{"id":13347,"date":"2018-09-22T09:56:56","date_gmt":"2018-09-22T07:56:56","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=13347"},"modified":"2024-05-22T16:09:20","modified_gmt":"2024-05-22T14:09:20","slug":"beszelgetes-erwin-wurmmal","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/beszelgetes-erwin-wurmmal\/","title":{"rendered":"Besz\u00e9lget\u00e9s Erwin Wurmmal"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Kur\u00e1torok: Fab\u00e9nyi Julia, K\u00e9szman J\u00f3zsef
\nKur\u00e1torasszisztens: Petr\u00f3 Zsuzsanna<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest
\n2018. j\u00falius 6 \u2013 szeptember 23.<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Pfisztner G\u00e1bor:<\/span> Egy \u00e1tfog\u00f3 ki\u00e1ll\u00edt\u00e1s ny\u00edlt az \u00d6n munk\u00e1ib\u00f3l j\u00faliusban a Ludwig M\u00fazeumban,1<\/span> amely kapcs\u00e1n sokf\u00e9le szempont mer\u00fclhet fel, ha k\u00f6z\u00f6s pontk\u00e9nt a szobr\u00e1szatot jel\u00f6lj\u00fck meg. Mindig hangs\u00falyozza, hogy az \u00d6n sz\u00e1m\u00e1ra a legfontosabb a szobr\u00e1szati jelleg. Mit \u00e9rt pontosan ez alatt?<\/p>\n

Erwin Wurm:<\/span> Ez az legfontosabb k\u00e9rd\u00e9s. Kezdett\u0151l fogva az foglalkoztatott a legink\u00e1bb, hogy mit is csin\u00e1lok szobr\u00e1szk\u00e9nt? M\u00e1sk\u00e9pp megfogalmazva: mi a szobr\u00e1szat egy\u00e1ltal\u00e1n? Ha p\u00e9ld\u00e1ul valaki egyenesen \u00e9s mozdulatlanul \u00e1ll, az szobor, vagy ink\u00e1bb akci\u00f3? L\u00e9trej\u00f6n-e az, amit szobornak tekint\u00fcnk? Minek kell ahhoz t\u00f6rt\u00e9nnie, hogy szobork\u00e9nt lehessen olvasni, \u00e9rtelmezni? Ilyen \u00e9s ehhez hasonl\u00f3 k\u00e9rd\u00e9sek foglalkoztattak mindig. Sokat k\u00eds\u00e9rleteztem, \u00e9s vizsg\u00e1l\u00f3dtam, kezdve a r\u00f6vid \u00e9let\u0171 pul\u00f3verszobrokt\u00f3l (1988\u20131994) a k\u00e9tdimenzi\u00f3s pormunk\u00e1kig (Dust Sculptures,<\/em> 1990\u20131994).\u00a0A szobor alapvet\u0151en h\u00e1romdimenzi\u00f3s strukt\u00fara. Ebben az esetben az a k\u00e9rd\u00e9s, hogy mi t\u00f6rt\u00e9nik akkor, ha t\u00f6bb k\u00e9tdimenzi\u00f3s r\u00e9teget egym\u00e1sra helyez\u00fcnk, t\u00fal azon, hogy az \u00faj t\u00e1rgy h\u00e1romdimenzi\u00f3s lesz. K\u00e9s\u0151bb k\u00f6vetkeztek a szobr\u00e1szat h\u00edres-h\u00edrhedt t\u00e9m\u00e1i \u2013 a k\u00fcls\u0151 h\u00e9j vagy h\u00fcvely, a t\u00f6meg (massza) \u00e9s t\u00e9rfogat (volumen) \u2013 s az ezzel kapcsolatban felvethet\u0151 k\u00e9rd\u00e9sek: p\u00e9ld\u00e1ul, hogy m\u00e1s-e, \u00e9s ha igen, akkor miben t\u00e9r el a k\u00fcls\u0151 h\u00e9j a bels\u0151t\u0151l. Lehet az m\u00e1s, mint a bels\u0151? A bronzszobrokn\u00e1l p\u00e9ld\u00e1ul a bels\u0151 \u00fcres, csak a h\u00e9j adja a szobrot. Az \u00e9n kis pul\u00f3verszobraimn\u00e1l azonban emberek voltak a bens\u0151ben, akiket megfosztottam a szem\u00e9lyis\u00e9g\u00fckt\u0151l, az individualit\u00e1sukt\u00f3l, cser\u00e9be viszont az emberl\u00e9t egy csaknem teljesen absztrakt form\u00e1j\u00e1t k\u00f6lcs\u00f6n\u00f6ztem nekik. Mindezen t\u00fal persze m\u00e9g nagyon sok m\u00e1s lehet\u0151s\u00e9g is van.<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

1<\/p>\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest, 2018. j\u00falius 6 \u2013 szeptember 23., ld. https:\/\/www.ludwigmuseum.hu\/kiallitas\/erwin-wurm-egyperces-munkak-szobraszat-mint-program<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][image_with_animation image_url=”13376″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Fizikai gyakorlatok,<\/em> 2003, vegyes technika (a m\u0171v\u00e9sz \u00e1ltal megval\u00f3s\u00edtva) Biennale d\u2019Art Contemporain de Lyon, France, 2005 \u00a9 Fot\u00f3: Christoph Maout, P\u00e1rizs<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13355″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (inform\u00e1ci\u00f3s terem, r\u00e9szlet) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13358″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Vedd magadhoz kedvenc filoz\u00f3fusaidat!<\/em> Szombathy Andr\u00e1s \u00e1ltal megval\u00f3s\u00edtva \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13352″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Bokszkeszty\u0171,<\/em> 2016, fest\u00e9k, bronz, 146\u00d7112\u00d796 cm; Szvetter,<\/em> 2018, pamut, f\u00e9m, 360\u00d7950\u00d75 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13392″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: C\u00edm n\u00e9lk\u00fcl,<\/em> 2008, polisztir\u00e9n, fa, f\u00e9m, ruhaanyag, 71\u00d752\u00d755 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13386″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Herm\u00e8s-szobrok) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13401″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Konstrukci\u00f3,<\/em> 2008, fa, akril, ruha, 154\u00d738\u00d733 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

