{"id":19129,"date":"2019-03-01T08:57:13","date_gmt":"2019-03-01T07:57:13","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=19129"},"modified":"2024-06-07T16:54:44","modified_gmt":"2024-06-07T14:54:44","slug":"georgi-dimitrov-absolute-love","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/georgi-dimitrov-absolute-love\/","title":{"rendered":"Georgi Dimitrov Absolute Love<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s\u00e1nak megnyit\u00f3ja"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

H\u00e1rom H\u00e9t Gal\u00e9ria, Budapest
\n2019. m\u00e1rcius 3\u201324.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Tegnap este B\u00f3dis Andrea elk\u00fcldte nekem a ki\u00e1ll\u00edt\u00e1s1<\/span> enteri\u0151rfot\u00f3it \u2013 n\u00e9zd meg \u00e9s \u00f6r\u00fclj neki, mert annyira fantasztikus. Georgi sok\u00e1ig kereste a k\u00e9pek megfelel\u0151 hely\u00e9t, mire \u00f6ssze\u00e1llt a ki\u00e1ll\u00edt\u00e1s. Megn\u00e9ztem a fot\u00f3kat \u00e9s l\u00e1ttam, hogy val\u00f3ban \u00e9rdekesek, m\u00e9gpedig az\u00e9rt, mert a kis m\u0171vek teljesen egy\u00fctt l\u00e9legeznek a gal\u00e9ria architekt\u00far\u00e1j\u00e1val, \u00e9rz\u00e9kelik a t\u00e9r adotts\u00e1gait, v\u00e1laszolnak r\u00e1. A geometrikus m\u0171v\u00e9szet, csak\u00fagy, mint a figurat\u00edv, \u00e1ltal\u00e1ban csak haszn\u00e1lja a t\u00e9ri adotts\u00e1gokat, de nem folytat vel\u00fck \u00e9rz\u00e9keny p\u00e1rbesz\u00e9det. Ezeken az enteri\u0151r\u00f6k\u00f6n \u00e9ppen az t\u0171nt fel, hogy egyik-m\u00e1sik k\u00e9p tartalma, \u00e9s hely\u00e9nek megtal\u00e1l\u00e1sa a falon, gyermekien k\u00f6zvetlen cseveg\u00e9st id\u00e9z el\u0151 az \u00e1br\u00e1k \u00e9s a t\u00e9r k\u00f6z\u00f6tt. A konstrukt\u00edv ki\u00e1ll\u00edt\u00e1sokon az ember m\u00e1r megszokta a sarokdarabokat. Georgi sarkaiban p\u00e9ld\u00e1ul \u00faj az, hogy a k\u00e9pek f\u00fcgg\u0151leges, diagon\u00e1lis, v\u00edzszintes vonalai ugyan h\u00e1rom s\u00edk sematikus tal\u00e1lkoz\u00e1s\u00e1t id\u00e9zik fel, de a val\u00f3s sarok, \u00e9s a mell\u00e9 tett sarok-\u00e1bra term\u00e9szetes nyugalommal er\u0151s\u00edtik fel a t\u00e9r \u00e9lm\u00e9ny\u00e9t. Ez eml\u00e9keztet a zenei mot\u00edvumok szavakkal ki nem fejezhet\u0151 min\u0151s\u00e9g\u00e9re, ebben l\u00e1tom a konkr\u00e9t m\u0171v\u00e9szet megc\u00e9lzott val\u00f3s\u00e1g-\u00e9lm\u00e9ny\u00e9nek l\u00e9nyeg\u00e9t.<\/p>\n

