{"id":17209,"date":"2019-04-29T20:20:49","date_gmt":"2019-04-29T18:20:49","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=17209"},"modified":"2024-05-31T12:01:45","modified_gmt":"2024-05-31T10:01:45","slug":"levegoszobraszat-nacera-belaza-es-a-tanc-szuletese","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/levegoszobraszat-nacera-belaza-es-a-tanc-szuletese\/","title":{"rendered":"Leveg\u0151szobr\u00e1szat \u2013 Nacera Belaza \u00e9s a t\u00e1nc sz\u00fclet\u00e9se"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Le Cercle<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

MC93, Bobigny,
\n2019. \u00e1prilis 17\u201320.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Hol \u00e9s hogyan sz\u00fcletik meg a t\u00e1nc?<\/p>\n

T\u00f6bbnyire egy \u00fcres t\u00e9rben, emberi test vagy testek \u00e1ltal, melyek kiv\u00e9teles m\u00f3don l\u00e1that\u00f3v\u00e1 v\u00e1lnak, mintegy elfedve az \u0151ket k\u00f6r\u00fclvev\u0151 teret. Nacera Belaza<\/span> koreogr\u00e1fi\u00e1i ezzel szemben az elemi \u00fcress\u00e9get teszik l\u00e1that\u00f3v\u00e1, mint vibr\u00e1l\u00f3 s\u00f6t\u00e9ts\u00e9get. \u00cdgy hozz\u00e1k l\u00e9tre az atmoszf\u00e9ra egy saj\u00e1tos sz\u00ednh\u00e1z\u00e1t, ahol nem csup\u00e1n a t\u00e1ncos, de a n\u00e9z\u0151 is egy m\u00e1sik t\u00e9rben helyezkedik el, az \u00e9jszaka fel-felf\u00e9nyl\u0151 ter\u00e9ben, melyet kit\u00f6lt a kaotikusan kavarg\u00f3 leveg\u0151.<\/p>\n

Nacera Belaza \u00faj el\u0151ad\u00e1s\u00e1t, A k\u00f6r<\/em>t (Le cercle<\/em>), m\u00e9g 2018-ban, Marseille-ben mutatt\u00e1k be, innen \u00e9rkezett az MC93 sz\u00ednpad\u00e1ra.1<\/span> Az alg\u00e9riai sz\u00e1rmaz\u00e1s\u00fa (1969-ben sz\u00fcletett), de francia k\u00f6rnyezetben feln\u00f6v\u0151 t\u00e1ncos, autodidakta m\u00f3don fedezte fel a t\u00e1ncot, melynek eg\u00e9szen kiv\u00e9teles, csak r\u00e1 jellemz\u0151 form\u00e1j\u00e1t \u0171zi az\u00f3ta is. 1989-ben alap\u00edtott t\u00e1rsulat\u00e1ban2<\/span> kezdetben \u00f6t \u00e9vvel fiatalabb h\u00fag\u00e1val (Dalila Belaza)<\/span> t\u00e1ncolt egy\u00fctt, majd 2008 (Le cri<\/em>) ut\u00e1n egyre t\u00f6bbsz\u00f6r v\u00e1ltogatja a form\u00e1kat, k\u00eds\u00e9rletezve a sz\u00f3l\u00f3val (La Nuit, <\/em>2012; Le Temps scell\u00e9, <\/em>2010),<\/em> a tri\u00f3val (Sur le fil, <\/em>2016),<\/em> vagy \u00e9pp a csoportos, n\u00e9z\u0151ket is bevon\u00f3 mozg\u00e1sfolyamatokkal (Procession, <\/em>2014).<\/em> Ek\u00f6zben az eredeti \u201ekett\u0151s\u201d form\u00e1t is meg\u0151rzi (Les Sentinelles, <\/em>2010; Les Oiseaux, <\/em>2014),<\/em> tov\u00e1bb kutatva az ebben rejl\u0151 lehet\u0151s\u00e9geket. Alkot\u00f3i \u00e9letm\u0171v\u00e9ben gyakoriak az egyes t\u00e9m\u00e1khoz val\u00f3 visszat\u00e9r\u00e9sek, A k\u00f6r<\/em>nek is l\u00e9tezett egy du\u00f3 v\u00e1ltozata, m\u00e9g 2012-ben. T\u00e1rsulat\u00e1nak k\u00e9t \u00e1lland\u00f3 tagja v\u00e1ltozatlanul \u0151 \u00e9s testv\u00e9re, valamint Nacera egyre gyakrabban maga tervezi a hangot \u00e9s a f\u00e9nyeket is. Nem minden el\u0151ad\u00e1s\u00e1ban szerepel, gyakran az adott k\u00f6rnyezetb\u0151l v\u00e1logat t\u00e1ncosokat, de b\u00e1rmelyik\u00fck hely\u00e9re be\u00e1ll, ha \u00fagy alakul, a k\u00e9s\u0151bbi turn\u00e9k sor\u00e1n. A mostani m\u0171v\u00e9t \u00f6t fiatal t\u00e1ncosra kompon\u00e1lta (h\u00e1rom l\u00e1nyra \u00e9s k\u00e9t fi\u00fara), azonban eset\u00fckben l\u00e9nyegtelen a kor \u00e9s a nem, hiszen a n\u00e9z\u0151i szem sz\u00e1m\u00e1ra mindv\u00e9gig csaknem l\u00e1thatatlanok.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