PG:<\/span> Georges Didi-Huberman francia m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz egy eg\u00e9sz k\u00f6nyvet szentelt a nyomnak, a lenyomatnak,2<\/span> \u00e9s ennek aprop\u00f3j\u00e1n Marcel Duchamp szobr\u00e1szathoz val\u00f3 viszony\u00e1nak. \u00d6n l\u00e1t valami kapcsol\u00f3d\u00e1st a saj\u00e1t gondolatmenet\u00e9ben Duchamp-\u00e9hoz?<\/p>\n

EW: <\/span> Igen. M\u00e1sok is k\u00e9rdezt\u00e9k m\u00e1r, hogy mikor v\u00e1lik egy t\u00e1rgy sz\u00e1momra szoborr\u00e1. Ez azonban nem d\u00f6nt\u00e9s k\u00e9rd\u00e9se, ez egy fizikai aktus. Ha azt mondom, hogy ez itt p\u00e9ld\u00e1ul egy szobor, akkor az egy szobor. Ha nem mondom, hogy az, akkor tov\u00e1bbra is csak egy macska. Ez mindenk\u00e9pp utal\u00e1s Duchamp-ra, \u00e9s persze vonatkoztathat\u00f3 az eg\u00e9sz m\u0171v\u00e9szi tev\u00e9kenys\u00e9gemre.<\/p>\n

PG:<\/span> K\u00e9sz\u00fclt minderr\u0151l egy dokumentumfilm,3<\/span> amelyben arr\u00f3l is sz\u00f3 volt, hogy ez a tev\u00e9kenys\u00e9g valamik\u00e9pp kapcsolhat\u00f3 Joseph Beuys<\/span>-hoz is. V\u00e9letlenszer\u0171 ez a kapcsol\u00f3d\u00e1s, vagy tudatosan kereste a Beuys-hoz vezet\u0151 utat?<\/p>\n

EW: <\/span> Amikor az akad\u00e9mi\u00e1n tanultam, term\u00e9szetesen Beuys sz\u00e1m\u00edtott az egyik legnagyobb m\u0171v\u00e9sznek, nagyon nagy hat\u00e1sa volt. Engem azonban kev\u00e9sb\u00e9 izgatott a jelk\u00e9prendszere, amelybe minden t\u00e1rgyat igyekezett bevonni, s ez\u00e1ltal fel\u00e9rt\u00e9kelni vagy \u00e9pp le\u00e9rt\u00e9kelni, \u00e9s ek\u00f6zben tartalommal tel\u00edteni, mint p\u00e9ld\u00e1ul a zs\u00edrt vagy a filcet. Sz\u00e1momra igaz\u00e1n nagy jelent\u0151s\u00e9g\u0171 \u00e9s val\u00f3ban ir\u00e1nymutat\u00f3 a formanyelve volt, az, ahogy a form\u00e1kkal b\u00e1nt, \u00e9s ahogy haszn\u00e1lta \u00e9s felhaszn\u00e1lta a k\u00fcl\u00f6nf\u00e9le anyagokat. De mindenek el\u0151tt az, amit szoci\u00e1lis plasztik\u00e1nak nevezett. Az Egyperces szobrok<\/em>r\u00f3l nyugodtan \u00e1ll\u00edthatjuk, hogy ezek a szoci\u00e1lis plasztika<\/em> kateg\u00f3ri\u00e1j\u00e1ba esnek. \u0150 azonban eg\u00e9szen m\u00e1st \u00e9rtett ez alatt, mint amit \u00e9n. \u00c9n ugyanis megval\u00f3s\u00edtom ezeket a helyzeteket. Beuys sz\u00e1m\u00e1ra a politikai tett, a politikai besz\u00e9d \u00e9s annak hat\u00e1sa jelentette a szoci\u00e1lis plasztik\u00e1t. N\u00e1lam viszont a reduk\u00e1lt, a plasztikai mozzanatra \u00f6sszpontos\u00edtott egyperces ottl\u00e9tben, a nyugalmi \u00e1llapotban manifeszt\u00e1l\u00f3dik a szoci\u00e1lis plasztika. Ezek ugyan\u00fagy tudatos cselekv\u00e9sek. Sok \u00e9vvel ezel\u0151tt k\u00e9sz\u00edtettem egy sorozatot a Die Zeit<\/em> c\u00edm\u0171 n\u00e9met hetilap h\u00e9tv\u00e9gi magazinj\u00e1ba.4<\/span> Felk\u00e9rtek, hogy vegyek r\u00e9szt a lap kialak\u00edt\u00e1s\u00e1ban. Egy olyan m\u0171vet hoztam l\u00e9tre, amellyel visszautaltam Beuys-ra. Politikailag kimondottan inkorrekt \u00e1ll\u00edt\u00e1sokat fogalmaztam meg, amelyek a politika \u00e9s a m\u00e9dia vil\u00e1g\u00e1ra vonatkoztak Ezek akkor t\u00e9nyleg nagyot \u00fct\u00f6ttek, komoly vit\u00e1t gerjesztettek.<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

2<\/p>\n

Georges Didi-Huberman: Hasonl\u00f3s\u00e1g \u00e9s \u00e9rintkez\u00e9s: a lenyomat archeol\u00f3gi\u00e1ja, anakronizmusa \u00e9s moderns\u00e9ge.<\/em> Ford. H\u00e1zas Nikoletta, Moldvay Tam\u00e1s, Seregi Tam\u00e1s \u00e9s Z. Varga Zolt\u00e1n. Budapesti Kommunik\u00e1ci\u00f3s \u00e9s \u00dczleti F\u0151iskola, Budapest, 2014<\/p>\n

3<\/p>\n

T\u00f6bbek k\u00f6z\u00f6tt: Erwin Wurm. Fichte,<\/em> Kunstmuseum Wolfsburg, 2015, ld. https:\/\/www.youtube.com\/watch?v=bHZqcPcqdm0<\/a> tov\u00e1bb\u00e1: The Philosophy of Instructions \u2013 Artist Interview.<\/em> BACC (Bangkok Art and Culture Center) 2017, Kur\u00e1tor: Pichaya Aime Suphavanij. https:\/\/www.youtube.com\/watch?v=eAtxfQf_H6A&feature=youtu.be<\/a><\/p>\n

