{"id":5665,"date":"2017-10-31T08:50:32","date_gmt":"2017-10-31T07:50:32","guid":{"rendered":"https:\/\/balkon.art\/home\/?page_id=5665"},"modified":"2022-07-10T22:30:53","modified_gmt":"2022-07-10T20:30:53","slug":"off-biennale-budapest-jatekok-nepe","status":"publish","type":"page","link":"https:\/\/balkon.art\/home\/online-2017\/off-biennale-budapest-jatekok-nepe\/","title":{"rendered":"OFF-Biennale Budapest | J\u00e1t\u00e9kok n\u00e9pe"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][vc_column_text]\n

Zbyn\u011bk Baladr\u00e1n, Johanna Billing, Marvin Gaye Chetwynd, Ex-Artists\u2019 Collective (Kasz\u00e1s Tam\u00e1s \u00e9s Lor\u00e1nt Anik\u00f3), Kokesch \u00c1d\u00e1m, Eva Ko\u0165\u00e1tkov\u00e1, Joanna Piotrowska, Jean-Marie Straub \u00e9s Dani\u00e8le Huillet<\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

Kur\u00e1torok: Az OFF-Bienn\u00e1le kur\u00e1tori csapata
\nKur\u00e1torasszisztens: Bon\u00e9 Ferenc, Huszka Csilla, Popovics Vikt\u00f3ria<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”25″][vc_column_text]\n

H\u00e1rom Holl\u00f3 K\u00e1v\u00e9h\u00e1z, Budapest
\n2017. szeptember 29 \u2013 november 5.<\/h4>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”full-4″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”5094″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][vc_column_text]\n

H\u00e1rom Holl\u00f3 K\u00e1v\u00e9h\u00e1z, 1052 Budapest, Piarista k\u00f6z 1., Bej\u00e1rat a Szabadsajt\u00f3 \u00fat fel\u0151l | Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”full-4″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”5272″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”top-bottom” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][vc_column_text]\n

Ha feln\u0151ttk\u00e9nt j\u00e1t\u00e9kot mondunk, akkor az \u00fajrakezd\u00e9s, az alternat\u00edv val\u00f3s\u00e1gok lehet\u0151s\u00e9g\u00e9t keress\u00fck. Felt\u00e9telezz\u00fck, hogy a j\u00e1t\u00e9kba val\u00f3 bel\u00e9p\u00e9s \u00f6nk\u00e9ntes, k\u00e9nyszer n\u00e9lk\u00fcli, a j\u00e1t\u00e9kban szabadok lehet\u00fcnk, \u00fajrak\u00f3dolhatjuk tapasztalatainkat a vil\u00e1gr\u00f3l. A j\u00e1t\u00e9k ter\u00e9ben a k\u00f6rnyez\u0151 vil\u00e1g szab\u00e1lyainak elfogad\u00e1sa, kiigaz\u00edt\u00e1sa, felf\u00fcggeszt\u00e9se vagy az azokkal val\u00f3 szembefordul\u00e1s \u00e9s a val\u00f3s\u00e1g figyelmen k\u00edv\u00fcl hagy\u00e1sa egyar\u00e1nt lehets\u00e9ges \u2013 magunk v\u00e1lasztunk strat\u00e9gi\u00e1t an\u00e9lk\u00fcl, hogy d\u00f6nt\u00e9s\u00fcnket v\u00e9glegesnek kellene tekinteni.<\/p>\n

J\u00e1tszunk, mert sz\u00e1nd\u00e9kaink visszapattannak a val\u00f3s\u00e1gr\u00f3l, \u00e9s j\u00e1tszunk, mert nem akarjuk ezt elfogadni. Hissz\u00fck, hogy a j\u00e1t\u00e9k m\u00e1sfel\u00e9 vezet, vagy m\u00e1sk\u00e9nt visz ugyanarra. \u00daj k\u00e9pess\u00e9geket ad \u00e9s n\u00e9z\u0151pontokat k\u00edn\u00e1l, \u00e9s \u00edgy \u2013 mint minden, ami tanul\u00e1s \u2013 v\u00e9g\u00fcl m\u00e9giscsak \u00e1tform\u00e1lja a val\u00f3s\u00e1got. Ebben t\u00e1rsa a m\u0171v\u00e9szet a j\u00e1t\u00e9knak, ez\u00e9rt van a m\u0171v\u00e9szeknek k\u00fcl\u00f6n\u00f6s nyitotts\u00e1ga \u00e9s \u00e9rz\u00e9kenys\u00e9ge a j\u00e1t\u00e9kok, de a val\u00f3s\u00e1g leleplez\u00e9se ir\u00e1nt is.<\/p>\n

