{"id":32063,"date":"2023-08-11T17:10:32","date_gmt":"2023-08-11T15:10:32","guid":{"rendered":"https:\/\/balkon.art\/home\/?page_id=32063"},"modified":"2023-08-22T19:31:58","modified_gmt":"2023-08-22T17:31:58","slug":"letting-do-andreas-fogarasi-es-kiss-adrienn-maria-kiallitasa","status":"publish","type":"page","link":"https:\/\/balkon.art\/home\/online-2023\/letting-do-andreas-fogarasi-es-kiss-adrienn-maria-kiallitasa\/","title":{"rendered":"Letting Do<\/em> | Andreas Fogarasi \u00e9s Kiss Adrienn M\u00e1ria ki\u00e1ll\u00edt\u00e1sa"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Andreas Fogarasi \u00e9s Kiss Adrienn M\u00e1ria ki\u00e1ll\u00edt\u00e1sa<\/h2>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Torula, Gy\u0151r
\n2023. j\u00fanius 25 \u2013 j\u00falius 29.<\/h4>\n

Kur\u00e1tor: Salamon J\u00falia<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32066″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Letting Do:<\/em> Andreas Fogarasi \u00e9s Kiss Adrienn M\u00e1ria ki\u00e1ll\u00edt\u00e1sa (r\u00e9szlet), Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”p-2-0 text-20r”]\n

Letting Do<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0 text-20r”]Mi t\u00f6rt\u00e9nik, ha egy m\u0171v\u00e9sz mond le \u00f6nk\u00e9nt a v\u00e9geredm\u00e9ny felett gyakorolt teljes kontrollr\u00f3l? A Letting Do<\/em> erre a k\u00e9rd\u00e9sre keresi a v\u00e1laszt: olyan m\u0171vekb\u0151l v\u00e1logat, amelyeket az alkot\u00f3munka sor\u00e1n valamely k\u00fcls\u0151 t\u00e9nyez\u0151re, szerepl\u0151re val\u00f3 sz\u00e1nd\u00e9kos r\u00e1hagy\u00e1s, r\u00e1hagyatkoz\u00e1s, illetve a munka c\u00e9lzott kiszervez\u00e9se jellemez. K\u00edv\u00fclr\u0151l \u00e9rkez\u0151, kalkul\u00e1lt hat\u00f3er\u0151 lehet egy m\u00e1sik m\u0171v\u00e9sz beh\u00edv\u00e1sa egy adott munka megval\u00f3s\u00edt\u00e1s\u00e1ba, a t\u00fckr\u00f6z\u0151d\u00e9s, mint m\u00f3dos\u00edt\u00f3 keretrendszer, vagy \u00e9ppen a mesters\u00e9ges intelligencia bevon\u00e1sa. Mindezek az eszk\u00f6z\u00f6k teret adnak a rendezett v\u00e9letlen po\u00e9tikus mozg\u00f3s\u00edt\u00e1s\u00e1ra. A Letting Do<\/em> du\u00f3ki\u00e1ll\u00edt\u00e1s m\u00e1sik visszat\u00e9r\u0151 t\u00e9m\u00e1ja a munka, a gy\u00e1rt\u00e1s, az el\u0151\u00e1ll\u00edt\u00e1s, ennek t\u00f6rt\u00e9neti, ipari \u00f6sszef\u00fcgg\u00e9sei, illetve a m\u0171v\u00e9sz mint termel\u0151 probl\u00e9m\u00e1ja. Ez a vonatkoztat\u00e1si rendszer reflekt\u00e1l a Torula ter\u00e9nek ipari l\u00e9pt\u00e9keire \u00e9s az \u00e9p\u00fclet eredetileg \u00fczemi funkci\u00f3j\u00e1ra is. A ki\u00e1ll\u00edt\u00e1son d\u00f6nt\u0151en a t\u00edzes \u00e9vek m\u00e1sodik fel\u00e9ben k\u00e9sz\u00fclt munk\u00e1k mellett kifejezetten erre az alkalomra k\u00e9sz\u00fclt m\u0171vek is szerepelnek. A du\u00f3ki\u00e1llt\u00e1s komparat\u00edv karakter\u00e9b\u0151l kiindulva: a k\u00e9t megh\u00edvott ki\u00e1ll\u00edt\u00f3, Andreas Fogarasi<\/span> (1977) \u00e9s Kiss Adrienn M\u00e1ria<\/span> (1978) k\u00f6zelr\u0151l n\u00e9zve stilisztikailag elt\u00e9r\u0151, \u00e1m alkot\u00f3i munkam\u00f3dszer\u00e9ben k\u00f6z\u00f6s metsz\u00e9spontokat k\u00f6vethetj\u00fck nyomon. Ez alapj\u00e1n a ki\u00e1ll\u00edt\u00e1s n\u00e9gy nagyobb egys\u00e9gb\u0151l, m\u0171t\u00e1rgycsoportb\u00f3l \u00e9p\u00fclt fel.<\/p>\n

