{"id":13474,"date":"2018-09-24T11:38:32","date_gmt":"2018-09-24T09:38:32","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=13474"},"modified":"2023-03-17T17:57:00","modified_gmt":"2023-03-17T16:57:00","slug":"performativ-szocialis-kover-politikailag-inkorrekt-minden-szobor","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/performativ-szocialis-kover-politikailag-inkorrekt-minden-szobor\/","title":{"rendered":"Performat\u00edv, szoci\u00e1lis, k\u00f6v\u00e9r, politikailag inkorrekt. Minden szobor\u2026"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″ custom_height_tablet=”15″ custom_height_phone=”10″][vc_column_text]\n

Kur\u00e1torok: Fab\u00e9nyi Julia, K\u00e9szman J\u00f3zsef
\nKur\u00e1torasszisztens: Petr\u00f3 Zsuzsanna<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″ custom_height_tablet=”15″ custom_height_phone=”10″][vc_column_text]\n

Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest
\n2018. j\u00falius 6 \u2013 szeptember 23.<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″ custom_height_tablet=”20″ custom_height_phone=”10″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A l\u00e1tsz\u00f3lagos egy\u00e9rtelm\u0171s\u00e9g, a humor, a k\u00f6nnyen \u00e9rtelmezhet\u0151, sok esetben j\u00f3l ismert, n\u00e9ha \u201eikonikus\u201d t\u00e1rgyak eszk\u00f6z\u00f6k Erwin Wurm<\/span> sz\u00e1m\u00e1ra, hogy olyan \u00f6sszetett k\u00e9rd\u00e9sekre keresse a v\u00e1laszokat a t\u00e1rgyakon, illetve l\u00e9trehoz\u00e1sukon, megval\u00f3sul\u00e1sukon \u00e9s recepci\u00f3jukon kereszt\u00fcl, amelyek h\u00e1tter\u00e9ben \u00f6sszetett gondolkod\u00e1si folyamatban ki\u00e9rlelt probl\u00e9mafelvet\u00e9sek h\u00faz\u00f3dnak meg. M\u0171v\u00e9szete megannyi sz\u00e1lon \u00e9s m\u00f3don kapcsol\u00f3dik filoz\u00f3fusok gondolataihoz, vil\u00e1gr\u00f3l vallott n\u00e9zeteihez, de legal\u00e1bb annyira olyan meghat\u00e1roz\u00f3 m\u0171v\u00e9szekhez is, mint Marcel Duchamp,<\/span> t\u00f6bbek k\u00f6z\u00f6tt a Porszobrok<\/em> r\u00e9v\u00e9n, vagy Joseph Beuys<\/span> a szoci\u00e1lis plasztika gyakorlat\u00e1nak k\u00f6sz\u00f6nhet\u0151en.<\/p>\n

