Egyetem fot\u00f3s szak\u00e1ra, ahol 2000-ben v\u00e9gzett.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

*<\/p>\n

2019. j\u00falius 15-\u00e9n 67 \u00e9ves kor\u00e1ban v\u00e1ratlanul elhunyt SZ\u0170CS K\u00c1ROLY m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz. A Balkon<\/em>ban sz\u00e1mos cikke jelent meg, els\u0151sorban fot\u00f3m\u0171v\u00e9szeti t\u00e9m\u00e1kban. Elina Brotheus ki\u00e1ll\u00edt\u00e1s\u00e1r\u00f3l \u00edrott sz\u00f6veg\u00e9nek online k\u00f6zl\u00e9s\u00e9vel, \u00e9s Hajas Tiborr\u00f3l \u00edrt soraival b\u00facs\u00fazunk t\u0151le: \u201eK\u00e9zbe kapod saj\u00e1t tested, \u00e9s felt\u00f6rl\u00f6d vele a padl\u00f3t. \u00d6nmagad \u00e9s m\u00e1sok el\u0151tt f\u00e1jdalmasan meghurcolod magad. G\u0151g\u00f6s al\u00e1zat, amellyel megveted saj\u00e1t tested, de nem megal\u00e1ztat\u00e1s. Szenved\u00e9ly, szenved\u00e9s \u00e9s megtisztul\u00e1s.\u201d (Szip\u0151cs Krisztina)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19847″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Elina Brotherus: Epilogue,<\/em> 1999<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Brotherus 1997\u201398-ban k\u00e9sz\u00edtette els\u0151 nagyobb f\u00e9nyk\u00e9psorozat\u00e1t A l\u00e1ny, aki a szerelemr\u0151l besz\u00e9lt<\/em> (Das M\u00e4dchen spracht von Liebe<\/em>) c\u00edmmel, amelyben hemzsegnek az \u00f6n\u00e9letrajzi elemek. \u201eEsk\u00fcv\u0151i portr\u00e9t k\u00e9sz\u00edtettem amikor f\u00e9rjhez mentem (Wedding Portraits,<\/em> 1997), az elv\u00e1lt n\u0151 arck\u00e9p\u00e9t, amikor elv\u00e1ltam (Divorce Portrait,<\/em> 1998), \u00e9s a Gy\u0171l\u00f6l\u00f6m a szexet<\/em> c\u00edm\u0171 k\u00e9pet (I hate sex,<\/em> 1999), amikor \u00edgy \u00e9reztem. Nem k\u00fcl\u00f6nb\u00f6z\u0151 asszonyokat mutattam meg k\u00fcl\u00f6nf\u00e9le szerepekben, hanem \u00e9ltem az \u00e9letem, \u00e9s ebb\u0151l pr\u00f3b\u00e1ltam a k\u00e9peken visszaadni valamit\u201d \u2013 mondja Brotherus. Ezeket a felv\u00e9teleket a halott sz\u00fcl\u0151kre eml\u00e9kez\u0151 fot\u00f3k eg\u00e9sz\u00edtik ki, melyeken Brotherus \u00e9desanyja, illetve \u00e9desapja ruh\u00e1it \u00f6lti mag\u00e1ra. A mag\u00e1n\u00e9let esem\u00e9nytelen, \u00e1m zavaros h\u00e9tk\u00f6znapjait pedig egy k\u00f6nnyes szem\u0171, meztelen v\u00e1ll\u00fa portr\u00e9 jelzi, melyen a fiatal n\u0151 fej\u00e9t b\u0151rkeszty\u0171s f\u00e9rfikezek fogj\u00e1k k\u00f6zre. Brotherus a portr\u00e9k t\u00f6bbs\u00e9g\u00e9n szemben \u00e1ll a kamer\u00e1val, \u00e9s kez\u00e9ben vagy talpa alatt a t\u00e1voli f\u00e9nyk\u00e9pez\u0151g\u00e9phez vezet\u0151, hossz\u00fa expon\u00e1l\u00f3 zsin\u00f3r g\u00f6mbj\u00e9t tartja, ezzel is jelezve, hogy \u00f6n\u00e9letrajzi k\u00e9peit k\u00f6vetkezetesen nem az elkapott pillanat spontaneit\u00e1s\u00e1ra alapozza. Azt a l\u00e1tv\u00e1nyform\u00e1t keresi, ami a s\u00fallyal \u00e9s fontoss\u00e1ggal b\u00edr\u00f3 lelki\u00e1llapotok megfigyel\u00e9s\u00e9t \u00e9s r\u00f6gz\u00edt\u00e9s\u00e9t seg\u00edti el\u0151. Brotherus a tudatos kompon\u00e1l\u00e1s \u00e9s az expoz\u00edci\u00f3 