{"id":14679,"date":"2018-12-28T23:28:15","date_gmt":"2018-12-28T22:28:15","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=14679"},"modified":"2024-02-15T17:39:57","modified_gmt":"2024-02-15T16:39:57","slug":"a-tavollet-jelenlete","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/a-tavollet-jelenlete\/","title":{"rendered":"A t\u00e1voll\u00e9t jelenl\u00e9te"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Sz\u0171cs Attila: Inside the Black Box<\/em><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

De\u00e1k Erika Gal\u00e9ria, Budapest
\n2018. szeptember 7 \u2013 november 18.<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Sz\u0171cs Attila<\/span> a Ludwig M\u00fazeumban rendezett ki\u00e1ll\u00edt\u00e1sa1<\/span> \u00f3ta el\u0151sz\u00f6r jelentkezik \u00f6n\u00e1ll\u00f3 t\u00e1rlattal, m\u00e9gpedig egy konceptualista projekttel. A projekt egyetlen mot\u00edvum, a fekete n\u00e9gyzet k\u00f6r\u00e9 szervez\u0151dik, ami a festm\u00e9nyeken \u00e9pp\u00fagy megism\u00e9tl\u0151dik, mint a t\u00e9rbe \u00e1ll\u00edtott fekete dobozon. A t\u00e1rlaton meghallgathat\u00f3 egy Stanley Kubrick<\/span> \u00e9s Sz\u0171cs Attila k\u00f6z\u00f6tt lezajl\u00f3 besz\u00e9lget\u00e9s is, amely bevallottan fake news, vagyis hamis. A fekete doboz oldalain l\u00e1that\u00f3 rajzok k\u00f6z\u00f6tt is szerepelnek m\u00e1solatok \u2013 igaz, maga a m\u0171v\u00e9sz m\u00e1solta \u0151ket. A ki\u00e1ll\u00edt\u00e1s els\u0151dlegesen m\u00e9gsem az eredetis\u00e9g k\u00e9rd\u00e9s\u00e9t tematiz\u00e1lja, hanem a feketes\u00e9gnek, m\u00e9g ink\u00e1bb a fekete doboznak a jelent\u00e9s\u00e9t, amit a m\u0171v\u00e9sz a 2001 \u00dcrod\u00fcsszeia<\/em> c\u00edm\u0171 film monolitjak\u00e9nt cit\u00e1lt a ki\u00e1ll\u00edt\u00f3t\u00e9rbe.<\/p>\n

Ismeretes, hogy a fekete, mint \u00f6nmag\u00e1\u00e9rt val\u00f3, auton\u00f3m jelent\u00e9st hordoz\u00f3 sz\u00edn a 20. sz\u00e1zad eleji avantg\u00e1rd t\u00f6rekv\u00e9sekhez kapcsol\u00f3d\u00f3an jelent meg a m\u0171v\u00e9szetben. Az els\u0151 fekete festm\u00e9ny az absztrakci\u00f3ra val\u00f3 t\u00f6rekv\u00e9s eredm\u00e9nye volt: Malevics<\/span> Fekete n\u00e9gyzet feh\u00e9r alapon<\/em> c\u00edm\u0171 m\u0171v\u00e9n a t\u00e1rgyn\u00e9lk\u00fclis\u00e9g megval\u00f3s\u00edt\u00e1sa egybeesett a sz\u00ednek redukci\u00f3j\u00e1val. A malevicsi sz\u00edn\u00f6konomizmus-elm\u00e9let nyom\u00e1n a feket\u00e9t olyan kezd\u0151pontk\u00e9nt \u00e9rtelmezhetj\u00fck, amelyben a vil\u00e1g v\u00e9gess\u00e9ge \u00e9s v\u00e9gletess\u00e9ge fejez\u0151dik ki. \u00c1m a feket\u00e9t feh\u00e9rs\u00e9g veszi k\u00f6rbe. A feh\u00e9r egyfel\u0151l mint anyagtalan min\u0151s\u00e9g jelenik meg, m\u00e1sfel\u0151l mint olyan meghat\u00e1rozatlan t\u00e9r, amely \u2013 minden szuprematista kompoz\u00edci\u00f3 alapjak\u00e9nt \u2013 helyet ad a festm\u00e9ny \u201eesem\u00e9nyeinek\u201d. Maga Malevics a feh\u00e9r fest\u0151v\u00e1szon festetlen s\u00edkj\u00e1t \u00edgy jellemezte: \u201e\u00dagy \u00e9rzem, mintha egy tenger alatti sivatagba ker\u00fcln\u00e9k, ahol k\u00f6r\u00f6s-k\u00f6r\u00fcl a vil\u00e1gegyetem teremt\u00e9s\u00e9nek pillanata \u00e9rezhet\u0151.\u201d2<\/span><\/p>\n

