{"id":14458,"date":"2018-12-15T07:38:42","date_gmt":"2018-12-15T06:38:42","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=14458"},"modified":"2023-02-07T22:04:29","modified_gmt":"2023-02-07T21:04:29","slug":"az-eszleles-hatarvidekein","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/az-eszleles-hatarvidekein\/","title":{"rendered":"Az \u00e9szlel\u00e9s hat\u00e1rvid\u00e9kein"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

Making Sense<\/em><\/h3>\n

Krystyna Bilak \u00e9s Bir\u00f3 D\u00e1vid ki\u00e1ll\u00edt\u00e1sa<\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Pince, Budapest
\n2018. okt\u00f3ber 3 \u2013 okt\u00f3ber 19.<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”3\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Nem k\u00f6nny\u0171 fotogr\u00e1fusnak lenni. Persze k\u0151m\u0171vesnek, post\u00e1snak vagy geogr\u00e1fusnak lenni sem k\u00f6nny\u0171, \u00e9s soha nem is volt az. \u00c1m a fotogr\u00e1fia m\u0171vel\u00e9se manaps\u00e1g az \u00e1ltal\u00e1nos emberi \u00e9s szakmai \u2013 ez esetben m\u0171v\u00e9szeti \u2013 helyzetn\u00e9l valamivel m\u00e9g nehezebb. Amikor szinte mindenki fot\u00f3kat k\u00e9sz\u00edt, \u00e9s a v\u00e9letlen var\u00e1zs\u00e1nak k\u00f6sz\u00f6nhet\u0151en a folyv\u00e1st k\u00e9sz\u00fcl\u0151 milli\u00f3 felv\u00e9tel k\u00f6z\u00f6tt sz\u00e9p sz\u00e1mmal sz\u00fcletnek remekm\u0171vek is \u2013 ember legyen a talp\u00e1n, aki kisz\u0171ri ezeket a szembesz\u00f6k\u0151 hullad\u00e9k hekatomb\u00e1ib\u00f3l; vagyis amikor szinte mindenki m\u0171v\u00e9sz,<\/em> el\u00e9g neh\u00e9z a fot\u00f3t m\u0171v\u00e9szetk\u00e9nt m\u0171velni. A helyzet legink\u00e1bb a fest\u00e9szet helyzet\u00e9vel mutat p\u00e1rhuzamot \u2013 a f\u00e9nyk\u00e9pez\u00e9s megjelen\u00e9se idej\u00e9n. Amikor a k\u00e9zm\u0171ves \u00e1br\u00e1zol\u00e1s m\u0171v\u00e9szi miszt\u00e9rium\u00e1t a fot\u00f3 appar\u00e1tus\u00e1nak \u00e9s alk\u00edmi\u00e1j\u00e1nak tagadhatatlan realizmusa f\u00f6l\u00fclm\u00falta, a fest\u0151knek is m\u00e1s feladat ut\u00e1n kellett n\u00e9zni\u00fck.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”full-0-6″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”14464″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”full-0-6″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”14466″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