https:\/\/www.mc93.com\/saison\/le-cercle-0<\/a><\/p>\n

2<\/p>\n

https:\/\/www.cie-nacerabelaza.com\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”17218″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Le Cercle<\/em> | \u00a9 Fot\u00f3: Zed<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][vc_column_text]Amint bel\u00e9p\u00fcnk a n\u00e9z\u0151t\u00e9rre, azonnal bel\u00e9p\u00fcnk a hom\u00e1lyba. A szem lassan szokik hozz\u00e1, hogy szinte semmit sem l\u00e1t. El\u0151tt\u00fcnk a s\u00f6t\u00e9t, \u00fcres sz\u00ednpad. Hossz\u00fa percek telnek el, am\u00edg eg\u00e9szen halkan megsz\u00f3lal a zene (Nina Simone<\/span> m\u00e9lab\u00fas d\u00fadol\u00e1sa), \u00e9s a sz\u00ednpad m\u00e9ly\u00e9n egy alak, alig \u00e9szlelhet\u0151en, mozogni kezd. \u00d6rv\u00e9nyl\u0151 mozdulatokkal k\u00f6zeledik fel\u00e9nk, de ekkor sem tudjuk kivenni az arc\u00e1t vagy megfigyelni a test\u00e9t, melyet egy t\u00falm\u00e9retezett, meleg\u00edt\u0151szer\u0171 ruha fed el. Az els\u0151 n\u00e9z\u0151i reakci\u00f3 a d\u00f6bbenet vagy a csod\u00e1lkoz\u00e1s, amit a m\u00e9g sohasem l\u00e1tottal val\u00f3 tal\u00e1lkoz\u00e1s v\u00e1lt ki. Azt\u00e1n a kezdeti f\u00e9lelem, hogy nem fogunk semmit sem l\u00e1tni, lassan elt\u0171nik, mert k\u00f6zben m\u00e9gis l\u00e1tni kezd\u00fcnk \u2013 valamit. Pontosabban belel\u00e1tunk a s\u00f6t\u00e9tbe, az\u00e1ltal, hogy mi is beleereszked\u00fcnk\u2026 A k\u00f6r egy spir\u00e1lis \u00fatvonal\u00fa utaz\u00e1sra invit\u00e1l, egy al\u00e1sz\u00e1ll\u00e1sra, egy behatol\u00e1sra az \u00e9jszaka ter\u00e9be. Egy hat\u00e1r\u00e1tl\u00e9p\u00e9sre.<\/p>\n