A m\u00e1sodik vil\u00e1gh\u00e1bor\u00fat k\u00f6vet\u0151en sz\u00fclettek meg azok a m\u0171vek, amelyeken a v\u00e1sznat imm\u00e1ron teljes eg\u00e9sz\u00e9ben a feketes\u00e9g uralja. Az 1950-es \u00e9vekben az absztrakt expresszionizmus \u00e9s a New York-i iskola k\u00e9pvisel\u0151i sz\u00e1m\u00e1ra szinte k\u00f6telez\u0151 volt fekete k\u00e9peket festeni. A fekete a l\u00e9ttapasztalat meghat\u00e1roz\u00f3 sz\u00edn\u00e9v\u00e9 v\u00e1lt, mindenekel\u0151tt az\u00e9rt, mert k\u00e9pes volt reprezent\u00e1lni a t\u00f6rt\u00e9nelem s\u00f6t\u00e9ts\u00e9g\u00e9t. A feket\u00e9r\u0151l mint alapsz\u00ednr\u0151l Adorno egyenesen azt \u00e1ll\u00edtotta, hogy an\u00e9lk\u00fcl m\u00e1r nem is lehets\u00e9ges radik\u00e1lis m\u0171v\u00e9szetet csin\u00e1lni: a feketes\u00e9g \u201eAuschwitz fekete lyukaira\u201d adott v\u00e1lasz.3<\/span> A fekete melletti elk\u00f6telez\u0151d\u00e9sben fontos szerepet j\u00e1tszott az is, hogy ebben a sz\u00ednben a miszt\u00e9rium \u00e9s a transzcendencia sejtelme is k\u00e9pes jelen lenni. A fekete sorozatokat fest\u0151 m\u0171v\u00e9szek k\u00f6z\u00f6tt a legradik\u00e1lisabb alighanem Ad Reinhardt<\/span> volt, aki elutas\u00edtotta a fest\u00e9szet alapvet\u0151 formai \u00e9s tartalmi \u00f6sszetev\u0151it (se sz\u00edn, vonal, kompoz\u00edci\u00f3, forma; se ecsetnyom, text\u00fara, t\u00e9rhat\u00e1s; se mozg\u00e1s, id\u0151, t\u00e9ma, szimb\u00f3lum): a sima v\u00e1sznon csak a fekete sz\u00edn maradhatott. Csakhogy a fekete fest\u00e9szet m\u0171veib\u0151l \u2013 s ide sorolhatjuk az eur\u00f3pai m\u0171v\u00e9szet k\u00e9s\u0151bbi t\u00f6rekv\u00e9seit is \u2013 \u00e9ppen az der\u00fcl ki, hogy ennek az egyetlen sz\u00ednnek ezernyi \u00e1rnyalata van, amelyek k\u00fcl\u00f6nb\u00f6z\u0151k\u00e9ppen hatnak egym\u00e1sra, mindig m\u00e1s m\u00e9retar\u00e1nyokat, mot\u00edvumokat, jelent\u00e9seket teremtve.<\/p>\n