Krystina Bilak, Bir\u00f3 D\u00e1vid: Making Sense<\/em> | r\u00e9szletek a ki\u00e1ll\u00edt\u00e1sb\u00f3l \u00a9 Fot\u00f3k: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”3\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Persze ma nemcsak a fotogr\u00e1fusokra \u00e1ll ez a feladv\u00e1ny, nem kev\u00e9sb\u00e9 az art<\/em>ist\u00e1kra is, l\u00e9v\u00e9n hogy a m\u0171v\u00e9szet is keresi a hely\u00e9t. A m\u0171v\u00e9szek felt\u00e1ratlan ter\u00fcletekre ir\u00e1ny\u00edtj\u00e1k az antenn\u00e1ikat, olykor a term\u00e9szettudom\u00e1nyok fel\u00e9 orient\u00e1l\u00f3dnak, n\u00e9ha \u0171rkutat\u00f3kkal dolgoznak egy\u00fctt \u2013 mint p\u00e9ld\u00e1ul Laurie Anderson, Aleksandra Mir \u2013, vagy a t\u00e1rsadalomtudom\u00e1nyokt\u00f3l inspir\u00e1l\u00f3dnak, \u00e9s a szoci\u00e1lis mez\u0151 aktorak\u00e9nt kezdem\u00e9nyeznek \u00faj szervez\u0151d\u00e9sform\u00e1kat; peremter\u00fcleteket keresnek \u00e9s t\u00e1rnak f\u00f6l. Ezt l\u00e1tjuk a Making Sense<\/em> ki\u00e1ll\u00edt\u00e1son is: Krystyna Bilak,<\/span> mint \u00edrja, a \u201efotogr\u00e1fi\u00e1ra felder\u00edt\u0151 eszk\u00f6zk\u00e9nt tekint\u201d, ismeretlen ter\u00fcletek fel\u00e9 t\u00e1j\u00e9koz\u00f3dik. Ennek sor\u00e1n r\u00e1tal\u00e1lt egy felt\u00e1ratlan ter\u00fcletre a s\u00f6t\u00e9ts\u00e9g \u00e9s a vil\u00e1goss\u00e1g hat\u00e1r\u00e1n. A f\u00e9ny hi\u00e1ny\u00e1ban t\u00e9tov\u00e1n \u00e9s tan\u00e1cstalanul botork\u00e1l\u00f3 alakokra villantotta r\u00e1 a fotogr\u00e1fia f\u00e9ny\u00e9t \u2013 \u00e9s tett l\u00e1that\u00f3v\u00e1 val\u00f3sz\u00edn\u0171tlen mozdulatokat, term\u00e9szetellenes testtart\u00e1sokat, emberi helyzeteket. Amelyekr\u0151l \u00f6nn\u00f6n magunkra ismerhet\u00fcnk, hisz valamennyien f\u00e9lhom\u00e1lyban botork\u00e1lunk, s n\u00e9ha f\u00f6ld\u00f6nt\u00fali megvil\u00e1g\u00edt\u00e1sban van r\u00e9sz\u00fcnk.[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”14504″ alignment=”” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”14499″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