A Torula rezidens m\u0171v\u00e9szek\u00e9nt alkot\u00f3, illetve a Magyar K\u00e9pz\u0151m\u0171v\u00e9szeti Egyetem doktori programj\u00e1t jelen mester projekttel z\u00e1r\u00f3 Kiss Adrienn M\u00e1ria az elm\u00falt \u00e9vek sor\u00e1n standard, el\u0151regy\u00e1rtott form\u00e1ban beszerezhet\u0151, ugyanakkor nagy mennyis\u00e9gben felhalmozott v\u00e1sznait rendezi \u00fajra, ez\u00fattal egy t\u00e9rre szabott, t\u00falfesz\u00edtett, burj\u00e1nz\u00f3 install\u00e1ci\u00f3v\u00e1 (Shifting River)<\/em>. A kisform\u00e1tum\u00fa k\u00e9pek egyr\u00e9szt a m\u0171termi munka m\u00f6g\u00f6tt megh\u00faz\u00f3d\u00f3 gazdas\u00e1gi k\u00f6rnyezetre (nyersanyagok beszerezhet\u0151s\u00e9ge, k\u00eds\u00e9rletekkel j\u00e1r\u00f3 m\u0171termi mell\u00e9kterm\u00e9kek \u00f6kon\u00f3mi\u00e1ja, illetve a m\u0171vek t\u00e1rol\u00e1si k\u00f6lts\u00e9gei) illetve a h\u00e9tk\u00f6znapokban instant felk\u00edn\u00e1lt, \u00e1rucikk\u00e9 v\u00e1l\u00f3 m\u0171v\u00e9szeti \u00f6nkifejez\u00e9s fel\u00e9 ir\u00e1ny\u00edtj\u00e1k figyelm\u00fcnket. Kiss nem moraliz\u00e1l\u00f3 kritika t\u00e1rgyk\u00e9nt emeli be ezeket az anyagokat m\u0171v\u00e9szet\u00e9be, hanem a h\u00e9tk\u00f6znapi tapasztalatot a folyton tev\u00e9keny, babr\u00e1l\u00f3 alkot\u00f3i k\u00eds\u00e9rletez\u00e9s szerves elemek\u00e9nt kezeli. Ez, a h\u00e9tk\u00f6znapi szf\u00e9r\u00e1j\u00e1b\u00f3l val\u00f3 kiemel\u00e9s, \u00fajrakeretez\u00e9s gyakorlata eml\u00e9keztet minket Fogarasi gy\u0171jt\u0151, koll\u00e1zzsal kombin\u00e1l\u00f3 met\u00f3dus\u00e1ra (ld. Nine Buildings, Stripped \u00e9p\u00edt\u00e9szeti objektek<\/em> vagy a Torul\u00e1ba is megh\u00edvott Envelop<\/em> sorozat eset\u00e9ben).<\/p>\n

A r\u00e9sz-eg\u00e9sz viszonya: vagyis egy-egy \u00f6nmag\u00e1ban is \u00e9rv\u00e9nyes kisform\u00e1tum\u00fa k\u00e9p \u00e9s az ezek sokas\u00e1g\u00e1b\u00f3l fut\u00f3szalag szer\u0171\u00e9n szervez\u0151d\u0151 mint\u00e1zat, kulissza kett\u0151se fel\u0151l is vizsg\u00e1lhat\u00f3 a m\u0171. (Ez a vizu\u00e1lis strat\u00e9gia ismer\u0151s lehet Kiss 2021-ben a Ludwig M\u00fazeumban bemutatott hasonl\u00f3an fest\u00e9szeti f\u00f3kusz\u00fa install\u00e1ci\u00f3j\u00e1b\u00f3l is). Az install\u00e1ci\u00f3 jelen ki\u00e1ll\u00edt\u00e1sban egy digit\u00e1lis, mozg\u00f3k\u00e9pes p\u00e1rdarabbal eg\u00e9sz\u00fcl ki.<\/p>\n

