{"id":1575,"date":"2017-04-06T18:11:18","date_gmt":"2017-04-06T16:11:18","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=1575\/"},"modified":"2019-06-07T06:59:05","modified_gmt":"2019-06-07T04:59:05","slug":"lathatatlan-varosok","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/lathatatlan-varosok\/","title":{"rendered":"L\u00e1thatatlan v\u00e1rosok"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Occam v\u00e1rosa<\/em> | Dobokay M\u00e1t\u00e9, Krist\u00f3f G\u00e1bor \u00e9s M\u00e9lyi J\u00f3zsef projektje<\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Labor Gal\u00e9ria, Budapest
\n2017. m\u00e1rcius 22 \u2013 m\u00e1rcius 28.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”0″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Occamr\u00f3l \u00e1ltal\u00e1ban a borotva jut esz\u00fcnkbe, vagyis az egyik legh\u00edresebb logikai metafora, amelyet a gazdas\u00e1goss\u00e1g elv\u00e9nek is szok\u00e1s nevezni. E szerint, ha egy dologra t\u00f6bb l\u00e9tez\u0151 magyar\u00e1zat adhat\u00f3, akkor \u00e1ltal\u00e1ban a legegyszer\u0171bb a helyes. \u201eSokas\u00e1g sz\u00fcks\u00e9gtelen\u00fcl nem t\u00e9telezend\u0151\u201d \u2013 \u00edgy sz\u00f3l a William Occam<\/span> (vagy Ockham) 14. sz\u00e1zadi ferences szerzetes \u00e9s filoz\u00f3fus nev\u00e9hez k\u00f6thet\u0151 legh\u00edresebb kijelent\u00e9s. Az ugyan egy\u00e1ltal\u00e1n nem bizony\u00edtott, hogy ezt \u0151 sz\u00f3 szerint mondta volna, sz\u00e1mos munk\u00e1ja k\u00f6z\u00fcl a legt\u00f6bbsz\u00f6r m\u00e9gis ezt id\u00e9zik. A sokas\u00e1g a magyar\u00e1zatok okaira vonatkozik, amelyekb\u0151l j\u00f3, ha kev\u00e9s van, \u00e9s a kev\u00e9sb\u0151l is ink\u00e1bb a nomin\u00e1lis lesz a megismer\u00e9s logikai eszk\u00f6ze, nem pedig az \u00e9rz\u00e9ki tapasztalat. Az Occam-i filoz\u00f3fia \u2013 amelyet egyes filoz\u00f3fiat\u00f6rt\u00e9n\u00e9szek a Descart-i el\u0151zm\u00e9ny\u00e9nek tartanak \u2013 persze enn\u00e9l j\u00f3val bonyolultabb elemekb\u0151l \u00e1ll, ahogyan a Labor Budapest gal\u00e9ri\u00e1ban Dobokay M\u00e1t\u00e9<\/span> \u00e9s Krist\u00f3f G\u00e1bor<\/span> Occam v\u00e1rosa<\/em> c\u00edm\u0171, M\u00e9lyi J\u00f3zsef<\/span> kur\u00e1lta ki\u00e1ll\u00edt\u00e1sa is csak l\u00e1tsz\u00f3lag \u00e1ll makettekb\u0151l \u00e9s ismeretlens\u00e9g\u00fckben is ismer\u0151s v\u00e1rosk\u00e9pekb\u0151l. A c\u00edm alapj\u00e1n evidensnek t\u0171n\u0151 \u00e9rtelmez\u00e9st teh\u00e1t \u2013 sz\u00e9p feladatot adva Occam f\u00f6l\u00f6sleges magyar\u00e1zatokat megsemmis\u00edt\u0151 peng\u00e9j\u00e9nek \u2013 legal\u00e1bb k\u00e9t r\u00e9szre: a legegyszer\u0171bbre \u00e9s a legbonyolultabbra kell bontani.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” top_margin=”0″ bottom_margin=”0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” top_margin=”0″ bottom_margin=”0″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1583″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

Occam v\u00e1rosa<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sr\u00f3l) Labor Gal\u00e9ria, 2017 | Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