Wurm mag\u00e1t szobr\u00e1szk\u00e9nt hat\u00e1rozza meg, h\u00edress\u00e9 m\u00e9gis egy olyan munk\u00e1val v\u00e1lt (One Minute Sculptures,<\/em> 1997), amelyben neh\u00e9z els\u0151re megl\u00e1tni a szobr\u00e1szati jelleget, \u00fagy, ahogy \u0151 hivatkozik erre folytonosan. A m\u0171 f\u00e9nyk\u00e9pekb\u0151l \u00e1ll, amelyek seg\u00edts\u00e9g\u00e9vel egy t\u00e1rgy (vagy t\u00e1rgyak) \u00e9s az emberi test plasztikus kapcsolat\u00e1t r\u00f6gz\u00edtett\u00e9k a legk\u00fcl\u00f6nf\u00e9l\u00e9bb p\u00f3zokban: Wurm ezzel l\u00e9pte \u00e1t radik\u00e1lisan a szobr\u00e1szat hagyom\u00e1nyos hat\u00e1rait.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”13478″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces szobrok. Gondolkodj az em\u00e9szt\u00e9seden!<\/em> \u00c1br\u00e1nyi Luca Kata \u00e1ltal megval\u00f3s\u00edtva. \u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13483″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Ruhaszobrok)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13488″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: 18 pul\u00f3ver,<\/em> 1992, 50\u00d770\u00d725 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13491″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Herm\u00e8s-szobrok)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13493″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: C\u00edm n\u00e9lk\u00fcl,<\/em> 2008, akril, fa, gyapj\u00fa, 196\u00d750\u00d750 cm; C\u00edm n\u00e9lk\u00fcl,<\/em> 2008, fa, ruhaanyag, 177\u00d731\u00d720 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13496″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: C\u00edm n\u00e9lk\u00fcl,<\/em> 2011, fa, f\u00e9m, \u00fcveg, ruhaanyag, 214\u00d7130\u00d7190 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13498″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Francis Bacon-faliszekr\u00e9ny,<\/em> 2010, fa, f\u00e9m, fest\u00e9k, palackok, 75\u00d790\u00d754<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Rosalind Krauss<\/span> 1979-ban \u00edrt a szobr\u00e1szat m\u00e9dium\u00e1nak \u00fajra\u00e9rtelmez\u00e9si lehet\u0151s\u00e9geir\u0151l, l\u00e9nyeg\u00e9ben a szobr\u00e1szat akkori k\u00f6zelm\u00faltj\u00e1r\u00f3l \u00e9s jelen\u00e9r\u0151l az October<\/em> c\u00edm\u0171 foly\u00f3iratban.1<\/span> Erwin Wurm ebben az \u00e9vben kezdte szobr\u00e1szati tanulm\u00e1nyait B\u00e9csben.2<\/span> Ezek az \u00e9vek kijel\u00f6lnek egy nem t\u00fal mark\u00e1ns hat\u00e1rt az akkori kort\u00e1rs m\u0171v\u00e9szetben a minimal art \u00e9s a konceptu\u00e1lis m\u0171v\u00e9szet, illetve az arra k\u00f6vetkez\u0151, egyfajta reakci\u00f3k\u00e9nt is felfoghat\u00f3, m\u0171v\u00e9szeti megnyilv\u00e1nul\u00e1sok k\u00f6z\u00f6tt (amelyeket hanyag eleganci\u00e1val szoktak egys\u00e9gesen posztmodern m\u0171v\u00e9szetnek is nevezni). Nem felt\u00e9tlen\u00fcl b\u00edr jelent\u0151s\u00e9ggel ez a v\u00e9letlen egybees\u00e9s, de tal\u00e1n nem is teljesen l\u00e9nyegtelen. A konceptu\u00e1lis m\u0171v\u00e9szet ugyanis hat\u00e1rozottan szembe\u00e1ll a modernizmus anyag- \u00e9s t\u00e1rgyk\u00f6zpont\u00fas\u00e1g\u00e1val, t\u00fall\u00e9p a k\u00fcl\u00f6nf\u00e9le m\u0171fajokon, lebontja azok hat\u00e1rait, nem egy m\u0171faj eszt\u00e9tikai probl\u00e9m\u00e1i foglalkoztatj\u00e1k, hanem els\u0151sorban is a fogalmis\u00e1g, illetve t\u00e1gan \u00e9rtelmezve, a m\u0171v\u00e9szet \u00e9s az ahhoz kapcsol\u00f3d\u00f3 alapvet\u0151 k\u00e9rd\u00e9sek (p\u00e9ld\u00e1ul a szerz\u0151is\u00e9g, m\u0171v\u00e9szet\/nem m\u0171v\u00e9szet szembe\u00e1ll\u00edt\u00e1sa, a k\u00f6zvet\u00edt\u00e9shez haszn\u00e1lt eszk\u00f6z\u00f6k \u00e9s azok elengedhetetlen eszt\u00e9tikai jellege stb.). Krauss a szobr\u00e1szatot egy kiterjesztett logikai mez\u0151ben igyekezett elhelyezni, hogy ne kelljen teljesen lemondani a m\u00e9dium kateg\u00f3ri\u00e1j\u00e1r\u00f3l, \u00e9s arra t\u00f6rekedett, hogy egy olyan keretet tal\u00e1ljon, amely m\u00e9g valamelyest k\u00f6thet\u0151 a szobr\u00e1szat m\u00e9dium\u00e1hoz, ha valamik\u00e9pp t\u00fal is mutat rajta (expanded field). Ezzel a m\u00e9dium kateg\u00f3ri\u00e1j\u00e1t b\u0151v\u00edtette ki egy \u201eposztmedi\u00e1lis\u201d \u00e1llapotban, amelynek el\u0151id\u00e9z\u00e9s\u00e9ben a f\u00e9nyk\u00e9pez\u00e9snek meghat\u00e1roz\u00f3 szerep jutott m\u00e1r a kezdetekt\u0151l. Ezt az \u00faj kateg\u00f3ri\u00e1t az anyagi felt\u00e9telekb\u0151l levezetett olyan konvenci\u00f3k k\u00e9szletek\u00e9nt \u00e9rtette, amelyekb\u0151l az expresszivit\u00e1s \u00faj form\u00e1i alak\u00edthat\u00f3k ki, \u00e9s amelyek tetsz\u0151legesen tov\u00e1bbfejleszthet\u0151k.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Rosalind E. Krauss: Sculpture in the Expanded Field. October<\/em> 1979 8 (1979 tavasz). 30-44. Ld. http:\/\/www.onedaysculpture.org.nz\/assets\/images\/reading\/Krauss.pdf<\/a> (utols\u00f3 let\u00f6lt\u00e9s: 2018. j\u00falius 14.)<\/p>\n