A ki\u00e1ll\u00edt\u00e1s m\u0171vei a j\u00e1t\u00e9k idealiz\u00e1l\u00e1s\u00e1nak vesz\u00e9lyeir\u0151l is sz\u00f3lnak: arr\u00f3l, ahogy az \u00e1rtatlans\u00e1g neh\u00e9z terh\u00e9t helyezz\u00fck a gyerekekre, vagy ahogyan a p\u00e1rhuzamos vil\u00e1gokba z\u00e1r\u00f3d\u00e1s csapd\u00e1j\u00e1t j\u00e1t\u00e9kkal takarjuk el. A J\u00e1t\u00e9kok n\u00e9pe<\/em> ki\u00e1ll\u00edt\u00e1st a j\u00e1t\u00e9k \u00f6r\u00f6me \u00e9s a j\u00e1tsz\u00e1s mint a felismer\u00e9s j\u00f3zans\u00e1ga fogja k\u00f6r\u00fcl. Felszabadult \u00e9s elgondolkod\u00f3, kint is van \u00e9s bent is van; j\u00e1tszik \u00e9s l\u00e1tja mag\u00e1t j\u00e1tszani.<\/p>\n

Forr\u00e1s: offbiennale.hu\/program\/people-players<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Joanna Piotrowska: Frantic,<\/em> (Eszeveszett), 2016\u201317, fot\u00f3sorozat, (r\u00e9szlet); a m\u0171v\u00e9sz j\u00f3volt\u00e1b\u00f3l<\/p>\n[\/vc_column_text][image_with_animation image_url=”5101″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”5103″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”top-bottom” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”40″][vc_column_text]\n

A londoni Royal College of Art fotogr\u00e1fia szak\u00e1n v\u00e9gzett Joanna Piotrowska m\u0171vei a performansz, az install\u00e1ci\u00f3 \u00e9s a dokumentarista fot\u00f3 metsz\u00e9spontj\u00e1n egyens\u00falyoznak. Fekete-feh\u00e9r fot\u00f3sorozatain jellemz\u0151en emberek \u00e9s t\u00e1rgyak megrendezett, szokatlan \u00e9s abszurd kompoz\u00edci\u00f3it r\u00f6gz\u00edti. Leg\u00fajabb, Frantic<\/em> c\u00edm\u0171 sorozat\u00e1hoz (2016\u201317) Rio de Janeir\u00f3ban \u00e9s Vars\u00f3ban k\u00e9rt fel helyieket, hogy otthonukban, szem\u00e9lyes t\u00e1rgyaikb\u00f3l \u00e9s b\u00fatoraikb\u00f3l \u00e9p\u00edtsenek bunkereket. A sz\u0151nyegekb\u0151l \u00e9s b\u00fatorokb\u00f3l gyermekk\u00e9nt \u00f6sszeszerelt \u201ekish\u00e1zak\u201d az els\u0151 saj\u00e1t-terek, a s\u00e9rthetetlen biztons\u00e1g rejtekhelyei. Piotrowska a n\u00e9hol billeg\u0151, m\u00e1shol elhagyatott vagy \u00e9pp antropomorf \u00e9p\u00edtm\u00e9nyek \u00e9s a m\u00e1r feln\u0151tt, mozdulatlan lak\u00f3k ingatag viszony\u00e1t dokument\u00e1lja. Ebben a finom, fesz\u00fclt egyens\u00falyban a biztons\u00e1gba vetett gyermekkori hitet felv\u00e1ltja a biztons\u00e1g keres\u00e9s\u00e9nek ut\u00f3pi\u00e1ja.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][vc_column_text]\n