pillanat\u00e1nak ut\u00f3lagos, k\u00e9sleltetett megv\u00e1laszt\u00e1s\u00e1val a k\u00e9pet \u00e1temeli a val\u00f3s idej\u0171 esem\u00e9nymez\u0151b\u0151l a tanuls\u00e1gok \u00e9s k\u00f6vetkezm\u00e9nyek, m\u00e1s sz\u00f3val a t\u00f6rt\u00e9net szimbolikus olvasat\u00e1nak szintj\u00e9re. A k\u00f6vetkezm\u00e9nyek reprezent\u00e1l\u00e1sa sz\u00e1m\u00e1ra nagyobb fontoss\u00e1ggal b\u00edr, mint az esem\u00e9nyek sodr\u00f3 villan\u00e1sa, melyek a l\u00e1tv\u00e1ny szintj\u00e9n tal\u00e1n meg sem t\u00f6rt\u00e9ntek. \u201eAlapvet\u0151 t\u00e9nyez\u0151 az volt, hogy meg\u00e9rezzem a d\u00f6nt\u0151 pillanatot \u00e9s reag\u00e1ljak r\u00e1\u201d \u2014 \u00edrja le alkot\u00f3m\u00f3dszer\u00e9t Brotherus. A \u201ed\u00f6nt\u0151 pillanat\u201d kifejez\u00e9s nem ismeretlen a fotogr\u00e1fi\u00e1ban, \u00e1m sejt\u00e9sem szerint ebben az \u00f6sszef\u00fcgg\u00e9sben nem a l\u00e1tv\u00e1ny, hanem a lelki t\u00f6rt\u00e9n\u00e9sek \u2013 eg\u00e9szen pontosan a mag\u00e1ny k\u00fcl\u00f6nf\u00e9le m\u00f3djainak \u2014 hangs\u00falyoz\u00e1s\u00e1r\u00f3l van sz\u00f3. Brotherus k\u00e9pei val\u00f3ban reakci\u00f3k, az ut\u00f3lagos \u00e9rtelmez\u0151 reakci\u00f3k f\u00e9nyk\u00e9pei.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19827″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Elina Brotherus: I hate sex,<\/em> 1999<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A portr\u00e9kkal p\u00e1rhuzamosan Brotherus r\u00e9gi korokat id\u00e9z\u0151 t\u00e1jk\u00e9pekkel is el\u0151\u00e1llt, melyeken \u00f6nmag\u00e1t \u00e9s t\u00e1rsas\u00e1g\u00e1t a t\u00e1jba vesz\u0151 \u2013 pontosabban a t\u00e9rbe vesz\u0151 \u2013 kicsiny mell\u00e9kfigur\u00e1knak \u00e1br\u00e1zolja. M\u00e1s k\u00e9pein olyan mot\u00edvumokat keres, melyek tematikus \u00e1br\u00e1zol\u00f3 \u00e9s t\u00e9rszerkeszt\u0151 elemek egy\u00fattal. Ilyen p\u00e9ld\u00e1ul a Horizont<\/em> c\u00edm\u0171 k\u00e9p\u00e9n a tengerbe hosszan elny\u00fal\u00f3 m\u00f3l\u00f3 vonala, illetve m\u00e1s f\u00e9nyk\u00e9peken a foly\u00f3k, hegyoldalak \u201eterm\u00e9szetes\u201d optikai r\u00f6vid\u00fcl\u00e9s\u00e9nek a szerkesztett line\u00e1ris perspekt\u00edv\u00e1val val\u00f3 azonos\u00edt\u00e1sa. Ezeken a t\u00e1jk\u00e9peken \u00f6narck\u00e9peihez hasonl\u00f3an az elt\u0171n\u00e9s \u00e9s el\u0151t\u0171n\u00e9s m\u00f3djai, a l\u00e1that\u00f3 \u00e9s l\u00e1thatatlan \u00e1tmeneteinek vizsg\u00e1lata foglalkoztatja.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19829″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Elina Brotherus: Horizon 7,<\/em> 2001<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Brotherus 1999-ben \u00f6szt\u00f6nd\u00edjat nyert P\u00e1rizsba, ahol \u00fajabb sorozatai sz\u00fclettek (Suites Francaises 1-2<\/em>). Itt k\u00e9sz\u00fclt t\u00e1jk\u00e9pein folytatja a szerkesztett t\u00e1j\u00e1br\u00e1zol\u00e1s \u00e9s a fotografikus, \u201eobjekt\u00edv\u201d l\u00e1tv\u00e1ny ill\u00fazi\u00f3teremt\u0151 azonoss\u00e1gainak vizsg\u00e1lat\u00e1t. Ez\u00fattal a kihalt utc\u00e1k, mag\u00e1nyos