2<\/p>\n

Hochschule f\u00fcr Angewandte Kunst Wien, ma Universti\u00e4t f\u00fcr Angewandte Kunst Wien, illetve Akademie der Bildenden K\u00fcnste Wien<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13501″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Akci\u00f3szobrok)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13503″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Zorro,<\/em> 2012, patin\u00e1zott bronz, 40\u00d789\u00d792 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13506″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: A Wallstreeten \u00fclve,<\/em> 2016, patin\u00e1zott bronz, 65\u00d7102\u00d792 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Wurm l\u00e9nyeg\u00e9ben ezen az \u00faton indult el valamikor az 1980-as \u00e9vek m\u00e1sodik fel\u00e9ben. Christa Steinle,<\/span> a 2017-es Velencei Bienn\u00e1le<\/em> osztr\u00e1k pavilonj\u00e1nak kur\u00e1tora err\u0151l a szobr\u00e1szat, mint cselekv\u00e9si forma performat\u00edv fordulatak\u00e9nt besz\u00e9lt, amelynek a l\u00e9nyege szerinte, hogy Wurm alapvet\u0151en \u00fajra\u00e9rtelmezte a szobr\u00e1szat olyan hagyom\u00e1nyos krit\u00e9riumait, mint a t\u00e9rfogat, a s\u00faly, a statika, a gravit\u00e1ci\u00f3, a forma \u00e9s a t\u00f6meg. Ek\u00f6zben pedig a szobrot egy \u201eny\u00edlt cselekv\u00e9si mez\u0151v\u00e9 v\u00e1ltoztatta\u201d.3<\/span> Wurm m\u0171v\u00e9szet\u00e9ben teh\u00e1t l\u00e9nyeg\u00e9ben minden szobor karakterrel b\u00edr, nem csak az emberek vagy a dolgok, de a szavak is. Wurm azonban m\u00e1r az 1990-es \u00e9vek v\u00e9g\u00e9n (m\u00e1r a br\u00e9mai K\u00fcnstlerhausban 1997-ben rendezett ki\u00e1ll\u00edt\u00e1s\u00e1n)4<\/span> enn\u00e9l m\u00e9g egy l\u00e9p\u00e9ssel tov\u00e1bbment azzal, hogy nem csup\u00e1n a performativit\u00e1sra helyzete a hangs\u00falyt. A Br\u00e9m\u00e1ban is ki\u00e1ll\u00edtott Egyperces szobrai<\/em> kapcs\u00e1n mindig szoci\u00e1lis plasztik\u00e1r\u00f3l besz\u00e9lt, \u00e9s a fogalmat egy\u00e9rtelm\u0171en Joseph Beuys-hoz k\u00f6t\u00f6tte, saj\u00e1t m\u0171v\u00e9szet\u00e9ben alapvet\u0151en az \u0151 hat\u00e1s\u00e1nak tulajdon\u00edtotta. A szoci\u00e1lis plaszika (vagy t\u00e1rsadalmi plasztika, t\u00e1rsadalmi szobr\u00e1szat) az ut\u00f3bbi \u00e9vtizedekben, m\u00e1r Beuys el\u0151tt, de m\u00e9g ut\u00e1na is, igen jelent\u0151s szerephez jutott a m\u0171v\u00e9szetben, b\u00e1r a legk\u00fcl\u00f6nf\u00e9l\u00e9bb elnevez\u00e9sekkel, mint rel\u00e1ci\u00f3s, dialogikus vagy \u00e9pp r\u00e9szv\u00e9teli m\u0171v\u00e9szet.5<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

3<\/p>\n

Christa Steinle: Az osztr\u00e1k pavilon koncepci\u00f3ja.<\/em> http:\/\/labiennale2017.at\/?page_id=946<\/a><\/p>\n