R\u00e1ad\u00e1sul a fekete \u2013 a feh\u00e9rrel egy\u00fctt \u2013 optikai \u00e9rtelemben nem is tekinthet\u0151 sz\u00ednnek. A fekete a sz\u00ednelm\u00e9let rendhagy\u00f3 esete; \u00e9szlel\u00e9se, fizikai \u00e9s pszichol\u00f3giai percepci\u00f3ja k\u00fcl\u00f6nb\u00f6zik a \u201enorm\u00e1l\u201d sz\u00ednek\u00e9t\u0151l. Feket\u00e9t akkor l\u00e1tunk, ha egy t\u00e1rgyr\u00f3l a k\u00fcl\u00f6nf\u00e9le hull\u00e1mhossz\u00fa f\u00e9nysugarak egyenl\u0151 m\u00e9rt\u00e9kben ver\u0151dnek vissza, s egy\u00fcttes sz\u00edn\u00e9rt\u00e9k\u00fck nem haladja meg a t\u00edz sz\u00e1zal\u00e9kot. Ez a mennyis\u00e9g olyan minim\u00e1lis, hogy a fekete l\u00e1t\u00e1sa tulajdonk\u00e9ppen a f\u00e9nyhi\u00e1nnyal \u00e9s ingerhi\u00e1nnyal azonos. A fekete fiziol\u00f3giailag megk\u00e9pz\u0151d\u0151 hi\u00e1ny\u00e1llapotb\u00f3l fakad, ilyen m\u00f3don a hi\u00e1ny fest\u00e9szeti reprezent\u00e1ci\u00f3jak\u00e9nt foghat\u00f3 fel. S b\u00e1r Sz\u0171cs ki\u00e1ll\u00edt\u00e1s\u00e1n csupa \u201efekete n\u00e9gyzetet\u201d l\u00e1tunk, m\u0171v\u00e9szeti gesztus\u00e1b\u00f3l m\u00e9gis ink\u00e1bb dekonstrukci\u00f3t olvashatunk ki, ami nem a fekete elutas\u00edt\u00e1s\u00e1t, ellenkez\u0151leg: a fekete kinyit\u00e1s\u00e1<\/em>t jelenti. A m\u0171vek egyt\u0151l egyig a feket\u00e9be val\u00f3 bel\u00e9p\u00e9s ritu\u00e1l\u00e9j\u00e1<\/em>t ism\u00e9tlik, \u00e9s a k\u00e9rd\u00e9st: vajon meddig lehet e nem-sz\u00ednbe hatolni? S mi van e hi\u00e1ny\u00e1llapot m\u00e9ly\u00e9n? A v\u00e1sznak eset\u00e9ben a kinyit\u00e1s a fekete n\u00e9gyzetb\u0151l kiboml\u00f3 sz\u00ednes kompoz\u00edci\u00f3kat eredm\u00e9nyez, a t\u00e9rbeli t\u00e1rgy eset\u00e9ben \u201eablakok\u201d l\u00e9tes\u00edt\u00e9s\u00e9t.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

K\u00eds\u00e9rtetek \u00e9s k\u00eds\u00e9rletek.<\/em> Sz\u0171cs Attila ki\u00e1ll\u00edt\u00e1sa, Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest, 2016. december 16. \u2013 2017. febru\u00e1r 19. ld. ludwigmuseum.hu\/kiallitas\/kisertetek-es-kiserletek-szucs-attila-festeszete<\/a><\/p>\n

2<\/p>\n

V\u00f6. Kazimir Malevich, Essay on Art (vol. 1.).<\/em> George Wittenborn, New York, 1971.<\/p>\n