Milyen ez az \u00e9jszakai t\u00e9r? Maurice Blanchot<\/span> az \u00e9jszaka tapasztalata kapcs\u00e1n az \u201eels\u0151 \u00e9jszak\u00e1t\u201d meghalad\u00f3 \u201em\u00e1sik \u00e9jszak\u00e1r\u00f3l\u201d besz\u00e9l, mely \u00e1raml\u00f3, mormol\u00f3, \u00f6r\u00f6k v\u00e1ltoz\u00e1sban l\u00e9tez\u0151. N\u00e1la ez az irodalmi teret jelenti (a hal\u00e1l tapasztalat\u00e1nak \u00e9s a l\u00e9nyegi mag\u00e1nynak terek\u00e9nt), vagyis az \u00edr\u00e1s eredeti terep\u00e9t. Belaz\u00e1n\u00e1l viszont a t\u00e1nc \u0151si sz\u00ednterek\u00e9nt jelenik meg.<\/p>\n

A \u201em\u00e1sik \u00e9jszaka\u201d ugyanakkor egy misztikus tapasztalathoz is visszavezet, a j\u00f3 \u00e9s a rossz \u00e9jszaka k\u00f6z\u00f6tti (Keresztes Szent J\u00e1nos<\/span> A l\u00e9lek s\u00f6t\u00e9t \u00e9jszak\u00e1j\u00e1hoz<\/em> \u00edrt komment\u00e1rjaiban fellelhet\u0151) k\u00fcl\u00f6nbs\u00e9gt\u00e9telhez. A rossz \u00e9jszak\u00e1ban m\u00e9g az a zavaros hom\u00e1ly uralkodik, melyben elvak\u00edt minket a dolgokhoz val\u00f3 ragaszkod\u00e1s. A j\u00f3 \u00e9jszaka ezzel szemben annak a tiszta hom\u00e1lyl\u00e1snak a terepe, mely az \u00e9rtelemn\u00e9lk\u00fclis\u00e9g (non-sens) vagy az \u00e9rtelemel\u0151ttis\u00e9g, a term\u00e9keny nem tud\u00e1s \u00e1llapota.<\/p>\n

Tov\u00e1bb\u00e1 azt is mondhatn\u00e1nk, a fenomenol\u00f3gia (els\u0151sorban Maurice Merleau-Ponty<\/span> k\u00e9sei m\u0171veinek, k\u00f6zt\u00fck a t\u00f6red\u00e9kes A l\u00e1that\u00f3 \u00e9s a l\u00e1thatatlan<\/em>nak) nyelvhaszn\u00e1lat\u00e1val, hogy m\u00e9g az \u00e9rtelemad\u00e1s el\u0151tti pillanatban vagyunk, a spont\u00e1n \u00e9s r\u00f6gz\u00edt(het)etlen \u00e9rtelemk\u00e9pz\u0151d\u00e9s folyamat\u00e1ba tekinthet\u00fcnk bele.<\/p>\n

A misztikus \u00e9lm\u00e9ny \u00e9s a fenomenol\u00f3giai magyar\u00e1zat ebben az esetben nem esik egym\u00e1st\u00f3l olyan t\u00e1vol, hiszen mindkett\u0151 egy elemi tapasztalat lehet\u0151s\u00e9g\u00e9t kutatja, annak kapcs\u00e1n, ami megragadhatatlan, szavakkal kifejezhetetlen, \u00e9pp az\u00e9rt, mert maga az \u00f6r\u00f6k \u00e1raml\u00e1s \u00e9s a v\u00e9gtelen kifejez\u0151d\u00e9s. A t\u00e1nc \u00e9s az \u00e1ltala felt\u00e1rul\u00f3 \u201em\u00e1sik \u00e9jszaka\u201d \u2013 ahogy ezt Paul Val\u00e9ry<\/span> A l\u00e9lek \u00e9s a t\u00e1ncban<\/em>, a t\u00e1nc fogalmi meghat\u00e1roz\u00e1s\u00e1nak dilemm\u00e1i kapcs\u00e1n, olyan megragad\u00f3an le\u00edrta \u2013 nem fejez ki semmit, mik\u00f6zben mindent kifejez.<\/p>\n