terek, \u00e9jszakai f\u00e9nyek uralj\u00e1k a k\u00e9peket. Az \u00f6n\u00e9letrajzi sorozatot pedig a szem\u00e9lyes \u00e9lett\u00e9r \u00e9rtelmez\u00e9s\u00e9nek \u00faj megk\u00f6zel\u00edt\u00e9se v\u00e1ltja fel. Brotherus, aki nyelvismeret n\u00e9lk\u00fcl \u00e9rkezett egy ismeretlen orsz\u00e1gba, saj\u00e1t kez\u0171leg \u00edrt francia nyelv\u0171 \u00fczen\u0151c\u00e9dul\u00e1k sokas\u00e1g\u00e1t ragasztja a szob\u00e1ja fal\u00e1ra, szem\u00e9lyes t\u00e1rgyaira, \u00edgy az ajt\u00f3ra, a cip\u0151kre, de ak\u00e1r saj\u00e1t test\u00e9re is. A P\u00e1rizsba \u00e9rkez\u00e9s els\u0151 k\u00e9pe is \u00edgy sz\u00fcletett: b\u0151r\u00f6nd, \u00e1gy, nagykab\u00e1t, Brotherus, t\u00e1vkiold\u00f3. Itt is egy\u00e9rtelm\u0171, hogy Brotherust, a fotogr\u00e1fust egy saj\u00e1tos kett\u0151ss\u00e9g foglalkoztatja. Egyr\u00e9szt nem k\u00edv\u00e1n teljesen lemondani az \u00f6n\u00e9letrajzi elemek megjelen\u00edt\u00e9s\u00e9r\u0151l, \u00e1m ez\u00fattal m\u00e9g kev\u00e9sb\u00e9 a konkr\u00e9t \u00e9letesem\u00e9nyek visszaj\u00e1tsz\u00e1sa \u00e9rdekli, ann\u00e1l ink\u00e1bb saj\u00e1t ment\u00e1lis \u00e9s \u00e9rzelmi t\u00e9r\u00e9nek megjel\u00f6l\u00e9se, a megjel\u00f6l\u00e9s formavil\u00e1ga, azaz a szimbolikus \u00e9s vizu\u00e1lis jelent\u00e9sek megragad\u00e1sa \u00e9s birtokl\u00e1sa.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19849″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Elina Brotherus: Contente enfin?,<\/em> 1999<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A m\u00f3dszer finomodik \u00e9s egy\u00fattal t\u00e1volodik a konkr\u00e9t \u00e9lett\u00f6rt\u00e9net \u00e1br\u00e1zol\u00e1s\u00e1nak ig\u00e9ny\u00e9t\u0151l Az \u00faj fest\u00e9szet<\/em> (The New Painting<\/em>) c\u00edm\u0171 sorozatban, aminek els\u0151 darabjai 2000-ben sz\u00fclettek. A k\u00e9pek Brotherus br\u00fcsszeli \u00f6szt\u00f6nd\u00edja idej\u00e9n k\u00e9sz\u00fcltek, amit az Espace Photographique Contretype fot\u00f3gal\u00e9ria rezidencia-programja tett lehet\u0151v\u00e9. Az \u00faj fest\u00e9szet sorozat k\u00e9pein Brotherus v\u00e1ltozatlanul egyszer\u0171 pozit\u00far\u00e1ban, siv\u00e1r k\u00f6rnyezetben f\u00e9nyk\u00e9pezi mag\u00e1t. Egyik jellegzetes k\u00e9p\u00e9n egy ablakon kitekint\u0151, \u00fcl\u0151 n\u0151t l\u00e1tunk, a m\u00e1sikon pedig egy meztelen, mosakod\u00f3 fiatal n\u0151i testet. A k\u00e9peket nem a lelki \u00e9let zajl\u00e1sait megragad\u00f3 alkot\u00e1soknak v\u00e9lhetj\u00fck, sokkal ink\u00e1bb a trivi\u00e1lis mondanival\u00f3 \u00e9s a kompoz\u00edci\u00f3 k\u00f6z\u00f6s j\u00e1t\u00e9knak. Olyanoknak, amikhez hasonl\u00f3val a fest\u00e9szet t\u00f6rt\u00e9net\u00e9ben is tal\u00e1lkozunk. Az \u201eegyszer\u0171 \u00e9let\u201d k\u00e9pvil\u00e1g\u00e1r\u00f3l van sz\u00f3, ami p\u00e9ld\u00e1ul a 17. sz\u00e1zadi n\u00e9metalf\u00f6ldi fest\u0151, Jan Vermeer m\u0171v\u00e9szet\u00e9t is jellemzi. Vermeer \u00e9letm\u0171v\u00e9ben t\u00f6bbek k\u00f6z\u00f6tt tal\u00e1lunk \u201eLevelet olvas\u00f3 l\u00e1ny nyitott ablakn\u00e1l\u201d, vagy \u201eTejet \u00f6nt\u0151 n\u0151\u201d kompoz\u00edci\u00f3kat. Brotherus leg\u00fajabb \u00e9letk\u00e9pei ezt a felfog\u00e1st k\u00f6vetik, \u00edgy azok m\u0171v\u00e9szett\u00f6rt\u00e9neti id\u00e9zeteknek tekinthet\u0151k.<\/p>\n