V\u00e1rosok \u00e9s jelek<\/p>\n

Occam v\u00e1rosa az alkot\u00f3k le\u00edr\u00e1sa szerint \u201elehetne egy konkr\u00e9t telep\u00fcl\u00e9s vagy a val\u00f3s\u00e1gra alkalmazhat\u00f3 filoz\u00f3fiai p\u00e9ld\u00e1zat \u2013 de nincs realit\u00e1sa.\u201d1<\/span> A ki\u00e1ll\u00edt\u00e1s maga mind\u00f6ssze n\u00e9h\u00e1ny r\u00e9szletb\u0151l \u00e1ll, egy terepasztalon kidolgozott v\u00e1zlatok \u00e9s kartondobozb\u00f3l k\u00e9sz\u00edtett makettek l\u00e1that\u00f3ak, k\u00f6rben a dobozv\u00e1ros t\u00e9rbeli alakzataib\u00f3l kibontott s\u00edk fel\u00fcletek v\u00e1rosk\u00e9pet kirajzol\u00f3 blueprintjei, az egyik falon pedig a gal\u00e9ri\u00e1ban keletkezett \u2013 nagyon is val\u00f3di \u00e9s v\u00e1ratlan \u2013 falreped\u00e9s is m\u0171t\u00e1rggy\u00e1 alakul a sz\u00fcks\u00e9gben. Occam b\u00fcszke lenne, a megismer\u00e9snek a falreped\u00e9s igaz\u00e1n eszmei terepe, vagyis sz\u00f3 szerint: tere. A k\u00e9s\u0151 modernit\u00e1s fel\u00e9 elmozdul\u00f3 urbanisztikai \u00e9rv\u00e9nyess\u00e9g mellett Occam v\u00e1ros\u00e1<\/em>nak kulcsk\u00e9rd\u00e9se ugyanis az, hogy mennyire lehetnek esetlegesek \u00e9s egym\u00e1sba alak\u00edthat\u00f3ak a form\u00e1k, \u00e9s ezek az egym\u00e1sba alak\u00edtott, k\u00e9t- \u00e9s h\u00e1romdimenzi\u00f3s sorozatok a kult\u00far\u00e1nak \u00e9s az eml\u00e9kezetnek milyen modelljeit hozhatj\u00e1k l\u00e9tre. \u201eA logikai metafor\u00e1b\u00f3l ismert borotva helyett a kiindul\u00f3pont egy egyszer\u0171 kont\u00far\u00fa, k\u00f6z\u00f6ns\u00e9ges stanck\u00e9s. Egy k\u00e9szen tal\u00e1lt t\u00e1rgy. A k\u00e9ssel kiv\u00e1gott \u00e9s egym\u00e1sra r\u00e9tegzett kartonelemekb\u0151l t\u00e9rbeli forma j\u00f6n l\u00e9tre, majd egy sz\u00e1m\u00edt\u00f3g\u00e9pes program seg\u00edts\u00e9g\u00e9vel a test virtu\u00e1lis s\u00edk fel\u00fcletekre bomlik sz\u00e9t. Az \u00edgy keletkezett s\u00edkidomok egyik\u00e9nek k\u00f6rvonal\u00e1b\u00f3l penge k\u00e9sz\u00fcl; a l\u00e9p\u00e9sek megism\u00e9tl\u0151dnek: kiv\u00e1g\u00e1s, extrud\u00e1l\u00e1s, felbont\u00e1s.\u201d2<\/span> A modernit\u00e1s kedvelt k\u00e9pzete a v\u00e1ros \u00e9s az \u00e9p\u00edt\u00e9szet kultur\u00e1lis modellk\u00e9nt val\u00f3 t\u00e9telez\u00e9se. Ebben egyszerre van jelen a t\u00e9r\u00e9lm\u00e9ny fizikai \u00e9s a hely szellemi tapasztalata, amelyek egy\u00fctt hozz\u00e1k l\u00e9tre a v\u00e1ros l\u00e1that\u00f3s\u00e1g\u00e1t \u00e9s olvashat\u00f3s\u00e1g\u00e1t. Italo Calvino<\/span> L\u00e1thatatlan v\u00e1rosok<\/em> c\u00edm\u0171 reg\u00e9ny\u00e9ben Marco Polo, az utaz\u00f3 k\u00fcl\u00f6nf\u00e9le v\u00e1rosokr\u00f3l \u00e9s a v\u00e1rosokban kialakul\u00f3 viszonyokr\u00f3l mes\u00e9l Kublai k\u00e1nnak \u2013 v\u00e1rosokr\u00f3l \u00e9s v\u00e1gyr\u00f3l, v\u00e1rosokr\u00f3l \u00e9s eml\u00e9kezetr\u0151l, v\u00e1rosokr\u00f3l \u00e9s jelekr\u0151l. A gyan\u00fatlan olvas\u00f3 csak a sz\u00f6veg v\u00e9g\u00e9n j\u00f6n r\u00e1, hogy tulajdonk\u00e9ppen v\u00e9gig egyetlen v\u00e1rosr\u00f3l, a sz\u00fcl\u0151v\u00e1ros\u00e1r\u00f3l, Velenc\u00e9r\u0151l mes\u00e9lt. A csal\u00e1s \u2013 vagy elleplez\u00e9s \u2013 az\u00e9rt j\u00f6hetett l\u00e9tre, mert a v\u00e1ros \u00f6nmag\u00e1ban alkalmas arra, hogy saj\u00e1t mag\u00e1ba visszafordul\u00f3 szerkezeteket hozzon l\u00e9tre, amely sz\u00f6vegszer\u0171en is kiker\u00fclhet\u0151v\u00e9 teszi azonos\u00edt\u00e1sukat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”box-l20″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”60″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