Mik\u00f6zben lassan hozz\u00e1szokik vagy idomul a szem\u00fcnk a hom\u00e1lyhoz, megtanulunk a s\u00f6t\u00e9tbe(n) l\u00e1tni. \u00c1m ez a s\u00f6t\u00e9t nem a tiszta fekete, sokkal ink\u00e1bb az, amit Pierre Soulages,<\/span> saj\u00e1t festm\u00e9nyei kapcs\u00e1n, \u201eoutrenoir\u201d-nak nevezett, vagyis a m\u00e1sik, \u201ea feket\u00e9n t\u00fali feket\u00e9nek\u201d, melyet a f\u00e9ny hat\u00e1roz meg. Az az anyagszer\u0171 f\u00e9ny, mely hol s\u0171r\u0171v\u00e9, hol \u00e1ttetsz\u0151v\u00e9, hol csillog\u00f3v\u00e1, hol matt\u00e1 v\u00e1ltoztatja \u00e1t a fekete alapot. Azonban a s\u00f6t\u00e9t alap Belaz\u00e1n\u00e1l nem egy szil\u00e1rd fel\u00fclet, hanem az \u00fcress\u00e9g, vagyis maga a leveg\u0151. Pontosabban a f\u00e9ny \u00e1ltal \u00e1tj\u00e1rt leveg\u0151, mely maga is anyagszer\u0171v\u00e9, k\u00f6nny\u0171v\u00e9 vagy neh\u00e9zz\u00e9, transzparenss\u00e9 vagy \u00e9pp \u00e1thatolhatatlann\u00e1 v\u00e1lik. Ami teret nyit, m\u00edg m\u00e1s tereket elz\u00e1r, mag\u00e1ba temet.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”17429″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Le Cercle<\/em> | \u00a9 Fot\u00f3: Zed<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][vc_column_text]A leveg\u0151 ter\u00e9t a f\u00e9nnyel alig megvil\u00e1g\u00edtott emberi testek form\u00e1zz\u00e1k, alak\u00edtj\u00e1k. \u00cdgy gyakran \u00f6sszeolvadnak a testek (form\u00e1l\u00f3d\u00f3 formak\u00e9nt) megjelen\u0151 k\u00f6rvonalai az \u0151ket hat\u00e1rol\u00f3 \u00e9s \u00e1ltaluk hat\u00e1rolt leveg\u0151vel, k\u00fcl\u00f6nv\u00e1laszthatatlanok lesznek a test \u00e9s leveg\u0151 mozg\u00e1sai. A term\u00e9szeti \u00e9s az emberi mozg\u00e1sfolyamatok ebben az \u00f6rv\u00e9nyl\u0151 hull\u00e1mban sz\u00e9tv\u00e1laszthatatlanul \u00e1tj\u00e1rj\u00e1k \u00e9s meghat\u00e1rozz\u00e1k egym\u00e1st. \u00c9s mialatt az anyagszer\u0171 l\u00e9giess\u00e9 \u00e9s a l\u00e9gies anyagszer\u0171v\u00e9 v\u00e1lik, a test \u00e9s a t\u00e9r eleven k\u00f6lcs\u00f6nhat\u00e1s\u00e1ban, \u00f6sszefon\u00f3d\u00e1s\u00e1ban (kiazmus\u00e1ban) megl\u00e1thatjuk a l\u00e1thatatlant.<\/p>\n