A n\u00e9gycsatorn\u00e1s anim\u00e1ci\u00f3 (Machine Impressions)<\/em> elk\u00e9sz\u00edt\u00e9s\u00e9be Kiss mesters\u00e9ges intelligenci\u00e1t (AI) is bevonta, a mainstream vizu\u00e1lis kult\u00far\u00e1ban megjelen\u0151 humoros, \u00f6nsz\u00f3rakoztat\u00f3 haszn\u00e1latt\u00f3l elt\u00e9r\u0151 m\u00f3don haszn\u00e1lva azt. A mozg\u00f3k\u00e9pes munka egyes alap framjeit r\u00e9szben Kiss Adrienn M\u00e1ria anal\u00f3g m\u00f3don k\u00e9sz\u00fclt, majd digitaliz\u00e1lt m\u0171vei alkotj\u00e1k, m\u00edg a k\u00f6ztes \u201eh\u00e9zagokat\u201d az AI-nak kiszervezett \u00fagy nevezett generat\u00edv k\u00e9palkot\u00e1si elj\u00e1r\u00e1s t\u00f6lti ki. A fentiekhez k\u00e9pest itt nem a hierarchikus (r\u00e9sz-eg\u00e9sz), hanem mell\u00e9rendel\u0151 (non-hierarchikus, line\u00e1ris) m\u00f3don t\u00f6rt\u00e9nik a vizu\u00e1lis kimenet termel\u00e9se, vagyis a m\u0171v\u00e9sz \u00e9s a m\u0171v\u00e9sz eszt\u00e9tikai szempontjai szerint ir\u00e1ny\u00edtott mesters\u00e9ges intelligencia, a g\u00e9p egym\u00e1st kieg\u00e9sz\u00edtve hoz l\u00e9tre egy \u00faj vizu\u00e1lis min\u0151s\u00e9get. Az algoritmikus j\u00e1t\u00e9kt\u00e9r megszab\u00e1sa ugyan az alkot\u00f3i ir\u00e1nyelvek szerint t\u00f6rt\u00e9nik, ahogy Kiss \u00e1ltal k\u00e9sz\u00edtett, t\u00f6bbsz\u00e1z t\u00e9teles vizu\u00e1lis adatmennyis\u00e9g adja a feltr\u00e9nelt AI sz\u00e1m\u00e1ra a tov\u00e1bbi k\u00e9pgener\u00e1l\u00e1shoz sz\u00fcks\u00e9ges kiindul\u00e1si korpuszt, alap adathalmazt is. Ezzel a klasszikus k\u00e9palkot\u00e1si elj\u00e1r\u00e1sok \u00e9s az AI m\u0171v\u00e9sz \u00e1ltal vez\u00e9relt, meghat\u00e1rozott keretek k\u00f6zt zajl\u00f3, m\u0171v\u00e9szeti munk\u00e1nak al\u00e1vetett g\u00e9pi k\u00e9ptermel\u00e9s egym\u00e1st kieg\u00e9sz\u00edt\u0151 viszonyba ker\u00fcl.<\/p>\n

Fogarasi Envelop<\/em> c\u00edm\u0171 sorozata t\u00f6bb szempontb\u00f3l is kapcsol\u00f3dik a termel\u00e9s fogalm\u00e1hoz. Egyr\u00e9szt tematikusan: a hatvanas \u00e9vekbeli Nagy szocialista \u00e9p\u00edtkez\u00e9s \u00e9s K\u00e9pek a magyar k\u00f6zleked\u00e9s \u00e9s t\u00e1vk\u00f6zl\u00e9s \u00e9let\u00e9b\u0151l grafikai sorozatok lapjait saj\u00e1t\u00edtja ki, amelyek az \u00faj gazdas\u00e1gi mechanizmus el\u0151szelek\u00e9nt az \u00e9p\u00fcl\u0151 t\u00e1rsadalmat \u00e9s annak fizikai, urb\u00e1nus tereit (lak\u00f3h\u00e1zakt\u00f3l, az energia- \u00e9s tud\u00e1stermel\u00e9s int\u00e9zm\u00e9nyeiig) n\u00e9pszer\u0171s\u00edtette a nagy p\u00e9ld\u00e1nysz\u00e1mban sokszoros\u00edtott r\u00e9zkarcok r\u00e9v\u00e9n. M\u00e1sr\u00e9szt anyaghaszn\u00e1lat\u00e1ban: a f\u00e9m-pap\u00edr-\u00fcvegh\u00e1rmasa is ipari karaktert k\u00f6lcs\u00f6n\u00f6z az objekteknek. V\u00e9g\u00fcl, de nem utols\u00f3 sorban, absztrakt, ny\u00edl\u00f3 geometriai form\u00e1i \u2013 mint az ut\u00f3kor sz\u00e1m\u00e1ra konzerv\u00e1land\u00f3 levelez\u0151lapok id\u0151t\u00e1ll\u00f3, bombabiztos bor\u00edt\u00e9kjai \u2013 vari\u00e1ci\u00f3s sork\u00e9nt a hajtogat\u00e1s egym\u00e1sut\u00e1ni munkaf\u00e1zisait juttathatj\u00e1k esz\u00fcnkbe. Ez ut\u00f3bbi \u00e9rtelmez\u00e9s a 20. sz\u00e1zadban a k\u00e9palkot\u00f3 elj\u00e1r\u00e1sok, k\u00fcl\u00f6n\u00f6sen a technikai m\u00e9diumok a munkafolyamatok optimaliz\u00e1l\u00e1sban, t\u00f6megtermel\u00e9sben j\u00e1tszott szerep\u00e9re is ir\u00e1ny\u00edthatj\u00e1k figyelm\u00fcnket. Az Envelop<\/em> sorozat appropri\u00e1ci\u00f3ra \u00e9p\u00fcl\u0151 m\u00f3dszer\u00e9t viszi tov\u00e1bb a ki\u00e1ll\u00edt\u00e1son els\u0151k\u00e9nt bemutatott Stamps<\/em> objektegy\u00fcttes is, amely a karakteres b\u00e9lyeghely\u00e9t jel\u00f6l\u0151 X mot\u00edvum felnagy\u00edt\u00e1s\u00e1val \u00e9l.<\/p>\n

