{"id":12320,"date":"2018-08-03T13:51:26","date_gmt":"2018-08-03T11:51:26","guid":{"rendered":"https:\/\/balkon.art\/home\/?p=12320"},"modified":"2026-02-12T22:41:35","modified_gmt":"2026-02-12T21:41:35","slug":"a-muzeum-ejszakaja","status":"publish","type":"post","link":"https:\/\/balkon.art\/home\/a-muzeum-ejszakaja\/","title":{"rendered":"A m\u00fazeum \u00e9jszak\u00e1ja"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Julian Rosefeldt: Manifesztum (Manifesto),<\/em> 2015<\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][vc_column_text]\n

Kur\u00e1tor: Petr\u00e1nyi Zsolt<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Magyar Nemzeti Gal\u00e9ria, Budapest
\n2018. m\u00e1jus 30 \u2013 augusztus 12.<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Az \u00e9vadban k\u00e9t r\u00e9tegfilmet is forgalmazott a Cirko, amelyek t\u00e1rgya a m\u0171v\u00e9szet, \u00edgy \u2013 legal\u00e1bbis tematikusan \u2013 kapcsol\u00f3dnak is egym\u00e1shoz. A Manifesztum<\/em><\/span> nem szokv\u00e1nyos dokumentumfilm: a 20. sz\u00e1zad m\u0171v\u00e9szeti ki\u00e1ltv\u00e1nyaira tekint vissza j\u00e1t\u00e9kfilmes elemeket haszn\u00e1lva. Ruben \u00d6stlund<\/span> A n\u00e9gyzet<\/em> c\u00edm\u0171 munk\u00e1ja ezzel szemben a jelenkori m\u0171v\u00e9szeti szc\u00e9na probl\u00e9m\u00e1ira f\u00f3kusz\u00e1l\u00f3 j\u00e1t\u00e9kfilm, \u00e1m a fikci\u00f3nak val\u00f3s alapja van, a v\u00e9gkifejlete megt\u00f6rt\u00e9nt esem\u00e9nyre \u00e9p\u00fcl.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” class=”full-0-30″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][layerslider_vc id=”33″][vc_column_text css=”” text_direction=”default”]\n

Ruben \u00d6stlund: A n\u00e9gyzet (The Square),<\/em> 2017 (\u00e1ll\u00f3k\u00e9pek) | A Cirko Film j\u00f3volt\u00e1b\u00f3l<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”0″ bottom_padding=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]A Manifesztum<\/em>ban a sz\u00f6vegek domin\u00e1lnak \u2013 ami filmben ritka, s\u0151t, nem jellemz\u0151 \u2013, a k\u00e9pek pedig ezeket magyar\u00e1zz\u00e1k, \u00e9rtelmezik. N\u00e9zz\u00fck az els\u0151 jeleneteket. A nyit\u00f3 k\u00e9p \u00e9js\u00f6t\u00e9tj\u00e9ben f\u00e9nyszikr\u00e1k jelennek meg. K\u00f6zben a c\u00edmsz\u00f3 vizu\u00e1lis etimol\u00f3gi\u00e1j\u00e1t hallani\/olvasni, ami \u2013 Tomasso Marinetti<\/span> ki\u00e1ltv\u00e1ny\u00e1val \u2013 a szavak, a kis bet\u0171k l\u00e1zad\u00e1s\u00e1val folytat\u00f3dik. A k\u00f6vetkez\u0151 ellenk\u00e9pen a csillagsz\u00f3r\u00f3 pet\u00e1rd\u00e1v\u00e1, rak\u00e9t\u00e1v\u00e1 v\u00e1ltozik. Nappali sz\u00fcrkes\u00e9gben sz\u00f3rakozva l\u00f6vik fel feln\u0151ttek, de nagy durran\u00e1s ut\u00e1n kipukkan. A jelenetet egy hajl\u00e9ktalan ember szem\u00e9vel l\u00e1tjuk, aki elhagyatott gy\u00e1rtelepen vonszolja moty\u00f3j\u00e1t a posztindusztri\u00e1lis