R\u00e9szlet a ki\u00e1ll\u00edt\u00e1s vezet\u0151j\u00e9b\u0151l = \/\/www.mke.hu\/node\/37206,<\/a> utols\u00f3 let\u00f6lt\u00e9s: 2017. m\u00e1rcius 29.<\/p>\n

2<\/p>\n

Ld. uo.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1596″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

Occam v\u00e1rosa<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sr\u00f3l) Labor Gal\u00e9ria, 2017 | Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1598″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

Occam v\u00e1rosa<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sr\u00f3l) Labor Gal\u00e9ria, 2017 | Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A v\u00e1ros sz\u00f6vegszer\u0171s\u00e9ge, palimpszesztusk\u00e9nt vagy hipertextusk\u00e9nt t\u00e9telez\u00e9se nem \u00fajszer\u0171 metafor\u00e1k az urbanisztik\u00e1ban \u00e9s a kult\u00faratudom\u00e1nyban, el\u00e9g csak Walter Benjamin<\/span> P\u00e1rizs, a XIX. sz\u00e1zad f\u0151v\u00e1rosa<\/em> c\u00edm\u0171 essz\u00e9j\u00e9re utalni. Benjamin \u00e9rvel\u00e9s\u00e9ben a k\u00fcl\u00f6nf\u00e9le textu\u00e1lis \u00e9s kultur\u00e1lis jelens\u00e9gek \u2013 a fl\u00e2neurt\u0151l a vil\u00e1gki\u00e1ll\u00edt\u00e1sig \u2013 mind alkalmasak arra, hogy az \u00e9ppen kialakul\u00f3 modern nagyv\u00e1rosnak nemcsak a felt\u00e9telrendszer\u00e9t, hanem a meton\u00edmi\u00e1j\u00e1t is l\u00e9trehozz\u00e1k, k\u00f6lcs\u00f6n\u00f6sen cser\u00e9lgetve egym\u00e1st. Occam v\u00e1ros\u00e1ban a r\u00e9tegek nemcsak sz\u00f6vegszer\u0171en, hanem fizikailag is l\u00e9trej\u00f6nnek. Az alkot\u00f3k maguk is a modernizmus klasszikus, olykor ut\u00f3pisztikus \u00e9p\u00edt\u00e9szeti koncepci\u00f3it id\u00e9zik a ki\u00e1ll\u00edt\u00e1s k\u00eds\u00e9r\u0151sz\u00f6veg\u00e9ben, amely egy\u00e9bk\u00e9nt a kor\u00e1bban feszegetett \u00e9rv\u00e9nyess\u00e9g k\u00e9rd\u00e9s\u00e9t m\u00e9g ink\u00e1bb k\u00f6z\u00e9ppontba \u00e1ll\u00edtja. Az \u00e1ltaluk hivatkoz\u00e1si pontk\u00e9nt megjel\u00f6lt Donald Judd, Buckminster Fuller \u00e9s El