A m\u0171v\u00e9szeti munka szeml\u00e9ltet\u0151, dokument\u00e1l\u00f3 t\u00e1rsadalmi funkci\u00f3j\u00e1ra klasszikus t\u00f6rt\u00e9neti p\u00e9lda (ahogy az Envelop<\/em> eset\u00e9ben kiindul\u00e1st jelent\u0151 r\u00e9zkarcok eset\u00e9ben is l\u00e1ttuk) a v\u00e1rosk\u00e9p, a panor\u00e1ma m\u0171faja. Fogarasi ebben az esetben is egy adott m\u00e9rtani test (henger) \u00e9s hozz\u00e1 jelent\u00e9sgyarap\u00edt\u00f3 m\u00f3don illeszked\u0151 anyagv\u00e1laszt\u00e1s (t\u00fck\u00f6rf\u00f3lia) kombin\u00e1ci\u00f3j\u00e1b\u00f3l indul ki (Mirror Ring)<\/em>. A kor\u00e1bban a Pozsonyi V\u00e1rosi Gal\u00e9ria megh\u00edv\u00e1s\u00e1ra k\u00e9sz\u00edtett hasonl\u00f3 form\u00e1tum\u00fa alkot\u00e1s ez\u00fattal \u2013 a hely \u00e9p\u00edt\u00e9szeti adotts\u00e1gait kiakn\u00e1zva \u2013 az szeszgy\u00e1rt\u00e1s mell\u00e9kterm\u00e9kek\u00e9nt keletkez\u0151 \u00e9leszt\u0151 egykori tart\u00e1lyainak tart\u00f3 beton\u00edveihez idomul. Ez, a nagyobb, 2015-ben k\u00e9sz\u00fclt munka k\u00e9t \u00e9vvel k\u00e9s\u0151bb Peter Barto\u0161 rajzaival \u00e9s a pozsonyi v\u00e1r alatti \u00e9p\u00edtkez\u00e9seket dokument\u00e1l\u00f3 digit\u00e1lis fot\u00f3printekkel eg\u00e9sz\u00fclt ki, a t\u00f6rt\u00e9neti v\u00e1rosk\u00e9p \u00e9s a k\u00e9s\u0151 kapitalista regul\u00e1zatlan beruh\u00e1z\u00e1sok \u00fctk\u00f6z\u00e9s\u00e9nek l\u00e1tlelet\u00e9t adva. A minim\u00e1lis vizu\u00e1lis beavatkoz\u00e1s \u2013 mint a helyi l\u00e1tv\u00e1ny visszat\u00fckr\u00f6z\u00e9se; a gal\u00e9riateret karakteresen meghat\u00e1roz\u00f3, a term\u00e9szetes f\u00e9nyt megsz\u0171r\u0151, nagyl\u00e9pt\u00e9k\u0171 \u00fcvegfel\u00fcletek, illetve a t\u00fck\u00f6rf\u00f3lia \u00e9s a l\u00e1togat\u00f3 kett\u0151s\u00e9ben is alakul. Ilyen m\u00f3don kapcsol\u00f3dik a teret \u00e9s a rendezett v\u00e9letlent \u2013 mint a kalkul\u00e1lt t\u00fckr\u00f6z\u0151d\u00e9sek \u2013 \u00f6sszek\u00f6t\u0151 m\u0171 bels\u0151 logik\u00e1ja Kiss szint\u00e9n k\u00fcls\u0151 \u00e1genci\u00e1nak \u2013 AI algoritmusa \u2013 kiszervezett alkot\u00f3i m\u00f3dszer\u00e9hez.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32076″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Letting Do:<\/em> Andreas Fogarasi \u00e9s Kiss Adrienn M\u00e1ria ki\u00e1ll\u00edt\u00e1sa (r\u00e9szlet), Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32075″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kiss Adrienn M\u00e1ria: Machine Impressions,<\/em> 2023, n\u00e9gycsatorn\u00e1s vide\u00f3install\u00e1ci\u00f3, C-print pap\u00edron, 