vil\u00e1gban, a beteljes\u00fclt j\u00f6v\u0151 helysz\u00edn\u00e9n. A f\u00e9rfi ugyanis a 170 \u00e9ve kiadott Kommunista Ki\u00e1ltv\u00e1ny<\/em>t cit\u00e1lja a burzso\u00e1 t\u00e1rsadalom \u00e9s m\u0171v\u00e9szet v\u00e1ls\u00e1ga kapcs\u00e1n, majd arr\u00f3l motyog, hogy forradalmi kornak forradalmi m\u0171v\u00e9szetre van sz\u00fcks\u00e9ge. Marx\u00e9k tudat\u00e1ban voltak manifesztumuk elavul\u00e1s\u00e1nak, t\u00f6rt\u00e9netis\u00e9g\u00e9nek, de a m\u0171 a gazdas\u00e1g \u00e9s a politikum, a technika \u00e9s a m\u00e9dia vil\u00e1gm\u00e9ret\u0171v\u00e9 v\u00e1l\u00e1s\u00e1nak, hatalm\u00e1nak elemz\u00e9s\u00e9t is megadja. A k\u00e9p nem egy\u00e9rtelm\u0171: hogy az elavul\u00e1son ironiz\u00e1l-e, vagy sem, a n\u00e9z\u0151nek nincs ideje eld\u00f6nteni. A film v\u00e9ge fel\u00e9 ism\u00e9t felbukkan\u00f3, protest\u00e1l\u00f3 alaknak ink\u00e1bb csak az arc\u00e1ra lehet eml\u00e9kezni, mert a manifesztumokb\u00f3l vett r\u00e9szletek alkotj\u00e1k a sz\u00f6veget, s ezek a r\u00e9tegek szinte maguk al\u00e1 temetik a n\u00e9z\u0151t. Csak p\u00e1r helyen vannak k\u00f6sz\u00f6n\u0151 viszonyban a k\u00f6znapi nyelvvel, dial\u00f3gus form\u00e1j\u00e1ban. N\u00e9h\u00e1ny jelenet eml\u00e9kezetes maradhat, mint Tristan Tzara gy\u00e1szbesz\u00e9dk\u00e9nt mondott dadaista ki\u00e1ltv\u00e1nya, melynek tartalma egys\u00e9get k\u00e9pez a temet\u00e9ssel. Eml\u00edthetj\u00fck a nagypolg\u00e1ri csal\u00e1d \u00e9tkez\u00e9s\u00e9n\u00e9l az asztali im\u00e1t helyettes\u00edt\u0151 manifesztumot, a fogyaszt\u00f3i t\u00e1rsadalomra a pop-art egyik ideol\u00f3gus\u00e1nak sz\u00e1m\u00edt\u00f3 Claes Oldenburg reag\u00e1l\u00e1s\u00e1t; Bu\u00f1uel-i jelenet, noha a sz\u00fcrrealizmushoz \u2013 Andr\u00e9 Bretont id\u00e9zve \u2013 a b\u00e1bj\u00e1t\u00e9k k\u00e9peit rendeli a film. Hat\u00e1sos a telev\u00edzi\u00f3 st\u00fadi\u00f3j\u00e1r\u00f3l k\u00e9sz\u00fclt m\u00e9diakritika: \u201eV\u00e1gj igazmond\u00f3 arcot!\u201d \u2013 utas\u00edtj\u00e1k a sminkelt m\u0171sorvezet\u0151n\u0151t. A t\u00e9ma a hamis\u00edtv\u00e1ny, \u00e9s hogy lehet-e halad\u00e1s a m\u0171v\u00e9szetben, majd a hiteless\u00e9g\u00e9rt kapcsolj\u00e1k a k\u00fcls\u0151 helysz\u00ednr\u0151l \u2013 ugyan\u0151t. P\u00e1rbesz\u00e9d\u00fck cs\u00facsa, amikor a minimal artot kis t\u00e1rgyakk\u00e9nt \u00e9rtelmezik. Ezut\u00e1n \u00fajra a homeless protagonista j\u00f6n, az \u00faj m\u0171v\u00e9szett\u0151l v\u00e1r \u00e1ll\u00e1sfoglal\u00e1st, \u00edt\u00e9lkez\u00e9st, hogy az fegyverk\u00e9nt legyen haszn\u00e1lhat\u00f3.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”0″ bottom_margin=”0″ flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”box-l20″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” offset=”vc_col-sm-offset-0 vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”50″][vc_column_text]\n