4<\/p>\n

Erwin Wurm \u2013 One Minute Sculpture.<\/em> K\u00fcnstlerhaus Bremen, Br\u00e9ma, 1997. november \u2013 december<\/p>\n

5<\/p>\n

V\u00f6. ezzel Alan W. Moore: A Brief Genealogy of Social Sculpture, The Journal Of Aesthetics & Protest<\/em> http:\/\/www.joaap.org\/webonly\/moore.htm<\/a> (utols\u00f3 let\u00f6lt\u00e9s: 2018. j\u00falius 14.). Moor r\u00e9szletesen t\u00e1rgyalja a \u201eszoci\u00e1lis szobr\u00e1szat\u201d jelent\u0151s\u00e9g\u00e9t, azon m\u0171v\u00e9szek sokas\u00e1g\u00e1nak tev\u00e9kenys\u00e9g\u00e9t, akik m\u00e1r az 1950-es \u00e9vek elej\u00e9t\u0151l ebben a felfog\u00e1sban dolgoztak.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13509″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (A m\u00e9lys\u00e9gb\u0151l)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13511″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: C\u00edm n\u00e9lk\u00fcl (Nagy N),<\/em> 2017, bronz, fest\u00e9k, 65\u00d7150\u00d780 cm<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Beuys-n\u00e1l az, amit \u0151 szoci\u00e1lis plasztik\u00e1nak nevezett, els\u0151sorban el\u0151ad\u00e1sok form\u00e1j\u00e1ban \u00f6lt\u00f6tt testet, amelyeket az 1970-es \u00e9vekben tartott, \u00e9s f\u0151k\u00e9nt olyan m\u0171v\u00e9szi aktusra utalt, amely t\u00e1rsadalmi szerepv\u00e1llal\u00e1shoz k\u00f6t\u0151dik \u00e9s t\u00e1rsadalmi interakci\u00f3ra alapoz, teh\u00e1t p\u00e9ld\u00e1ul a k\u00f6z\u00f6ns\u00e9g akt\u00edv r\u00e9szv\u00e9tel\u00e9re. Martina Weinhart<\/span> ennek kapcs\u00e1n \u00edrta, hogy a m\u0171v\u00e9szet m\u00e1r nem kiz\u00e1r\u00f3lagosan egy\u00e9ni, hanem sokkal ink\u00e1bb demokratikus \u00e9s r\u00e9szv\u00e9teli aktus.6<\/span><\/p>\n

Beuys a szoci\u00e1lis plasztik\u00e1t \u201eantropol\u00f3giai m\u0171v\u00e9szetfogalom\u201d-nak7<\/span> nevezte, amelyben \u201ea plasztika az emberi szinonim\u00e1ja\u201d.8<\/span> Mindig kit\u00fcntetett m\u00f3don az emberr\u0151l sz\u00f3l \u00e9s az emberre ir\u00e1nyul, amennyiben az \u0151t \u00e9rint\u0151 folyamatokat modellezi. Beuys \u00fagy gondolta, hogy a m\u0171v\u00e9szetnek az egyik legfontosabb feladata egy, a h\u00e9tk\u00f6znapit\u00f3l radik\u00e1lisan elt\u00e9r\u0151 vil\u00e1gtapasztal\u00e1s el\u0151seg\u00edt\u00e9se, t\u00f6bbek k\u00f6z\u00f6tt az\u00e1ltal, hogy \u201eegy \u00e9rz\u00e9kf\u00f6l\u00f6tti szf\u00e9r\u00e1b\u00f3l lehoz [\u2026] valamit, ami megv\u00e1ltoztatja a viszonyokat\u201d,9<\/span> \u00e9s t\u00e1g\u00edtja a tapasztalati horizontunkat \u00f6nmagunkra \u00e9s a vil\u00e1gra vonatkoztatva. Ezek a sz\u00e1nd\u00e9kok Wurm eset\u00e9ben is tetten \u00e9rhet\u0151k, b\u00e1r n\u00e1la \u0151, az alkot\u00f3, legal\u00e1bb annyira r\u00e9sze egy ilyen folyamatnak, mint azok, akiket egyes m\u0171vek seg\u00edts\u00e9g\u00e9vel bevon az \u201ealkot\u00e1s\u201d folyamat\u00e1ba.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

6<\/p>\n

Martina Weinhart: The Making of Art. In: Max Hollein, Martina Weinhart (szerk.) The Making of Art,<\/em> Verlag der Buchhandlung Walther K\u00f6nig, K\u00f6ln, 2009<\/p>\n