Liszickij\u00a0munk\u00e1i k\u00f6z\u00f6tt l\u00e1tsz\u00f3lag ugyan sz\u0171k a keresztmetszet, val\u00f3j\u00e1ban azonban mindegyik arra az elk\u00e9pzel\u00e9sre reflekt\u00e1l, hogy a teremt\u0151 vagy alkot\u00f3 k\u00e9pzelet r\u00e9szben m\u00e1r l\u00e9tre is hozta saj\u00e1t \u00e1ll\u00edt\u00e1sait \u2013 s nem v\u00e9letlen\u00fcl hasonl\u00edt mindez k\u00eds\u00e9rtetiesen a korszak nyelvfiloz\u00f3fi\u00e1ihoz. Buckminster Fuller amellett, hogy form\u00e1kat \u00e9s \u00e9p\u00fcleteket tervezett, k\u00f6lt\u0151 \u00e9s \u00edr\u00f3 is volt, r\u00e1ad\u00e1sul ismert kronofil, aki az id\u0151 uralhat\u00f3s\u00e1g\u00e1t annak k\u00e9nyszeres r\u00f6gz\u00edt\u00e9s\u00e9ben v\u00e9lte megfoghat\u00f3nak. Tal\u00e1n legh\u00edresebb alkot\u00e1sa, a \u201eholnap otthonak\u00e9nt\u201d is emlegetett, hatsz\u00f6g alak\u00fa Dymaxion House m\u00e1r az 1920-as \u00e9vekben l\u00e9tezett, a (r\u00e9szleges) megval\u00f3s\u00edt\u00e1sra azonban m\u00e9g h\u00fasz \u00e9vet kellett v\u00e1rnia. Fuller felismerte, hogy a technol\u00f3giai \u00e9s a t\u00e1rsadalmi kontextus nem mindig \u00e9rik utol egym\u00e1st a megfelel\u0151 id\u0151ben, \u00e9s a saj\u00e1t kora szav\u00e1t is \u00e9rtette: a Dymaxion House az els\u0151 olyan tervez\u00e9s volt, amelyben megjelent a fel\u00edvel\u0151 \u00faj m\u00e9dium, a telev\u00edzi\u00f3. Ha \u00f6ssze\u00e9rtek volna a technol\u00f3giai \u00e9s tervez\u00e9si szintek, lehet, hogy a Dymaxion t\u00e9nyleg a holnap \u2013 a jelennek pedig a tegnap \u2013 otthona lett volna. \u00cdgy megmarad annak, ami Occam v\u00e1rosa is: elk\u00e9pzelt val\u00f3s\u00e1g, tal\u00e1n igaz sem volt.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”10″][vc_column_text]\n

Occam v\u00e1rosa<\/em> (r\u00e9szletek a ki\u00e1ll\u00edt\u00e1sr\u00f3l) Labor Gal\u00e9ria, 2017 | Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”10″][vc_gallery type=”flexslider_style” images=”1622,1625,1623,1624″ onclick=”link_image” img_size=”full”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

