{"id":19609,"date":"2019-07-11T09:02:55","date_gmt":"2019-07-11T07:02:55","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=19609"},"modified":"2024-05-31T11:33:56","modified_gmt":"2024-05-31T09:33:56","slug":"el-anatsui-gyozedelmes-meret","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/el-anatsui-gyozedelmes-meret\/","title":{"rendered":"El Anatsui: Gy\u0151zedelmes m\u00e9ret<\/em>"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Okwui Enwezor<\/span> eml\u00e9k\u00e9nek1<\/span>[\/vc_column_text][vc_column_text el_class=”p-4-0″]\n

Haus der Kunst, M\u00fcnchen
\n2019. m\u00e1rcius 8 \u2013 j\u00falius 28.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A \u201erept\u00e9ri m\u0171v\u00e9szet\u201d \u00e9s hasonl\u00f3 kifejez\u00e9sek egyre sz\u00e9lesebb k\u00f6r\u0171 haszn\u00e1lat\u00e1nak kor\u00e1ban egy eur\u00f3pai nagyv\u00e1ros fontos kort\u00e1rs int\u00e9zm\u00e9ny\u00e9ben olyan m\u0171v\u00e9sz retrospekt\u00edv t\u00e1rlat\u00e1t megtekinteni, aki nemcsak hogy sz\u00e1rmaz\u00e1s\u00e1t, de folyamatos tev\u00e9kenys\u00e9g\u00e9t tekintve is Eur\u00f3p\u00e1n \u00e9s Amerik\u00e1n k\u00edv\u00fcli t\u00e9rs\u00e9ghez k\u00f6thet\u0151, t\u00f6bbsz\u00f6r\u00f6sen zavarba ejt\u0151 lehet. Zavarba ejt\u0151, mert d\u00f6nten\u00fcnk kell, hogy mennyire engedj\u00fck domin\u00e1lni \u00e9s pr\u00f3b\u00e1ljuk meg ugyanakkor levetk\u0151zni saj\u00e1t kultur\u00e1lis l\u00e1t\u00e1sm\u00f3dunkat, meghat\u00e1rozotts\u00e1gainkat. A gh\u00e1nai sz\u00fclet\u00e9s\u0171 El Anatsui<\/span> (1944) azon kev\u00e9s, nemzetk\u00f6zileg is j\u00f3l ismert afrikai m\u0171v\u00e9szek egyike, aki \u00e9let\u00e9nek nagy r\u00e9sz\u00e9t ott is t\u00f6lti: Nig\u00e9ri\u00e1ban dolgozik mind a mai napig, s ott is tan\u00edtott a Nsukkai Egyetemen. Fels\u0151fok\u00fa m\u0171v\u00e9szeti oktat\u00e1sban sz\u00fcl\u0151hely\u00e9n, Gh\u00e1n\u00e1ban r\u00e9szes\u00fclt, \u00e9s b\u00e1r ottani k\u00e9pz\u00e9se \u2013 t\u00falnyom\u00f3r\u00e9szt brit sz\u00e1rmaz\u00e1s\u00fa tan\u00e1rainak k\u00f6sz\u00f6nhet\u0151en \u2013 kifejezetten Eur\u00f3pa-centrikus volt, m\u00e1r fiatalkor\u00e1ban, karrierje kezdet\u00e9n felismerte, hogy m\u0171v\u00e9szet\u00e9t tekintve saj\u00e1t, sz\u0171kebb k\u00f6rnyezete kult\u00far\u00e1j\u00e1b\u00f3l k\u00edv\u00e1n t\u00e1pl\u00e1lkozni. Utaz\u00e1sok, rezidencia programokban val\u00f3 r\u00e9szv\u00e9telek ut\u00e1n is mindig visszat\u00e9rt a t\u00e9rs\u00e9gbe, ahol sz\u00fcletett, alkot\u00e1sai formailag, tematikailag \u00e9s anyaghaszn\u00e1latukban a nyugat-afrikai t\u00e1rsadalomra \u00e9s t\u00f6rt\u00e9nelemre utalnak.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