3<\/p>\n

V\u00f6. Theodor W. Adorno, \u00c4esthetische Theorie.<\/em> Schurkamp, Frankfurt, 1970.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”14726″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sz\u0171cs Attila: Accident in a Box,<\/em> 2018, olaj, v\u00e1szon, 240\u00d7200 cm \u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Sz\u0171cs kor\u00e1bban nem festett olyan festm\u00e9nyeket, amelyeknek sz\u00ednes kompoz\u00edci\u00f3i ne t\u00f6lt\u00f6tt\u00e9k volna ki a teljes v\u00e1sznat. A most ki\u00e1ll\u00edtott m\u0171vek k\u00f6z\u00f6tt k\u00e9t olyan is szerepel, melyek figurat\u00edv narrat\u00edv\u00e1i nem futnak ki a k\u00e9pkeretig: a malevicsi feh\u00e9r sivatag veszi k\u00f6rbe \u0151ket. Ett\u0151l azok mintha egy id\u0151n t\u00fali, v\u00e9gtelen t\u00e9rben menn\u00e9nek v\u00e9gbe. A fekete n\u00e9gyzetek a v\u00e1sznon t\u00e9rbeli objektumokk\u00e9nt jelennek meg, formai \u00e9rtelemben megism\u00e9telve, eszt\u00e9tikai \u00e9rtelemben \u00fajrateremtve a gal\u00e9ria k\u00f6zep\u00e9n fel\u00e1ll\u00edtott, monument\u00e1lis t\u00e9glatestet. E s\u00edkk\u00e1 lett t\u00e9rmonumentumb\u00f3l bomlanak ki a k\u00e9pi elbesz\u00e9l\u00e9sek: az Accident in a Box<\/em>-on egy l\u00e1ngol\u00f3 aut\u00f3t l\u00e1tunk, amelyet egy meztelen fels\u0151test\u0171, a n\u00e9z\u0151nek h\u00e1ttal \u00e1ll\u00f3 f\u00e9rfi n\u00e9z. A kompoz\u00edci\u00f3 a Sz\u0171cs fest\u00e9szet\u00e9b\u0151l j\u00f3l ismert stil\u00e1ris eszk\u00f6z\u00f6kb\u0151l \u00e9p\u00edtkezik: az el\u0151t\u00e9r figurat\u00edv mot\u00edvumai beleolvadnak a h\u00e1tt\u00e9r monokr\u00f3m t\u00f6mbj\u00e9be, a s\u00f6t\u00e9t \u00e9jszak\u00e1t megjelen\u00edt\u0151 feketes\u00e9gbe. De, ahogyan azt megszoktuk a kor\u00e1bbi m\u0171veken, a h\u00e1tt\u00e9r egy\u00fattal az eg\u00e9sz vil\u00e1got meghat\u00e1roz\u00f3 min\u0151s\u00e9gg\u00e9 l\u00e9nyeg\u00fcl, beh\u00e1l\u00f3zza, maga al\u00e1 gy\u0171ri a figurat\u00edv mot\u00edvumokat is. A fiatal f\u00e9rfi fej\u00e9n ez\u00e9rt jelennek meg apr\u00f3 foltok \u2013 a s\u00f6t\u00e9t vil\u00e1geg\u00e9sz erjed\u00e9s\u00e9t megjelen\u00edt\u0151 bubor\u00e9kokk\u00e9nt. Az Inside out Room<\/em> fekete doboz\u00e1ban nemcsak az erjed\u00e9s gondolata, hanem a feketes\u00e9g r\u00e9tegei \u2013 a k\u00fcl\u00f6nb\u00f6z\u0151 \u00e1rnyalat\u00fa foltok t\u00f6mbjei, melyek geometrikus rendben vannak egym\u00e1s mell\u00e9 \u00e1ll\u00edtva \u2013 is nyomaszt\u00f3nak hatnak. A feketes\u00e9gb\u0151l egyszerre bontakozik ki egy architektonikus t\u00e9rbeli t\u00e1rgy, egy szoba k\u00e9pe, s egy struktur\u00e1latlan nem-hely, egy l\u00e9tez\u00e9sen t\u00fali dimenzi\u00f3. A k\u00e9p centrum\u00e1ba helyezett, r\u00f3zsasz\u00edn inges kisl\u00e1nyt, aki egy j\u00e1t\u00e9kra ingerl\u0151, f\u00e9nyes g\u00f6mb\u00f6t tart a kez\u00e9ben, szinte agyonnyomja, moccanni sem engedi ez a metafizikai szorong\u00e1s l\u00e9t\u00e1llapot\u00e1t megid\u00e9z\u0151 dimenzi\u00f3. Martin Heidegger \u00edrja egy essz\u00e9j\u00e9ben, hogy az ember akkor v\u00e1lik k\u00e9pess\u00e9 szembes\u00fclni saj\u00e1t v\u00e9gess\u00e9g\u00e9vel, \u00e9s \u00edgy l\u00e9te \u00e9rtelm\u00e9vel is, amikor \u2013 a hirtelen r\u00e1t\u00e1mad\u00f3, l\u00e9nyegi szorong\u00e1s \u00e1llapot\u00e1ban \u2013 a l\u00e9tez\u00e9s hat\u00e1rain t\u00fal felny\u00edl\u00f3 semmivel tal\u00e1lja mag\u00e1t szemk\u00f6zt.4<\/span> Ilyesf\u00e9le, s\u00f6t\u00e9t masszak\u00e9nt gomolyg\u00f3 semmit \u00e9rz\u00e9kelhet\u00fcnk Sz\u0171cs dobozaiban. \u00c1m ez a semmi nem azonos a nem-l\u00e9t dimenzi\u00f3j\u00e1val, a \u201ekiford\u00edtott szoba\u201d ugyanis itt van, jelen van: bel\u00e9phet\u00fcnk.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

