{"id":15732,"date":"2019-01-30T22:28:50","date_gmt":"2019-01-30T21:28:50","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=15732"},"modified":"2024-06-07T16:56:20","modified_gmt":"2024-06-07T14:56:20","slug":"az-apak-csendes-forradalma-avagy-az-apasag-mint-tarsadalmi-konstrukcio","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/az-apak-csendes-forradalma-avagy-az-apasag-mint-tarsadalmi-konstrukcio\/","title":{"rendered":"Az ap\u00e1k csendes forradalma, avagy az apas\u00e1g mint t\u00e1rsadalmi konstrukci\u00f3"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Puklus P\u00e9ter: H\u0151s anya _ Alc\u00edm\u00a0<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Kur\u00e1tor: Szalai Borb\u00e1la<\/h4>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Glassyard Gallery
\n2018. okt\u00f3ber 18 \u2013 2019. janu\u00e1r 19.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]M\u00edg az anyas\u00e1ghoz \u00e9s az any\u00e1k kih\u00edv\u00e1saihoz kapcsol\u00f3d\u00f3 k\u00e9rd\u00e9sek a feminizmus m\u00f3dszertani haszn\u00e1lat\u00e1ban m\u00e1r megjelentek a kort\u00e1rs k\u00e9pz\u0151m\u0171v\u00e9szetben, addig a f\u00e9rfiszerepekkel kapcsolatos m\u0171v\u00e9szeti poz\u00edci\u00f3k, k\u00fcl\u00f6n\u00f6sen a f\u00e9rfiass\u00e1g \u00e9s az apas\u00e1g k\u00f6z\u00f6tti fesz\u00fclts\u00e9g kev\u00e9sb\u00e9 artikul\u00e1l\u00f3dik a jelenkori m\u0171v\u00e9szetben. Puklus P\u00e9ter<\/span> A H\u0151s Anya _ Hogyan \u00e9p\u00edts\u00fcnk h\u00e1zat?<\/em> c\u00edm\u0171 leg\u00fajabb sorozat\u00e1b\u00f3l v\u00e1logat\u00f3 ki\u00e1ll\u00edt\u00e1sa a Glassyard Gal\u00e9ri\u00e1ban \u00e9ppen ez\u00e9rt \u00fajszer\u0171 \u00e9s mer\u00e9sz v\u00e1llalkoz\u00e1s: egy t\u00e1rsadalmilag \u00e9s politikailag r\u00e9tegzett t\u00e9m\u00e1hoz \u2013 amelynek r\u00e9sze a gyermekv\u00e1llal\u00e1s, a sz\u00fcl\u0151s\u00e9g \u00e9s az apas\u00e1g \u2013 k\u00edm\u00e9letlen\u00fcl \u0151szinte \u00e9s zavarba ejt\u0151en intim n\u00e9z\u0151pontb\u00f3l k\u00f6zel\u00edt.<\/p>\n

A \u201ef\u00e9rfikutat\u00e1s\u201d elnevez\u00e9s\u0171 t\u00e1rsadalomtudom\u00e1nyos r\u00e9sz-diszcipl\u00edna a maszkulinit\u00e1s t\u00e1rsadalmi konstrukci\u00f3inak \u00e9s a f\u00e9rfiass\u00e1g sokf\u00e9les\u00e9g\u00e9nek vizsg\u00e1lat\u00e1t tette meg t\u00e1rgy\u00e1nak, ennek ment\u00e9n pedig n\u00e9h\u00e1ny \u00e9vtizede az apas\u00e1g \u00faj koncepci\u00f3ja is megjelent a nyugati diskurzusban.1<\/span> A f\u00e9rfiszerepekkel p\u00e1rhuzamosan az apaszerepek is differenci\u00e1l\u00f3dnak, a t\u00f6bbf\u00e9le munkak\u00f6rh\u00f6z \u00e9s sz\u00fcl\u0151i szerephez val\u00f3 alkalmazkod\u00e1s pedig jelent\u0151sen befoly\u00e1solja az \u00faj apak\u00e9pek kialakul\u00e1s\u00e1t. Az apas\u00e1g mint saj\u00e1tos f\u00e9rfiszerep a kort\u00e1rs kult\u00far\u00e1ban is egyre nagyobb teret h\u00f3d\u00edt, az irodalomt\u00f3l (pl. Karl Ove Knausg\u00e5rd opus\u00e1nak 2. r\u00e9sze),2<\/span> a blog-kult\u00far\u00e1n \u00e1t a sz\u00e1m\u00edt\u00f3g\u00e9pes j\u00e1t\u00e9kokig. Az ap\u00e1k egyre er\u0151sebb l\u00e1that\u00f3s\u00e1g\u00e1nak