Krystina Bilak: UNSEEN Study<\/em>, photobook, 2017<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”3\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A felder\u00edt\u0151<\/em> nagyon tal\u00e1l\u00f3 fogalom. Ugyanis a modern m\u0171v\u00e9szet megnevez\u00e9se sok\u00e1ig az avantg\u00e1rd fogalm\u00e1val t\u00f6rt\u00e9nt, egy szint\u00fagy katonai terminussal. A felder\u00edt\u0151<\/em> szerepe az el\u0151\u0151rsh\u00f6z, az \u00e9lcsapathoz k\u00e9pest \u2013 ez az avantg\u00e1rd eredeti jelent\u00e9se \u2013 egyszerre szer\u00e9nyebb, ugyanakkor nagyobb jelent\u0151s\u00e9g\u0171. K\u00f6zvetlen\u00fcl nem vesz r\u00e9szt a k\u00fczdelemben: nemhogy a hadm\u0171veletek \u00e9l\u00e9n, de m\u00e9g a h\u00e1tv\u00e9dben sem. Nincsen kiv\u00e1lasztotts\u00e1gtudata, vez\u00e9rl\u0151 elhivatotts\u00e1gt\u00f3l duzzad\u00f3 \u00e9nk\u00e9pe. \u00c1m ann\u00e1l ink\u00e1bb k\u00e9pben van az el\u0151tte \u00e1ll\u00f3 ismeretlen min\u00e9m\u0171s\u00e9ge tekintet\u00e9ben: a ter\u00fclet kiterjed\u00e9se \u00e9s \u00f6sszetetts\u00e9ge, a rendelkez\u00e9sre \u00e1ll\u00f3 ismeretek bizonytalans\u00e1ga, avul\u00e9konys\u00e1ga, k\u00e9ts\u00e9ges volta fel\u0151l. Ugyanis a h\u00e1bor\u00fa \u2013 amint azt a nagy k\u00ednai strat\u00e9ga, Szun-ce 2500 \u00e9ve \u00edr\u00f3dott hadm\u0171v\u00e9szeti trakt\u00e1tus\u00e1b\u00f3l tudjuk \u2013 mindig a megt\u00e9veszt\u00e9s \u00fatj\u00e1t j\u00e1rja.<\/em>[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”full-5-15″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14485″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Bir\u00f3 D\u00e1vid: Axiom, #01,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14487″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Bir\u00f3 D\u00e1vid: Axiom, #02,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14489″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Bir\u00f3 D\u00e1vid: Axiom, #04,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”full-5-15″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14491″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Bir\u00f3 D\u00e1vid: Axiom, #06,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14493″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Bir\u00f3 D\u00e1vid: Axiom, #08,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14495″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Bir\u00f3 D\u00e1vid: Axiom, #09,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”3\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A h\u00e1bor\u00fa persze ez esetben nem konkr\u00e9t, nem is retorikai, hanem \u00e9pp\u00fagy, mint a felder\u00edt\u00e9s<\/em>: k\u00e9pletes. A benn\u00fcnket k\u00f6r\u00fclvev\u0151 ismeretlen, z\u0171rzavar, kaotikus hat\u00e1s- \u00e9s k\u00e9pt\u00f6meg ellen folyik. Ennek az \u00e1ltal\u00e1nos hadi\u00e1llapotnak a k\u00e9rd\u00e9sei \u00e9s k\u00e9pei vannak jelen Bir\u00f3 D\u00e1vid<\/span> munk\u00e1iban is. A k\u00e9rd\u00e9sek majdhogynem ismeretelm\u00e9leti m\u00e9lys\u00e9gekig men\u0151en ki\u00e9lezettek, mivel \u00e9szlel\u00e9s\u00fcnk viszonylagoss\u00e1g\u00e1t \u00e9s megb\u00edzhat\u00f3s\u00e1g\u00e1t \u00e9rintik. \u201eAz \u00e9szlel\u00e9s \u2013 mint a ki\u00e1ll\u00edt\u00e1s koncepci\u00f3j\u00e1ban \u00edrja \u2013 minden l\u00e9tez\u0151 sz\u00e1m\u00e1ra m\u00e1s \u00faton t\u00f6rt\u00e9nik: fizikai korl\u00e1tokon t\u00fal, egy\u00e9ni gondolkod\u00e1sm\u00f3dok \u00e9s ismeretek is befoly\u00e1solj\u00e1k a folyamatot.\u201d K\u00e9pei m\u00e9gsem vesznek el a relativizmus r\u00e9v\u00fclet\u00e9ben, tal\u00e1lt egy biztos \u00e9s szil\u00e1rd, nem minden ir\u00f3nia n\u00e9lk\u00fcli archim\u00e9deszi pontot: a sz\u00ednkalibr\u00e1ci\u00f3s t\u00e1bl\u00e1t.<\/em> Ez egy k\u00e9ts\u00e9gtelen, tudom\u00e1nyosan megalapozott \u00e9s praktikus bizonyoss\u00e1g<\/em>, ha nem is az egyetlen, ami e vil\u00e1gban fellelhet\u0151. Mindenesetre alkalmas arra, hogy kell\u0151en ironikus m\u00e9rc\u00e9je legyen sz\u00edneinknek \u00e9s sz\u00edntereinknek.
\nMindk\u00e9t ki\u00e1ll\u00edt\u00f3 munk\u00e1ja koncepci\u00f3zus; nem tal\u00e1lt t\u00e1rgyak, esetleges t\u00e9m\u00e1k, v\u00e9letlen egy\u00fctt\u00e1ll\u00e1sok k\u00e9pi tud\u00f3s\u00edt\u00e1sa, hanem k\u00e9tked\u0151, kutat\u00f3, reflekt\u00e1l\u00f3 gondolkod\u00e1sb\u00f3l sz\u00fcletett fotogr\u00e1fia. L\u00e9v\u00e9n, hogy a fotogr\u00e1fi\u00e1ban \u201eaz \u00e9p\u00edt\u00e9szethez hasonl\u00f3an a d\u00f6nt\u0151 dolog mindig az alapgondolat\u201d \u2013 mik\u00e9nt azt John Pawson is meg\u00e1llap\u00edtja a Vizu\u00e1lis lelt\u00e1r<\/em> c\u00edm\u0171 album\u00e1nak el\u0151szav\u00e1ban.1<\/span> [\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

John Pawson: A Visual Inventory,<\/em> Phaidon, London, 2012. 9.o.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”full-5-15″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14471″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Krystina Bilak: UNSEEN #01,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14473″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Krystina Bilak: UNSEEN #04,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”cont-20-0″ width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”14477″ alignment=”center” animation=”Fade In” img_link_large=”yes” border_radius=”none” box_shadow=”none” max_width=”100%”][vc_column_text]\n

Krystina Bilak: UNSEEN #08,<\/em> 2017, gicl\u00e9e print, dibond lemez<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” vertically_center_columns=”true” scene_position=”center” text_color=”dark” text_align=”center” color_overlay=”rgba(255,255,255,0.92)” overlay_strength=”0.95″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”p-3-0″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”]

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