4<\/p>\n

Erwin Wurm: 44 Vorschl\u00e4ge, Eine soziale Skulptur. Die Zeit Feuilleton,<\/em> No. 49. november 27. 2008. 1-9.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13407″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Leitat\u00f3-szobrok) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13409″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Pollock-szekr\u00e9ny,<\/em> 2011, fa, f\u00e9m, poh\u00e1r, \u00fcvegpalack, 152\u00d774\u00d746 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

PG:<\/span> T\u00e9rj\u00fcnk m\u00e9g vissza a szobr\u00e1szati mozzanatra. Mik\u00e9nt v\u00e1lt ez probl\u00e9m\u00e1v\u00e1 az \u00d6n sz\u00e1m\u00e1ra?<\/p>\n

EW:<\/span> Gyakorlati okokb\u00f3l. Fest\u00e9szetet szerettem volna tanulni az akad\u00e9mi\u00e1n, de amikor felvettek, nem a fest\u0151k k\u00f6z\u00e9 ker\u00fcltem, hanem a szobr\u00e1sz oszt\u00e1lyba. Persze fellebbezhettem volna, \u00e9s mondhattam volna, hogy a szobr\u00e1szat egy\u00e1ltal\u00e1n nem \u00e9rdekel, de azt\u00e1n az a kih\u00edv\u00e1s, amelyet ez a helyzet jelentett, elkezdett er\u0151sen foglalkoztatni. Az pontosan, hogy mi\u00e9rt jutottak arra az elgondol\u00e1sra, hogy nekem a szobr\u00e1szok k\u00f6z\u00f6tt a helyem, holott \u00e9n sosem gondoltam arra, hogy ezzel foglalkozzam. Ez a gondolat egyszer\u0171en nem l\u00e9tezett a sz\u00e1momra. A szobr\u00e1szat akkor, 1973-ban sz\u00fcrke volt \u00e9s fekete, nagyon deprim\u00e1l\u00f3 \u00e9s nagyon mad\u00e1rszaros. Fokozatosan fel kellett fedeznem ezt a vil\u00e1got, \u00e9s bele\u00e9lnem magam ahhoz, hogy megh\u00f3d\u00edthassam. Tal\u00e1lnom kellett benne valamit, ami felkelti a lelkesed\u00e9semet ir\u00e1nta.<\/p>\n

PG:<\/span> Kor\u00e1bbi besz\u00e9lget\u00e9sekben azt is eml\u00edtette, hogy az \u00d6n sz\u00e1m\u00e1ra a fotogr\u00e1fia is legink\u00e1bb szobr\u00e1szat. Kifejten\u00e9 ezt egy kicsit r\u00e9szletesebben?<\/p>\n

EW:<\/span> Az el\u0151bb eml\u00edtettem azt a helyzetet, hogy ha meg\u00e1llok, akkor az egy szobor, egy redukci\u00f3, amit azt\u00e1n lefilmezhetek. Ez j\u00f3 ideig eltarthat, ami alatt nyugalomban, mozdulatlanul lehet \u00e1llni, de k\u00f6zben a szemek \u00e1lland\u00f3 mozg\u00e1sban vannak. 1990-ben k\u00e9sz\u00edtettem egy videomunk\u00e1t: a szobrot alak\u00edt\u00f3 bar\u00e1tom fej\u00e9re egy t\u00e1lat helyeztem, hogy ne lehessen l\u00e1tni a szem\u00e9t, majd vide\u00f3ra vettem egy perc hosszan. Minden neh\u00e9zs\u00e9g n\u00e9lk\u00fcl \u00e1llt egy percig. K\u00e9s\u0151bb m\u00e9g tov\u00e1bb k\u00e9pes volt mozdulatlan maradni. A vide\u00f3nak az a c\u00edme, hogy Still, mivel a szobrot alak\u00edt\u00f3 bar\u00e1tom nem mozdul, szoborr\u00e1 v\u00e1lik. Az agyunkat lesz\u00e1m\u00edtva nem \u00fagy vagyunk megalkotva, hogy mozdulatlans\u00e1gba merevedj\u00fcnk. \u00c1lland\u00f3 mozg\u00e1sban vagyunk. Bele is l\u00e1tjuk a dolgokba a mozg\u00e1st. Az ember billegni kezd, az ujjak elkezdenek mozogni. Ezek olyan momentumok, amelyek mindig is nagyon \u00e9rdekeltek. Ez\u00e9rt a k\u00f6vetkez\u0151 l\u00e9p\u00e9s az volt, amikor felvettem az 59 helyzet<\/em> (59 Positions,<\/em> 1992) c\u00edm\u0171 munk\u00e1t. Pul\u00f3vereket h\u00faztam emberek test\u00e9re, majd egyenk\u00e9nt h\u00fasz m\u00e1sodperces videofelv\u00e9teleket k\u00e9sz\u00edtettem r\u00f3luk. A vide\u00f3 az\u00e9rt volt fontos, hogy l\u00e1ss\u00e1k, valaki mozog a pul\u00f3verben. K\u00e9s\u0151bb lef\u00e9nyk\u00e9peztem ezeket az \u201e\u00e1ll\u00f3k\u00e9peket\u201d. \u00cdgy jutottam el a fotogr\u00e1fi\u00e1hoz. Ezt pedig m\u00e1r az Egyperces szobrok<\/em> k\u00f6vett\u00e9k. Az egyes poz\u00edci\u00f3kat el\u0151sz\u00f6r saj\u00e1t magamon pr\u00f3b\u00e1ltam ki. Ezek pillanatfelv\u00e9telek voltak csak. Oda\u00e1lltam, expon\u00e1l\u00e1s, k\u00e9sz, k\u00f6vetkez\u0151. Csup\u00e1n l\u00e1tni akartam, hogy mennyire m\u0171k\u00f6dnek ezek a helyzetek. Ezek a f\u00e9nyk\u00e9pek k\u00e9s\u0151bb nagyon nagy tetsz\u00e9st arattak. Ez volt sz\u00e1momra a bel\u00e9p\u00e9s a fotogr\u00e1fia vil\u00e1g\u00e1ba. Egy seg\u00e9deszk\u00f6z arra, hogy meg\u0151rizzek egy efemer, performat\u00edv helyzetet szobork\u00e9nt, amely k\u00fcl\u00f6nben \u00f6r\u00f6kre megsemmis\u00fclt volna. \u00c9n pedig szerettem volna meg\u0151rizni. Az els\u0151 k\u00eds\u00e9rletekn\u00e9l ezek m\u00e9g nem voltak megism\u00e9telhet\u0151k. Az \u00fajra el\u0151adhat\u00f3 dolgok csak k\u00e9s\u0151bb k\u00f6vetkeztek. A fotogr\u00e1fia t\u00f6rt\u00e9nete teh\u00e1t \u2013 az els\u0151 k\u00eds\u00e9rletek ut\u00e1n \u2013 nagyon gyorsan kopogtatott az ajt\u00f3n, hogy bebocs\u00e1t\u00e1st nyerjen. A probl\u00e9m\u00e1k pedig csak akkor jelentkeznek, ha valaki t\u00e9nyleg elkezd komolyan f\u00e9nyk\u00e9pezni. \u00c9n viszont csak egy ideig foglalkoztam vele intenz\u00edven, azt\u00e1n abbahagytam, mert \u00f6nmag\u00e1\u00e9rt nem volt sz\u00e1momra \u00e9rdekes. Nemr\u00e9g m\u00e9g tudtam venni n\u00e9h\u00e1ny csomag polaroid nyersanyagot. Az utols\u00f3kat vettem meg. Szeretn\u00e9k m\u00e9g egyszer Egyperces szobrokat csin\u00e1lni majd erre az anyagra. Szerintem ez a legmegfelel\u0151bb ezekhez a szobrokhoz. Egyszeri, nincs negat\u00edv, soha t\u00f6bb\u00e9 nem reproduk\u00e1lhat\u00f3. Ez az egyszeri \u00e9s egyedi pillanat okoz nekem \u00f6r\u00f6m\u00f6t.<\/p>\n