A ki\u00e1ll\u00edt\u00e1s egyik kur\u00e1tora, Okwui Enwezor<\/span> 55 \u00e9vesen, egy h\u00e9ttel a megnyit\u00f3t k\u00f6vet\u0151en hunyt el m\u00e1rcius 15-\u00e9n. Cikk\u00fcnkkel el\u0151tte val\u00f3 tisztelet\u00fcnket r\u00f3juk le. (A t\u00e1rlat m\u00e1sik kur\u00e1tora Chika Okeke-Agulu<\/span> volt.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-25l p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19615″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: M\u00e1sodik hull\u00e1m,<\/em> 2019, install\u00e1ci\u00f3 a Haus der Kuns homlokzat\u00e1n \u00a9 Fot\u00f3: Jens Weber, M\u00fcnchen<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19616″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: M\u00e1sodik hull\u00e1m,<\/em> 2019, install\u00e1ci\u00f3 a Haus der Kuns homlokzat\u00e1n (r\u00e9szlet) \u00a9 Fot\u00f3: Jens Weber, M\u00fcnchen<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A m\u00fcncheni Haus der Kunstban l\u00e1that\u00f3 t\u00e1rlat,2<\/span> mely ezid\u00e1ig a m\u0171v\u00e9sz legnagyobb terjedelm\u0171 egy\u00e9ni ki\u00e1ll\u00edt\u00e1sa, retrospekt\u00edv jelleg\u0171: a bel\u00e9p\u0151t fogad\u00f3 leg\u00fajabb munk\u00e1kt\u00f3l tov\u00e1bb l\u00e9pve lehet\u0151s\u00e9g ny\u00edlik a kor\u00e1bbi peri\u00f3dusaiba sorolhat\u00f3 alkot\u00e1sok \u2013 t\u00f6bbek k\u00f6z\u00f6tt sz\u00e1mos f\u0151m\u0171 \u2013 megtekint\u00e9s\u00e9re. A bels\u0151 terekben l\u00e1that\u00f3k az 1970-es \u00e9vek t\u00f6r\u00f6tt ker\u00e1mi\u00e1kb\u00f3l k\u00e9sz\u00fclt alkot\u00e1sai, illetve az 1980-as \u00e9s 1990-es \u00e9vek famunk\u00e1i. Az \u00e9letm\u0171 id\u0151rendi fel\u00e9p\u00edt\u00e9se az elrendez\u00e9s r\u00e9v\u00e9n k\u00f6nnyen \u00e1ttekinthet\u0151: a vitrinekbe elhelyezett, gyakran pap\u00edrfecnikre rajzolt skiccek \u00e9s v\u00e1zlatf\u00fczetek pedig \u2013 lehet\u0151s\u00e9get ny\u00fajtva az alkot\u00f3folyamatba val\u00f3 betekint\u00e9sre \u2013, j\u00f3l illusztr\u00e1lj\u00e1k, hogy az absztrakt k\u00e9plet-rendszer keres\u00e9se az eg\u00e9sz \u00e9letm\u0171ben meghat\u00e1roz\u00f3 fontoss\u00e1g\u00fa.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Ld. https:\/\/hausderkunst.de\/en\/exhibitions\/elanatsui<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19619″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: Emelked\u0151 tenger,<\/em> 2019, install\u00e1ci\u00f3, Haus der Kunst \u00a9 Fot\u00f3: Maximilian Geuter<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19631″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: Emelked\u0151 tenger,<\/em> 