4min, loop, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32077″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Letting Do:<\/em> Andreas Fogarasi \u00e9s Kiss Adrienn M\u00e1ria ki\u00e1ll\u00edt\u00e1sa (r\u00e9szlet), Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-5-25″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32078″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kiss Adrienn M\u00e1ria: Machine Impressions,<\/em> 2023, n\u00e9gycsatorn\u00e1s vide\u00f3install\u00e1ci\u00f3, C-print pap\u00edron, 4min, loop, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32080″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kiss Adrienn M\u00e1ria: Machine Impressions,<\/em> 2023, n\u00e9gycsatorn\u00e1s vide\u00f3install\u00e1ci\u00f3, C-print pap\u00edron, 4min, loop, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32081″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Envelop (K\u00e9pek a magyar k\u00f6zleked\u00e9s \u00e9s t\u00e1vk\u00f6zl\u00e9s \u00e9let\u00e9b\u0151l),<\/em> 2019, v\u00f6r\u00f6sr\u00e9z, \u00fcveg, eredeti r\u00e9zkarc, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32083″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Envelop (K\u00e9pek a magyar k\u00f6zleked\u00e9s \u00e9s t\u00e1vk\u00f6zl\u00e9s \u00e9let\u00e9b\u0151l \u2013 Konstantin L\u00e1szl\u00f3, Vas\u00fati j\u00e1rm\u0171jav\u00edt\u00f3 \u00fczem Dunakeszi, 1965), <\/em> 2019, v\u00f6r\u00f6sr\u00e9z, \u00fcveg, eredeti r\u00e9zkarc, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32086″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Envelop (Nagy szocialista \u00e9p\u00edtkez\u00e9sek),<\/em> 2019, alum\u00ednium, \u00fcveg, eredeti r\u00e9zkarc | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32087″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Envelop (Nagy szocialista \u00e9p\u00edtkez\u00e9sek – Varga Gyula, \u00c9p\u00edt\u00e9si ter\u00fclet, 1965),<\/em> 2019, alum\u00ednium, \u00fcveg, eredeti r\u00e9zkarc | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32088″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

k\u00f6z\u00e9pen: Andreas Fogarasi: Envelop (Nagy szocialista \u00e9p\u00edtkez\u00e9sek),<\/em> 2019, alum\u00ednium, \u00fcveg, eredeti r\u00e9zkarc | jobbra: Kiss Adrienn M\u00e1ria: Shifting River,<\/em> 2023, fa, gipszkarton, 75 festm\u00e9ny (akril, olaj v\u00e1sznon) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32089″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Envelop (Nagy szocialista \u00e9p\u00edtkez\u00e9sek \u2013 Varga N. Lajos, Miskolci Egyetem, 1965),<\/em> 2019, alum\u00ednium, \u00fcveg, eredeti r\u00e9zkarc | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32090″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