PG:<\/span> Mi\u00e9rt nem foglalkoztatja m\u00e1r a f\u00e9nyk\u00e9pez\u00e9s?<\/p>\n

EW:<\/span> Annyi nagyszer\u0171 fotogr\u00e1fus van, \u00e9n pedig ink\u00e1bb maradok a szobraimn\u00e1l.<\/p>\n

PG:<\/span> Nem is arra gondoltam, hogy \u00fagy foglalkozzon vele, mint p\u00e9ld\u00e1ul Thomas Ruff.<\/p>\n

EW: <\/span> \u0150t nagyon nagyra tartom. A helyzetek f\u00e9nyk\u00e9pez\u00e9s\u00e9ben volt valami nagyon cs\u00e1b\u00edt\u00f3, de \u00e9szrevettem, hogy m\u00e1r ink\u00e1bb \u00e1rtok a munk\u00e1mnak. Az elm\u00falt huszonegy \u00e9vben nagyon szigor\u00faan, el\u0151re meghat\u00e1rozott keretek k\u00f6z\u00f6tt tartottam az Egyperces szobrokat. Kiz\u00e1r\u00f3lag m\u00fazeumi kontextusban mutattam be \u0151ket. Pedig sok megh\u00edv\u00e1st kaptam k\u00fcl\u00f6nf\u00e9le esem\u00e9nyekre, amelyeket azonban mindig visszautas\u00edtottam. A huszonegy \u00e9v alatt \u00edgy csak sz\u00e1z vagy sz\u00e1zt\u00edz Egyperces szobor j\u00f6tt l\u00e9tre, holott lehetett volna ak\u00e1r ezer is. Akkor viszont infl\u00e1l\u00f3dtak volna azok, amelyek kor\u00e1bban k\u00e9sz\u00fcltek, az eg\u00e9sz lerombolta volna saj\u00e1t mag\u00e1t. Ez\u00e9rt szigor\u00fanak kellett lennem magammal szemben.<\/p>\n

PG:<\/span> A m\u00falt \u00e9vben a Velencei Bienn\u00e1l\u00e9<\/span>n az osztr\u00e1k pavilon hatalmas tereiben,5<\/span> ahol t\u00f6bbek k\u00f6z\u00f6tt Egyperces szobrok is bemutat\u00e1sra ker\u00fcltek, mindenki l\u00e1thatta, ahogy a l\u00e1togat\u00f3k j\u00e1tszanak vel\u00fck, v\u00e9grehajtj\u00e1k az utas\u00edt\u00e1sokat. Ez persze megfelelt az \u00d6n sz\u00e1nd\u00e9kainak. A l\u00e1togat\u00f3k viszont egy ki\u00e1ll\u00edt\u00e1son ma m\u00e1r folyamatosan felv\u00e9teleket is k\u00e9sz\u00edtenek, p\u00e9ld\u00e1ul az okostelefonjukkal, amelyeket azut\u00e1n meg is osztanak a k\u00f6z\u00f6ss\u00e9gi oldalakon. Mit jelent az \u00d6n szempontj\u00e1b\u00f3l, a m\u0171 fel\u0151l n\u00e9zve az, hogy a l\u00e1togat\u00f3k az \u00e1ltaluk, illetve a bar\u00e1taik, ismer\u0151seik \u00e1ltal felvett poz\u00edci\u00f3kat ilyen m\u00f3don k\u00f6zvet\u00edtik?<\/p>\n