2019, install\u00e1ci\u00f3, (r\u00e9szlet), Haus der Kunst \u00a9 Fot\u00f3: Maximilian Geuter<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-3-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]El Anatsui nemzetk\u00f6zi h\u00edrnev\u00e9t els\u0151sorban a f\u00e9mkupakokb\u00f3l r\u00e9zdr\u00f3tokkal \u00f6sszevarrt install\u00e1ci\u00f3inak k\u00f6sz\u00f6nheti. Egyik valaha k\u00e9sz\u00fclt legnagyobb ilyen jelleg\u0171 alkot\u00e1sa, az Emelked\u0151 tenger,<\/em> erre a ki\u00e1ll\u00edt\u00e1sra k\u00e9sz\u00fclt (ahogyan a Haus der Kunst homlokzat\u00e1ra helyezett, \u00fajs\u00e1gok nyomtat\u00e1s\u00e1hoz haszn\u00e1lt ofszett lemezekb\u0151l \u00f6ssze\u00e1ll\u00edtott M\u00e1sodik hull\u00e1m<\/em> vagy a Logoligi logaritmus<\/em> c\u00edm\u0171 munk\u00e1k is). Az Emelked\u0151 tenger<\/em> c\u00edme \u2013 amint azt a m\u0171v\u00e9sz maga is meger\u0151s\u00edtette \u2013 az egyre fokoz\u00f3d\u00f3 k\u00f6rnyezetpuszt\u00edt\u00e1ssal j\u00e1r\u00f3 veszedelmekre reflekt\u00e1l. A glob\u00e1lis felmeleged\u00e9s k\u00f6vetkezm\u00e9nyeivel foglalkozott egyik korai f\u0151m\u0171ve is, az 1992-es Er\u00f3zi\u00f3.<\/em> E k\u00e9t munka a k\u00f6rnyezettudatoss\u00e1g fontoss\u00e1g\u00e1nak, illetve az ez \u00e1ltal \u00e9rintett probl\u00e9m\u00e1k f\u00f3kuszba ker\u00fcl\u00e9s\u00e9nek k\u00e9t egym\u00e1st\u00f3l t\u00e1voli id\u0151pontj\u00e1ban k\u00e9sz\u00fclt. Az Er\u00f3zi\u00f3<\/em> m\u00e9g a kezdeti felismer\u00e9sek, az els\u0151 \u00fajrahasznos\u00edt\u00e1si kamp\u00e1nyok kor\u00e1ban: El Anatsui az els\u0151k k\u00f6z\u00f6tt volt, aki \u00fagy foglalkozott a kl\u00edmav\u00e1ltoz\u00e1s k\u00e9rd\u00e9s\u00e9vel, hogy medi\u00e1lisan is ehhez ill\u0151 technik\u00e1t \u00e9s formanyelvet v\u00e1lasztott. S ugyanezt teszi ma is, a k\u00fcl\u00f6nb\u00f6z\u0151 m\u00e9rt\u00e9k\u0171 befoly\u00e1ssal rendelkez\u0151 politikusok tagad\u00e1s\u00e1nak ellen\u00e9ben \u00e9rvel\u0151 kutat\u00f3k v\u00e9lem\u00e9nye szerint m\u00e1r megk\u00e9rd\u0151jelezhetetlen t\u00e9ny idej\u00e9ben (Emelked\u0151 tenger<\/em>). Ahogy a jelens\u00e9g megnevez\u00e9se is mutatja, a probl\u00e9ma glob\u00e1lis \u00e9rv\u00e9ny\u0171, \u00edgy az arr\u00f3l sz\u00f3l\u00f3 m\u0171alkot\u00e1s is univerz\u00e1lis k\u00f6z\u00f6ns\u00e9gre sz\u00e1m\u00edthat. Viszont azt is tudjuk, hogy a glob\u00e1lis felmeleged\u00e9s vesz\u00e9lyei nem egyenl\u0151 m\u00e9rt\u00e9kben oszlanak el a vil\u00e1gban.