Ezalatt m\u00e1r magunk sem tudjuk, mi az, amit val\u00f3ban l\u00e1tunk, \u00e9s mi az, amit mi projekt\u00e1lunk bele a sz\u00ednpadk\u00e9pbe. Belaza onirikus terei m\u0171k\u00f6d\u00e9sbe hozz\u00e1k a term\u00e9keny k\u00e9pzel\u0151er\u0151t, hiszen szinte eld\u00f6nthetetlen, hogy mindez v\u00edzi\u00f3 vagy val\u00f3s\u00e1g. A hom\u00e1lyb\u00f3l el\u0151t\u00f6r\u0151, majd \u00fajra elt\u0171n\u0151 testek fantomszer\u0171 l\u00e9nyek. Lebeg\u0151, \u00e1raml\u00f3, kit\u00f6r\u0151 mozdulatokat v\u00e9geznek. T\u00e1ncuk hol eksztatikusan tombol\u00f3 (az \u201eek-sztasziszt\u201d a kil\u00e9p\u00e9s \u00e9rtelm\u00e9ben v\u00e9ve, a testb\u0151l val\u00f3 kil\u00e9p\u00e9s v\u00e1gyak\u00e9nt), hol mozdulatlann\u00e1 dermed\u0151 (a \u201esztaszisz\u201d, az \u00e1ll\u00e1s, nyugalmi \u00e1llapot\u00e1ba val\u00f3 visszahelyezked\u00e9sk\u00e9nt). Ez\u00e1ltal a gyors mozg\u00e1sok \u00e9s a meg\u0151rz\u00f6tt bels\u0151 nyugalom k\u00f6z\u00f6tt egy olyan term\u00e9keny fesz\u00fclts\u00e9g keletkezik, mely v\u00e9gigk\u00eds\u00e9ri az el\u0151ad\u00e1st.<\/p>\n

Itt nincs semmi l\u00e1tv\u00e1nyoss\u00e1g, semmi attrakci\u00f3, semmilyen kapcsol\u00f3d\u00e1s a t\u00e1nct\u00f6rt\u00e9neti hagyom\u00e1nyhoz (legfeljebb csak n\u00e9h\u00e1ny ritu\u00e1lis, szufi t\u00e1nchoz). A t\u00e1ncosok egym\u00e1st\u00f3l szinte megk\u00fcl\u00f6nb\u00f6ztethetetlenek, \u00e1m arcuk \u00e9s test\u00fck majdnem l\u00e1thatatlann\u00e1 t\u00e9tele felszabad\u00edtja \u0151ket. \u00c9rezhet\u0151en csak saj\u00e1t bels\u0151 t\u00f6rv\u00e9nyeik szerint mozognak, \u00edgy a csoportos jelenetekben nem illeszkednek egym\u00e1shoz, m\u00e9g a zene \u00e1ramlat\u00e1hoz sem teljesen (mozdulataik csak k\u00eds\u00e9rik, de nem imit\u00e1lj\u00e1k a zen\u00e9t). A ritmust ez\u00e9rt a t\u00e9r szervez\u0151d\u00e9se \u00e9s az emberi testek \u00e1ltali alakul\u00e1sa, vagyis a t\u00e9r mozg\u00e1sa adja. A t\u00e9r ez\u00e1ltal v\u00e1lik mindent mag\u00e1ba foglal\u00f3 \u201eid\u0151-t\u00e9rr\u00e9\u201d, melyben nincsenek r\u00f6gz\u00edtett form\u00e1k, csak v\u00e9gtelen felfedez\u00e9s \u00e9s v\u00e9gtelen szabads\u00e1g.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”17222″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Le Cercle<\/em>\u00a0\u00a0\u00a9 Fot\u00f3: Antonin Pons Braley<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][vc_column_text]Destrukturaliz\u00e1ci\u00f3, minden adott vagy r\u00f6gz\u00edtett szerkezet felbont\u00e1sa, \u00e9s teljesen \u00faj, v\u00e1ratlan egys\u00e9gek \u00e9s konstell\u00e1ci\u00f3k l\u00e9trehoz\u00e1sa: ez t\u00f6rt\u00e9nik v\u00e9gig a sz\u00ednpadon. A transz\u00e1llapotban lebeg\u0151 testek csak befel\u00e9 figyelnek, a saj\u00e1t belsej\u00fckb\u0151l \u00e9p\u00edtkeznek. A n\u00e9z\u0151i tekintet pedig egy pillanatra sem tud meg\u00e1llni vagy pihenni rajtuk, csak kering k\u00f6r\u00fcl\u00f6tt\u00fck, \u00e1tj\u00e1r rajtuk, m\u00edg v\u00e9g\u00fcl \u00f6nmaga fel\u00e9 fordul, a saj\u00e1t bels\u0151 tapasztalat\u00e1ra figyel. A benne lezajl\u00f3 t\u00f6rt\u00e9n\u00e9sekre, arra a felkavar\u00f3 hat\u00e1sra, amit ez a t\u00e1nc kiv\u00e1lt.<\/p>\n