EW:<\/span> Nagyon \u00f6r\u00fcl\u00f6k neki, ez ugyanis m\u00e1r kezdett\u0151l r\u00e9sze volt az elk\u00e9pzel\u00e9snek. Az els\u0151 t\u00edz \u00e9vben, amikor m\u00e9g nem l\u00e9tezett okostelefon, mindig lehet\u0151v\u00e9 tett\u00fck a megnyit\u00f3kon, hogy a jelenl\u00e9v\u0151k felv\u00e9teleket k\u00e9sz\u00edttethessenek magukr\u00f3l. Akkor m\u00e9g polaroidot haszn\u00e1ltunk, \u0151k pedig hazavihett\u00e9k ezeket a felv\u00e9teleket, mint szobrot. A felv\u00e9teleket a megnyit\u00f3kon mindig szign\u00e1ltam. Teh\u00e1t egy olyan fot\u00f3t kaptak, amely l\u00e9nyeg\u00e9ben az \u00e9n utas\u00edt\u00e1saim szerint k\u00e9sz\u00fclt, amelyet azt\u00e1n autoriz\u00e1ltam a saj\u00e1t m\u0171vemk\u00e9nt. \u00cdgy egy \u00fajabb fontos szempont j\u00f6tt itt j\u00e1t\u00e9kba, a szerz\u0151is\u00e9g k\u00e9rd\u00e9se. Ez is nagyon izgalmas volt. Az, ahogy azt\u00e1n mindez az alkot\u00e1s folyamat\u00e1ban egy ponton le\u00e1ll, majd megsz\u0171nik, legal\u00e1bb annyira fontos \u00e9s \u00e9rdekes, ak\u00e1rcsak az, ahogy mindez kiker\u00fcl a m\u00fazeum ter\u00e9b\u0151l.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

5<\/p>\n

Brigitte Kowanz: infinity and beyond; Erwin Wurm: One Minute Sculptures 1997 \u2013 2017, 57. Esposizione Internazionale d\u2018Arte,<\/em> Velence, Austrian Pavilion, 2017 m\u00e1jus 13 \u2013 november 26., ld. http:\/\/labiennale2017.at\/?page_id=1139&lang=en<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13416″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Egyperces szobrok) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13438″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Ballisztika,<\/em> \u00c1br\u00e1nyi Luca Kata \u00e1ltal megval\u00f3s\u00edtva \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][layerslider_vc id=”34″][vc_column_text]\n

Erwin Wurm: C\u00edm n\u00e9lk\u00fcl (Teniszlabd\u00e1k),<\/em> Szombathy Andr\u00e1s \u00e1ltal megval\u00f3s\u00edtva \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13440″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (A m\u00e9lys\u00e9gb\u0151l) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13433″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: A szeretet megszerz\u00e9se,<\/em> \u00c1br\u00e1nyi Luca Kata \u00e9s Szombathy Andr\u00e1s \u00e1ltal megval\u00f3s\u00edtva \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

PG:<\/span> Kor\u00e1bban azt mondta, hogy \u00d6n \u00e9s Beuys nagyon elt\u00e9r\u0151 m\u00f3don \u00e9rtelmezik a szoci\u00e1lis plasztik\u00e1t. De v\u00e9gs\u0151 soron nem az az \u00e9rtelme, hogy valamik\u00e9pp az egy\u00e9n szintj\u00e9n t\u00fal, t\u00e1rsadalmi szinten gener\u00e1ljon v\u00e1ltoz\u00e1st? Mennyiben v\u00e1ltoztatja meg az emberek mindennapi viselked\u00e9s\u00e9t, ha a ki\u00e1ll\u00edt\u00e1sain kipr\u00f3b\u00e1lj\u00e1k ezeket a helyzeteket, lehet\u0151s\u00e9geket, ha sz\u00ednre viszik magukat, ha val\u00f3ban r\u00e1sz\u00e1nj\u00e1k magukat arra, hogy felvegy\u00e9k ezeket az abszurd, vicces testhelyzeteket? T\u00e1voz\u00e1s ut\u00e1n m\u00e1sk\u00e9pp fognak k\u00f6r\u00fcln\u00e9zni a vil\u00e1gban, \u00e9s m\u00e1sk\u00e9pp fognak magukra tekinteni?<\/p>\n