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-25l” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19620″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: Logoligi logaritmus,<\/em> 2019, install\u00e1ci\u00f3, Haus der Kunst \u00a9 Fot\u00f3: Maximilian Geuter<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A fenti elvekkel kapcsolatos, a fenntarthat\u00f3s\u00e1got szem el\u0151tt tart\u00f3 anyaghaszn\u00e1lat szint\u00e9n t\u00f6bb \u00e9vtizede jellemz\u0151 El Anatsui munk\u00e1ss\u00e1g\u00e1ra: a kidob\u00e1sra \u00edt\u00e9lt anyagok \u00fajrahasznos\u00edt\u00e1sa, megment\u00e9se az 1970-es \u00e9vek \u00f3ta k\u00e9pezik m\u0171vei alapj\u00e1t, legyenek azok alkoholos italok f\u00e9mkupakjai, keresked\u0151k \u00e1ltal haszn\u00e1lt \u00e1rut\u00e1lc\u00e1k vagy t\u00f6r\u00f6tt agyaged\u00e9nyek. Az ilyen el\u0151t\u00f6rt\u00e9nettel rendelkez\u0151 m\u0171vek \u00e9rtelmez\u00e9s\u00e9ben viszont sz\u00e1molni kell azzal, hogy az \u00fajrahasznos\u00edt\u00e1s az elt\u00e9r\u0151 gazdas\u00e1gi fejletts\u00e9gen \u00e1ll\u00f3 orsz\u00e1gokban elt\u00e9r\u0151 jelent\u00e9ssel b\u00edr: a harmadik vil\u00e1g orsz\u00e1gaiban nagyobb es\u00e9llyel tekintenek \u00fagy a hullad\u00e9kra mint alapanyagra, m\u00e1sr\u00e9szt a hullad\u00e9k sem v\u00e1lik olyan k\u00f6nnyen l\u00e1thatatlann\u00e1, hiszen gyakran a gazdagabb orsz\u00e1gok hullad\u00e9ka sz\u00e1ll\u00edt\u00f3dik ide. Ennek f\u00e9ny\u00e9ben nem mag\u00e1t\u00f3l \u00e9rtet\u0151d\u0151, hogy Afrik\u00e1ban a fogyaszt\u00f3i t\u00e1rsadalom kritik\u00e1jak\u00e9nt \u00e9rtelmezend\u0151 a hullad\u00e9k mint m\u0171v\u00e9szeti alapanyag haszn\u00e1lata, b\u00e1r nem kiz\u00e1rt, hogy \u00e9pp az ilyen n\u00e9z\u0151pont\u00fa \u00e9rtelmez\u00e9s engedett nagyobb teret El Anatsui m\u0171v\u00e9szet\u00e9nek a vil\u00e1g m\u0171v\u00e9szeti sz\u00ednpad\u00e1n. Emellett, az \u00fagymond ment\u00e9si v\u00e1gy, nem csak az anyaghaszn\u00e1lat\u00e1ra, hanem a st\u00edlusra, a nyelvezetre \u00e9s a m\u0171v\u00e9szeti form\u00e1kra is alkalmazhat\u00f3. Absztrakt nyelvhaszn\u00e1lat\u00e1val, amely ugyanakkor szigor\u00fa konceptu\u00e1lis h\u00e1tt\u00e9rb\u0151l \u00e9s anyaghaszn\u00e1latb\u00f3l gy\u00f6kerezik, El Anatsui egy saj\u00e1tos poz\u00edci\u00f3t foglal el a fenntarthat\u00f3s\u00e1got \u00e9s az \u00f6kol\u00f3giai k\u00e9rd\u00e9sk\u00f6r\u00f6ket vizsg\u00e1l\u00f3 m\u0171v\u00e9szek k\u00f6r\u00e9ben. \u00dcd\u00edt\u0151 a munk\u00e1it megfigyelni: \u00fagy foglalkozik a kl\u00edmav\u00e1ltoz\u00e1s glob\u00e1lis k\u00e9rd\u00e9s\u00e9vel, hogy k\u00f6zben elker\u00fcli mind az apokaliptikus v\u00edzi\u00f3kat, mind a melankolikus, lemond\u00f3 gy\u00e1szhangulatot. Munk\u00e1i \u00fagy \u00fcnneplik a k\u00f6r\u00fcl\u00f6tt\u00fcnk l\u00e9v\u0151 vil\u00e1got \u00e9s mindennapi k\u00f6rnyezet\u00fcnket