k\u00f6sz\u00f6nhet\u0151en megk\u00e9rd\u0151jelez\u0151dni l\u00e1tszanak a tradicion\u00e1lis apas\u00e1gi modellek, \u00e9s egyre elterjedtebb az \u00fan. \u00faj t\u00edpus\u00fa apas\u00e1g, ami eltol\u00f3d\u00e1st jelent a tradicion\u00e1lis \u201ekeny\u00e9rkeres\u0151\u201d apaszerept\u0151l, m\u00e9ghozz\u00e1 a bevon\u00f3d\u00f3 apaszerep ir\u00e1ny\u00e1ba. S\u0151t: ezzel p\u00e1rhuzamosan az apas\u00e1g beker\u00fclt a f\u00e9rfiak \u00f6nmegval\u00f3s\u00edt\u00e1s\u00e1nak \u00e9s sikeress\u00e9g\u00e9nek f\u00f3kusz\u00e1ba.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Anna Pili\u0144ska (szerk.): Fatherhood in Contemporary Discourse: Focus on Fathers,<\/em> Cambridge Scholars Publishing, 2017<\/p>\n

2<\/p>\n

Karl Ove Knausg\u00e5rd: Szerelem. Harcom 2.,<\/em> Ford. Petrikovics Edit, Magvet\u0151, Budapest, 2017<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”15742″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Puklus P\u00e9ter: H\u0151s anya _ Alc\u00edm,<\/em> (r\u00e9szlet a ki\u00e1ll\u00edt\u00e1sb\u00f3l), 2018\u00a0\u00a9 Fot\u00f3: Kiss Imre<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Puklus P\u00e9ter hat\u00e1rozott koncepci\u00f3 ment\u00e9n v\u00e1logatott fot\u00f3sorozata a hegem\u00f3n maszkulinit\u00e1s \u00e9s az \u00e1talakul\u00f3 apaszerep k\u00f6z\u00f6tti dinamik\u00e1t tematiz\u00e1lja. A gal\u00e9ri\u00e1ba bel\u00e9pve vizu\u00e1lisan er\u0151s fel\u00fct\u00e9s fogadja a l\u00e1togat\u00f3t, amely r\u00f6gt\u00f6n id\u00e9z\u0151jelbe teszi \u00e9s elt\u00e9r\u00edti a ki\u00e1ll\u00edt\u00e1s c\u00edm\u00e9t (H\u0151s anya _ Alc\u00edm<\/em>). Az Erection<\/em> (2016) c\u00edm\u0171 fotogr\u00e1fi\u00e1n a m\u0171v\u00e9sz meztelen alakj\u00e1t l\u00e1tjuk, amint egy hatalmas, felfel\u00e9 mered\u0151 tet\u0151gerend\u00e1t pr\u00f3b\u00e1l fel\u00e1ll\u00edtani \u2013 vagy \u00e9pp megtartani: azt a pillanatot, amikor a gerenda s\u00falya \u00e9s az emberi er\u0151 fesz\u00fcl egym\u00e1snak. A gerenda kett\u0151s jelk\u00e9p: egyr\u00e9szt a patriarch\u00e1lis vil\u00e1gk\u00e9pben a kiz\u00e1r\u00f3lag a csal\u00e1df\u0151 k\u00f6teless\u00e9gek\u00e9nt t\u00e9telez\u0151d\u0151 h\u00e1z\u00e9p\u00edt\u00e9s kell\u00e9ke; m\u00e1sr\u00e9szt fallikus szimb\u00f3lum, az erekt\u00e1lt nemi szervre eml\u00e9keztet\u0151 t\u00e1rgy, teh\u00e1t az akt\u00edv f\u00e9rfiass\u00e1g jel\u00f6l\u0151je. A sz\u00f3 etimol\u00f3gi\u00e1ja tov\u00e1bb keretezi az \u00e9rtelmez\u00e9st, az angol \u201eerection\u201d kifejez\u00e9s ugyanis nem csup\u00e1n a p\u00e9nisz mereved\u00e9s\u00e9re haszn\u00e1latos, hanem \u00e9p\u00fcletek vagy szobrok fel\u00e1ll\u00edt\u00e1s\u00e1ra is. Sejthet\u0151v\u00e9 v\u00e1lik, hogy itt a H\u0151s (a f\u00e9rfi, a f\u00e9rj, az apa, a m\u0171v\u00e9sz) heroikus k\u00fczdelm\u00e9r\u0151l, bels\u0151 v\u00edv\u00f3d\u00e1sair\u00f3l lesz sz\u00f3, az er\u0151 \u00e9s a gyeng\u00e9ds\u00e9g k\u00f6z\u00f6tti v\u00e9kony hat\u00e1rmezsgy\u00e9r\u0151l, \u00e9s a hagyom\u00e1nyos f\u00e9rfi szerepmodellek megk\u00e9rd\u0151jelez\u00e9s\u00e9r\u0151l.<\/p>\n