EW: <\/span> Beuys azt mondta, hogy minden ember m\u0171v\u00e9sz \u2013 ez is az egyike a h\u00edres t\u00e9ziseinek. Kapcsol\u00f3d\u00e1s legink\u00e1bb ott fedezhet\u0151 fel, hogy az \u00e9n esetemben mindenki m\u0171alkot\u00e1ss\u00e1 lehet. Az \u00e9rdekes az, hogy csak fokozatosan jutottam erre a gondolatra. Az \u00e9n praxisomban a legt\u00f6bb dolgot sosem terveztem meg el\u0151re: minden lassan \u00e9s fokozatosan, l\u00e9p\u00e9sr\u0151l-l\u00e9p\u00e9sre \u00e1llt \u00f6ssze a k\u00f6r\u00fclm\u00e9nyek f\u00fcggv\u00e9ny\u00e9ben, gyakorlati okokb\u00f3l, de teoretikus megfontol\u00e1sokb\u00f3l ad\u00f3d\u00f3an is. Az els\u0151 Egyperces szobrok<\/em>at el\u0151sz\u00f6r magamon pr\u00f3b\u00e1ltam ki, s magamat haszn\u00e1ltam arra is, hogy lef\u00e9nyk\u00e9pezz\u00fck \u0151ket. Amikor t\u00f6bb m\u00fazeum is megh\u00edvott, hogy \u00e1ll\u00edtsam ki \u0151ket, \u00e9s k\u00e9sz\u00edtsek \u00fajabb f\u00e9nyk\u00e9peket, akkor feladtak egy hirdet\u00e9st, hogy j\u00f6n egy m\u0171v\u00e9sz, \u00e9s \u00f6nk\u00e9nteseket keresnek, akik r\u00e9szt vesznek egy akci\u00f3ban. Nagyon sokan jelentkeztek, minden alkalommal, mintegy negyven-\u00f6tven ember. Hamar \u00e9szrevettem, hogy tulajdonk\u00e9ppen instrumentaliz\u00e1lom \u0151ket, de k\u00f6zben persze \u0151k is ugyanezt teszik velem. Ez nagyon izgalmas volt. Hirtelen nagyon er\u0151teljess\u00e9 v\u00e1lt ez az interakci\u00f3 k\u00f6z\u00f6tt\u00fcnk. Nagyszer\u0171 \u00e9rz\u00e9s volt. Ha \u00e9n most ezt az eszk\u00f6zt kiadom a kezemb\u0151l, \u00e9s a l\u00e1togat\u00f3k ezzel az eszk\u00f6zzel m\u00e1r ott, a m\u00fazeum kontextus\u00e1ban \u00e9lnek, akkor abb\u00f3l ad\u00f3dik m\u00e9g valami m\u00e1s is. \u00c9s ez t\u00e9nyleg \u00edgy is t\u00f6rt\u00e9nt. Ha valaki fel\u00e1ll erre a kis emelv\u00e9nyre, akkor eleinte ostob\u00e1n \u00e9rezheti mag\u00e1t, mert a t\u00f6bbiek k\u00f6zben figyelik, b\u00e1mulj\u00e1k, \u00e9s az eg\u00e9sz sz\u00e1m\u00e1ra \u00e9rtelmetlennek t\u0171nhet. Az abszurd az eg\u00e9szben az, hogy nagyon hamar vil\u00e1goss\u00e1 v\u00e1lik, hogy ha valaki ott \u00e1ll egy ed\u00e9nnyel a fej\u00e9n, elz\u00e1rva a k\u00f6rnyezett\u0151l, akkor valami egyszer csak m\u0171k\u00f6dni kezd, amit \u00e9n pszichol\u00f3giai jelens\u00e9gk\u00e9nt \u00e9rtelmezek. Az ember m\u0171alkot\u00e1ss\u00e1 v\u00e1lik, megszeml\u00e9lik, s egyszer csak felcser\u00e9l\u0151dnek a szerepek, \u00e9s az is hajland\u00f3 ezt elfogadni, aki ott \u00e1ll: passz\u00edv n\u00e9z\u0151b\u0151l, befogad\u00f3b\u00f3l akt\u00edv t\u00e1rggy\u00e1 v\u00e1lik, amely ki\u00e1ll\u00edtja mag\u00e1t, \u00e9s ez\u00e1ltal m\u0171alkot\u00e1ss\u00e1 v\u00e1lik. De ezt csak akkor lehet l\u00e1tni, ha kipr\u00f3b\u00e1ljuk. Ha viszont m\u0171k\u00f6dik, akkor persze nagyon er\u0151s hat\u00e1ssal van.<\/p>\n

PG:<\/span> Egyszer azt \u00e1ll\u00edtotta egy nyiltkozat\u00e1ban,6<\/span> hogy a szubjektum-objektum viszony megv\u00e1ltozik, ha valaki ezekn\u00e9l az Egyperces szobrok<\/span>n\u00e1l cselekv\u0151k\u00e9nt sz\u00ednre viszi mag\u00e1t. Ez nem jelenti egy\u00fattal azt is, hogy ez a hagyom\u00e1nyosan \u00e9rtett szubjektum-objektum viszony \u00e9rtelmetlenn\u00e9 v\u00e1lik, felold\u00f3dik?<\/p>\n

EW: <\/span> De, minden bizonnyal mondhatjuk ezt. Lehet ezt \u00edgy is szeml\u00e9lni, hisz az eg\u00e9sz valahol kultur\u00e1lisan meghat\u00e1rozott. Egyszer felold\u00f3dik, majd valahol ism\u00e9t visszat\u00e9r. Ez t\u00f6rt\u00e9nik az \u00e9n korai m\u0171vemn\u00e9l is, ahol a pul\u00f3vereket haszn\u00e1ltam. Ezekbe bele lehetett b\u00fajni, majd ism\u00e9t kib\u00fajni bel\u0151l\u00fck a haszn\u00e1lati utas\u00edt\u00e1snak megfelel\u0151en. \u00cdgy lehet valakib\u0151l ennek megfelel\u0151en m\u0171alkot\u00e1s egy pillanatra, majd persze ism\u00e9t ki lehetett b\u00fajni bel\u0151le, \u00e9s akkor az eg\u00e9sz m\u00e1r nem is l\u00e9tezik. Mintha nem is lett volna.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

6<\/p>\n

Ausstellungsfilm Erwin Wurm: One Minute Sculptures. 2014. https:\/\/www.youtube.com\/watch?v=aDL5NVXwBFI<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13448″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Metszett szobrok, Akci\u00f3szobrok, Egyperces szobrok) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-25″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13450″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Naplemente,<\/em> 2014, vas, m\u0171anyag, polisztir\u00e9n, f\u00e9nyforr\u00e1s, vezet\u00e9k \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

PG:<\/span> Kor\u00e1bban besz\u00e9lt arr\u00f3l is,7<\/span> hogy a filoz\u00f3fia nagyon fontos szerepet j\u00e1tszott az \u00e9let\u00e9ben \u00e9s a m\u0171v\u00e9szet\u00e9ben. Milyen filoz\u00f3fia \u00e9s milyen \u00e9rtelemben?<\/p>\n

EW:<\/span> \u00c9n ezen a ter\u00fcleten egy\u00e9rtelm\u0171en dilett\u00e1nsnak sz\u00e1m\u00edtok, nem vagyok szakfiloz\u00f3fus. Nagyon sokat olvasok filoz\u00f3fiai m\u0171veket, \u00e9s mindig vannak kedvenceim. Ez a vonzalom a filoz\u00f3fia \u00e9s az irodalom ir\u00e1nt abb\u00f3l ad\u00f3dik, hogy a filoz\u00f3fusok nagyon hasonl\u00edtanak a m\u0171v\u00e9szekhez. Mindig k\u00eds\u00e9rletet tesznek arra, hogy a vil\u00e1got \u00e9s abban a dolgokat \u00fajradefini\u00e1lj\u00e1k. De term\u00e9szetszer\u0171leg mindig kudarcot vallanak, mert a k\u00f6vetkez\u0151 gener\u00e1ci\u00f3 ism\u00e9t mindent elvet. A vil\u00e1got \u00faj m\u00f3don interpret\u00e1lni, \u00faj m\u00f3don megvil\u00e1g\u00edtani, \u00fajra felfedezni, \u00faj v\u00e1zlatot, tervet k\u00e9sz\u00edteni m\u00e1r kezdett\u0151l buk\u00e1sra van \u00edt\u00e9lve, mivel az ut\u00e1nunk k\u00f6vetkez\u0151k egy teljesen m\u00e1s k\u00e9pet alkotnak maguknak a vil\u00e1gr\u00f3l. A legt\u00f6bb k\u00e9rd\u00e9s \u2013 amelyeket m\u00e1r a g\u00f6r\u00f6g gondolkod\u00f3 is megfogalmaztak, \u00e9s amelyeket az\u00f3ta is feltesznek \u2013 \u00fagy magyar\u00e1zza a t\u00e1rsadalmat, ahogy azt az aktu\u00e1lis ir\u00e1nyzatok al\u00e1t\u00e1masztj\u00e1k \u00e9s hangs\u00falyozz\u00e1k. Mindez mindig is er\u0151sen foglalkoztatott, f\u0151leg az\u00e9rt, mert a m\u0171v\u00e9szet sem tesz m\u00e1st, szerintem.<\/p>\n