4<\/p>\n

V\u00f6. Martin Heidegger, Bevezet\u00e9s a metafizik\u00e1ba.<\/em> Ford. Vajda Mih\u00e1ly, Budapest, Ikon, 1995. K\u00fcl\u00f6n\u00f6sen: 5. \u00a7.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”14759″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sz\u0171cs Attila: Inside out Room,<\/em> 2018, olaj, v\u00e1szon, 240\u00d7200 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”14746″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sz\u0171cs Attila: The Book,<\/em> 2018, olaj, gesso, farost, 140\u00d7100 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][vc_column_text]M\u00e1s m\u0171veken a fekete h\u00e1tt\u00e9r a teljes k\u00e9pmez\u0151t kit\u00f6lti. A The Book<\/em> c\u00edm\u0171 festm\u00e9nyen egybefolynak a k\u00fcl\u00f6nb\u00f6z\u0151 l\u00e9tmin\u0151s\u00e9gek: a leveg\u0151, a t\u00e1rgyak, az emberalak. Egy fi\u00fa k\u00f6nyvet olvas, baseballsapk\u00e1ja kitakarja arc\u00e1t. Test\u00e9t sem l\u00e1tjuk: a \u201eh\u00fas\u201d hely\u00e9n architektonikus form\u00e1k vannak \u2013 tal\u00e1n egym\u00e1son sorakoz\u00f3 k\u00f6nyvek, tal\u00e1n egy sz\u00e1m\u00edt\u00f3g\u00e9p belsej\u00e9ben gener\u00e1l\u00f3d\u00f3, virtu\u00e1lis t\u00e9r vonalai. De a hi\u00e1nyz\u00f3 arc \u00e9s test ellen\u00e9re is \u00e9rezz\u00fck az emberi jelenl\u00e9tet, legink\u00e1bb a feket\u00e9vel \u00e1titatott sz\u00ednek s\u00f6t\u00e9tj\u00e9n \u00e1tsz\u0171r\u0151d\u0151 f\u00e9ny miatt. A f\u00e9ny r\u00e9v\u00e9n a szellem aur\u00e1j\u00e1t t\u00e1rs\u00edtjuk az emberszer\u0171 mot\u00edvumhoz. Ennek az \u00e9l\u0151 \u00e9s l\u00e1ngol\u00f3 szellemnek azonban (ami annyi kor\u00e1bbi Sz\u0171cs-festm\u00e9nyen ott k\u00eds\u00e9rt) a k\u00e9t m\u00e1sik, teljes k\u00e9pmez\u0151t kit\u00f6lt\u0151 \u201efekete n\u00e9gyzeten\u201d nyoma sincs. A Tesla\u2019s Death Mask<\/em> c\u00edm\u0171 olajfestm\u00e9nyen l\u00e1that\u00f3, testr\u0151l lev\u00e1gott fej lecsukott szem\u00e9vel, sz\u00fcrke arc\u00e1val mintha a s\u00f6t\u00e9t \u0171rben lebegne. A k\u00e9p egyszerre id\u00e9zi meg a hal\u00e1lt \u00e9s a semmit; a konkr\u00e9t szem\u00e9llyel beazonos\u00edtott halotti maszk miatt pedig annak a feltal\u00e1l\u00f3nak az alakj\u00e1t, akinek k\u00fcl\u00f6n\u00f6sen er\u0151s k\u00f6t\u0151d\u00e9se volt a nem-tud\u00f3s tud\u00e1shoz, az intu\u00edci\u00f3hoz, a racion\u00e1lis \u00faton fellelhetetlen, valamik\u00e9ppen m\u00e9gis el\u00e9rhet\u0151 titokhoz. A harmadik k\u00e9p (Backdoor to Harmony<\/em>) enn\u00e9l is \u00fcresebb, \u00e1m a fekete h\u00e1tt\u00e9rb\u0151l egy ajt\u00f3 k\u00f6rvonalai bontakoznak ki, mintha csak arra sz\u00f3l\u00edtan\u00e1nak fel, hogy nyissuk ki.[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”14751″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sz\u0171cs Attila: Tesla’s Death Mask,<\/em> 2018, olaj, gesso, r\u00e9tegelt lemez, 55\u00d755 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A ki\u00e1ll\u00edt\u00e1son egyetlen feh\u00e9r k\u00e9pet (Inside out Box<\/em>) l\u00e1tunk, amit a fekete objekt m\u00f6g\u00e9 install\u00e1lt a m\u0171v\u00e9sz. Ebben a kiford\u00edtott n\u00e9gyzetben, a k\u00fcl\u00f6nb\u00f6z\u0151 \u00e1rnyalat\u00fa feh\u00e9r foltokb\u00f3l egy k\u00fcl\u00f6n\u00f6s narrat\u00edva bontakozik ki: testek n\u00e9lk\u00fcli kezek pr\u00f3b\u00e1lnak \u00e1tszak\u00edtani valamit, mintha kit\u00f6rn\u00e9nek egy dobozb\u00f3l, csak \u00e9ppen azt nem tudjuk, hogy tett\u00fck eredm\u00e9nyek\u00e9ppen k\u00edv\u00fclre vagy bel\u00fclre ker\u00fclnek-e. A feh\u00e9r ki\u00fcres\u00edtetts\u00e9g\u00e9ben elvesz\u00edti jelent\u00e9s\u00e9t a kint \u00e9s a bent, a t\u00e9rbelis\u00e9g eg\u00e9sze \u2013 csak a v\u00e9gtelen pillanat van, amelyben a hat\u00e1rvonalon val\u00f3 l\u00e9tez\u00e9s, az \u00e1tt\u00f6r\u00e9s, a transzgresszi\u00f3 mozdulata tart \u00f6r\u00f6kk\u00e9val\u00f3an. Innen visszan\u00e9zve \u00e9rtj\u00fck meg, hogy a fekete n\u00e9gyzetre helyezett sz\u00ednes kompoz\u00edci\u00f3k is hat\u00e1rvonalon lebegnek: sz\u00fcntelen\u00fcl kibomlanak a v\u00e9ges l\u00e9tez\u00e9s s\u00f6t\u00e9ts\u00e9g\u00e9be val\u00f3 bez\u00e1rts\u00e1gb\u00f3l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][image_with_animation image_url=”14749″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sz\u0171cs Attila: Inside out Box,<\/em> 2018, olaj, v\u00e1szon, 200\u00d7200 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Sz\u0171cs alkot\u00e1sait mindig is k\u00f6r\u00fclvette a titokzatoss\u00e1g aur\u00e1ja, ami miatt m\u0171v\u00e9szet\u00e9t metafizikusnak \u00e9rezz\u00fck. Mintha k\u00f6nnyen \u00e9rtelmezhet\u0151, figurat\u00edv narrat\u00edv\u00e1i ellen\u00e9re, melyek l\u00e9trehoz\u00e1s\u00e1ban egyszerre \u00e9rv\u00e9nyes\u00fclnek hipperrealista \u00e9s absztrakt expresszionista fest\u00e9szeti gesztusok, lenne benn\u00fck valami megnevezhetetlen, a l\u00e1thatatlans\u00e1gba h\u00faz\u00f3d\u00f3 jelent\u00e9startalom. A fekete monolit k\u00f6r\u00e9 rendezett projekttel Sz\u0171cs most mag\u00e1t a titkot \u00e1ll\u00edtja k\u00f6z\u00e9ppontba, tal\u00e1n mert arra t\u00f6rekszik, hogy a l\u00e1thatatlant, a f\u00e9nyhi\u00e1nyk\u00e9nt fell\u00e9p\u0151 feket\u00e9t vonja a l\u00e1that\u00f3s\u00e1g ter\u00e9be \u2013 kinyitva, kiford\u00edtva, a l\u00e9tez\u00e9s h\u00e9tk\u00f6znapi baleseteinek sz\u00ednes t\u00f6rt\u00e9netein kereszt\u00fcl mind m\u00e9lyebbre hatolva, a l\u00e9t elbesz\u00e9lhetetlen katasztr\u00f3f\u00e1i fel\u00e9. De csak a hat\u00e1rvonalig, a fekete doboz felsz\u00edn\u00e9ig enged behatolni.<\/p>\n