A t\u00e1ncol\u00f3 testek ek\u00f6zben testetlenednek. Gesztusokk\u00e1 v\u00e1lnak, olyan l\u00e1ngol\u00f3 jelekk\u00e9, melyek \u00fczennek nek\u00fcnk. Emiatt a n\u00e9z\u0151k \u00e9s a t\u00e1ncosok k\u00f6z\u00f6tt egy bens\u0151s\u00e9ges kapcsolat alakul ki. A n\u00e9z\u0151k k\u00e9rd\u00e9sei egyre ink\u00e1bb a sz\u00ednpadon t\u00falra, vagy egy \u201em\u00e1sik sz\u00ednpad\u201d (a k\u00e9pzelet, az \u00e1lom sz\u00ednpada) fel\u00e9 ir\u00e1nyulnak. Kik ezek a l\u00e9nyek? Honnan \u00e9rkeznek? Milyen bels\u0151 er\u0151 mozgatja \u0151ket? Hova t\u0171nnek? Kinek a k\u00e9pzelete teremti meg \u0151ket?<\/p>\n

Fluidit\u00e1s, \u00f6rv\u00e9nyl\u0151 hull\u00e1mmozg\u00e1s hat\u00e1rozza meg a t\u00e1ncot, mely maga az \u00e1lland\u00f3 v\u00e1ltoz\u00e1s \u00e9s \u00e1talakul\u00e1s. Az alakok hol egyszerre, hol elk\u00fcl\u00f6n\u00fclten jelennek meg. N\u00e9ha kivehetetlen, hogy h\u00e1nyan vannak a sz\u00ednen. Rejt\u0151zk\u00f6d\u00e9s\u00e9ben \u00e9s revel\u00e1ci\u00f3j\u00e1ban minden test maga lesz a puszta elevens\u00e9g, mozgalmass\u00e1g, \u00e9let. A bel\u0151l\u00fck, bel\u00fclr\u0151l \u00e1raml\u00f3, \u0151ket \u00e1tj\u00e1r\u00f3 mozg\u00e1s elt\u00f6rli az egyedi, egy\u00e9ni von\u00e1saikat. Klee szavait id\u00e9zve, megfoghatatlann\u00e1 v\u00e1lnak az immanenci\u00e1ban. Elt\u0171nik az ember, csak a mozg\u00e1s marad.<\/p>\n

Ez a sz\u00fcntelen l\u00e9trej\u00f6v\u00e9s, az eredet (genezis) sz\u00ednh\u00e1za. \u00c9s egyben \u2013 ahogy erre az el\u0151ad\u00e1s c\u00edme is utal \u2013 az \u00f6r\u00f6k visszat\u00e9r\u00e9s\u00e9. Ami visszat\u00e9r, az viszont egyed\u00fcl a lez\u00e1r(hat)atlans\u00e1g \u00e9s ennek igenl\u00e9se, \u00f6r\u00f6k\u00f6s akar\u00e1sa. A keletkez\u00e9s \u00f6r\u00f6k pillanata t\u00e9r folyton vissza. L\u00e9tezik a t\u00e1nc, de csak az\u00e9rt l\u00e9tezik, mert mindig az adott pillanatban sz\u00fcletik meg.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A k\u00f6r<\/em> (mint Belaza minden koreogr\u00e1fi\u00e1ja) \u00f6n\u00e1ll\u00f3 kateg\u00f3ri\u00e1t k\u00e9pez, nem hasonl\u00edthat\u00f3 semmi m\u00e1s el\u0151ad\u00e1shoz a kort\u00e1rs t\u00e1nc vil\u00e1g\u00e1ban. Ugyanakkor ez a radik\u00e1lis k\u00edv\u00fcl\u00e1ll\u00e1s egy bels\u0151 folytonoss\u00e1got \u00e9s ir\u00e1nytart\u00e1st is jelez. Belaza sz\u00e1mos megsz\u00f3lal\u00e1s\u00e1ban hangs\u00falyozza, hogy sz\u00e1m\u00e1ra nem l\u00e9tezik teljesen befejezett m\u0171, csak folyamatos tov\u00e1bbl\u00e9p\u00e9s van, mely ugyanakkor (Blanchot egy kifejez\u00e9s\u00e9vel): \u201et\u00fal-nem-l\u00e9p\u00e9s.\u201d<\/p>\n