Az enteri\u0151rfot\u00f3k k\u00f6z\u00f6tt volt egy, amelynek az eredetij\u00e9t itt nem tal\u00e1lom. Ezen a k\u00e9pfel\u00fcleten egyetlen, az egyik oldallal p\u00e1rhuzamos v\u00edzszintes vonal ment v\u00e9gig, amely ott, ahov\u00e1 Georgi felakasztotta, a fal \u00e9s a mennyezet tal\u00e1lkoz\u00e1s\u00e1nak vonal\u00e1t ism\u00e9telte meg, \u00e9s \u00edgy a minim\u00e1l-m\u0171 az architekt\u00fara r\u00e9szek\u00e9nt lett \u00e9rtelmezhet\u0151. Itt ny\u00edlik a geometrikus-konkr\u00e9t m\u0171v\u00e9szetben egy v\u00e1ratlan, szinte meghat\u00f3 kis r\u00e9s, amely a val\u00f3s\u00e1g \u00e9s annak m\u00e1sa k\u00f6z\u00f6tt h\u00faz\u00f3dik. Ebben egy rejtett n\u00f3vumot, az artefaktum vil\u00e1gra nyitotts\u00e1g\u00e1t v\u00e9ltem meg\u00e9rezni. Ez az \u00fajdons\u00e1g abban \u00e1ll, hogy a m\u0171v\u00e9sz nem a k\u00e9p fel\u00fclet\u00e9t, form\u00e1j\u00e1t akarja struktur\u00e1lni \u00e9s az eredm\u00e9nyeket a falon egym\u00e1s kontextus\u00e1ban felsorakoztatni, hanem a k\u00e9p felaj\u00e1nlja mag\u00e1t az architekt\u00far\u00e1nak. Ez nekem annyira megtetszett, hogy az \u00f6r\u00f6mt\u0151l alig b\u00edrtam elaludni \u00e9s tartottam magamban egy j\u00f3 kis megnyit\u00f3t, ami messze jobb volt, mint ami most itt siker\u00fclhet.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

http:\/\/www.haromhet.hu<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19135″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: Absolute Love,<\/em> 2019, H\u00e1rom H\u00e9t Gal\u00e9ria, Budapest (r\u00e9szlet) | \u00a9 Fot\u00f3: Sulyok Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Amikor az ember olvassa Georgi sz\u00f6vegeit \u2013 itt a falon is van bel\u0151l\u00fck \u2013 az els\u0151, ami felt\u0171nik, hogy sok ismert \u00e9s ismeretlen elnevez\u00e9st ad a munk\u00e1ss\u00e1g\u00e1nak: non-art, nonsophia, non-object \u00e9s \u00edgy tov\u00e1bb, csupa tagad\u00e1s az eg\u00e9sz, de mit tagad? Tal\u00e1n Sz\u00f3fi\u00e1t, a v\u00e1ros\u00e1t, amelyben \u00e9l? A b\u00f6lcsess\u00e9get? Vagy a m\u0171vek t\u00e1rgyi karakter\u00e9t? A ki\u00e1ll\u00edt\u00e1s c\u00edme is tal\u00e1ny: abszol\u00fat szeretet \u2013 a mindent \u00e1tfog\u00f3 isteni szeretetre gondolt? Az absolute love<\/em> helyett egy m\u00e1sik jelz\u0151s fogalmat tal\u00e1ltam az interneten: ugye, mindent ott keres\u00fcnk \u00e9s tal\u00e1lunk meg: absolute dance.<\/p>\n

A sz\u00f3cikkhez r\u00f6vid vide\u00f3 is tartozik, egy adott t\u00e9glatest alak\u00fa t\u00e9rben fekete ruh\u00e1s figura l\u00e9peget, a mozg\u00e1s\u00e1n pedig \u00e9rezni lehet, hogy a falakra reag\u00e1l. \u00cdgy vagy \u00fagy, v\u00e9g\u00fcl is az absolute love<\/em> szerintem arr\u00f3l sz\u00f3l, hogy Georgiban szeretet \u00e9l, nyitotts\u00e1g \u00e9s egy\u00fcttm\u0171k\u00f6d\u00e9si hajlam.<\/p>\n