PG:<\/span> \u00c9s ez megjelenik valamik\u00e9pp az \u00d6n m\u0171v\u00e9szet\u00e9ben?<\/p>\n

EW: <\/span> Mindig vannak utal\u00e1sok a k\u00fcl\u00f6nf\u00e9le munk\u00e1imban p\u00e9ld\u00e1ul Montaigne<\/span>-re, Deleuze<\/span>-re, vagy \u00e9pp m\u00e1sokra. Egyszer k\u00e9sz\u00edtettem egy m\u0171vet, amely tulajdonk\u00e9ppen Deleuze-r\u0151l sz\u00f3l. Ez egy ferde aut\u00f3. Deleuze \u00edrt egy filmelm\u00e9leti k\u00f6nyvet,8<\/span> \u00e9n pedig sokat foglalkoztam science fiction-nel \u00e9s k\u00e9preg\u00e9nyekkel, \u00e9s ezt mind beles\u0171r\u00edtettem egy elferd\u00edtett Renault-ba, amely abb\u00f3l az id\u0151szakb\u00f3l \u2013 a nyolcvanas \u00e9vek elej\u00e9r\u0151l \u2013 sz\u00e1rmazik, amikor Deleuze a k\u00f6nyv\u00e9t \u00edrta. Elk\u00e9peszt\u0151 munka volt, mivel \u00fagy csin\u00e1ltam meg az aut\u00f3t, mintha \u00e9pp bevenne egy kanyart. \u00dagy, ahogy egy k\u00e9preg\u00e9nyben megjelen\u00edtik. Ezt a munk\u00e1t neki szenteltem.<\/p>\n

PG:<\/span> \u00c9s milyen szerepet j\u00e1tszik Ludwig Wittgenstein,<\/span> akit szint\u00e9n gyakran emleget, \u00e9s a neve is megjelenik egy-egy m\u0171 c\u00edm\u00e9ben?<\/p>\n

EW:<\/span> Ludwig Wittgenstein is egyre-m\u00e1sra el\u0151fordul n\u00e1lam, akivel m\u00e9g el is viccel\u0151dtem. Nagyon nagyra tartom \u0151t, b\u00e1r be kell vallanom, hogy a Tractatus Logico Pholosophicus<\/em>-b\u00f3l (Logikai-filoz\u00f3fiai \u00e9rtekez\u00e9sek<\/em>)9<\/span> eleinte nem \u00e9rtettem semmit. Eg\u00e9sz addig, am\u00edg egyes amerikai komment\u00e1torai fel nem nyitott\u00e1k a szememet. Akkor elgondolkoztam azon, hogy n\u00e1lunk Wittgensteint mindig mondatr\u00f3l mondatra olvast\u00e1k, \u00e9s \u00edgy mennyire keveset \u00e9rt\u00fcnk bel\u0151le. Az amerikaiak viszont azt mondt\u00e1k, hogy nem kell egyben n\u00e9zni, \u00e9s annak megfelel\u0151en megpr\u00f3b\u00e1lni meg\u00e9rteni az eg\u00e9szet. S\u0151t, nem is kell hagyom\u00e1nyos \u00e9rtelemben meg\u00e9rteni, hisz \u00e9pp annyira van tele van ellentmond\u00e1sokkal a vil\u00e1g, mint amennyire Wittgenstein \u00e1ll\u00edt\u00e1sai. Ebben a k\u00eds\u00e9rletben benne van az, hogy egybefogjam mindazt, ami a vil\u00e1g. Ha ezt elfogadjuk, \u00e9s ennek megfelel\u0151en m\u00e1sk\u00e9pp pr\u00f3b\u00e1ljuk olvasni ezt a sz\u00f6veget, akkor elkezd m\u0171k\u00f6dni.<\/p>\n

PG:<\/span> Mik\u00e9pp kapcsol\u00f3dnak ezek a gondolatok az akci\u00f3khoz, a Performat\u00edv szobrok<\/span>hoz?<\/p>\n