jobbra: Andreas Fogarasi: Envelop (Nagy szocialista \u00e9p\u00edtkez\u00e9sek),<\/em> 2019, alum\u00ednium, \u00fcveg, eredeti r\u00e9zkarc, | k\u00f6z\u00e9pen: Kiss Adrienn M\u00e1ria: Shifting River,<\/em> 2023, fa, gipszkarton, 75 festm\u00e9ny (akril, olaj v\u00e1sznon) | balra: Andreas Fogarasi: Envelop (K\u00e9pek a magyar k\u00f6zleked\u00e9s \u00e9s t\u00e1vk\u00f6zl\u00e9s \u00e9let\u00e9b\u0151l),<\/em> 2019, v\u00f6r\u00f6sr\u00e9z, \u00fcveg, eredeti r\u00e9zkarc | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32091″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Envelop (K\u00e9pek a magyar k\u00f6zleked\u00e9s \u00e9s t\u00e1vk\u00f6zl\u00e9s \u00e9let\u00e9b\u0151l \u2013 Ny\u00e1ri L\u00f3r\u00e1nd, Interurb\u00e1n k\u00f6zpont kapcsol\u00f3terem, 1965),<\/em> 2019, v\u00f6r\u00f6sr\u00e9z, \u00fcveg, eredeti r\u00e9zkarc, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32092″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kiss Adrienn M\u00e1ria: Shifting River,<\/em> 2023, fa, gipszkarton, 75 festm\u00e9ny (akril, olaj v\u00e1sznon) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32093″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kiss Adrienn M\u00e1ria: Shifting River,<\/em> 2023, fa, gipszkarton, 75 festm\u00e9ny (akril, olaj v\u00e1sznon) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32094″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Kiss Adrienn M\u00e1ria: Shifting River,<\/em> 2023, fa, gipszkarton, 75 festm\u00e9ny (akril, olaj v\u00e1sznon), r\u00e9szlet | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32095″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Letting Do:<\/em> Andreas Fogarasi \u00e9s Kiss Adrienn M\u00e1ria ki\u00e1ll\u00edt\u00e1sa (r\u00e9szlet), Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32096″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Stamps (\u00c9p\u00fcletek, ca. 1953),<\/em> 2023, ac\u00e9l, b\u00e9lyegek, 2023 | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32097″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Stamps (\u00c9p\u00fcletek, ca. 1953),<\/em> 2023, ac\u00e9l, b\u00e9lyegek, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32098″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Stamps (\u00c9p\u00fcletek, ca. 1953),<\/em> 2023, ac\u00e9l, b\u00e9lyegek, (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32099″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Mirror Ring,<\/em> 2012, fa, ac\u00e9l, polikarbon\u00e1t-t\u00fck\u00f6r | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32100″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Mirror Ring (Bratislava),<\/em> 2015, fa, ac\u00e9l, polikarbon\u00e1t-t\u00fck\u00f6r, digit\u00e1lis fot\u00f3print | Peter Barto\u0161 rajzaival kieg\u00e9sz\u00edtve 2017-t\u0151l (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”32102″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Andreas Fogarasi: Mirror Ring (Bratislava),<\/em> 2015, fa, ac\u00e9l, polikarbon\u00e1t-t\u00fck\u00f6r, digit\u00e1lis fot\u00f3print | Peter Barto\u0161 rajzaival kieg\u00e9sz\u00edtve 2017-t\u0151l (r\u00e9szlet) | Torula, Gy\u0151r \u00a9 Fot\u00f3: Simon Zsuzsi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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