K\u00e1osz a rendben<\/p>\n

Occam logikai trakt\u00e1tusa, a ki\u00e1ll\u00edt\u00e1shoz hasonl\u00f3an, az egy\u00e9ni l\u00e9tez\u0151vel foglalkozik, amely egyszerre val\u00f3s \u00e9s esetleges. Olyan sort hoz l\u00e9tre, amelynek tagjai k\u00f6z\u00f6tt re\u00e1lis kapcsolat van, a m\u00f6g\u00f6tt\u00fck l\u00e9v\u0151 jelent\u00e9s azonban k\u00e9pl\u00e9keny, \u00edgy folyton kics\u00faszik a metafor\u00e1kat \u00e1t- \u00e9s visszaford\u00edtani akar\u00f3 \u00e9rtelmez\u00e9sek hat\u00f3k\u00f6r\u00e9b\u0151l. A jel\u00f6l\u0151 helyettes\u00edt\u00e9se \u00e9s jel\u00f6l\u00e9se r\u00e1helyezi a jelre a reprezent\u00e1ci\u00f3 hatalm\u00e1t, \u00e9s ez a logika vezethet el ahhoz a bel\u00e1t\u00e1shoz, miszerint jelent\u0151 \u00e9s jelentett viszonya a reprezent\u00e1ci\u00f3ban \u00e9rhet\u0151 tetten. Occam borotv\u00e1ja helyett Occam k\u00e9se a val\u00f3dinak \u00e9s absztraktnak saj\u00e1tos elegy\u00e9t hozza l\u00e9tre \u2013 vagyis v\u00e1gja ki egy adott val\u00f3s\u00e1gdarabb\u00f3l \u2013 amely szinte fizikailag \u00e9rz\u00e9kelhet\u0151 a h\u00e1romdimenzi\u00f3s doboz-makett \u00e9s a dekonstru\u00e1lt, s\u00edk fel\u00fcletek min\u0151s\u00e9g\u00e9nek k\u00fcl\u00f6nbs\u00e9g\u00e9ben is. S ha m\u00e1r a modellalkot\u00e1s metaforikuss\u00e1g\u00e1r\u00f3l tesznek tan\u00fabizonys\u00e1got, az egyes elemek k\u00f6z\u00f6tti kapcsolatban az entr\u00f3pia is megjelenik, amely egy rendszer rendezetlens\u00e9gi fok\u00e1t jel\u00f6li, egyes elemei k\u00f6z\u00f6tt m\u00e9gis az egyre val\u00f3sz\u00edn\u0171bb \u00e1llapotok k\u00f6vetkeznek be. Az entropikus folyamatokban a diszkr\u00e9t inform\u00e1ci\u00f3forr\u00e1s szimb\u00f3lumk\u00e9nt \u00e1ll\u00edtja el\u0151 az \u00fczenetet, amelyek el\u0151fordul\u00e1si val\u00f3sz\u00edn\u0171s\u00e9ge \u2013 Occam v\u00e1ros\u00e1nak k\u00fcl\u00f6nf\u00e9le t\u00e9rbeli \u00e9s s\u00edkbeli megval\u00f3sul\u00e1si \u00e1llom\u00e1saihoz hasonl\u00f3an \u2013 \u00e1ltal\u00e1ban az el\u0151z\u0151leg kiv\u00e1lasztott szimb\u00f3lumokt\u00f3l, valamint az adott szimb\u00f3lum jelleg\u00e9t\u0151l f\u00fcgg.<\/p>\n

William Occam szerint minden l\u00e9tez\u0151 egyedi entit\u00e1s, az emberi elme pedig bizonyos m\u0171veletek v\u00e9grehajt\u00e1s\u00e1val absztrah\u00e1lja az entit\u00e1sokr\u00f3l szerzett ismereteit. A stanck\u00e9ssel l\u00e9trehozott dobozv\u00e1ros egy olyan rendszer kiindul\u00f3pontja, amely sz\u00e1mos m\u00e1siknak lehet a k\u00e9pzete. Occam logikai filoz\u00f3fi\u00e1j\u00e1ban, ma \u00edgy mondan\u00e1nk, nyelv \u00e9s jelent\u00e9s \u00f6sszekapcsol\u00f3dnak. A l\u00e1tsz\u00f3lag egym\u00e1st kiolt\u00f3 fogalomp\u00e1r teh\u00e1t, amely ezt a saj\u00e1tosan nem-re\u00e1lis, modernista v\u00e1roselm\u00e9leti modellt le\u00edrja \u2013 vagyis absztrah\u00e1lja \u2013 a rendezetlens\u00e9g<\/em> \u00e9s az egyszer\u0171s\u00e9gre val\u00f3 t\u00f6rekv\u00e9s.<\/em>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1614″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

Occam v\u00e1rosa<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sr\u00f3l) Labor Gal\u00e9ria, 2017 | Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_hidden-sm vc_hidden-xs”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1616″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”img-15″][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Egy nagyv\u00e1ros szimf\u00f3ni\u00e1ja<\/p>\n