Eva Ko\u0165\u00e1tkov\u00e1: C (Te),<\/em> 2016; f\u00e9m, hang; a m\u0171v\u00e9sz \u00e9s a Meyer Riegger Gallery j\u00f3volt\u00e1b\u00f3l<\/p>\n[\/vc_column_text][image_with_animation image_url=”5273″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”5115″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Eva Ko\u0165\u00e1tkov\u00e1 m\u0171vei gyakran a legsz\u0171kebb k\u00f6rnyezet\u00e9b\u0151l, szem\u00e9lyes tapasztalataib\u00f3l indulnak ki; a csal\u00e1d, az iskola vagy m\u00e1s alapvet\u0151 k\u00f6z\u00f6ss\u00e9gek mechanizmusaival, r\u00edtusaival foglalkoznak. M\u0171veinek visszat\u00e9r\u0151 t\u00e9m\u00e1i a t\u00e1rsadalmi kontroll \u00e9s a manipul\u00e1ci\u00f3, az egy\u00e9n k\u00fcl\u00f6nb\u00f6z\u0151 t\u00e1rsadalmi strukt\u00far\u00e1kban elfoglalt poz\u00edci\u00f3i \u00e9s az ezen bel\u00fcli mozg\u00e1s lehet\u0151s\u00e9gei. A J\u00e1t\u00e9kok n\u00e9pe c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1son bemutatott, j\u00e1r\u00f3keretekhez vagy a kisgyerekek j\u00e1r\u00e1stanul\u00e1s\u00e1t seg\u00edt\u0151 eszk\u00f6z\u00f6kh\u00f6z hasonl\u00edt\u00f3 m\u0171vei szint\u00e9n olyan t\u00e9m\u00e1kat vetnek fel, mint a a limit\u00e1lt mozg\u00e1s, a kontroll n\u00e9lk\u00fcli szabad cselekedet lehet\u0151s\u00e9ge, illetve az olyan l\u00e1thatatlan, korl\u00e1toz\u00f3 strukt\u00far\u00e1k, amelyeket m\u00e1sok \u00e9p\u00edtenek k\u00f6r\u00e9nk, vagy \u00e9ppen mi hozunk l\u00e9tre saj\u00e1t magunk sz\u00e1m\u00e1ra.<\/p>\n

A j\u00e1r\u00f3keretek valahol f\u00e9l\u00faton helyezkednek el egy ketrec \u00e9s egy furcsa \u00e9l\u0151l\u00e9ny k\u00f6z\u00f6tt. A r\u00e1juk r\u00f6gz\u00edtett f\u00fclhallgat\u00f3k seg\u00edts\u00e9g\u00e9vel v\u00e9gigvezetik a l\u00e1togat\u00f3t a ki\u00e1ll\u00edt\u00e1s ter\u00e9n, elk\u00e9pzelt szob\u00e1kba \u00e9s t\u00e1jakra kalauzolj\u00e1k \u0151ket, \u00e9s \u2013 mint egy-egy j\u00e1t\u00e9kos gondolatk\u00eds\u00e9rlet \u2013 egy m\u00e1sfajta t\u00e9rtapasztalatra, f\u00f3kusz\u00e1ltabb j\u00e1r\u00e1sra, a mozg\u00e1s \u00e9s a besz\u00e9d \u00f6sszekapcsol\u00e1s\u00e1ra tesznek k\u00fcl\u00f6nf\u00e9le javaslatokat. A j\u00e1r\u00f3keret t\u00e1mogat\u00e1st \u00e9s b\u00e1tor\u00edt\u00e1st ny\u00fajt haszn\u00e1l\u00f3j\u00e1nak, seg\u00edti, hogy l\u00e1sson \u00e9s tapasztaljon, vezeti \u00e9s tan\u00edtja. Ugyanakkor a s\u00e9ta folyam\u00e1n kialakul egyfajta k\u00f6lcs\u00f6n\u00f6s f\u00fcgg\u0151 viszony is az eszk\u00f6z \u00e9s haszn\u00e1l\u00f3ja k\u00f6z\u00f6tt. Egy id\u0151 ut\u00e1n egyre nehezebben eld\u00f6nthet\u0151, hogy ki vezet kit, \u00e9s hogy a val\u00f3s t\u00e9rben tett s\u00e9ta ir\u00e1ny\u00edtja a k\u00e9pzeletbelit, vagy ford\u00edtva.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Johanna Billing: I\u2019m Gonna Live Anyhow Until I Die,<\/em> (\u00dagyis addig \u00e9lek, am\u00edg meg nem halok), 2012, HD, Blu-Ray, 16\u201929\u2019\u2019, loop; a m\u0171v\u00e9sz \u00e9s a Hollybush Gardens, London j\u00f3volt\u00e1b\u00f3l<\/p>\n[\/vc_column_text][image_with_animation image_url=”5275″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][layerslider_vc id=”19″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