Ez a nyitotts\u00e1g nem csak a m\u0171veiben mutatkozik, hanem abban is, hogy annyi mindent szervez. 2012 \u00f3ta k\u00e9t\u00e9vente rendezi meg Sz\u00f3fi\u00e1ban az Orthogonal<\/em> f\u00f3rum vagy szimp\u00f3zium bienn\u00e1l\u00e9t. Az ortho mell\u00e9kn\u00e9v jelent\u00e9se helyes, megfelel\u0151, j\u00f3. \u0150 tev\u00e9kenys\u00e9g\u00e9nek egy r\u00e9sz\u00e9re vonatkoztatja ezt a jelent\u00e9st: helyes, igaz m\u0171v\u00e9szet. Hozz\u00e1teszi, hogy ez a m\u0171v\u00e9szet a term\u00e9szeti t\u00f6rv\u00e9nyek szerint m\u0171k\u00f6dik: \u201eAz ortogon\u00e1lis m\u0171v\u00e9szet alapelvei a term\u00e9szet t\u00f6rv\u00e9nyei szerint univerz\u00e1lisak a hely \u00e9s az id\u0151 szempontj\u00e1b\u00f3l. ez a gondolkod\u00e1s kor\u00e1bbi egy\u00e9ni ki\u00e1ll\u00edt\u00e1sain is megjelent, pl. \u00bbprogress vs nature\u00ab\u00a0(2010), \u00bbzero growth\u00ab (2012) vagy a \u00bbsystematic reduction\u00ab (2014) c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1sokon.\u201d2<\/span> Itt eszembe jut egy r\u00e9gi sz\u00f6veg: Anton Webern zeneszerz\u0151 egy el\u0151ad\u00e1s\u00e1ban Goeth\u00e9re hivatkozva mondja, hogy az ember a term\u00e9szet r\u00e9sze, m\u0171v\u00e9szet\u00e9ben maga az egyetemes term\u00e9szet m\u0171k\u00f6dik. Belenyugodhatunk teh\u00e1t abba, hogy ha csin\u00e1lunk valamit \u00e9s nem er\u0151szakoljuk, hanem holisztikus m\u00f3don hagyjuk a dolgainkat kialakulni, emelkedni, n\u00f6vekedni, akkor tulajdonk\u00e9ppen a term\u00e9szetnek megfelel\u0151 m\u00f3don dolgozunk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Id\u00e9zet a H\u00e1rom H\u00e9t Gal\u00e9ria fal\u00e1n olvashat\u00f3 sz\u00f6vegb\u0151l.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19138″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: Absolute Love,<\/em> 2019, H\u00e1rom H\u00e9t Gal\u00e9ria, Budapest (r\u00e9szlet) | \u00a9 Fot\u00f3: Sulyok Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ha a sz\u00f6veget olvass\u00e1k itt a falon, furcsa \u00e9rz\u00e9s\u00fck t\u00e1madhat: egy kiss\u00e9 megk\u00e9sett messianizmus van a dologban\u2026 az, hogy a m\u0171v\u00e9szet seg\u00edt az \u00e9letben, mint\u00e1t ad a gondolkod\u00e1snak. Azt hiszem, a m\u0171v\u00e9szet hasznoss\u00e1g\u00e1nak hangs\u00falyoz\u00e1sa egyfel\u0151l rokona annak a s\u00falyos k\u00e9rd\u00e9snek, amit az emberis\u00e9g \u00fajra meg \u00fajra feltesz mag\u00e1nak: \u201emi v\u00e9gre vagyunk a vil\u00e1gon?\u201d Azok a korok \u00e9s t\u00e1rsadalmak teszik fel ezt, amelyekben nincs helye a l\u00e9tez\u00e9s, a szabads\u00e1g \u00e9s a j\u00e1t\u00e9k \u00f6r\u00f6m\u00e9nek. Tudjuk, hogy a j\u00e1t\u00e9k tulajdonk\u00e9ppen \u00f6njutalmaz\u00f3. Ha valaki j\u00e1tszik \u00e9s azt j\u00f3l csin\u00e1lja, m\u0171v\u00e9szetet csin\u00e1l, \u00e9s ha j\u00f3l csin\u00e1lja, az visszahat r\u00e1, \u00f6r\u00f6met okoz, megemeli az \u00e9let\u00e9t. De nem csak az \u00f6v\u00e9t, hanem az erre nyitott emberek\u00e9t, a szellemi j\u00e1tsz\u00f3t\u00e1rsak\u00e9t is. T\u00e1rsadalmak, m\u0171v\u00e9szek, akik ebben nem hisznek, \u00fagy \u00e9rzik, hogy musz\u00e1j a haszontalan \u00f6r\u00f6mh\u00f6z valami l\u00e9tjogosults\u00e1got hozz\u00e1tenni, p\u00e9ld\u00e1ul a t\u00e1rsadalmi feladatok kijel\u00f6l\u00e9s\u00e9t. M\u00e1sfel\u0151l n\u00e9zve a dolgot, Georgi hazafias \u00e9rzelemb\u0151l \u201ebe akarja rajzolni Bulg\u00e1ri\u00e1t a nemzetk\u00f6zi konstrukt\u00edv m\u0171v\u00e9szet t\u00e9rk\u00e9p\u00e9be\u201d. 2012 \u00f3ta ez\u00e9rt szervezi az Orthogonal f\u00f3rum<\/em>ot, ami sok energi\u00e1t szabad\u00edt fel benne. Hasonl\u00f3 dolgot szenved\u00e9llyel gyakoroltam \u00e9n is: meg\u00e9rteni, tov\u00e1bbadni megismertetni, egy\u00fcttm\u0171k\u00f6dve, m\u00e9gis szuver\u00e9n m\u00f3don alkotni. Georgi sz\u00e1m\u00e1ra elsz\u00e1n\u00e1s \u00e9s \u00f6r\u00f6m az, hogy ki\u00e1ll\u00edt\u00e1sok, el\u0151ad\u00e1sok form\u00e1j\u00e1ban k\u00f6zvet\u00edti, \u00e9s el\u0151id\u00e9zni seg\u00edti azt, amiben hisz. Ami pedig a m\u0171v\u00e9szet\u00e9t illeti, elk\u00f6telezett konstrukt\u00edv-konk\u00e9t. Nem eg\u00e9szen \u00e9rtek minden formai \u00f6sszef\u00fcgg\u00e9st, amit itt l\u00e1tunk, de azt l\u00e1tom, hogy a munk\u00e1j\u00e1ban organikus \u00f6sszef\u00fcgg\u00e9seket, t\u00f6rv\u00e9nyeket, alapot, biztos b\u00e1zist keres. Mint jelens\u00e9g, szem\u00e9lye is szimpatikus, \u00f6n\u00e1ll\u00f3s\u00e1ga, aktivit\u00e1sa, eg\u00e9sz nemzetk\u00f6zis\u00e9ge, az, ahogy v\u00e9gigj\u00e1rta Eur\u00f3p\u00e1t \u00e9s megtal\u00e1lta a kapcsolatait. \u00dagy ismertem meg Georgit, hogy j\u00f6tt egy telefon N\u00e9metorsz\u00e1gb\u00f3l, a Hofmann gal\u00e9ri\u00e1t\u00f3l: \u201eitt van egy fiatal bolg\u00e1r fest\u0151, hazafel\u00e9 jelentkezik n\u00e1latok, \u00e9rdemes lenne \u0151t bevenni valamelyik OSAS ki\u00e1ll\u00edt\u00e1sba\u201d \u2013 mondt\u00e1k. Ezt mindj\u00e1rt meg is tett\u00fck. Ez az elfogulatlanul haszn\u00e1lt nemzetk\u00f6zi h\u00e1tt\u00e9r azzal kezd\u0151d\u00f6tt, hogy az \u00e9p\u00edt\u00e9sz apa m\u00e9g kisgyerekkor\u00e1ban elvitte \u0151t mag\u00e1val oda, ahov\u00e1 a munk\u00e1ja h\u00edvta, ahol Georgi iskol\u00e1ba is j\u00e1rt, megtanult angolul, n\u00e9met\u00fcl. Egy vil\u00e1gfi \u00e1ll itt el\u0151tt\u00fcnk, aki szer\u00e9nyen, de magabiztosan ismerkedik gal\u00e9ri\u00e1kkal, m\u0171v\u00e9szkoll\u00e9g\u00e1kkal, gondolatot cser\u00e9l vel\u00fck \u00e9s l\u00e9p\u00e9sr\u0151l l\u00e9p\u00e9sre halad az \u00e9letben.<\/p>\n