7<\/p>\n

Balkon. 2000\/10., 4-9., ld. https:\/\/balkon.art\/1998-2007\/<\/a> (Utols\u00f3 let\u00f6lt\u00e9s: 2018. j\u00falius 14.), tov\u00e1bb\u00e1 Volker Harlan, Rainer Rappmann, Peter Schata: Szoci\u00e1lis Plasztika, Anyagok Joseph Beuyshoz.<\/em> Ford. Adamik Lajos. Balassi Kiad\u00f3, Budapest, 2003, 21.<\/p>\n

8<\/p>\n

Rainer Rappman: Interj\u00fa Joseph Beuysszal. In: Szoci\u00e1lis plasztika, Anyagok Joseph Beuyshoz.<\/em> Szerk. Volker Harlan, et al. Ford. Adamik Lajos. Balassi Kiad\u00f3, Budapest, 2003, 58.<\/p>\n

9<\/p>\n

Ibid.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13518″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Metszett szobrok, Akci\u00f3szobrok, Egyperces szobrok)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13520″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Elveszett,<\/em> 2015, poli\u00e9szter, vas, akril, 210\u00d7201\u00d720 cm; Els\u0151 megm\u00e1sz\u00e1s \u2013 \u00e9szaki fal,<\/em> 2016, patin\u00e1zott bronz\u00f6ntv\u00e9ny, 140\u00d789\u00d756 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13522″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: C\u00edm n\u00e9lk\u00fcl (Nagy A),<\/em> 2017, bronz, fest\u00e9k, 217\u00d765\u00d7125 cm; Body,<\/em> 2015, poli\u00e9szter, akril, fa, 129\u00d778\u00d7100 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13529″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Metszett szobrok, Akci\u00f3szobrok, Egyperces szobrok)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13531″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces szobrok. Ernst Mach tolla,<\/em> 2016, Szombathy Andr\u00e1s \u00e1ltal megval\u00f3s\u00edtva.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Ak\u00e1r Wurm, ak\u00e1r Beuys m\u0171v\u00e9szet\u00e9re \u00f6sszpontos\u00edtunk, \u00e9rdemes megvizsg\u00e1lni, mit is jelenthet a szobr\u00e1szat, illetve plasztika fogalma. A plasztikai gondolkod\u00e1s c\u00e9lja Beuys eset\u00e9ben, hogy \u201ealak\u00edtsa a vil\u00e1got [\u2026] \u00e9s megv\u00e1ltoztassa az emberi tudatot\u201d.10<\/span> Wurm viszont \u00e1ltal\u00e1ban szobr\u00e1szati jelleg<\/em>r\u0151l besz\u00e9l (Skulpturale). A magyar nyelvben ugyan haszn\u00e1ljuk a plasztika kifejez\u00e9st,11<\/span> m\u00e9gis ink\u00e1bb csak a szobr\u00e1szat sz\u00f3t alkalmazzuk. A n\u00e9met nyelvben is k\u00e9t k\u00fcl\u00f6nb\u00f6z\u0151 fogalom l\u00e9tezik ennek a form\u00e1l\u00f3 tev\u00e9kenys\u00e9gnek a jel\u00f6l\u00e9s\u00e9re. Az egyik ezek k\u00f6z\u00fcl az, amelyet Beuys a k\u0151farag\u00e1s<\/em>sal hoz \u00f6sszef\u00fcgg\u00e9sbe (Skulptur),12<\/span> amely sor\u00e1n a szobr\u00e1sz \u00fagy form\u00e1lja meg az anyagot, hogy abba belehas\u00edt, abb\u00f3l lefarag, vagy elvesz bel\u0151le. A felhaszn\u00e1lt anyag (k\u0151, fa) merev, nem alak\u00edthat\u00f3, csak oly m\u00f3don, ha \u201emegt\u00f6rj\u00fck\u201d ellen\u00e1ll\u00e1s\u00e1t. A beavatkoz\u00e1s mindig er\u0151szakos, bizonyos fok\u00fa rombol\u00e1ssal, az anyag \u201es\u00e9r\u00fcl\u00e9s\u00e9vel\u201d j\u00e1r. Ezzel szemben \u00e1ll a plasztika<\/em> (Plastik), amely a g\u00f6r\u00f6g \u03c4\u03ad\u03c7\u03bd\u03b7<\/span> \u00e9rtelm\u00e9ben vett \u03c0\u03bb\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae<\/span> sz\u00f3b\u00f3l ered,13<\/span> \u00e9s amely \u201eaz organikus form\u00e1kat testileg (form\u00e1l\u00e1s, metsz\u00e9s, v\u00e9s\u00e9s, \u00f6nt\u00e9s r\u00e9v\u00e9n) \u00e1ll\u00edtja el\u00e9nk. [\u2026]: minden plasztika legf\u0151bb c\u00e9lja, hogy az ember m\u00e9lt\u00f3s\u00e1g\u00e1t az emberi alakon bel\u00fcl \u00e1br\u00e1zolja\u201d.14<\/span> A plasztika Beuys \u00e9rtelmez\u00e9s\u00e9ben teh\u00e1t olyan organikus k\u00e9pez\u00e9s<\/em> (Bilden), amely bel\u00fclr\u0151l kifel\u00e9 fejti ki hat\u00e1s\u00e1t, \u00e9s amelynek eredm\u00e9nyek\u00e9ppen megv\u00e1ltozik a dolog k\u00fcls\u0151 kin\u00e9zete, de amely v\u00e1ltoz\u00e1s egyben visszautal a bels\u0151ben v\u00e9gbement mozg\u00e1sokra is. Wurm ennyire direkt m\u00f3don nem foglalkozik a t\u00e1rsadalomra vonatkoztatva ezzel a k\u00e9rd\u00e9ssel, b\u00e1r saj\u00e1t szobr\u00e1szatr\u00f3l vallott n\u00e9zeteiben l\u00e9nyeges helyen szerepel a k\u00fcls\u0151 \u00e9s bels\u0151 viszonya, a kett\u0151t elv\u00e1laszt\u00f3 h\u00e1rtya, r\u00e9teg vagy h\u00e9j, illetve annak jelent\u0151s\u00e9ge a szobr\u00e1szati forma \u00e9rtelmez\u00e9se szempontj\u00e1b\u00f3l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