Az elleplez\u00e9s m\u00f6g\u00f6tt, a sz\u00f6vegekhez hasonl\u00f3an a v\u00e1ros maga is alakzatt\u00e1 v\u00e1lik, a l\u00e9tez\u0151 \u00e9s nem l\u00e9tez\u0151 helyek k\u00fcl\u00f6n\u00f6s elegy\u00e9v\u00e9. Occam v\u00e1rosa, ha \u00fagy tetszik, Marco Polo Velenc\u00e9j\u00e9nek, a sokf\u00e9lek\u00e9ppen elmes\u00e9lt egy v\u00e1rosnak lesz pandantja: az univerz\u00e1lisan kiv\u00e1gott, sz\u00e9tbontott, \u00f6sszerakott v\u00e1ros, ami ugyan\u00fagy lehet semelyik, mint b\u00e1rmelyik. A 19-20. sz\u00e1zad fordul\u00f3j\u00e1n a kialakul\u00f3 nagyv\u00e1rosr\u00f3l val\u00f3 gondolkod\u00e1s egyet jelentett a t\u00e1rsadalomr\u00f3l \u00e9s a kult\u00far\u00e1r\u00f3l val\u00f3 gondolkod\u00e1ssal, hiszen az ipari forradalom nemcsak \u00faj lehet\u0151s\u00e9geket, \u00faj fogyaszt\u00e1si form\u00e1kat \u00e9s \u00faj t\u00e1rsadalmi oszt\u00e1lyz\u00e1st, hanem r\u00e1ad\u00e1sul meg\u00fajult t\u00e9rk\u00e9pzetet, \u00e9s a t\u00e9rrel egy\u00fctt meg\u00fajulni k\u00e9nyszer\u00fcl\u0151 fogalmis\u00e1got hozott mag\u00e1val. Ebbe a logikai sorba t\u00f6k\u00e9letesen illeszkedik az \u00f6nmag\u00e1t l\u00e9trehoz\u00f3 majd lebont\u00f3 egyszervolt v\u00e1ros k\u00e9pzete, hiszen Berlint\u0151l Budapestig sz\u00e1mos nagyv\u00e1ros nyerte \u00edgy el ma is ismert form\u00e1j\u00e1t. \u00c1rulkod\u00f3, hogy az 1920-as \u00e9vek avantg\u00e1rd filmm\u0171v\u00e9szet\u00e9ben k\u00fcl\u00f6n kateg\u00f3ri\u00e1t alkottak a l\u00edrai v\u00e1rosfilmek, amelyek \u2013 Dziga Vertov<\/span> Ember a felvev\u0151g\u00e9ppel<\/em> c\u00edm\u0171 munk\u00e1j\u00e1t\u00f3l kezdve \u2013 az \u00faj terek \u00e9s az \u00faj m\u00e9diumok k\u00f6lcs\u00f6nhat\u00e1sait mutatj\u00e1k be. Walter Ruttmann<\/span> ikonikus v\u00e1rosfilmje, a Berlin, egy nagyv\u00e1ros szimf\u00f3ni\u00e1ja<\/em> arra h\u00edvja fel a figyelmet, milyen esend\u0151 viszonyban \u00e1ll egym\u00e1ssal ember, g\u00e9p \u00e9s term\u00e9szet. Occam v\u00e1rosa pedig megmutatja, hogy a v\u00e1rosok \u00f6nmagukba z\u00e1r\u00f3d\u00f3an is jelent\u00e9seket hozhatnak l\u00e9tre. Occam v\u00e1rosa saj\u00e1t modellj\u00e9ben mutatja meg a v\u00e1ros kultur\u00e1lis konstrukci\u00f3j\u00e1nak a lehets\u00e9gess\u00e9g\u00e9t \u00e9s azt is, hogy ez a lehets\u00e9gess\u00e9g j\u00f3val a modernit\u00e1s ut\u00e1n is az \u00f6nmagukba visszat\u00e9r\u0151 rendszerek v\u00e9gtelens\u00e9g\u00e9nek bizony\u00edt\u00e9ka.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”10″][vc_column_text]\n

Occam v\u00e1rosa<\/em> (r\u00e9szletek a ki\u00e1ll\u00edt\u00e1sr\u00f3l) Labor Gal\u00e9ria, 2017 | Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”10″][vc_gallery type=”flexslider_style” images=”1604,1606,1607″ onclick=”link_image” img_size=”full” el_class=”full-img”][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”1627″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

Occam v\u00e1rosa<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sr\u00f3l) Labor Gal\u00e9ria, 2017 | Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” vertically_center_columns=”true” scene_position=”center” text_color=”dark” text_align=”center” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”p-2-1″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”]

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