A ki\u00e1ll\u00edt\u00f3t\u00e9r k\u00f6zep\u00e9re install\u00e1lt fekete doboz Kubrick monolitj\u00e1nak parafr\u00e1zisa. A filmnyelvi elbesz\u00e9l\u00e9sben az \u00e1thatolhatatlan t\u00e1rgy felbukkan\u00e1s\u00e1t k\u00f6vet\u0151en az emberi civiliz\u00e1ci\u00f3 mindig egy magasabb fokra \u00e9rkezik el. Kubrick sz\u00e1nd\u00e9kosan nem ad v\u00e1laszt az idegen er\u0151t megtestes\u00edt\u0151 t\u00e1rgy tal\u00e1ny\u00e1ra. A 2001 \u0170rod\u00fcsszeia<\/em> egy filoz\u00f3fiai narrat\u00edva filmnyelvi megfogalmaz\u00e1sak\u00e9nt \u00e9rtelmezhet\u0151: a film \u2013 az \u0171r k\u00e9peivel \u2013 els\u0151 pillanatt\u00f3l fogva a l\u00e9tez\u00e9s metafizikai r\u00e9gi\u00f3iba pr\u00f3b\u00e1l behatolni, a monolit r\u00e9v\u00e9n pedig azt deklar\u00e1lja, hogy az emberi l\u00e9t v\u00e9gs\u0151 k\u00e9rd\u00e9seire nem adhat\u00f3 v\u00e1lasz.<\/p>\n