V\u00e9gsz\u00f3, Georgi Dimitrov: (…) It is obvious that my heart is going to burst out while standing right next to D\u00f3ra, but I saw your smiles and understood that she said some good things in the opening speech. The title of the exhibition is Absolute Love<\/em> and i have to assure you that the moment i saw D\u00f3ra some 7 years ago i fell in love with her, deeply, from my heart. Hence, the title is, in a way, dedicated to her. Andr\u00e1s Wolsky asked me the other day what does it mean, what is absolute love? Is it God? I think absolute love is the reason that we live and die for. So this is my little answer.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19139″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: Absolute Love,<\/em> 2019, H\u00e1rom H\u00e9t Gal\u00e9ria, Budapest (r\u00e9szlet) | \u00a9 Fot\u00f3: Sulyok Mikl\u00f3s<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Georgi Dimitrov<\/span>3<\/span> (1980, Burgas) Abszol\u00fat szeretet<\/em> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1sa a H\u00e1rom H\u00e9t budapesti kisgal\u00e9ri\u00e1ban a m\u0171v\u00e9sz els\u0151 \u00f6n\u00e1ll\u00f3 k\u00fclf\u00f6ldi bemutatkoz\u00e1sa, de a Ny\u00edlt Struk\u00far\u00e1k M\u0171v\u00e9szeti Egyes\u00fclet (OSAS) csoportos t\u00e9mat\u00e1rlatain m\u00e1r t\u00f6bb alkalommal szerepelt Budapesten, a Vasarely M\u00fazeumban.<\/p>\n