Brotherus 1997\u20132001 k\u00f6z\u00f6tti alkot\u00f3tev\u00e9kenys\u00e9g\u00e9t \u00f6sszegzi a Decisive day<\/em> (Hangs\u00falyos napok<\/em>) c\u00edm\u0171 fot\u00f3album, amely az eddig eml\u00edtett sorozatok jav\u00e1t tartalmazza.1<\/span> A The New Painting<\/em> imm\u00e1r negyedik \u00e9ves munkafolyamat\u00e1nak leg\u00fajabb m\u0171vei m\u00e9g nem ker\u00fclhettek az albumba. Ezekkel tal\u00e1lkozhatunk a Contretype Gal\u00e9ria \u00e9s a Mai Man\u00f3 H\u00e1z legut\u00f3bbi, k\u00f6z\u00f6s t\u00e1rlat\u00e1n.<\/p>\n

\u201eA f\u00e9rfi m\u0171v\u00e9szek a m\u0171v\u00e9szett\u00f6rt\u00e9net sor\u00e1n al\u00e1rendelt helyzetbe hozt\u00e1k a n\u0151ket. Levetk\u0151ztett\u00e9k, a f\u00e9rfi hatalom r\u00e9sz\u00e9v\u00e9 tett\u00e9k \u0151ket, ak\u00e1r a szexualit\u00e1ssal, ak\u00e1r csak azzal, hogy a f\u00f6l\u00e9ny\u00fcket fejezt\u00e9k ki vel\u00fck szemben. Az elnyom\u00f3 m\u0171v\u00e9szt \u00e9s az elnyomott, puc\u00e9rs\u00e1g\u00e1ban fegyvertelen modellt \u00e1br\u00e1zolom.\u201d \u00cdgy magyar\u00e1zza Brotherus a M\u0171v\u00e9sz \u00e9s modellje<\/em> c\u00edm\u0171 k\u00e9p\u00e9t, amely Otto Dix festm\u00e9ny\u00e9nek parafr\u00e1zisa. Brotherus k\u00e9p\u00e9n a m\u0171v\u00e9szn\u0151 rik\u00edt\u00f3 narancss\u00e1rga ruh\u00e1ban, magabiztosan n\u00e9z a kamer\u00e1ba, m\u00edg mellette az aktmodell \u2013 egy f\u00e9rfi \u2013 s\u00e1padtan \u00e9s meztelen\u00fcl kuporog a hever\u0151n. Brotherus \u00faj fest\u00e9szet\u00e9nek egyik f\u00f3kuszpontja \u00e9ppen az a foucault-i k\u00e9rd\u00e9s, amely a k\u00e9palkot\u00f3 szem t\u00e9rbeli hely\u00e9t \u00e9s hatalm\u00e1nak mibenl\u00e9t\u00e9t kutatja. Az elnyom\u00f3 m\u0171v\u00e9sz \u00e9s az kiszolg\u00e1ltatott modell probl\u00e9m\u00e1j\u00e1t kiss\u00e9 bizarr m\u00f3don feszegeti a F\u00f3li\u00e1s akt<\/em> c\u00edm\u0171 k\u00e9p, ahol Brotherus saj\u00e1t test\u00e9t k\u00f6lcs\u00f6nzi a modellnek. Ebben az esetben \u00e9rdekes kett\u0151s identit\u00e1ssal van dolgunk \u2013 vagy helyesebben az \u00f6nreprezent\u00e1ci\u00f3 kett\u0151s eset\u00e9vel \u2013, ahol egy \u00e9rzelmes \u00e9s v\u00e9lhet\u0151en szem\u00e9rmes n\u0151 a k\u00edv\u00e1ncsi f\u00e9rfipillant\u00e1sokkal szemben \u00e9ppen a m\u0171v\u00e9szet \u00e1ltal v\u00e9li megv\u00e9deni mag\u00e1t. A v\u00e9delem, azaz a hatalom birtok- \u00e9s jelent\u00e9shat\u00e1ra maga az \u00e1ttetsz\u0151 f\u00f3lia, ami egy szimpla csomagol\u00f3pap\u00edr ugyan, de itt a jelk\u00e9pi magasztoss\u00e1g \u00e9s a k\u00f6z\u00f6ns\u00e9ges l\u00e1tv\u00e1ny ter\u00e9t hivatott elk\u00fcl\u00f6n\u00edteni. Ha \u00fagy tetszik, a f\u00f3lia a m\u0171v\u00e9szetet \u00e9s a rajta k\u00edv\u00fcli vil\u00e1got elv\u00e1laszt\u00f3 horizont, \u00e1m Brotherus szem\u00e9vel a val\u00f3s\u00e1got, a k\u00fclvil\u00e1got csak a f\u00f3li\u00e1n, azaz a m\u0171v\u00e9szeten kereszt\u00fcl l\u00e1thatjuk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