A meztelen vagy f\u00e9lmeztelen f\u00e9rfitest (a m\u0171v\u00e9sz teste) visszat\u00e9r\u0151 elemk\u00e9nt vonul v\u00e9gig az eg\u00e9sz ki\u00e1ll\u00edt\u00e1son. A meztelens\u00e9g expon\u00e1l\u00e1sa a m\u0171v\u00e9szett\u00f6rt\u00e9netben hagyom\u00e1nyosan a n\u0151i \u00e1br\u00e1zol\u00e1sokra jellemz\u0151, a ruh\u00e1tlan f\u00e9rfi az antik m\u0171v\u00e9szet kiv\u00e9tel\u00e9vel \u00e9vsz\u00e1zadokon \u00e1t szinte l\u00e1thatatlan maradt. A mitol\u00f3giai h\u0151s\u00f6k \u00e9s a kereszt\u00e9ny m\u00e1rt\u00edrok ut\u00e1n a modernizmusban bukkan fel \u00fajra a f\u00e9rfiakt mint a f\u00e9rfi identit\u00e1sv\u00e1ls\u00e1g\u00e1t kifejez\u0151, a f\u00e9rfi t\u00e1rsadalmi szerep\u00e9nek v\u00e1ltoz\u00e1s\u00e1t lek\u00e9pez\u0151 jelens\u00e9g.3<\/span> Puklus fotogr\u00e1fiai praxis\u00e1ban saj\u00e1t test\u00e9nek meztelen \u00e1br\u00e1zol\u00e1sa \u00faj mot\u00edvum, a felt\u00e1rulkoz\u00e1s, a szubverzi\u00f3, a tradicion\u00e1lis kultur\u00e1lis mint\u00e1kat felforgat\u00f3 attit\u0171d eszk\u00f6ze. Kor\u00e1bbi munk\u00e1iban tudatosan j\u00e1tszik az akt\u00e1br\u00e1zol\u00e1si konvenci\u00f3kkal, de szinte kiz\u00e1r\u00f3lag meztelen n\u0151i modellekr\u0151l k\u00e9sz\u00edt felv\u00e9teleket, p\u00e9ld\u00e1ul a L\u00e1ndzsaviv\u0151<\/em> p\u00f3z\u00e1ban meg\u00f6r\u00f6k\u00edtett Statue of a Left-handed Soldier<\/em> vagy a Lying Female Body<\/em>.<\/p>\n

A lak\u00e1s-gal\u00e9ria t\u00e9ri saj\u00e1toss\u00e1gainak \u00e9s a kur\u00e1tori rendez\u00e9snek k\u00f6sz\u00f6nhet\u0151en olyan \u00e9rz\u00e9s\u00fcnk t\u00e1mad, mintha egy csal\u00e1d priv\u00e1t \u00e9letter\u00e9be, intim h\u00e9tk\u00f6znapjaiba, h\u00e1l\u00f3szob\u00e1j\u00e1ba, harcaiba, konfliktusaiba, veszeked\u00e9seibe cs\u00f6ppenn\u00e9nk. A j\u00f3l megkompon\u00e1lt ki\u00e1ll\u00edt\u00e1s a lemeztelen\u00edtett val\u00f3s\u00e1got t\u00e1rja el\u00e9nk, sz\u00f3kimond\u00f3, m\u00e9gis sejtelmes k\u00e9pek sorozat\u00e1t, er\u0151s installat\u00edv megold\u00e1sokkal \u00e9s hat\u00e1rozott dramaturgi\u00e1val.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

Ld. A meztelen f\u00e9rfi<\/em><\/a> c\u00edm\u0171 c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1st, Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest, 2013. m\u00e1rcius 23 \u2013 j\u00fanius 30.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”15746″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Puklus P\u00e9ter: Hogyan rajzoljunk t\u00f6k\u00e9letes k\u00f6rt?,<\/em> 2018\u00a0\u00a9 Fot\u00f3: Kiss Imre<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az els\u0151, neoncs\u00f6vekkel megvil\u00e1g\u00edtott f\u00e9lrees\u0151 t\u00e9r a m\u0171terem vagy dolgoz\u00f3szoba, az alkot\u00e1s szent\u00e9lye, ahov\u00e1 azonban besziv\u00e1rognak az apas\u00e1ggal kapcsolatos terhek \u00e9s k\u00f6teless\u00e9gek. Egy falr\u00f3l lehajl\u00f3 m\u0171termi csend\u00e9letet \u00e1br\u00e1zol\u00f3 fot\u00f3n (Studio,<\/em> 2018) felt\u0171nik az Apa-f\u00fczet,<\/em> az \u00fajdons\u00fclt \u00e9desap\u00e1k \u201ek\u00f6telez\u0151\u201d olvasm\u00e1nya, amely a korai apa-gyerek kapcsolat fontoss\u00e1g\u00e1nak felismer\u00e9s\u00e9t hivatott seg\u00edteni. A Hogyan rajzoljunk t\u00f6k\u00e9letes k\u00f6rt?