Sz\u0171cs k\u00e9pz\u0151m\u0171v\u00e9szeti projektj\u00e9ben ez a monolit szint\u00e9n egy \u00f6nmag\u00e1ba z\u00e1r\u00f3d\u00f3 t\u00f6mb, de kusza rendezetlens\u00e9gben m\u00e9lyed\u00e9sek vannak benne, k\u00fcl\u00f6nb\u00f6z\u0151 m\u00e9ret\u0171 \u201eablakok\u201d, azokban pedig rajzok. A rajzokon h\u00e1ttal \u00e1ll\u00f3 emberalakok, lemetszett fejek, levit\u00e1l\u00f3 testek lebegnek \u2013 mindig egy ki\u00fcres\u00edtett h\u00e1tt\u00e9r el\u0151tt. Mintha valamif\u00e9le katasztr\u00f3fa el\u0151tti \u00e1llapotba dermedne belea l\u00e9tez\u00e9s \u00f6sszes alakja, nemcsak az emberek, hanem az \u00e1llatok is, p\u00e9ld\u00e1ul a f\u00e9ny ter\u00e9be bel\u00e9p\u0151, riadt szarvas, vagy a t\u00e1rgyak, az \u00e9p\u00fcletek, az \u0151rtoronnyal kett\u00e9osztott k\u0151fal, ami egy idegen objektumot v\u00e9d a behatol\u00e1st\u00f3l. A sz\u00fcrke rajzok \u00e9letlen t\u00f3nusait \u00e1that\u00f3v\u00e1 teszi a f\u00e9ny, ami h\u00e1tulr\u00f3l, a fekete t\u00f6mb belsej\u00e9b\u0151l \u00e9rkezik, s az \u00f6sszes ny\u00edl\u00e1sb\u00f3l egys\u00e9ges er\u0151vel t\u00f6r el\u0151. \u00dagy \u00e9rezhetj\u00fck, hogy az ablakok nem is kifel\u00e9 ny\u00edlnak, a mi vil\u00e1gunkba, ahol a l\u00e1tv\u00e1ny olvashat\u00f3, jelent\u00e9seket gener\u00e1l\u00f3 elemeit keress\u00fck szakadatlanul, hanem befel\u00e9, egy m\u00e1sik vil\u00e1gba. A t\u00falvil\u00e1gias f\u00e9ny forr\u00e1sa ugyanis nem k\u00edv\u00fcl, nem odaf\u00f6nn vagy oda\u00e1t van, hanem itt, a szem\u00fcnk el\u0151tt \u2013 m\u00e9gis el\u00e9rhetetlen t\u00e1vols\u00e1gba helyezve a n\u00e9z\u0151 el\u0151l. Plat\u00f3n barlangja juthat esz\u00fcnkbe e m\u0171v\u00e9szeti v\u00edzi\u00f3r\u00f3l, \u00e1m itt minden a vissz\u00e1j\u00e1ra fordul: nem a barlang lel\u00e1ncolt lak\u00f3i vagyunk, akik csak a falra vet\u00fcl\u0151 \u00e1rnyk\u00e9peket szeml\u00e9lj\u00fck, hanem a napf\u00e9ny szabad vil\u00e1g\u00e1ban l\u00e9tez\u0151 l\u00e9nyek. A k\u00e9pekjelent\u00e9s\u00e9t igazol\u00f3 eredetet mag\u00e1t m\u00e9gse l\u00e1tjuk, mert az el van z\u00e1rva a fekete t\u00f6mb belsej\u00e9be \u2013 csak az \u201eablakokon\u201d ki\u00e1rad\u00f3, tomp\u00edtott erej\u0171 f\u00e9ny utal a l\u00e9tez\u00e9s\u00e9re. Vajon mi t\u00e1rulna fel, ha ezt a fekete dobozt is kiford\u00edtan\u00e1 a m\u0171v\u00e9sz? Tal\u00e1n elviselhetetlen volna a l\u00e1tv\u00e1ny, amit a doboz j\u00f3t\u00e9konyan v\u00e9d? Amik\u00e9ppen elviselhetetlen Isten l\u00e1tv\u00e1nya is az emberi tekintet sz\u00e1m\u00e1ra? Mint ismeretes, a zsid\u00f3-kereszt\u00e9ny vall\u00e1s Isten\u00e9nek a l\u00e1thatatlans\u00e1g az egyik legfontosabb attrib\u00fatuma; a Kivonul\u00e1s k\u00f6nyv\u00e9b\u0151l tudjuk, a l\u00e1thatatlan Isten az\u00e9rt nem t\u00e1rja fel mag\u00e1t az ember el\u0151tt, hogy az bele ne pusztuljon l\u00e1tv\u00e1ny\u00e1ba.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”14764″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sz\u0171cs Attila: Inside the Black Box,<\/em> 2018, ki\u00e1ll\u00edt\u00e1si n\u00e9zet<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][vc_gallery type=”flickity_style” images=”14671,14673,14675,14677″ flickity_spacing=”default” flickity_controls=”material_pagination” flickity_overflow=”hidden” flickity_wrap_around=”wrap” flickity_desktop_columns=”1″ flickity_small_desktop_columns=”1″ flickity_tablet_columns=”1″ flickity_phone_columns=”1″ flickity_free_scroll=”true” flickity_autoplay=”true” flickity_box_shadow=”none” image_loading=”default” onclick=”link_no” img_size=”full” flickity_autoplay_dur=”5000″][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”3\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Sz\u0171cs Attila sem fedi fel a v\u00e9gs\u0151 titkot. Csak r\u00e1mutat, nyilv\u00e1nval\u00f3v\u00e1 teszi a l\u00e9tez\u00e9s\u00e9t \u2013 \u00e1m k\u00f6zben el is rejti, t\u00e1vol helyezi. Az \u00f6nmag\u00e1ba z\u00e1rul\u00f3 t\u00f6mb n\u00e1la nem viselkedik fekete lyukk\u00e9nt, hiszen a f\u00e9nyt nem nyeli teljesen mag\u00e1ba, a ny\u00edl\u00e1sokon \u00e1t valamennyit enged kisz\u0171r\u0151dni.Tal\u00e1n \u00e9ppen annyit, amennyinek az ereje m\u00e9g elviselhet\u0151. Az egyik rajzon olvashat\u00f3 is, mintegy a m\u00e9lyebbre hatol\u00e1st tilt\u00f3 t\u00e1blak\u00e9nt, az \u00e9ppen lehull\u00f3 bet\u0171kb\u0151l kirakott \u201eEXIT\u201d felirat.<\/p>\n