johannabilling.com\/im-gonna-live-anyhow-until-i-die-2012-hd-1629-loop\/<\/a><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Johanna Billing filmes \u00e9s zenei munk\u00e1inak kiindul\u00f3pontja t\u00f6bbnyire az egy\u00e9n \u00e9s a k\u00f6z\u00f6ss\u00e9g viszonya. Intenz\u00edv figyelemr\u0151l \u00e9s emp\u00e1ti\u00e1r\u00f3l tan\u00faskod\u00f3 filmjei megrendezett \u00e9s spont\u00e1n helyzetek z\u00f6kken\u0151mentes \u00f6sszekapcsol\u00f3d\u00e1sai \u00e1ltal sz\u00fcletnek meg. Az OFF-Bienn\u00e1l\u00e9n bemutatott filmje, az \u00dagyis addig \u00e9lek, am\u00edg meg nem halok (I\u2019m gonna live anyhow until I die)<\/em> t\u00fckr\u00f6zi a m\u0171v\u00e9sz elk\u00f6telezett \u00e9rdekl\u0151d\u00e9s\u00e9t a k\u00f6z\u00f6ss\u00e9gi, egym\u00e1st seg\u00edt\u0151 tanul\u00e1s ir\u00e1nt. De l\u00e9trej\u00f6tt\u00e9nek h\u00e1tter\u00e9ben ott vannak azok a 2010-es olaszorsz\u00e1g demonstr\u00e1ci\u00f3k, melyek az oktat\u00e1si rendszert \u00e9rt megszor\u00edt\u00e1sok ellen szervez\u0151dtek, illetve a populista oktat\u00e1si reformot \u00e9rt kritik\u00e1k is.<\/p>\n

A 2012-ben forgatott film egy csapat r\u00f3mai gyereket k\u00eds\u00e9r, amint felt\u0171n\u00e9smentesen elhagyj\u00e1k azt a Tevere-parti \u00e9ttermet, ahol sz\u00fcleik b\u00e9k\u00e9sen eb\u00e9delnek, \u00e9s csapatot alkotva futva indulnak neki a v\u00e1rosnak. \u00datjuk egy \u00fcres iskola\u00e9p\u00fcletbe vezet, ahol meg\u00e1llt az id\u0151: a termek berendez\u00e9se, az eszk\u00f6z\u00f6k ismer\u0151sen kortalanok. A gyerekek k\u00edv\u00e1ncsian kutatva bolyonganak az \u00e9p\u00fcletben, termeket \u00e9s szekr\u00e9nyeket nyitogatnak, megpr\u00f3b\u00e1lj\u00e1k kital\u00e1lni, mi mire lehet (vagy lehetett) j\u00f3. Pap\u00edrt, fest\u00e9ket, ecsetet ragadnak, \u00e9s elm\u00e9ly\u00fclt maszatol\u00e1sba kezdenek az iskola folyos\u00f3j\u00e1n a korl\u00e1toz\u00f3 rendszab\u00e1lyokat megtestes\u00edt\u0151 oszt\u00e1lytermeken k\u00edv\u00fcl. A folyos\u00f3 padl\u00f3j\u00e1t lassan beter\u00edt\u0151 fekete paca-lenyomatok a Rorschach-tesztek vil\u00e1g\u00e1t id\u00e9zik, \u00edgy a n\u00e9z\u0151k v\u00e1lnak a teszt alanyaiv\u00e1, mi \u00e9rtelmezhetj\u00fck, mit l\u00e1tunk a foltokban. A gyerekek ek\u00f6zben tov\u00e1bb\u00e1llnak, klasszikus r\u00f3mai munk\u00e1snegyedeken kereszt\u00fcl t\u00e9tova siets\u00e9ggel indulnak az \u00e9tterem \u2013 a feln\u0151ttek t\u00e1rsadalma \u2013 fel\u00e9.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Ex-Artists’ Collective (Kasz\u00e1s Tam\u00e1s \u00e9s Lor\u00e1nt Anik\u00f3): J\u00e1t\u00e9kok n\u00e9pe,<\/em> 2013\u20132017, install\u00e1ci\u00f3; a m\u0171v\u00e9szek j\u00f3volt\u00e1b\u00f3l<\/p>\n[\/vc_column_text][image_with_animation image_url=”5118″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”full-4″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”5119″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”full-4″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”5120″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”full-4″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”5121″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][divider line_type=”No Line” custom_height=”60″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][layerslider_vc id=”20″][divider line_type=”No Line” custom_height=”20″][vc_column_text]\n