Az Artportal<\/em> \u00e9s a M\u0171v\u00e9szet<\/em> foly\u00f3irat tan\u00fas\u00e1ga szerint a bolg\u00e1r szocialista testv\u00e9rorsz\u00e1g k\u00e9pz\u0151m\u0171v\u00e9szete, vagyis Georgi Dimitrov felt\u00e9telezhet\u0151 h\u00e1ttere hivatalos ki\u00e1ll\u00edt\u00e1sokon bemutatkozott m\u00e1r n\u00e1lunk a hatvanas \u00e9vekben, de a bolg\u00e1r kort\u00e1rs k\u00e9pz\u0151m\u0171v\u00e9szet alakul\u00e1s\u00e1r\u00f3l ezek nem adtak h\u00edrt. A vil\u00e1gh\u00edres csomagol\u00f3m\u0171v\u00e9szr\u0151l, Christ\u00f3r\u00f3l (Hristo Javasevr\u0151l) itt kevesen tudt\u00e1k, hogy bolg\u00e1r, munk\u00e1ss\u00e1ga P\u00e1rizsban l\u00e9pett nagyot. 1972-ben, a Du Mont Schauberg Kiad\u00f3 (K\u00f6ln) n\u00e1lunk j\u00f3l ismert Aktuelle Kunst in Osteuropa<\/em> c\u00edm\u0171 konceptu\u00e1lis m\u0171v\u00e9szeti antol\u00f3gi\u00e1j\u00e1t megel\u0151z\u0151 If I had a mind<\/em> c\u00edm\u0171, csak a nyugati koncepttel foglalkoz\u00f3 k\u00f6tet\u00e9ben Christo amerikai m\u0171v\u00e9szk\u00e9nt szerepel az ausztr\u00e1l Little Bay<\/em> becsomagol\u00e1s\u00e1nak terv\u00e9vel (1969).<\/p>\n

Nem kereshetj\u00fck teh\u00e1t Georgi Dimitrov szellemi gy\u00f6kereit a szocialista Balk\u00e1non, mag\u00e1nyos \u00fatj\u00e1r\u00f3l Benedek Barn\u00e1nak besz\u00e9lt.<\/p>\n

\u00c9desapja 1989-t\u0151l Nig\u00e9ri\u00e1ban, Lagosban volt vezet\u0151 \u00e9p\u00edt\u00e9sz, ide 1990-ben feles\u00e9g\u00e9t \u00e9s egyik fi\u00e1t is mag\u00e1val vitte. Georgi nyelvtud\u00e1s n\u00e9lk\u00fcl ker\u00fclt egy nemzetk\u00f6zi protest\u00e1ns angol iskol\u00e1ba \u00e9s r\u00f6vid id\u0151 alatt az egyik legjobb tanul\u00f3 lett. Mikor sz\u00fclei \u00e9szrevett\u00e9k, hogy felejteni kezdi a bolg\u00e1rt, hazak\u00fcldt\u00e9k Burgaszba. Az angol nyelvvel nem vesztette el kapcsolat\u00e1t, \u00e9s a Nig\u00e9ri\u00e1ban tapasztalt, a hazait\u00f3l elt\u00e9r\u0151 \u00e9rt\u00e9krend m\u00e1ig meghat\u00e1rozza vil\u00e1gk\u00e9p\u00e9t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