er\u0151teljes arany \u00e9s bronz sz\u00ednekkel, hogy ugyanakkor a sok ezer darabb\u00f3l \u00f6ssze\u00e1ll\u00f3 m\u0171vek mindennek a t\u00f6r\u00e9kenys\u00e9g\u00e9t \u00e9s az \u00e1tmeneti jelleg\u00e9t is hangs\u00falyozz\u00e1k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”cont-20-0 p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19621″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: Er\u00f3zi\u00f3,<\/em> 1992, fa, Collection of the Smithsonian National Museum of African Art, Washington DC<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-3-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az anyag \u00fajrahasznos\u00edt\u00e1s\u00e1ban El Anatsui sz\u00e1m\u00e1ra egy tov\u00e1bbi fontos mot\u00edvumot jelent a felhaszn\u00e1lt\/be\u00e9p\u00edtett r\u00e9szelemek kor\u00e1bbi sorsa, m\u00faltja: a m\u00e1sok \u00e9rint\u00e9s\u00e9nek t\u00f6rt\u00e9nete \u00e9rdekli, az, hogy azt a kupakot valaki lecsavarta, hogy az \u00fcveg tartalm\u00e1t megihassa, majd kidobta \u00e9s valaki m\u00e1s pedig \u00f6sszeszedte\/\u00f6sszegy\u0171jt\u00f6tte. A t\u00f6rt\u00e9net folytat\u00f3dik: El Anatsui asszisztensei lelap\u00edtj\u00e1k \u00e9s \u00f6sszedr\u00f3toz\u00e1ssal kisebb r\u00e9szelemeket k\u00e9sz\u00edtenek bel\u0151l\u00fck, hogy azt\u00e1n a mester a k\u00fcl\u00f6nb\u00f6z\u0151 form\u00e1j\u00fa fragmentumokb\u00f3l egy nagym\u00e9ret\u0171, sz\u00ednes kompoz\u00edci\u00f3j\u00fa alum\u00ednium p\u00e1nc\u00e9lt hozzon l\u00e9tre. Mindezen t\u00fal a f\u00e9mkupakoknak szimbolikus el\u0151t\u00f6rt\u00e9net\u00fck is van, \u00e9s ez az a t\u00f6rt\u00e9nelmi fejezet, ami m\u0171veinek alapmondanival\u00f3j\u00e1t szolg\u00e1lja.<\/p>\n

A 19. sz\u00e1zadban a Nyugat-indiai-szigeteken k\u00e9sz\u00edtett rum Eur\u00f3p\u00e1n kereszt\u00fcl \u00e9rkezett Afrik\u00e1ba, ahol p\u00e9nznemk\u00e9nt szolg\u00e1lva rabszolg\u00e1kat v\u00e1s\u00e1roltak \u00e9rte, akiket azut\u00e1n a rumk\u00e9sz\u00edt\u00e9shez is sz\u00fcks\u00e9ges alapanyagot megtermel\u0151 cukorn\u00e1d \u00fcltetv\u00e9nyeken dolgoztattak. A t\u00f6rt\u00e9net teh\u00e1t a h\u00e1rom kontinens \u2013 Eur\u00f3pa, Amerika \u00e9s Afrika \u2013 r\u00e9szv\u00e9tel\u00e9vel lefolytatott rabszolga-kereskedelemre utal. El Anatsui munk\u00e1i ezekre a valamikori, napjainkra l\u00e1thatatlan \u2013 de a m\u00e9lyben m\u00e9g mindig jelen l\u00e9v\u0151, hat\u00f3 \u2013 kereskedelmi h\u00e1l\u00f3zatokra, \u00e1raml\u00e1sokra, gyarmatos\u00edt\u00e1skori kapcsolatrendszerekre utalnak, egy\u00fattal felh\u00edvva a figyelmet arra is, hogy noha m\u00e1r a posztkolonializmus korszak\u00e1t \u00e9lj\u00fck, a harmadik vil\u00e1gbeli orsz\u00e1gok gazdas\u00e1gi kizs\u00e1km\u00e1nyol\u00e1sa tov\u00e1bbra is l\u00e9tez\u0151 jelens\u00e9g. Az \u00f3ri\u00e1si f\u00e9msz\u0151ttesek ek\u00f6zben hangs\u00falyosan magukon hordozz\u00e1k a k\u00e9zm\u0171vess\u00e9g \u00e9s a megmunk\u00e1lts\u00e1g gesztus\u00e1t, esz\u00fcnkbe juttatva ak\u00e1r a munk\u00e1val kapcsolatos megv\u00e1ltozott jelent\u00e9srendszereket is. K\u00fcl\u00f6n\u00f6sen igaz ez a m\u0171v\u00e9szeti sz\u00ednt\u00e9rre, ahol m\u00e1r alapvet\u0151, hogy ezeket a projekteket a m\u0171v\u00e9sz asszisztenseivel egy\u00fcttm\u0171k\u00f6d\u00e9sben, tulajdonk\u00e9ppen \u201ekiszervezve\u201d k\u00e9sz\u00edti el.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-25r p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19626″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: Dusasa II,<\/em> 2019, install\u00e1ci\u00f3 | F\u00e9rfi v\u00e1szna,<\/em> 2019, install\u00e1ci\u00f3, Haus der Kunst \u00a9 Fot\u00f3: Maximilian Geuter<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-3-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A f\u00e9mkupakokb\u00f3l k\u00e9sz\u00edtett sz\u00f6vet sz\u00e1mtalan asszoci\u00e1ci\u00f3t enged meg. Sz\u00edness\u00e9g\u00fck, geometrikus mint\u00e1zatuk r\u00e9v\u00e9n felmer\u00fcl a gh\u00e1nai kentesz\u00f6vetek3<\/span> p\u00e1rhuzama, s ezt id\u0151nk\u00e9nt a c\u00edmad\u00e1s is csak tov\u00e1bb er\u0151s\u00edti (F\u00e9rfi v\u00e1szna,<\/em> 2001) A repetit\u00edv tev\u00e9kenys\u00e9g gyakran n\u0151i foglalatoss\u00e1gokkal \u00f6sszek\u00f6t\u00f6tt volt\u00e1t ellens\u00falyozza a f\u00e9m alapanyag: az eur\u00f3pai kult\u00far\u00e1ban is az \u00f6tv\u00f6ss\u00e9g egyik v\u00e1lfajak\u00e9nt tekintettek az olyan t\u00edpus\u00fa sz\u00f6vetekre, amelyekben nagymennyis\u00e9g\u0171 f\u00e9msz\u00e1lat haszn\u00e1ltak fel. Az anyagmegmunk\u00e1l\u00e1s milyens\u00e9ge kor\u00e1bbi munk\u00e1iban azonban kifejezetten f\u00e9rfias jelleggel b\u00edrt. Az 1990-es \u00e9vek faszobrainak durva megdolgoz\u00e1sa \u2013 l\u00e1ncf\u0171r\u00e9sszel, forraszt\u00f3val \u2013 a m\u0171v\u00e9sz elmond\u00e1sa szerint az afrikai kontinens lakosai \u00e1ltal m\u00e1s n\u00e9pek miatt elszenvedett kegyetlens\u00e9gek \u00e9s er\u0151szak jeleik\u00e9nt \u00e9rtelmezhet\u0151k. \u00d6sszess\u00e9g\u00e9ben jellemz\u0151 El Anatsui munk\u00e1ira az anyagok \u00fctk\u00f6ztet\u00e9se \u00e9s a repet\u00edci\u00f3ban rejl\u0151 v\u00e1ltozatoss\u00e1g kiakn\u00e1z\u00e1sa: ak\u00e1r egy sz\u00f6veten bel\u00fcl is sz\u00e1mos mot\u00edvum-rendszer \u00e9s formarendszer \u00e1tmenete figyelhet\u0151 meg.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