<\/em> c\u00edm\u0171 munk\u00e1n a m\u0171v\u00e9sz meztelen teste az archaikus kurosz szobrok szigor\u00fa, el\u0151re l\u00e9p\u0151 p\u00f3z\u00e1ban jelenik meg, amint e lehetetlen feladattal pr\u00f3b\u00e1l megk\u00fczdeni. A m\u0171v\u00e9szett\u00f6rt\u00e9neti anekdota, miszerint Giotto \u00edgy pr\u00f3b\u00e1lta bizony\u00edtani mesters\u00e9gbeli tud\u00e1s\u00e1t, az\u00f3ta is a tehets\u00e9g \u00e9s a m\u0171v\u00e9szi t\u00f6k\u00e9letess\u00e9g alleg\u00f3ri\u00e1ja. A Puklus \u00e1ltal rajzolt t\u00f6k\u00e9letlen k\u00f6rrel \u00e1tellenben a V\u00e9gtelen spir\u00e1l<\/em> c\u00edm\u0171 rajzasztalb\u00f3l \u00e9s egy 30 m\u00e9ter hossz\u00fa, sz\u00e9lein felg\u00f6ngy\u00f6l\u00edtett pap\u00edrtekercsb\u0151l \u00e1ll\u00f3 install\u00e1ci\u00f3 kapott helyet. A saj\u00e1t kez\u0171leg tele\u00edrt pap\u00edr spir\u00e1lmot\u00edvuma, a gyermeki \u00edr\u00e1sjel monom\u00e1n ism\u00e9tl\u00e9se \u00e9s t\u00f6k\u00e9lyre fejleszt\u00e9se a k\u00fczdelmes, megsz\u00e1llott \u00e9s gyakran g\u00e9pies alkot\u00f3munka szimb\u00f3luma.<\/p>\n

A magasra install\u00e1lt l\u00e1mpatestr\u0151l k\u00e9sz\u00fclt fot\u00f3 (L\u00e1mpa \u00e1rny\u00e9kkal,<\/em> 2017) \u00e1tvezet minket a k\u00f6vetkez\u0151 t\u00e9rbe, ahol a m\u0171v\u00e9sz alv\u00f3 \u00f6narck\u00e9pei, p\u00e1rna \u00e9s paplan m\u00f6g\u00e9 rejt\u0151zk\u00f6d\u0151 teste utal r\u00e1, hogy h\u00e1l\u00f3szobai szitu\u00e1ci\u00f3ba cs\u00f6ppent\u00fcnk. A m\u0171csoport ind\u00edt\u00f3 k\u00e9pe egy szuperk\u00f6zeli, sz\u0171k k\u00e9pkiv\u00e1g\u00e1ssal kompon\u00e1lt \u00f6nportr\u00e9, amelyr\u0151l az (\u00f6ntudatra \u00e9bredt) m\u0171v\u00e9sz n\u00e9z farkasszemet a n\u00e9z\u0151vel. A pszichologiz\u00e1l\u00f3 ig\u00e9nyess\u00e9ggel k\u00e9sz\u00fclt be\u00e1ll\u00edt\u00e1sok, a fot\u00f3s t\u00e1rgyakat megszem\u00e9lyes\u00edt\u0151 tekintete a rejt\u0151zk\u00f6d\u00e9s, a probl\u00e9m\u00e1k el\u0151l val\u00f3 menek\u00fcl\u00e9s, p\u00e1rna \u00e9s paplan m\u00f6g\u00e9 b\u00faj\u00e1s a val\u00f3s\u00e1gt\u00f3l val\u00f3 elrejt\u0151z\u00e9s k\u00fcl\u00f6nb\u00f6z\u0151 strat\u00e9gi\u00e1it jelen\u00edtik meg. A 35 m\u0171b\u0151l \u00e1ll\u00f3 sorozaton mind\u00f6ssze kett\u0151n t\u0171nik fel az anya \u2013 arc n\u00e9lk\u00fcli \u2013 alakja. Az Eredetek<\/em> (2016) c\u00edm\u0171 fot\u00f3 intim perspekt\u00edv\u00e1ja Gustav Courbet a_<\/span>Vil\u00e1g eredete<\/em> c\u00edm\u0171 h\u00edres festm\u00e9ny\u00e9t id\u00e9zi, melyen az anyam\u00e9h \u00e9s a n\u0151i nemiszerv az \u00e9let forr\u00e1sak\u00e9nt jelenik meg. Puklus \u00edzig-v\u00e9rig naturalista k\u00e9pbe s\u0171r\u00edti a sz\u00fcl\u00e9s \u00e9s a sz\u00fclet\u00e9s misztikum\u00e1t, a fot\u00f3 p\u00e1rdarabj\u00e1n pedig kisfia magzatp\u00f3zba z\u00e1rk\u00f3zott, \u00f6sszefirk\u00e1lt test\u00e9t l\u00e1tjuk. A Felix Rajza<\/em> (2018) c\u00edm\u0171 fotogr\u00e1fia Robert Mapplethorpe h\u00edres