A 2003 \u00f3ta egy\u00fcttm\u0171k\u00f6d\u0151 Kasz\u00e1s Tam\u00e1s \u00e9s Lor\u00e1nt Anik\u00f3 2010-ben vett\u00e9k fel az Ex-Artists\u2019 Collective nevet ily m\u00f3don is jelezve, hogy tev\u00e9kenys\u00e9g\u00fck f\u00f3kusz\u00e1ban nem a hagyom\u00e1nyos \u00e9rtelemben vett m\u0171v\u00e9szeti k\u00e9rd\u00e9sek \u00e1llnak. M\u0171veik ugyanis olyan t\u00e9m\u00e1kkal foglalkoznak, mint p\u00e9ld\u00e1ul a kivonul\u00e1s, a term\u00e9szettel val\u00f3 egy\u00fctt\u00e9l\u00e9s lehet\u0151s\u00e9gei, a n\u00e9pi tudom\u00e1ny vagy a fikt\u00edv antropol\u00f3gia.<\/p>\n

J\u00e1t\u00e9kok n\u00e9pe<\/em> c\u00edm\u0171 install\u00e1ci\u00f3juk a 2013-\u00f3ta folyamatosan b\u0151v\u00fcl\u0151, azonos c\u00edm\u0171 vide\u00f3-sorozatukon alapul. A r\u00f6vid vide\u00f3k olyan j\u00e1t\u00e9kokat mutatnak be, melyekben haszn\u00e1lt t\u00e1rgyak, a hagyom\u00e1nyos n\u00e9pi tudom\u00e1ny elemei \u00e9s az idegen kult\u00far\u00e1kb\u00f3l \u00e1tvett mint\u00e1k egyar\u00e1nt szerepet kapnak. A k\u00fcl\u00f6nb\u00f6z\u0151 j\u00e1t\u00e9kok \u2013 legyenek azok \u00e1ltaluk k\u00e9sz\u00edtett t\u00e1rgyak, egy fikt\u00edv n\u00e9pcsoport \u00f6lt\u00f6z\u00e9kei vagy elk\u00e9pzelt szok\u00e1sai \u2013 mind a n\u00e9ptudom\u00e1ny alapelveib\u0151l indulnak ki; olcs\u00f3 \u00e9s \u00fajra felhaszn\u00e1lt anyagokat haszn\u00e1lnak, \u00e9s egyar\u00e1nt alkalmazz\u00e1k az \u00e1ltaluk el\u00e9rhet\u0151 \u00f6sszes r\u00e9gi \u00e9s \u00faj technik\u00e1t. A saj\u00e1t magukat antropol\u00f3gusk\u00e9nt megfigyel\u0151 Ex-Artists\u2019 Collective tagjai a v\u00e1rosb\u00f3l kivonult, \u00e9s a term\u00e9szettel egy\u00fctt \u00e9l\u0151 k\u00f6z\u00f6ss\u00e9g tagjaik\u00e9nt jelennek meg, akik egy saj\u00e1t k\u00fcl\u00f6n val\u00f3s\u00e1got \u00e9p\u00edtenek maguknak, ahol a kreativit\u00e1s, a j\u00e1t\u00e9k \u00e9s az \u00f6r\u00f6m j\u00e1tssza a f\u0151szerepet. Az install\u00e1ci\u00f3ban szerepl\u0151 vide\u00f3k, rajzok \u00e9s t\u00e1rgyak, illetve a ki\u00e1ll\u00edt\u00e1s ideje alatt a m\u0171v\u00e9szek \u00e1ltal tartott workshopok egy olyan vil\u00e1gba engednek bepillant\u00e1st, mely igyekszik t\u00fall\u00e9pni a mindennapokat ural\u00f3 sokoldal\u00fa f\u00fcgg\u00e9si helyzeteken, \u00e9s melynek k\u00f6z\u00e9ppontj\u00e1ban az auton\u00f3m gondolkod\u00e1s, a k\u00e9pzel\u0151er\u0151, \u00e9s a k\u00f6z\u00f6s szabad j\u00e1t\u00e9k \u00e1ll. Egy vil\u00e1gba, mely egyszerre t\u0171nik sz\u00e1munkra ismertnek, s k\u00f6zben m\u00e9gis meglep\u0151en idegennek \u00e9s t\u00e1volinak l\u00e1tszik.<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Jean-Marie Straub \u2013 Dani\u00e8le Huillet: En rach\u00e2chant,<\/em> (Racsacs\u00e1lva), 1982, 35 mm film, DVD-re \u00e1t\u00edrva; Agence du court m\u00e9trage<\/p>\n[\/vc_column_text][image_with_animation image_url=”5463″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”5464″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Dani\u00e8le Huillet \u00e9s Jean-Merie Straub szigor\u00fa, elgondolkodtat\u00f3 \u00e9s gyakran radik\u00e1lisan politikus filmjei k\u00f6z\u00f6tt az En rach\u00e2chant<\/em> (Racsacs\u00e1lva) az egyetlen v\u00edgj\u00e1t\u00e9k. Minden filmj\u00fck egy l\u00e9tez\u0151 irodalmi m\u0171 vagy politikai sz\u00f6veg adapt\u00e1ci\u00f3ja, ahogy az En rach\u00e2chant is, mely Marguerite Duras \u201eAh! Ernesto!\u201d (1971) c\u00edm\u0171 novell\u00e1j\u00e1n alapul. A novella egy 9 \u00e9ves kisfi\u00far\u00f3l sz\u00f3l, aki a tekint\u00e9lyelv\u0171s\u00e9g minden form\u00e1j\u00e1t hat\u00e1rozottan elutas\u00edtja, ak\u00e1r a csal\u00e1dban, ak\u00e1r az iskol\u00e1ban, ak\u00e1r a t\u00e1rsadalomban tal\u00e1lkozik vele.<\/p>\n