10<\/p>\n

Matthias Bunge (2000)<\/p>\n

11<\/p>\n

A Pallas nagy lexikona<\/em> szerint \u201ea t\u00e1rgyaknak mind a h\u00e1rom kiterjed\u00e9s\u00fck szerint val\u00f3 ut\u00e1noz\u00e1sa\u201d, m\u00edg a szobr\u00e1szat \u201eplasztikai m\u0171v\u00e9szet, k\u00e9pfarag\u00e1s (Sculptura)\u201d.<\/p>\n

12<\/p>\n

A sz\u00f3 a latin sculptur\u00e1<\/em>b\u00f3l ker\u00fclt a n\u00e9met nyelvbe, amely a sculpere<\/em> (metszeni, has\u00edtani) ige f\u0151n\u00e9vi v\u00e1ltozata. A f\u0151n\u00e9vi alak jelent\u00e9s\u00e9ben hordozza az utal\u00e1st az anyagra is (v\u00e1j\u00e1s, farag\u00e1s, v\u00e1g\u00e1s f\u00e1ba, elef\u00e1ntcsontba, m\u00e1rv\u00e1nyba). V\u00f6. Wolfgang Pfeifer: Etymologisches W\u00f6rterbuch des Deutschen.<\/em> Edition Kramer, Koblenz, 2012, 1301.<\/p>\n

13<\/p>\n

A n\u00e9met nyelvbe francia k\u00f6zvet\u00edt\u00e9ssel ker\u00fcl a sz\u00f3. Az eredeti g\u00f6r\u00f6g \u03c0\u03bb\u03b1\u03c3\u03c4\u03b9\u03ba\u03cc\u03c2<\/span> jelent\u00e9se: alak\u00edt\u00e1sra, form\u00e1l\u00e1sra alkalmas. F\u0151n\u00e9vi alakja, a \u03c0\u03bb\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae<\/span> utal a felhaszn\u00e1lt anyagra (agyag, viasz, gipsz). A sz\u00f3 visszautal a \u03c0\u03bb\u03b1\u03c3\u03c3\u03b5\u03b9\u03bd<\/span> ig\u00e9re, amely jelent\u00e9se: (puha massz\u00e1t) gy\u00farni, form\u00e1lni, alak\u00edtani. Az plastics<\/em> ebben az \u00e9rtelemben pedig mindig a form\u00e1lhat\u00f3 anyagra utalt. V\u00f6. Pfeifer (2012), 1017.<\/p>\n