http:\/\/www.larypsed.com\/index.html<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19171″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: orthogonal system (quadriptych),<\/em> 2015, olaj, v\u00e1szon, 145\u00d7145 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”19172″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: orthogonal composition (tondo b),<\/em> 2016, olaj, v\u00e1szon, \u2205 60 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Egyetemi tanulm\u00e1nyait Sz\u00f3fi\u00e1ban (Nemzetk\u00f6zi kapcsolatok, 1998) kezdte, k\u00e9t \u00e9vet t\u00f6lt\u00f6tt itt, azut\u00e1n \u00e1tment az USA-ba \u00e9s 5 h\u00f3napig dolgozott reggel h\u00e9tt\u0151l \u00e9jf\u00e9lig, k\u00e9t munkahelyen. Az ott megkeresett p\u00e9nzt egyetemi tanulm\u00e1nyaiba fektette. 2002-t\u0151l k\u00e9t \u00e9vet \u00daj Z\u00e9landon, a Victoria University of Wellington politol\u00f3gia szak\u00e1n hallgatott, itt szerezte diplom\u00e1j\u00e1t a nemzetk\u00f6zi kapcsolatok ter\u00e9n.\u00a02004-ben t\u00e9rt vissza Sz\u00f3fi\u00e1ba hogy munk\u00e1ba \u00e1lljon. Hamarosan k\u00fcl\u00f6nf\u00e9le nagyv\u00e1llalatok \u2013 p\u00e9ld\u00e1ul a T-Com \u2013 hum\u00e1n menedzserek\u00e9nt dolgozott.<\/p>\n

\u00d6tleteit, gondolatait rendszeresen feljegyezte, jegyzetei vizu\u00e1lis jelleg\u0171ek, diagramszer\u0171ek voltak: (\u2026) a j\u00f3 \u00f6tleteket\/elgondol\u00e1sokat feljegyeztem, miel\u0151tt elfelejtem \u0151ket. El\u0151sz\u00f6r szavakkal kezdtem v\u00e1zolni az \u00f6tleteket. Ezut\u00e1n a szavak geometriai form\u00e1v\u00e1 v\u00e1ltak, \u00e9s a mondatok sz\u00ednes szemiotikus s\u00e9m\u00e1kba ker\u00fcltek. Esz\u00e9be se jutott, hogy m\u0171v\u00e9szettel pr\u00f3b\u00e1lkozik. 2006-ban Johan Carlsson, sv\u00e9d tipogr\u00e1fus bar\u00e1tja, az egyik jegyzet\u00e9t l\u00e1tva h\u00edvta fel a figyelm\u00e9t arra, hogy amit csin\u00e1l, eml\u00e9keztet Mondrian m\u0171veire. Georgi ezt csak akkor tudatos\u00edtotta, amikor Carlssont\u00f3l egy De Stijl<\/em> k\u00f6nyvet kapott. Mint mondja, ahogy egyre t\u00f6bbet olvasott Mondrianr\u00f3l, egyre t\u00f6bbet tudott meg saj\u00e1t mag\u00e1r\u00f3l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19158″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: od\/pl,<\/em> 2016, sz\u00ednes ceruza, karton, 208\u00d7294 mm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ekkoriban napk\u00f6zben dolgozott, \u00e9s \u00e9jszak\u00e1nk\u00e9nt m\u0171v\u00e9szettel foglalkozott, sz\u00e1m\u00edt\u00f3g\u00e9pen rajzolt, a diagramokat megfestette. M\u0171vei fokozatosan kaptak nyilv\u00e1noss\u00e1got, el\u0151sz\u00f6r csak a bar\u00e1tainak mutatta meg \u0151ket. 2007-ben h\u00edvt\u00e1k el\u0151sz\u00f6r ki\u00e1ll\u00edt\u00e1sra, amelyen egy nagym\u00e9ret\u0171 sz\u00e1m\u00edt\u00f3g\u00e9pes nyomattal \u00e9s egy olajk\u00e9ppel vett r\u00e9szt.<\/p>\n