Ernesto egy napon kijelenti, hogy t\u00f6bb\u00e9 nem akar iskol\u00e1ba menni, mert ott csak olyan dolgokat tan\u00edtanak, amiket \u0151 nem tud. A sz\u00fclei elviszik Ernest\u00f3t az iskol\u00e1ba, hogy besz\u00e9ljenek a tan\u00e1r\u00e1val. A tan\u00e1r tekint\u00e9lye \u00e9s \u00e9rvei azonban kudarcot vallanak. Ernesto, akit \u00e1ltal\u00e1ban \u2013 ahogy apja mondja \u2013 \u201esenki sem l\u00e1t, mintha nem is l\u00e9tezne\u201d, hat\u00e1rozott \u00e9s meglep\u0151 v\u00e1laszokat ad a neki feltett k\u00e9rd\u00e9sekre, ezek a tan\u00e1rt felbosszantj\u00e1k, a sz\u00fcl\u0151ket pedig k\u00e9ts\u00e9gbe ejtik. A tan\u00e1r el\u0151sz\u00f6r k\u00fcl\u00f6nb\u00f6z\u0151 m\u00f3dokon pr\u00f3b\u00e1lja meggy\u0151zni a kisfi\u00fat arr\u00f3l, hogy j\u00e1rjon iskol\u00e1ba, majd egyre k\u00e9ts\u00e9gbeesettebben \u00e9s inger\u00fcltebben akarja r\u00e1b\u00edrni arra, hogy magyar\u00e1zza el, mi\u00e9rt utas\u00edtja vissza az iskol\u00e1t \u00e9s a tanul\u00e1st. Ernesto elmondja, hogy az iskola t\u00fal hosszadalmas, \u00e9s nincs semmi \u00e9rtelme, nem v\u00e1ltoztat semmin. \u201eDe hogyan akarod megtanulni azt, amit m\u00e9g nem tudsz?\u201d k\u00e9rdezi a tan\u00e1r. \u201eIs-m\u00e9-m\u00e9t-tel-l\u00e9ssel” (rach\u00e2chant) \u2013 v\u00e1laszolja Ernesto \u2013 \u201eez egy \u00faj m\u00f3dszer.\u201d Ernesto pimasz \u00e9s l\u00e1zad\u00f3 hozz\u00e1\u00e1ll\u00e1sa alapjaiban k\u00e9rd\u0151jelezi meg az \u00e1ltal\u00e1nosan elfogadott oktat\u00e1si rendszert \u00e9s azt a konformista vil\u00e1gszeml\u00e9letet, amit a filmben szerepl\u0151 feln\u0151ttek k\u00e9pviselnek.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Kokesch \u00c1d\u00e1m: C\u00edm n\u00e9lk\u00fcl,<\/em> 2017, install\u00e1ci\u00f3, v\u00e1ltoz\u00f3 m\u00e9ret; a m\u0171v\u00e9sz j\u00f3volt\u00e1b\u00f3l<\/p>\n[\/vc_column_text][image_with_animation image_url=”5128″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”full-4″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider 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max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”full-4″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”5278″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][divider line_type=”No Line” custom_height=”60″][image_with_animation image_url=”5503″ alignment=”” animation=”None” border_radius=”none” box_shadow=”none” max_width=”100%” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” 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