Elk\u00f6telezetts\u00e9g a semmi vagy a \u201emajdnem-semmi\u201d \u2013 az \u00fcress\u00e9g \u2013 mellett, legink\u00e1bb ez jellemzi Belaza kitart\u00f3 kutat\u00e1s\u00e1t, melynek c\u00e9lja az egyre m\u00e9lyebbre hatol\u00e1s a kezdet s\u00f6t\u00e9ts\u00e9g\u00e9ben, az\u00e9rt, hogy ott v\u00e9g\u00fcl fellobbanjon valami, megsz\u00fclessen a mozdulat.<\/p>\n

A semmib\u0151l val\u00f3 teremt\u00e9s sor\u00e1n az \u00fcress\u00e9g jelenti az alapot \u00e9s egyben a potencialit\u00e1st is.<\/p>\n

Az \u00fcress\u00e9g, a leveg\u0151-t\u00e9r, teszi lehet\u0151v\u00e9 \u00f6nmaga folytonos \u00fajj\u00e1form\u00e1l\u00e1s\u00e1t-\u00fajj\u00e1form\u00e1l\u00f3d\u00e1s\u00e1t, a l\u00e9giesen lebeg\u0151 vagy \u00e9pp kit\u00f6r\u0151 mozdulatokat (ugr\u00e1sokat) v\u00e9gz\u0151 testek r\u00e9v\u00e9n. Ez\u00e9rt lehet Belaza minden koreogr\u00e1fi\u00e1ja leveg\u0151szobr\u00e1szat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

REFERENCI\u00c1K:<\/p>\n

Maurice Blanchot: Az irodalmi t\u00e9r,<\/em> ford. Horv\u00e1th Gy\u00f6rgyi \u2013 Kics\u00e1k L\u00f3r\u00e1nt \u2013 L\u0151rinszky Ildik\u00f3. Kij\u00e1rat Kiad\u00f3, Budapest, 2005<\/p>\n

Keresztes Szent J\u00e1nos: A l\u00e9lek s\u00f6t\u00e9t \u00e9jszak\u00e1ja.<\/em> Magyar\u00e1zatok A K\u00e1rmel hegy\u00e9re vezet\u0151 \u00fat<\/em> c\u00edm\u0171 vershez, ford. Tak\u00e1cs Zsuzsa, Eur\u00f3pa K\u00f6nyvkiad\u00f3, Budapest, 1999<\/p>\n

Maurice Merleau-Ponty: A l\u00e1that\u00f3 \u00e9s a l\u00e1thatatlan,<\/em> ford. Farkas Henrik, Szab\u00f3 Zsigmond, L\u2019Harmattan, Budapest, 2006.<\/p>\n

Maurice Merleau-Ponty: A szem \u00e9s a szellem.<\/em> In: Fenom\u00e9n \u00e9s m\u0171. Fenomenol\u00f3gia \u00e9s eszt\u00e9tika.<\/em> (Szerk. Bacs\u00f3 B\u00e9la), Kij\u00e1rat, Budapest, 1997.<\/p>\n

Paul Val\u00e9ry: A l\u00e9lek \u00e9s a t\u00e1nc,<\/em> ford. Somly\u00f3 Gy\u00f6rgy, Egyetemi Nyomda, Budapest, 1946<\/p>\n

Pierre Soulages: Outrenoir<\/em>\u00a0(r: Barbara Anastacio, 2015), ld.: https:\/\/www.youtube.com\/watch?v=azb6K-R_q8M<\/a><\/p>\n

Pierre Soulages. Interview by Zoe Stillpass,<\/em> ld. https:\/\/www.interviewmagazine.com\/art\/pierre-soulages<\/a> (utols\u00f3 megtekint\u00e9s: 2019. \u00e1prilis 29.)<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” vertically_center_columns=”true” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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