A Decisive Day<\/em> c\u00edm saj\u00e1tos kett\u0151ss\u00e9get foglal mag\u00e1ba. Vonatkozik egyr\u00e9szt az \u00e9letrajzi elemekre, ugyanis az albumban tal\u00e1lhat\u00f3 \u00e9letk\u00e9pek Brotherus mindennapjainak kiemelt pillanatait k\u00f6vetik, ugyanakkor nyilv\u00e1nval\u00f3 az utal\u00e1s Henri Cartier-Bresson 1952-ben megjelent The Decisive Moment<\/em> (A hangs\u00falyos pillanat<\/em>) c\u00edm\u0171 fot\u00f3album\u00e1ra, amely egyben a francia fot\u00f3m\u0171v\u00e9sz alkot\u00f3m\u00f3dszer\u00e9nek jelmondata is<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19851″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Elina Brotherus: Contente enfin?,<\/em> 1999<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A m\u0171v\u00e9szet jelk\u00e9pes l\u00e1t\u00e1sm\u00f3dja hangs\u00falyoz\u00f3dik Brotherus t\u00f6bbi k\u00e9peinek ikonogr\u00e1fiai fel\u00e9p\u00edt\u00e9s\u00e9ben is. A fest\u00e9szet t\u00f6rt\u00e9net\u00e9b\u0151l j\u00f3l ismert vanit\u00e1s \u2014 elm\u00fal\u00e1s \u2014 csend\u00e9letek k\u00f6z\u00e9 sorolhat\u00f3k azok a k\u00e9pek, amelyeken vir\u00e1gcsend\u00e9letet vagy elsz\u00f3rt vir\u00e1gszirmokat \u00e1br\u00e1zolnak. Vanitas csend\u00e9let p\u00e9ld\u00e1ul a N\u0151 vir\u00e1gokkal vagy a Sarok<\/em> c\u00edm\u0171 k\u00e9p, melyen a m\u0171v\u00e9sz v\u00e9djegy\u00e9nek sz\u00e1m\u00edt\u00f3 \u00e9l\u00e9nk narancss\u00e1rga ruh\u00e1ban egy szoba sark\u00e1ban \u00e1ll Brotherus. Az \u00f6narck\u00e9pet a Contretype gal\u00e9ria helys\u00e9g\u00e9ben k\u00e9sz\u00edtette. A padl\u00f3n vir\u00e1gok, k\u00e9t narancs gerbera, s\u00e1rga r\u00f3zs\u00e1k \u00e9s kis gy\u00f6ngyh\u00e1zsz\u00edn\u0171 krizant\u00e9mok. A k\u00e9p mell\u00e9 \u2014 mint j\u00f3 n\u00e9h\u00e1ny alkot\u00e1s\u00e1hoz \u2014 magyar\u00e1zatot is f\u0171z: \u201eAznap nagyon szomor\u00fa voltam, ism\u00e9t veszekedt\u00fcnk. Elkeseredett voltam \u00e9s s\u00edrtam \u2014 \u00edgy \u00e1llok ott a sarokban, szembefordulva a kamer\u00e1val, boldogtalanul, mellettem sz\u00e9tsz\u00f3rt vir\u00e1gok.\u201d Nem lehet k\u00e9ts\u00e9ges, hogy a k\u00e9p az \u00f6r\u00f6k elm\u00fal\u00e1st sugallja, \u00fajra dimenzion\u00e1lva a pillanatnyi, szem\u00e9lyes mikrovil\u00e1g kis trag\u00e9di\u00e1it.<\/p>\n

A fest\u00e9szet egyszer\u0171 t\u00e9m\u00e1i t\u00e9rnek vissza a Reggel, Otthoni jelenet,<\/em> az \u00c9tkez\u0151 figura<\/em> valamint a Megcsalt n\u0151<\/em> c\u00edm\u0171 k\u00e9peken. Az els\u0151 f\u00e9nyk\u00e9pen egy csemp\u00e9vel bor\u00edtott helys\u00e9gben h\u00e1l\u00f3ingben \u00fcl\u0151, haj\u00e1t sz\u00e1r\u00edt\u00f3 n\u0151t l\u00e1tunk. Ugyanez ism\u00e9tl\u0151dik a m\u00e1sodik k\u00e9pen is, azzal a k\u00fcl\u00f6nbs\u00e9ggel, hogy itt egy \u00e1ll\u00f3 f\u00e9rfi sz\u00e1r\u00edtja a n\u0151 haj\u00e1t. Ugyancsak semmitmond\u00f3, kop\u00e1r bels\u0151 t\u00e9rben \u00fcl\u0151 figur\u00e1val tal\u00e1lkozunk a m\u00e1sik k\u00e9t k\u00e9pen is. Ezek a kompoz\u00edci\u00f3k alapvet\u0151en sterilek \u00e9s a t\u00e9ma szempontj\u00e1b\u00f3l meglehet\u0151sen \u00e9rdektelennek. \u00c9ppen ez a k\u00f6vetkezetes \u00e9rdekn\u00e9lk\u00fclis\u00e9g, a szenved\u00e9lymentes l\u00e1t\u00e1sm\u00f3d l\u00e1tja el a k\u00e9peket a ki\u00e9rlelt \u00e9s tiszta formavil\u00e1g var\u00e1zs\u00e1val \u2014 m\u00e1r akit vonz a fotografikus pontoss\u00e1gra \u00e9s sterilit\u00e1sra t\u00f6rekv\u0151 formavil\u00e1g.<\/p>\n