14<\/p>\n

Beuys eg\u00e9sz m\u0171v\u00e9szi tev\u00e9kenys\u00e9g\u00e9nek egyik k\u00f6zponti mozzanata az emberi m\u00e9lt\u00f3s\u00e1g hangs\u00falyoz\u00e1sa, annak tisztelete \u00e9s \u0151rz\u00e9se. Kit\u00fcntetett jelent\u0151s\u00e9get tulajdon\u00edt a m\u00e9lt\u00f3s\u00e1gnak. \u201eaz ember [\u2026] f\u0151k\u00e9nt szellemi l\u00e9ny [\u2026], ezzel pedig hordoz\u00f3ja mindama lehets\u00e9ges bels\u0151 min\u0151s\u00e9gnek, melyeket az emberi m\u00e9lt\u00f3s\u00e1g fogalm\u00e1val szok\u00e1s \u00f6sszefoglalni [\u2026] akarati sz\u00e1nd\u00e9kok, \u00e9rzelemvil\u00e1g, lelki \u00e9let, gondolkod\u00e1s, e gondolkod\u00e1s magasabb form\u00e1i, az inspir\u00e1ci\u00f3, imagin\u00e1ci\u00f3 \u00e9s intu\u00edci\u00f3 [\u2026].\u201d id\u00e9zi Bunge (2000).<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13536″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: \u00d6narck\u00e9p ubork\u00e1kb\u00f3l,<\/em> 2008, poli\u00e9szter, akril, (r\u00e9szlet)<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13538″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: \u00d6narck\u00e9p ubork\u00e1kb\u00f3l,<\/em> 2008, poli\u00e9szter, akril, (r\u00e9szlet)<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A kiterjeszt\u00e9s koncepci\u00f3ja kapcs\u00e1n nem csak a szobr\u00e1szathoz val\u00f3 viszonyr\u00f3l \u00e9rdemes sz\u00f3t ejteni, hanem a \u201ekort\u00e1rs m\u0171v\u00e9szet\u201d fogalm\u00e1r\u00f3l is. Ezzel kapcsolatban persze t\u00f6bbf\u00e9le elm\u00e9let l\u00e9tezik,15<\/span> de a legt\u00f6bben alapvet\u0151en egyet\u00e9rtenek azzal, hogy a mai m\u0171v\u00e9szetben a puszta t\u00e1rgy l\u00e9trehoz\u00e1sa \u00e9s azzal \u00f6sszef\u00fcgg\u00e9sben az \u00f6sszpontos\u00edt\u00e1s egy bizonyos m\u0171fajra, mint az alkot\u00e1s meghat\u00e1rozott m\u00f3dj\u00e1ra m\u00e1r kev\u00e9ss\u00e9 relev\u00e1ns. A legt\u00f6bb m\u0171v\u00e9sz mindenk\u00e9pp t\u00fall\u00e9p ezeken az \u00fagynevezett m\u0171faji kereteken vagy hat\u00e1rokon. M\u00e1r Jackson Pollock kapcs\u00e1n is felvetette Allan Kaprow,<\/span> hogy n\u00e1la is fontosabb a cselekv\u00e9s, az akci\u00f3, mint az eszk\u00f6zhaszn\u00e1lat, amely persze l\u00e9nyeges \u00e9s n\u00e9lk\u00fcl\u00f6zhetetlen, de mindenk\u00e9pp m\u00e1sodlagos.16<\/span> Wurm helyzete ebb\u0151l a szempontb\u00f3l az\u00e9rt \u00e9rdekes, mert \u0151 maga ugyan hat\u00e1rozottan \u00e1ll\u00edtja, hogy t\u00e1vols\u00e1got tart a \u201ekort\u00e1rs m\u0171v\u00e9szet\u201d mibenl\u00e9t\u00e9r\u0151l folytatott vit\u00e1t\u00f3l, p\u00e1rbesz\u00e9dt\u0151l, m\u00e9gis m\u0171v\u00e9szet\u00e9ben alapvet\u0151en megval\u00f3s\u00edtja azt, amivel ezekben a vit\u00e1kban jellemzik a \u201ekort\u00e1rs m\u0171v\u00e9szetet\u201d. Ezek k\u00f6z\u00e9 tartozik, hogy ugyan \u0151 szigor\u00faan a szobr\u00e1szat lehet\u0151s\u00e9geib\u0151l \u00e9s a hozz\u00e1 kapcsol\u00f3d\u00f3 eszt\u00e9tikai k\u00e9rd\u00e9sekb\u0151l indul ki, ezeket legink\u00e1bb \u00fagy v\u00e1laszolja meg, hogy t\u00fall\u00e9p azon, ami a szobr\u00e1szathoz tartozik. Nem csak arr\u00f3l van sz\u00f3, hogy az Egyperces szobrok<\/em> eset\u00e9ben m\u00e1r a poz\u00edci\u00f3nak a m\u0171v\u00e9sz instrukci\u00f3i szerinti megval\u00f3s\u00edt\u00e1sa szobornak sz\u00e1m\u00edt, amely alkalomr\u00f3l alkalomra mindig m\u00e1s, sosem \u00e1lland\u00f3, identikus, hanem v\u00e1ltoz\u00f3, efemer, hanem arr\u00f3l is, hogy sok ilyen \u201eakci\u00f3t\u201d r\u00f6gz\u00edtett f\u00e9nyk\u00e9pez\u0151g\u00e9ppel (statikus, \u00e1ll\u00f3k\u00e9p, amely ink\u00e1bb utal a szoborjellegre) vagy vide\u00f3val (amelyen ugyan \u00e1ll a \u201emodell\u201d, m\u00e9gsem statikus, mivel folyamatosan mozg\u00e1sban van, b\u00e1r ez \u00e9pp nem l\u00e1that\u00f3). A k\u00e9s\u0151bbi v\u00e1ltozatokn\u00e1l egy\u00e9rtelm\u0171en sz\u00e1m\u00edt a k\u00f6z\u00f6ns\u00e9g akt\u00edv r\u00e9szv\u00e9tel\u00e9re (particip\u00e1ci\u00f3), mi t\u00f6bb, n\u00e9lk\u00fcl\u00fck val\u00f3j\u00e1ban m\u00e1r nem is \u00f6lthetn\u00e9nek \u201etestet\u201d ezek a \u201eszobrok\u201d. Egy\u00e9b munk\u00e1i eset\u00e9ben is fontos szerepet kapnak a szigor\u00fa \u00e9rtelemben vett szobr\u00e1szati gesztusokon t\u00fal a k\u00fcl\u00f6nf\u00e9le intervenci\u00f3k, amelyek akci\u00f3k\u00e9nt foghat\u00f3k fel. Ezek az intervenci\u00f3k ugyan csak nyomok r\u00e9v\u00e9n detekt\u00e1lhat\u00f3k a ki\u00e1ll\u00edtott t\u00e1rgyak fel\u00fclet\u00e9n, de elengedhetetlenek ezen t\u00e1rgyak l\u00e9trej\u00f6tt\u00e9hez. Ennek ellen\u00e9re nem m\u00e1sodlagosak, hanem val\u00f3j\u00e1ban ezeken az intervenci\u00f3kon van a f\u0151 hangs\u00faly. Wurm szigor\u00fa \u00e9rtelemben teh\u00e1t tov\u00e1bbra is a szobr\u00e1szat ter\u00fclet\u00e9n marad, ugyanakkor annyira kit\u00e1g\u00edtja, kiterjeszti azt, hogy egy\u00fattal majdnem teljes eg\u00e9sz\u00e9ben fel is oldja az azt defini\u00e1l\u00f3 hat\u00e1rokat.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

15<\/p>\n

Err\u0151l nagyon r\u00f6viden eml\u00edt\u00e9st tettem Szab\u00f3 Dezs\u0151 m\u0171v\u00e9szete kapcs\u00e1n. In: Pfisztner G\u00e1bor: \u00daton a k\u00e9phez, Szab\u00f3 Dezs\u0151 k\u00e9t ki\u00e1ll\u00edt\u00e1sa a Vintage Gal\u00e9ri\u00e1ban. Balkon<\/em> 2016\/9., 24-27.<\/a><\/p>\n

16<\/p>\n

Allan Kaprow: The Legacy of Jackson Pollock (1958) In: u.\u0151. Essays on the Blurring of Art and Life.<\/em> Berkeley, University of California Press, 1993, 1-9.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13541″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: C\u00edm n\u00e9lk\u00fcl (Nagy K),<\/em> 2018, bronz, fest\u00e9k, 195\u00d773\u00d754 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13543″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Hosszm\u00e9rt\u00e9k (Diptichon),<\/em> 2002, m\u0171anyag lap\u00e1t \u00e9s kefe, (r\u00e9szlet)<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

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