sorozat\u00e1nak, a szab\u00e1lyos k\u00f6rbe kompon\u00e1lt, \u201ekett\u00e9hajtott\u201d t\u00f6k\u00e9letes f\u00e9rfitest (Thomas,<\/em> 1987) all\u00fazi\u00f3j\u00e1t kelti. Puklus k\u00e9peinek m\u0171v\u00e9szett\u00f6rt\u00e9neti referenci\u00e1k ment\u00e9n val\u00f3 \u00e9rtelmez\u00e9se k\u00fcl\u00f6n elemz\u00e9st \u00e9rdemelne, tudatosan kompon\u00e1lt be\u00e1ll\u00edt\u00e1sainak vizu\u00e1lis utal\u00e1sai az antikvit\u00e1st\u00f3l a jelenkori k\u00e9pz\u0151m\u0171v\u00e9szetig \u00edvelnek. Az Alv\u00f3 \u00f6narck\u00e9p IV.,<\/em> 2018 p\u00e9ld\u00e1ul Mladen Stilinovi\u0107 M\u0171v\u00e9sz munka k\u00f6zben<\/em> (1978) c\u00edm\u0171 sorozat\u00e1t hozza j\u00e1t\u00e9kba.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”15750″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Puklus P\u00e9ter: Sz\u00fcrke ing,<\/em> 2018 \u00a9 Fot\u00f3: Kiss Imre<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Bunda \u2013 T\u0171zrak\u00f3hely<\/em> (2018) c\u00edm\u0171 fot\u00f3 a ki\u00e1ll\u00edt\u00e1s egyik kulcsdarabja. A n\u0151i bund\u00e1ba b\u00fajt apa, a crossdresserk\u00e9nt megjelen\u0151 f\u00e9rfi t\u00fczet \u0151riz, a g\u00f6r\u00f6g-r\u00f3mai mitol\u00f3gi\u00e1b\u00f3l ismert Hesztia, a h\u00e1zi t\u0171zhely, az otthon \u00e9s a csal\u00e1d v\u00e9d\u0151szentj\u00e9nek szerep\u00e9be b\u00fajik. A n\u0151i szerepk\u00f6r felv\u00e9tele, a f\u00e9rfitest femininiz\u00e1l\u00e1sa (a rejt\u0151zk\u00f6d\u0151, h\u00e1ttal val\u00f3 be\u00e1ll\u00edt\u00e1s ellen\u00e9re) a hagyom\u00e1nyos f\u00e9rfi szerepek felforgat\u00e1s\u00e1r\u00f3l, a komplementer sz\u00fcl\u0151i szerepekr\u0151l besz\u00e9l, \u00e9s a heteronormat\u00edv csal\u00e1dk\u00e9p kritik\u00e1jak\u00e9nt is \u00e9rtelmezhet\u0151. A fotogr\u00e1fia megszokott keretezett ki\u00e1ll\u00edt\u00e1si m\u00f3dj\u00e1val ellent\u00e9tben t\u00e1rgyk\u00e9nt a f\u00f6ldre helyezve, dombor\u00edtva jelenik meg. Ugyancsak a t\u00e1rgyszer\u0171s\u00e9get hangs\u00falyozza a gy\u0171r\u00f6tt Sz\u00fcrke ing<\/em> c\u00edm\u0171 fot\u00f3, amelyen az \u00e1br\u00e1zolt t\u00e9m\u00e1t, a gy\u0171r\u00f6tt inget maga a hordoz\u00f3, a meggy\u0171rt fot\u00f3pap\u00edr is megism\u00e9tli.<\/p>\n

Az installat\u00edv megold\u00e1sok, a t\u00e1rgyalkot\u00e1s \u00e9s a szobr\u00e1szat Puklus fotogr\u00e1fiai praxis\u00e1nak \u00e1lland\u00f3 k\u00eds\u00e9r\u0151 eleme, a fot\u00f3kon megjelen\u0151 t\u00e1rgyak \u00e9s szobrok gyakran egyenrang\u00fa m\u0171t\u00e1rgyk\u00e9nt realiz\u00e1l\u00f3dnak a t\u00e9rben. A Csal\u00e1di portr\u00e9<\/em> c\u00edm\u0171 sorozat szint\u00e9n egy t\u00e1rgyalkot\u00e1si elj\u00e1r\u00e1st id\u00e9z, far\u00f6nk\u00f6kb\u0151l l\u00e1ncf\u0171r\u00e9sszel faragott brut\u00e1lis Baselitz-i portr\u00e9fejek azonban ez\u00fattal kiz\u00e1r\u00f3lag fot\u00f3k form\u00e1j\u00e1ban l\u00e1that\u00f3k. Hogy mi\u00e9rt \u00e9pp ezt a rusztikus, m\u00e1r-m\u00e1r brut\u00e1lis, a m\u0171v\u00e9sz keze \u00e1ltal nem \u00e9rintett alkot\u00e1si m\u00f3dot v\u00e1lasztotta az idilli csal\u00e1di portr\u00e9 