\u201eAmeddig a szem ell\u00e1t, ott van a l\u00e1t\u00f3hat\u00e1r vagy l\u00e1that\u00e1r. Ez a horizont. A F\u00f6ld \u00e9s az \u00c9g elv\u00e1laszt\u00e1sa. A horizontot egy vonalnak l\u00e1tjuk \u00e9s konstru\u00e1ljuk, pedig nincs is. M\u00f6g\u00f6tte ugyan\u00fagy folytat\u00f3dik a vil\u00e1g, mint el\u0151tte, csak azt m\u00e1r nem l\u00e1tjuk. A horizont mag\u00e1hoz vonzza mindazt, ami el\u0151tte (el\u0151tt\u00fcnk) van. Ami m\u00f6g\u00f6tte van, az persze tov\u00e1bbra is el\u0151tt\u00fcnk van, de imm\u00e1r hozz\u00e1f\u00e9rhetetlen\u00fcl\u201d \u2014 \u00e1llap\u00edtja meg Beke L\u00e1szl\u00f3 egyik, perspekt\u00edv\u00e1r\u00f3l sz\u00f3l\u00f3 \u00edr\u00e1s\u00e1ban.2<\/span> Brotherus tov\u00e1bbra is f\u00e9nyk\u00e9pezi a term\u00e9szet fest\u0151i horizontjait \u00e9s perspekt\u00edv\u00e1it. Tal\u00e1n unalmas t\u00e1jk\u00e9peknek v\u00e9lhetn\u00e9nk ezeket az egy-egy alapmot\u00edvumra reduk\u00e1lt f\u00e9nyk\u00e9peket, ha nem tal\u00e1lkozn\u00e1nk ilyen \u00e9s ehhez hasonl\u00f3 c\u00edmekkel, mint Horizont 10, Perspekt\u00edva 3<\/em> stb. Hogy a k\u00e9pszerkeszt\u00e9si \u00e9s optikai elvek hasonl\u00f3s\u00e1g\u00e1nak mormol\u00e1s\u00e1n k\u00edv\u00fcl a k\u00e9peknek hat\u00e1rozott szimbolikus tartalma is van, arra ism\u00e9t Brotherus komment\u00e1rja h\u00edvja fel figyelm\u00fcnket. Az Alacsony horizont<\/em> c\u00edm\u0171 k\u00e9p egy rep\u00fcl\u0151t\u00e9r ker\u00edt\u00e9s\u00e9nek cs\u00edkozott s\u00e1vj\u00e1t \u00f6r\u00f6k\u00edti meg: \u201eA rep\u00fcl\u0151t\u00e9r egy \u00f3ri\u00e1si \u0171r, egy \u00e1lomszer\u0171, nyitott horizont, ahol megsz\u0171nnek a k\u00f6t\u0151d\u00e9sek, elt\u0171nik a perspekt\u00edva.\u201d Az \u0171r transzcendens vonz\u00e1sa nem ismeretlen a romantik\u00e1t ismer\u0151knek.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Beke L\u00e1szl\u00f3: Horizontvonal \u00e9s eny\u00e9szpont. Ut\u00f3sz\u00f3 a Perspekt\u00edva ki\u00e1ll\u00edt\u00e1shoz.<\/em> In: Perspekt\u00edva \/ Perspective.<\/em> Budapest, M\u0171csarnok \u2013 C3, 2000, 479. o.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19853″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Elina Brotherus: Les oranges,<\/em> 1999<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\u00dagy v\u00e9lem, hogy a m\u0171v\u00e9szett\u00f6rt\u00e9net egyik fontos k\u00e9rd\u00e9s\u00e9nek, az \u00f6narck\u00e9p mibenl\u00e9t\u00e9nek brotherusi \u00f6sszegz\u00e9s\u00e9t tal\u00e1ljuk az \u0150r\u00fclt n\u0151<\/em> c\u00edm\u0171 k\u00e9pben. Brotherus \u00e9s a vele rokonszenvez\u0151 kritika a The New Painting<\/em> k\u00e9peivel kapcsolatban t\u00f6bb esetben kiemelte, hogy ezeken sem a narrat\u00edv, sem az \u00f6n\u00e9letrajzi elemek nem domin\u00e1lnak, szemben az \u00e1br\u00e1zol\u00e1s tiszta, vizu\u00e1lis elveivel.3<\/span> Az k\u00e9ts\u00e9gtelen, hogy Brotherus m\u00e1r a L\u00e1ny, aki a szeretetr\u0151l besz\u00e9lt<\/em> sorozat\u00e1nak k\u00e9pein sem az \u00f6ntudatot, a szem\u00e9lyis\u00e9get vagy a l\u00e9lek m\u00e9lys\u00e9geit \u00e9s \u00fatveszt\u0151it bemutat\u00f3 \u00f6nk\u00e9peket rajzol el\u00e9nk. A reprezentat\u00edv \u00e9s jellemz\u0151 portr\u00e9 megalkot\u00e1sa helyett fontosabb sz\u00e1m\u00e1ra a vizu\u00e1lis megjelen\u00e9sben adott \u00f6n\u00e9szlel\u00e9s megrendezetts\u00e9ge, ikoniz\u00e1l\u00e1sa, azaz a m\u0171v\u00e9szi l\u00e1t\u00e1s h\u00e1l\u00f3j\u00e1nak ki\u00e9p\u00edt\u00e9se. Ez Brotherus t\u00f6k\u00e9letess\u00e9g ir\u00e1nti v\u00edzi\u00f3j\u00e1b\u00f3l fakad, abb\u00f3l az elk\u00e9pzel\u00e9sb\u0151l, hogy a kint \u00e9s a bent, a fizikai jelenl\u00e9t \u00e9s a t\u0151le elk\u00fcl\u00f6n\u00fclt k\u00e9palkot\u00f3 l\u00e1t\u00e1s terei \u00f6sszesim\u00edthat\u00f3k. Brotherus nem k\u00e9pet akar festeni mag\u00e1r\u00f3l, hanem be akar l\u00e9pni az \u00f6nmaga alkotta vizu\u00e1lis t\u00e9rbe, amelynek \u0151 is csak r\u00e9sze. A \u201ebel\u00e9pni a k\u00e9pbe\u201d olyan alkot\u00f3i metafora, ami a pillanaton t\u00fali, univerz\u00e1lis teret id\u00e9zi. Brotherus az \u0150r\u00fclt n\u0151<\/em> c\u00edm\u0171 k\u00e9p\u00e9hez a saj\u00e1t arc\u00e1t adta. A f\u00e9nyk\u00e9p k\u00e9sz\u00edt\u00e9s\u00e9nek k\u00f6r\u00fclm\u00e9nyeit a k\u00f6vetkez\u0151k\u00e9pp mes\u00e9li: \u201eEzen a reggelen, amikor bementem a f\u00fcrd\u0151szob\u00e1ba, a v\u00f6r\u00f6s f\u00fcrd\u0151leped\u0151t haszn\u00e1ltam. Arra gondoltam, amit Hannele mondott: n\u00e9zz magadba gyeng\u00e9den. Ez nagyon neh\u00e9z volt ebben a pillanatban. T\u00fcrelmetlennek \u00e9s boldogtalannak \u00e9reztem magam, nem \u00fagy, mint amikor szeretem \u00e9s sz\u00e9pnek l\u00e1tom magam. Nehezemre esik mostan\u00e1ban a t\u00fck\u00f6rbe n\u00e9zni.\u201d Egy\u00e9rtelm\u0171, hogy a l\u00e1t\u00e1s \u00e9s a pszich\u00e9 \u00e1llapot\u00e1nak \u00f6sszef\u00fcgg\u00e9s\u00e9re utal Brotherus. De a szem\u00e9lyes, identifik\u00e1l\u00f3 l\u00e1t\u00e1s sokkal ink\u00e1bb az \u00e9rz\u00e9sek \u00e9s hangulatok, mintsem a \u201etiszta vizualit\u00e1s\u201d aspektusa. Ez ut\u00f3bbi aligha vagy nagyon ritk\u00e1n l\u00e9tezik az \u00f6n\u00e9szlel\u00e9s \u00e9rtelm\u00e9ben. Brotherus \u0150r\u00fclt n\u0151<\/em> c\u00edm\u0171 k\u00e9pe, melyen elt\u00fcntette saj\u00e1t szem\u00e9t, ennek a \u201el\u00e1t\u00e1son alapul\u00f3\u201d birtokbav\u00e9telnek, azaz a k\u00e9palkot\u00f3 vil\u00e1g \u00e9s \u00f6nmagunk k\u00f6lcs\u00f6n\u00f6s ellen\u0151rz\u00e9s\u00e9nek lehetetlens\u00e9g\u00e9re utal. Mindazon\u00e1ltal olykor az egyszer\u0171, f\u00e9l\u00e9nk vid\u00e9ki l\u00e1nyt v\u00e9lj\u00fck Brotherus k\u00e9pein felfedezni, aki \u00e9szaki temperamentum\u00e1hoz m\u00e9lt\u00f3an szinte \u00e9lvezettel vizsg\u00e1lja \u00e9lete szerencs\u00e9tlen \u00e9s boldogtalan pillanatait. Elina Brotherus, az ember mag\u00e1ny\u00e9rz\u00e9ke kiv\u00e1l\u00f3, kiszolg\u00e1ltatotts\u00e1ga folyamatos. Ennek k\u00f6sz\u00f6nhet\u0151en a m\u0171v\u00e9sz f\u00e9nyk\u00e9pei sejtelmesek, melankolikusak \u00e9s fest\u0151ien romantikus hangulat\u00faak.<\/p>\n