EW:<\/span> Mindig m\u00e1sk\u00e9pp. Eml\u00edtettem p\u00e9ld\u00e1ul Montaigne-t. \u0150 volt az egyik els\u0151 filoz\u00f3fus, aki l\u00e1tsz\u00f3lag h\u00e9tk\u00f6znapi dolgokr\u00f3l \u00edrt. Sok m\u0171v\u00e9sz ugyanezt teszi. Itt p\u00e1rhuzamokat lehet vonni, \u00edgy tal\u00e1n l\u00e9trej\u00f6n az a bizonyos aha effektus. De h\u00e1t \u00e9n nem els\u0151sorban a sz\u00e9les t\u00f6megeknek k\u00e9sz\u00edtek m\u0171veket, hanem egy nagyon speci\u00e1lis k\u00f6z\u00f6ns\u00e9gnek, b\u00e1r nyilv\u00e1n j\u00f3 lenne, ha a sz\u00e9les t\u00f6megek is \u00e9rteni \u00e9s \u00e9lvezni tudn\u00e1k. Erre pontosan r\u00e1mutat a K\u00f6v\u00e9r aut\u00f3<\/em> (Fat Car<\/em>). Mindenki l\u00e1t egy k\u00f6v\u00e9r (felf\u00fav\u00f3dott) aut\u00f3t, \u00e9s ezt hat\u00e1rozottan meg tudja \u00e1llap\u00edtani. Csakhogy e m\u00f6g\u00f6tt az \u201eaut\u00f3\u201d m\u00f6g\u00f6tt eg\u00e9sz m\u00e1s megfontol\u00e1sok h\u00faz\u00f3dnak: p\u00e9ld\u00e1ul az aut\u00f3 egyr\u00e9szt ennek a korszaknak a fetisiz\u00e1lt t\u00e1rgya, m\u00e1sr\u00e9szt viszont egy olyan eszk\u00f6z, amely t\u00f6nkreteszi a vil\u00e1got, elpuszt\u00edtja a nyersanyagforr\u00e1sokat, \u00e9s persze m\u00e9g nagyon sok m\u00e1s t\u00e9ma van, amely kapcsolhat\u00f3 hozz\u00e1, \u00e9s amelyre \u00edgy utal\u00e1st teszek. De az is hozz\u00e1tartozik, hogy az aut\u00f3 az\u00e1ltal, hogy felf\u00fav\u00f3dik, k\u00f6v\u00e9r lesz, teh\u00e1t az aut\u00f3 technoid strukt\u00far\u00e1ja \u00f6sszekapcsol\u00f3dik egy \u00e9l\u0151l\u00e9ny biol\u00f3giai strukt\u00far\u00e1j\u00e1val, mert csak \u00e9l\u0151l\u00e9nyek h\u00edzhatnak meg. Ez\u00e1ltal ez mindenk\u00e9pp egy er\u0151s utal\u00e1s a k\u00f6z\u00f6s j\u00f6v\u0151nkre, amelyben egy\u00fctt vagyunk k\u00e9nytelenek osztozni.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0″][divider line_type=”Small Line” line_alignment=”default” line_thickness=”4″ divider_color=”extra-color-2″ custom_height=”20″ custom_line_width=”100″][vc_column_text]\n

7<\/p>\n

Sculpter la pens\u00e9e: Une entrevue avec Erwin Wurm Par Bernard A. Sch\u00fctze http:\/\/esse.ca\/fr\/sculpter-la-pensee-entrevue-erin-wurm<\/a><\/p>\n

8<\/p>\n

Gilles Deleuze: Cin\u00e9ma 1: L\u2019image-mouvement. Les \u00c9ditions de Minuit,<\/em> 1983 (magyarul: Film 1. A mozg\u00e1s-k\u00e9p.<\/em> Ford. Kov\u00e1cs Andr\u00e1s B\u00e1lint. Budapest, Osiris Kiad\u00f3, 2001)<\/p>\n

9<\/p>\n

Ludwig Wittgenstein: Logikai-filoz\u00f3fiai \u00e9rtekez\u00e9sek.<\/em> Ford. M\u00e1rkus Gy\u00f6rgy, Atlantisz K\u00f6nyvkiad\u00f3, Budapest, 2004<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”13455″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Egyperces munk\u00e1k. A szobr\u00e1szat mint program.<\/em> Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum, Budapest (Akci\u00f3szobrok) \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”80″][image_with_animation image_url=”13457″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Erwin Wurm: Palack,<\/em> 2015, alum\u00ednium\u00f6ntv\u00e9ny, 38\u00d718\u00d778 cm \u00a9 Fot\u00f3: Eln Ferenc<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

PG:<\/span> Az, amit eddigi m\u0171v\u00e9szeti p\u00e1ly\u00e1j\u00e1n tett, l\u00e1tsz\u00f3lag nem illeszkedik a kort\u00e1rs m\u0171v\u00e9szetr\u0151l folytatott elm\u00e9leti vita kereteibe. Mik\u00e9nt l\u00e1tja saj\u00e1t m\u0171v\u00e9szete \u00e9s a kort\u00e1rs m\u0171v\u00e9szet viszony\u00e1t?<\/p>\n

EW:<\/span> Igyekszem magamat t\u00e1vol tartani t\u0151le. M\u00e1r r\u00e9g\u00f3ta nem \u00e9rdekel. Nagyon sok\u00e1ig foglalkoztattak ezek a k\u00e9rd\u00e9sek. Kor\u00e1bban igyekeztem akt\u00edv r\u00e9sze lenni ennek az eg\u00e9sznek, de mindig az volt az \u00e9rz\u00e9sem, \u00e9s egyre ink\u00e1bb azt vettem \u00e9szre, hogy az elm\u00e9letekben fel\u00e1ll\u00edtanak egy m\u00e9rc\u00e9t, amely szerint \u00e9n elhelyezkedem valahol, \u00e9s azt\u00e1n ott van a m\u0171v\u00e9szet \u00e9s a filoz\u00f3fia minden nagy teljes\u00edtm\u00e9ny\u00e9vel, amelyre \u00e9n ugyan intellektu\u00e1lisan v\u00e1gyakozhatok, \u00e9s t\u00f6rekedhetek arra, hogy el\u00e9rjem, mik\u00f6zben nagyon sokhoz soha nem siker\u00fclt igaz\u00e1n kapcsolatot tal\u00e1lnom. T\u00e9nylegesen meg\u00e9lt fizikai kapcsolatra gondolok. Ezek a kapcsol\u00f3d\u00e1sok a legt\u00f6bb esetben csak akkor siker\u00fcltek, amikor az eg\u00e9sz m\u00e1r nem foglalkoztatott olyan intenzit\u00e1ssal.<\/p>\n

Az interj\u00fa l\u00e9trej\u00f6tt\u00e9t a Ludwig M\u00fazeum \u2013 Kort\u00e1rs M\u0171v\u00e9szeti M\u00fazeum tette lehet\u0151v\u00e9.<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”full-5-40″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”40″][vc_column_text]\n

\"Besz\u00e9lget\u00e9s<\/a><\/div><\/div>\n
\"Performat\u00edv,<\/a><\/div><\/div><\/div><\/div><\/div>\t\t\t