megmutat\u00e1s\u00e1ra? Indulat, energia, d\u00fch, szorong\u00e1s \u2013 a csal\u00e1dap\u00e1ra nehezed\u0151 terhek, \u00e9rzelmek \u00e9s ezek szublim\u00e1ci\u00f3ja sejlik fel a sorozatban. Egy k\u00f6vetkez\u0151 k\u00e9pp\u00e1ron a l\u00e1bak ker\u00fclnek k\u00f6z\u00e9ppontba, a Harisnya<\/em> (2017) c\u00edm\u0171 k\u00e9pen t\u0171nik fel m\u00e1sodszor az anya arc n\u00e9lk\u00fcli alakja, amint gyermek\u00e9t az \u00f6l\u00e9ben tartja. A j\u00e1r\u00e1s megtanul\u00e1sa, mint a kisgyermek \u00e9let\u00e9nek egyik legkomolyabb m\u00e9rf\u00f6ldk\u00f6ve ker\u00fcl p\u00e1rhuzamba a f\u00e9rfi l\u00e1bak r\u00e9szlet\u00e9vel, mint az apa l\u00e1bnyom\u00e1ban val\u00f3 halad\u00e1s, a mintak\u00f6vet\u00e9s szimb\u00f3luma.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”15744″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Puklus P\u00e9ter: Paplan,<\/em> 2018 \u00a9 Fot\u00f3: Kiss Imre<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A H\u0151s anya _ Alc\u00edm<\/em> ciklus leghangs\u00falyosabb fejezete a h\u00e1z\u00e9p\u00edt\u00e9s t\u00e9m\u00e1j\u00e1ra \u00e9p\u00fcl \u00e9s tel\u00edtve van bibliai szimb\u00f3lumokkal. A tradicion\u00e1lis apaszerep legf\u0151bb 21. sz\u00e1zadi konfliktusa a keny\u00e9rkeres\u00e9s, \u00e1tt\u00e9telesen a h\u00e1z\u00e9p\u00edt\u00e9s, a csal\u00e1d boldogul\u00e1s\u00e1hoz sz\u00fcks\u00e9ges anyagi javak megteremt\u00e9se, \u00e9s a csal\u00e1di \u00e9letben val\u00f3 akt\u00edv \u00e9s asszert\u00edv r\u00e9szv\u00e9tel k\u00f6z\u00f6tt fesz\u00fcl M\u00e1r a r\u00f3mai id\u0151kben kialakult a pater familias \ufb01gur\u00e1ja, aki a csal\u00e1dot nemcsak uralta \u00e9s birtokolta, hanem annak ell\u00e1t\u00e1s\u00e1r\u00f3l is gondoskodott. A gazdas\u00e1gi \u00e9rtelemben vett csal\u00e1df\u0151i szerep r\u00e9szben gazdas\u00e1gi konstrukci\u00f3, r\u00e9szben azonban a t\u00e1rsadalmat tov\u00e1bbra is ural\u00f3 konzervat\u00edv \u00e9rt\u00e9kek eredm\u00e9nye. Nem csoda, ha az apa nem lehet\u0151s\u00e9gk\u00e9nt, hanem teherk\u00e9nt \u00e9li meg e r\u00e1nehezed\u0151, gondoskod\u00f3 szerepet. A bibliai apak\u00e9p ezzel szemben a szellemi ir\u00e1nymutat\u00f3, lelki t\u00e1pl\u00e1l\u00e9kot is ny\u00fajt\u00f3, a csal\u00e1d hitb\u00e9li szil\u00e1rds\u00e1g\u00e1t biztos\u00edt\u00f3 csal\u00e1df\u0151 megtestes\u00edt\u0151je. Puklus munk\u00e1i a t\u00f6rt\u00e9nelmileg \u00e9s t\u00e1rsadalmilag k\u00f3dolt tradicion\u00e1lis modellt kezdik ki, ennek terhe alatt rogynak meg, az ezzel kapcsolatos dilemm\u00e1it (a depresszi\u00f3t\u00f3l a d\u00fch\u00f6n \u00e1t a haragig) t\u00e1rj\u00e1k el\u00e9nk kend\u0151zetlen \u0151szintes\u00e9ggel.<\/p>\n