Brotherus a The New Painting<\/em> k\u00e9peihez mint modell saj\u00e1t arc\u00e1t \u00e9s test\u00e9t, mint modell\u00e1ci\u00f3t saj\u00e1t k\u00f6rnyezet\u00e9t \u00e9s \u00e9lett\u00f6rt\u00e9net\u00e9t adja. Ezek a k\u00e9pek egy\u00e9rtelm\u0171en az alkot\u00f3 kontextus\u00e1hoz \u00e9s kev\u00e9sb\u00e9 a mag\u00e1nember\u00e9hez tartoznak. A m\u0171v\u00e9sz \u00e9s modell, mag\u00e1n\u00e9lett\u00e9r \u00e9s jelk\u00e9pes vil\u00e1g k\u00f6z\u00f6tt azonban nyilv\u00e1nval\u00f3an saj\u00e1tos megosztotts\u00e1g \u00e1ll fenn. Ez nyomon k\u00f6vethet\u0151 a magyar\u00e1zatokban is, melyek egy r\u00e9sze a k\u00e9pek interpret\u00e1ci\u00f3ja, m\u00e1sr\u00e9sz\u00fck pedig a mag\u00e1nember \u00e9letesem\u00e9nyeinek le\u00edr\u00e1sa. Brotherus a k\u00e9p minden elem\u00e9t, a vizu\u00e1lis \u00e9s narrat\u00edv alkot\u00f3elemeket egyar\u00e1nt id\u00e9zetk\u00e9nt \u00e9s interpret\u00e1ci\u00f3k\u00e9nt fogja fel. A t\u00f6rt\u00e9netis\u00e9g, a jelent\u00e9salkot\u00e1s kor\u00e1bban szil\u00e1rd kontextusai, a k\u00e9pi \u00e1br\u00e1zol\u00e1s ismert eszk\u00f6zei mind szabadon felhaszn\u00e1lhat\u00f3 alkot\u00f3r\u00e9szeiv\u00e9 lesznek az \u00faj m\u0171vek, \u00faj sorozatok \u00e1ltal l\u00e9trehozott id\u00e9zet-kontextusok, intepret\u00e1ci\u00f3-konstrukci\u00f3k egy\u00fcttes\u00e9nek. Tal\u00e1n ez a felsorol\u00e1s jellemzi legink\u00e1bb Elina Brotherus \u201e\u00faj fest\u00e9szet\u00e9t\u201d. A reykjaviki gal\u00e9ri\u00e1s, Edda Jonstohir a The New Painting projekt<\/em> kapcs\u00e1n azt \u00e1ll\u00edtja, hogy a fotogr\u00e1fia maga az \u00faj fest\u00e9szet. Az lenne teh\u00e1t az \u00faj fest\u00e9szet, amelyben minden \u00e9s mindenki csup\u00e1n \u00f6nmaga id\u00e9zetek\u00e9nt t\u00e1rul fel el\u0151tt\u00fcnk? Val\u00f3sz\u00edn\u0171leg nem t\u00e9ved sokat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

\u201eBrotherus meggy\u0151z\u0151d\u00e9se, hogy a kort\u00e1rs fotogr\u00e1fusoknak az \u00e1br\u00e1zol\u00e1s probl\u00e9m\u00e1ival hasonl\u00f3 m\u00f3don kell szemben\u00e9zni\u00fck, mint a fest\u0151knek kellett\u201d (Adrian Armanca, Artphoto<\/em>), illetve: \u201e\u00dagy haszn\u00e1lja a kamer\u00e1t, olyan probl\u00e9m\u00e1kkal akar konfront\u00e1l\u00f3dni, ahogy a fest\u0151k tett\u00e9k \u00e9vsz\u00e1zadok \u00f3ta: a f\u00e9ny, sz\u00edn, kompoz\u00edci\u00f3, alak a t\u00e9rben, a h\u00e1rom dimenzi\u00f3 k\u00e9t dimenzi\u00f3ban val\u00f3 megjelen\u00edt\u00e9se \u2013 melyek minden vizu\u00e1lis m\u0171v\u00e9szet alapjai. Az \u00faj fest\u00e9szet nem \u00f6n\u00e9letrajzi \u00e9s nem is narrat\u00edv, hanem tiszt\u00e1n vizu\u00e1lis\u201d \u2013 \u00edrja Brotherus egy m\u00e1sik m\u00e9ltat\u00f3ja.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-0-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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