A 400 \u00e9ves hagyom\u00e1nyra visszany\u00fal\u00f3 gh\u00e1nai kentesz\u00f6vet \u00e9l\u00e9nk sz\u00edneir\u0151l ismeretes. Selyem \u00e9s pamut anyagb\u00f3l, sz\u00f6vetcs\u00edkok belesz\u00f6v\u00e9s\u00e9vel k\u00e9sz\u00fcl.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-25l p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19628″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: Gravit\u00e1ci\u00f3 \u00e9s kegyelem,<\/em> 2010, install\u00e1ci\u00f3, 482\u00d71120 cm, Collection of the Artist, Nsukka, Nigeria, Courtesy Jack Shainman Gallery, New York<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az install\u00e1l\u00e1s r\u00e9v\u00e9n a l\u00e1togat\u00f3ban az az \u00e9rzet t\u00e1madhat, mintha az alkot\u00e1sok nagy h\u00e1nyada erre az alkalomra, ebbe a ki\u00e1ll\u00edt\u00f3t\u00e9rbe k\u00e9sz\u00fclt volna. Ennek egyik lehets\u00e9ges oka, hogy a kur\u00e1toroknak gyakran szabad kezet ad\u00f3 m\u0171v\u00e9sz alkot\u00e1sainak elhelyez\u00e9se k\u00f6tetlen \u00e9s sokszor v\u00e9gtelen lehet\u0151s\u00e9geket rejt mag\u00e1ban. Az Er\u00f3zi\u00f3 <\/em>(1992) c\u00edm\u0171, fadarabokb\u00f3l \u00e1ll\u00f3 oszlop k\u00f6zponti tengelyen ford\u00edthat\u00f3 elemeit sz\u00e1mtalan vari\u00e1ci\u00f3ban lehet \u00e1ll\u00edtani,4<\/span> f\u00e9msz\u00f6veteinek eset\u00e9ben pedig szint\u00e9n az elhelyez\u00e9skor d\u0151l el, hogy azok red\u0151z\u0151d\u0151 fel\u00fcletei az adott ki\u00e1ll\u00edt\u00f3t\u00e9r fal\u00e1hoz t\u00f6k\u00e9letesen illeszked\u0151 helyspecifikus alkot\u00e1sk\u00e9nt jelenjenek meg. A Gravit\u00e1ci\u00f3 \u00e9s kegyelem<\/em> (2012)5<\/span> f\u00f6lddel bez\u00e1rt sz\u00f6ge p\u00e9ld\u00e1ul szabadon v\u00e1ltoztathat\u00f3 a fal sz\u00e9less\u00e9ge \u00e9s magass\u00e1ga f\u00fcggv\u00e9ny\u00e9ben. A ki\u00e1ll\u00edt\u00e1s egyik \u00e9rdeme, hogy ez\u00e1ltal k\u00f6zvetlenebb kapcsolatba ker\u00fclhet\u00fcnk a m\u0171vekkel: ahogy v\u00e9gigs\u00e9t\u00e1lunk az egyik munka k\u00e9pezte foly\u00f3s\u00f3n, val\u00f3di k\u00f6zels\u00e9gb\u0151l tudjuk megvizsg\u00e1lni a f\u00e9mkupak sz\u00f6veteket, \u00e9s \u00edgy felt\u00e1rulhat el\u0151tt\u00fcnk az els\u0151re homog\u00e9n fel\u00fcletek r\u00e9szletgazdags\u00e1ga. El Anatsui munk\u00e1i a maguk monumentalit\u00e1s\u00e1ban \u00e9s ragyog\u00f3 sz\u00edneikkel olykor m\u00e1r a giccs hat\u00e1r\u00e1n egyens\u00falyoznak, de a ki\u00e1ll\u00edt\u00e1s az\u00e1ltal, hogy lehet\u0151s\u00e9get ny\u00fajt az apr\u00f3l\u00e9kos megfigyel\u00e9sre \u00e9s a m\u0171vel val\u00f3 direkt kapcsolatra, folyamatosan bontja le ezeket a sztereot\u00edpi\u00e1kat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