A Hogyan vigy\u00fcnk egy terhet?<\/em> c\u00edm\u0171 fot\u00f3n az apa a j\u00f3 p\u00e1sztor-\u00e1br\u00e1zol\u00e1s p\u00f3z\u00e1ban jelenik meg, v\u00e1ll\u00e1n a gyermekkel. A p\u00e9ld\u00e1zat szerint az atya olyan, mint egy p\u00e1sztor, aki \u00fagy vezeti a csal\u00e1dj\u00e1t, mint a p\u00e1sztor a r\u00e1 b\u00edzott ny\u00e1jat. A felv\u00e9tel szimmetriai k\u00f6z\u00e9ppontj\u00e1ba azonban nem is a m\u0171v\u00e9sz \u00e9s gyermeke, hanem vetett \u00e1rny\u00e9kuk ker\u00fcl. Az \u00e9let spir\u00e1lj\u00e1t tart\u00f3 kezet tart\u00f3 k\u00e9z<\/em> (2017) az igazi sz\u0151l\u0151t\u0151r\u0151l (Fi\u00fa) \u00e9s a sz\u0151l\u0151m\u0171vesr\u0151l (Atya) sz\u00f3l\u00f3 p\u00e9ld\u00e1zatot id\u00e9zi meg. A bibliai mot\u00edvumok mellett a szocialista m\u0171v\u00e9szet ikonogr\u00e1fi\u00e1ja is felfedezhet\u0151 a sorozat egyes darabjain. A Rombol\u00f3<\/em> (2018) kalap\u00e1csos embere B\u00edr\u00f3 Mih\u00e1ly Tan\u00e1csk\u00f6zt\u00e1rsas\u00e1g idej\u00e9n k\u00e9sz\u00fclt h\u00edres plak\u00e1tj\u00e1t juttatja esz\u00fcnkbe, amint \u00e9pp az ajt\u00f3z\u00e1rat k\u00e9sz\u00fcl sz\u00e9tverni (az ajt\u00f3 pedig az \u00fajsz\u00f6vets\u00e9gi p\u00e9ld\u00e1zatokban a mennyorsz\u00e1gba val\u00f3 bejut\u00e1s szimb\u00f3luma). Ugyanez a f\u00e9rfier\u0151 \u00e9s indulat k\u00f6sz\u00f6n vissza a D\u00fch<\/em> (2018) c\u00edm\u0171 mdf lapb\u00f3l k\u00e9sz\u00fclt munk\u00e1n \u00e9s a kalap\u00e1cs p\u00e1rdarabja,a szocialista m\u0171v\u00e9szet m\u00e1sik jelk\u00e9pe is felt\u0171nik. A m\u0171v\u00e9sz fot\u00f3kat el\u0151k\u00e9sz\u00edt\u0151 v\u00e1zlataib\u00f3l kimerev\u00edtett figura egyik keze les\u00fajt, a m\u00e1sik sarl\u00f3 form\u00e1t \u00f6lt. Mindkett\u0151ben a forradalmi hev\u00fclet, az avantgardista attit\u0171d elemi fesz\u00fclts\u00e9ge, a hagyom\u00e1ny \u00e9s a konvenci\u00f3k lerombol\u00e1s\u00e1nak \u00f6szt\u00f6ne \u00e9rezhet\u0151. A fot\u00f3s tekintete \u00e1ltal megszem\u00e9lyes\u00edtett t\u00e1rgyakk\u00e9nt t\u0171nnek fel a h\u00e1z\u00e9p\u00edt\u00e9shez sz\u00fcks\u00e9ges elemek \u00e9s eszk\u00f6z\u00f6k, a t\u00e9gla, a kalap\u00e1cs, a f\u0171r\u00e9szbak \u00e9s a gerenda, ez ut\u00f3bbi nem csak fot\u00f3n, hanem fizikailag is megjelenik a t\u00e9rben a ki\u00e1ll\u00edt\u00e1s dramaturgiai tet\u0151pontj\u00e1t ny\u00fajtva. A teret \u00e1tl\u00f3san \u00e1tszel\u0151 gerenda Krisztus keresztjek\u00e9nt fesz\u00fcl az utols\u00f3 st\u00e1ci\u00f3 helysz\u00edn\u00e9n. A Szeretkez\u0151 f\u0171r\u00e9szbakok<\/em>, a Slicc<\/em> \u00e9s az Erekci\u00f3 II.<\/em> c\u00edm\u0171 munk\u00e1k m\u00e1r a csal\u00e1don bel\u00fcl helyre\u00e1llt harm\u00f3ni\u00e1t, a h\u00e1zast\u00e1rsak k\u00f6z\u00f6tti libidin\u00e1ris energi\u00e1k egyens\u00falyba ker\u00fcl\u00e9s\u00e9t vet\u00edtik el\u0151re. A ki\u00e1ll\u00edt\u00e1s egyik leger\u0151sebb k\u00e9pe, a K\u0151szikl\u00e1ra \u00e9p\u00edtsd a te h\u00e1zad<\/em> szint\u00e9n a Biblia nyelv\u00e9n sz\u00f3lal meg. A H\u0151s belenyugszik sors\u00e1ba, lehajtja fej\u00e9t, v\u00e1llalja a k\u0151szikla (P\u00e9ter apostol) szerep\u00e9t, amire neve is determin\u00e1lja, a v\u00e9letlenszer\u0171en beny\u00fal\u00f3 gyerekk\u00e9z mot\u00edvuma pedig nyugv\u00f3pontra helyezi k\u00fczdelmes, megpr\u00f3b\u00e1ltat\u00e1sokkal teli \u00fatj\u00e1t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-0-15″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”15748″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Puklus P\u00e9ter: V\u00e9gtelen