Jacques Derrida<\/span> \u00edrja egy \u00e9rtekez\u00e9s\u00e9ben, hogy az olyan igazs\u00e1gok, a miszt\u00e9rium k\u00f6d\u00e9b\u0151l kibontakoz\u00f3 titkok eset\u00e9ben, amelyek semmi \u00e9s senki \u00e1ltal nem igazolhat\u00f3k, csak a jelenl\u00e9v\u0151 tan\u00fa \u00e1t\u00e9l\u00e9se r\u00e9v\u00e9n, a tan\u00fas\u00edt\u00e1snak sz\u00fcks\u00e9gszer\u0171en esk\u00fcv\u00e9 kell v\u00e1lnia. Csakhogy, aki esk\u00fcszik, annak Istenre kell esk\u00fcdnie, mert Isten az egyetlen, aki a transzcendent\u00e1lis esem\u00e9nyt az esk\u00fctev\u0151n k\u00edv\u00fcl tan\u00fas\u00edthatja. Az esk\u00fcnek el\u0151 kellene \u00e1ll\u00edtania ez\u00e9rt Istent, mint z\u00e1logot, meg kellene id\u00e9znie a t\u00e1voll\u00e9v\u0151t \u2013 \u00e1m Isten el\u0151\u00e1ll\u00edthatatlan. A transzcendencia tan\u00fas\u00edt\u00e1sa \u00e9ppen ez\u00e9rt azt k\u00f6veteli meg, hogy a tan\u00fas\u00e1gtev\u0151 a t\u00e1vols\u00e1got avassa k\u00f6zell\u00e9tt\u00e9: \u201eAz el\u0151\u00e1ll\u00edthatatlan el\u0151\u00e1ll\u00edt\u00e1sa \u00e9s \u00fajra el\u0151\u00e1ll\u00edt\u00e1sa t\u00e1vol a hely\u00e9n. Minden e t\u00e1voll\u00e9t jelenl\u00e9t\u00e9vel kezd\u0151dik.\u201d5<\/span><\/p>\n

Sz\u0171cs Attila a fekete doboz k\u00f6r\u00e9 \u00e9p\u00edtett m\u0171v\u00e9szeti projektj\u00e9ben, amellyel a transzcendencia vil\u00e1gunkba val\u00f3 besz\u00fcremked\u00e9s\u00e9t akarja l\u00e1ttatni, mintha \u00e9ppen ezt tenn\u00e9: a t\u00e1voll\u00e9t jelenl\u00e9t\u00e9t mutatja fel.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

Jacques Derrida, Hit \u00e9s tud\u00e1s. A \u201evall\u00e1s\u201d k\u00e9t forr\u00e1sa a puszta \u00e9sz hat\u00e1rain.<\/em> Ford\u00edtotta Boros J\u00e1nos \u00e9s Orb\u00e1n Jol\u00e1n. P\u00e9cs, Brambauer, 2006. 47\u201348.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”14766″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Sz\u0171cs Attila: Inside the Black Box,<\/em> 2018, ki\u00e1ll\u00edt\u00e1si n\u00e9zet<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]\"\"[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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