Ld. https:\/\/www.youtube.com\/watch?v=JtKlT0r1ihI<\/a> (utols\u00f3 hozz\u00e1f\u00e9r\u00e9s: 2019. j\u00fanius 30.)<\/p>\n

5<\/p>\n

Ld. https:\/\/vimeo.com\/122566473<\/a>; illetve: https:\/\/www.youtube.com\/watch?v=5I7XZL9KjFQ<\/a> (utols\u00f3 hozz\u00e1f\u00e9r\u00e9s: 2019. j\u00fanius 30.)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”cont-0-20″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19629″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui: F\u00f6ld\u2013Hold kapcsolat,<\/em> 1993, fa, tempera, 90\u00d784,4\u00d73 cm, Collection of the Smithsonian National Museum of African Art, Washington, DC<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-3-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az utaz\u00f3 ki\u00e1ll\u00edt\u00e1s tov\u00e1bbi helysz\u00ednei Doha (Katar), Bern \u00e9s Bilbao.6<\/span> Katal\u00f3gus nem k\u00e9sz\u00fclt, helyette egy 15 oldalas k\u00eds\u00e9r\u0151f\u00fczetben k\u00f6vethet\u0151 az egyes termekbe csoportos\u00edtott alkot\u00e1sok \u00e9letm\u0171v\u00f6n bel\u00fcl j\u00e1tszott szerepe. A ki\u00e1ll\u00edt\u00e1s el\u0151ny\u00e9re v\u00e1lik, hogy a rendez\u00e9sben nincsenek l\u00e1tv\u00e1nyelemek, nincs domin\u00e1l\u00f3 arculat; a rossz anyagi menedzsel\u00e9ssel megv\u00e1dolt Enwezor int\u00e9zm\u00e9ny\u00e9ben a nagy kiad\u00e1sok feltehet\u0151en \u00faj alkot\u00e1sok l\u00e9trehoz\u00e1s\u00e1t \u00e9s a megl\u00e9v\u0151k bemutat\u00e1s\u00e1t szolg\u00e1lt\u00e1k minden ki\u00e1ll\u00edt\u00e1s design mell\u0151z\u00e9s\u00e9vel. Ami tulajdonk\u00e9ppen indokolt: a m\u0171vek \u00f6nmagukban \u2013 mindenfajta display n\u00e9lk\u00fcl \u2013 is leny\u0171g\u00f6z\u0151ek, val\u00f3ban element\u00e1ris hat\u00e1st v\u00e1ltanak ki.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

6<\/p>\n

El Anatsui: Triumphant Scale.<\/em> Doha, Katar, Mathaf: Arab Museum of Modern Art, 2019. okt\u00f3ber 1 \u2013 2020. febru\u00e1r 2.; Kunstmuseum, Bern, 2020. m\u00e1rcius 13 \u2013 j\u00fanius 21.; Guggenheim Museum, Bilbao, 2020. j\u00falius 17 \u2013 november 1.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25 p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-4-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19630″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

El Anatsui, Haus der Kunst, 2019\u00a0\u00a9 Foto: Maximilian Geuter<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-2″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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