Olvasm\u00e1nyain kereszt\u00fcl jutott el Richard Paul Lohse m\u0171v\u00e9szet\u00e9hez. A Sz\u00f3fi\u00e1ban dolgoz\u00f3 sv\u00e1jci nagyk\u00f6vet nyugd\u00edjba vonul\u00e1sa ut\u00e1n Gaudenz B. Ruf Award<\/em>4<\/span> c\u00edmen m\u0171v\u00e9szeti d\u00edjat alap\u00edtott a fiatal bolg\u00e1r m\u0171v\u00e9szek t\u00e1mogat\u00e1s\u00e1ra. Georgi volt az alap\u00edtv\u00e1ny koordin\u00e1tora, \u00edgy gyakorlatot szerzett m\u0171v\u00e9szeti esem\u00e9nyek szervez\u00e9s\u00e9ben, ki\u00e1ll\u00edt\u00e1srendez\u00e9sben, katal\u00f3gus el\u0151k\u00e9sz\u00edt\u00e9s\u00e9ben. 2008-ut\u00e1n m\u00e1r nem v\u00e1llalta el ezt a feladatot, de kapcsolatban maradt a volt nagyk\u00f6vettel. Amikor 2011-ben Z\u00fcrichbe l\u00e1togatott, Gaudenz B. Ruf elvitte \u0151t a Lohse Alap\u00edtv\u00e1nyba, ahol k\u00f6zel ker\u00fclt a m\u0171vekhez.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

http:\/\/ruf-award.org<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”cont-20-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19160″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: oc\/2a,<\/em>\u00a02016\u20132019, sz\u00ednes ceruza, karton, 249\u00d7230 mm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]2011-ben interneten tal\u00e1lta meg a Max Billr\u0151l sz\u00f3l\u00f3 film el\u0151zetes\u00e9t (Erich Schmid: Max Bill \u2013 Das Absolute Augenmass<\/em>). Megvette a filmet, majd felkereste Angela Thomast, Bill \u00f6zvegy\u00e9t \u00e9s f\u00e9rj\u00e9t, a\u00a0film rendez\u0151j\u00e9t. Ebben az \u00e9vben utazott P\u00e1rizsba. A Pompidou k\u00f6zpontban egy ki\u00e1ll\u00edt\u00e1son megismerkedett Bruno Haas m\u0171v\u00e9sszel, a Sorbonne egyik oktat\u00f3j\u00e1val, aki tan\u00e1csokkal l\u00e1tta el, \u00e9s seg\u00edtette az Orthogonal<\/em> nemzetk\u00f6zi konstrukt\u00edv-konkr\u00e9t m\u0171v\u00e9szeti f\u00f3rum l\u00e9trehoz\u00e1s\u00e1ban.<\/p>\n

Az \u00e1ltala alap\u00edtott Nonsofia5<\/span> nonprofit egyes\u00fclet ny\u00fajtja az Orthogonal<\/em>6<\/span> szervezeti h\u00e1tter\u00e9t. Az els\u0151 Orthogonal<\/em> 2012-ben mutatkozott be Sz\u00f3fi\u00e1ban \u00e9s Georgi k\u00e9t \u00e9vente, eddig \u00f6sszesen n\u00e9gy alkalommal rendezte meg. C\u00e9lja a bolg\u00e1r nem \u00e1br\u00e1zol\u00f3 (non-objective) m\u0171v\u00e9szet bevezet\u00e9se a nemzetk\u00f6zi konstukt\u00edv m\u0171v\u00e9szetbe. A rendezv\u00e9ny ki\u00e1ll\u00edt\u00e1sb\u00f3l, a r\u00e9sztvev\u0151 m\u0171v\u00e9szek autoprezent\u00e1ci\u00f3ib\u00f3l \u00e9s az ezekhez kapcsol\u00f3d\u00f3 besz\u00e9lget\u00e9sekb\u0151l, dokumentumfilmek vet\u00edt\u00e9s\u00e9b\u0151l \u00e1llnak, p\u00e9ld\u00e1ul Max Billr\u0151l, Richard Paul Lohser\u00f3l, a Kostakis gy\u0171jtem\u00e9nyr\u0151l. A program m\u00fazeumpedag\u00f3giai foglalkoz\u00e1sokkal nyit a fiatal gener\u00e1ci\u00f3 fel\u00e9.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

http:\/\/www.nonsofia.org<\/a><\/p>\n

6<\/p>\n

http:\/\/www.orthogonal.bg<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”cont-20-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”19159″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Georgi Dimitrov: oi\/1a,<\/em>\u00a02019, sz\u00ednes ceruza, karton, 246\u00d7229 mm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-0-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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