spir\u00e1l,<\/em> 2018 \u00a9 Fot\u00f3: Kiss Imre<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Puklus az ap\u00e1v\u00e1 v\u00e1l\u00e1s megr\u00e1z\u00f3 \u00e9lm\u00e9nye \u00e1ltal inspir\u00e1lt fot\u00f3sorozata m\u00e9lyrehat\u00f3 \u00f6nvizsg\u00e1lat, sz\u00f3 szerinti \u00e9s \u00e1tt\u00e9teles \u00e9rtelemben vett \u00f6n\u00e9lveboncol\u00e1s. A ki\u00e1ll\u00edt\u00f3t\u00e9rben fragment\u00e1ltan elhelyezett testr\u00e9sz-fot\u00f3k, mint a fej (Apa portr\u00e9ja, Alv\u00f3 \u00f6narck\u00e9p, K\u0151szikl\u00e1ra \u00e9p\u00edtsd a te h\u00e1zad<\/em>), a fels\u0151test (Sz\u00fcrke ing, Bunda \u2013 T\u0171zrak\u00f3hely<\/em>), \u00e1gy\u00e9k (Slicc<\/em>), \u00e9s a L\u00e1bak<\/em> a maszkulinit\u00e1s dekonstrukci\u00f3j\u00e1nak szeml\u00e9letes p\u00e9ld\u00e1ja. A \u201ef\u00e9rfi\u201d, a \u201ef\u00e9rj\u201d, az \u201eapa\u201d, a \u201em\u0171v\u00e9sz\u201d szerep\u00e9nek problematiz\u00e1l\u00e1sa \u00e9s differenci\u00e1l\u00e1sa ezeken a testr\u00e9szleteket \u00e1br\u00e1zol\u00f3 fot\u00f3kon kereszt\u00fcl v\u00e1lik \u00e9rtelmezhet\u0151v\u00e9. Az \u00faj f\u00e9rfiszerep ugyanakkor \u00faj lehet\u0151s\u00e9geket \u00e9s az apas\u00e1gban kibontakoz\u00f3 \u00f6nmegval\u00f3s\u00edt\u00e1s es\u00e9ly\u00e9t, az alkot\u00f3i energi\u00e1k maxim\u00e1lis kiakn\u00e1z\u00e1s\u00e1t k\u00edn\u00e1lja a f\u00e9rfiaknak. A sorozat az alkot\u00f3i munk\u00e1ra, a karrier mibenl\u00e9t\u00e9re is reflekt\u00e1l oly m\u00f3don, hogy a m\u0171v\u00e9sz saj\u00e1t csal\u00e1di k\u00f6rnyezete, h\u00e9tk\u00f6znapi cselekv\u00e9sei szolg\u00e1ltatj\u00e1k a m\u0171vek t\u00e9m\u00e1j\u00e1t, helysz\u00edn\u00e9t, megval\u00f3s\u00edt\u00e1s\u00e1nak form\u00e1j\u00e1t \u00e9s m\u00f3dj\u00e1t. A The Hero Mother \u2013 How to build a house<\/em> visszaigazol\u00e1st nyert, meghozta sz\u00e1m\u00e1ra a nemzetk\u00f6zi elismer\u00e9st, 2018 szeptember\u00e9ben elnyerte a rangos Images Vevey f\u0151d\u00edj\u00e1t.4<\/span><\/p>\n

A jelenlegi politikai diskurzus kontextus\u00e1ban, amely a gyermekv\u00e1llal\u00e1st vonz\u00f3 term\u00e9kk\u00e9nt, \u201e\u00e9letre sz\u00f3l\u00f3 kalandk\u00e9nt\u201d promot\u00e1lja a szem\u00e9lyes hangv\u00e9tel\u0171, a apas\u00e1g mibenl\u00e9t\u00e9t nem konvencion\u00e1lis m\u00f3don k\u00f6zel\u00edt\u0151 ki\u00e1ll\u00edt\u00e1s hat\u00e1rozott \u00e1ll\u00e1sfoglal\u00e1s, a propagandisztikus \u00e9s szentiment\u00e1lis csal\u00e1dfelfog\u00e1s ellen-narrat\u00edv\u00e1j\u00e1t ny\u00fajtja. A \u201cthe personal is political\u201d feminista szlogen Andr\u00e1s Edit \u00fajra\u00e9rtelmez\u00e9s\u00e9ben pedig Puklusra is \u00e9rv\u00e9nyes: a szem\u00e9lyes f\u00e9rfik\u00e9zben is lehet politikus.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

Ld. https:\/\/www.images.ch\/en\/grand-prix-images-2\/presentation\/the-winning-projects-20172018\/<\/a>, https:\/\/www.images.ch\/en\/festival-en\/program\/artists\/peter-puklus-eng\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-2-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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