{"id":29128,"date":"2022-02-03T14:48:24","date_gmt":"2022-02-03T13:48:24","guid":{"rendered":"https:\/\/balkon.art\/home\/?page_id=29128"},"modified":"2024-05-01T12:07:46","modified_gmt":"2024-05-01T10:07:46","slug":"vera-molnar-est-ce-une-ligne","status":"publish","type":"page","link":"https:\/\/balkon.art\/home\/online-2022\/vera-molnar-est-ce-une-ligne\/","title":{"rendered":"Vera Moln\u00e1r: Est-ce Une Ligne?<\/em>"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Vera Moln\u00e1r: Est-ce Une Ligne?<\/em><\/h2>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Vintage Gal\u00e9ria, Budapest
\n2021. november 30 \u2013 2022. janu\u00e1r 28.<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”29131″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Vera Moln\u00e1r: Est-ce Une Ligne?,<\/em> Vintage Gal\u00e9ria, 2021.11.30 \u2013 2022.01.28 \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”29146″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Vera Moln\u00e1r: Le Montparnasse d’apr\u00e8s Klee,<\/em> 2005, koll\u00e1zs, 17,5\u00d717,5 cm egyenk\u00e9nt, MV613 \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″ custom_height_tablet=”20″ custom_height_phone=”20″][vc_gallery type=”flickity_style” images=”29132,29133,29134,29135,29136,29137,29138,29139,29140,29141″ flickity_spacing=”10px” flickity_controls=”touch_total” flickity_touch_total_style=”default” flickity_touch_total_icon_color=”default” flickity_overflow=”hidden” flickity_wrap_around=”no-wrap” flickity_desktop_columns=”3″ flickity_small_desktop_columns=”2″ flickity_tablet_columns=”2″ flickity_phone_columns=”1″ flickity_image_scale_on_drag=”true” flickity_free_scroll=”true” flickity_box_shadow=”none” image_loading=”default” onclick=”link_image” img_size=”full”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Vera Moln\u00e1r: Le Montparnasse d’apr\u00e8s Klee,<\/em> 2005, koll\u00e1zs, 17,5\u00d717,5 cm egyenk\u00e9nt, MV613 \u00a9 Fot\u00f3k: Bozs\u00f3 Andr\u00e1s<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”p-2-0 text-20r”]\n

Est-ce Une Ligne?<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0 text-20r”]Ez egy vonal? \u2013 tehette fel m\u00e1r sz\u00e1mtalanszor a k\u00e9rd\u00e9st munk\u00e1ja sor\u00e1n Vera Molnar<\/span>, akinek 1978 \u00e9s 2019 k\u00f6z\u00f6tt k\u00e9sz\u00fclt munk\u00e1ib\u00f3l mutat be egy v\u00e1logat\u00e1st a Vintage Gal\u00e9ria t\u00e1rlata, mely c\u00edm\u00e9t is Molnar egyik ki\u00e1ll\u00edtott m\u0171v\u00e9t\u0151l k\u00f6lcs\u00f6n\u00f6zte (Est-ce Une Ligne?,<\/em> 1985\u20132019). A m\u0171v\u00e9sz \u00e9letm\u0171v\u00e9ben fontos m\u0171csoportot alkotnak az egyvonalas munk\u00e1k (pl. Une ligne,<\/em> 1997), amelyeknek l\u00e9trej\u00f6tt\u00e9r\u0151l Molnar 2019-ben egy interj\u00faban \u00edgy mes\u00e9lt: \u201eAmivel most k\u00eds\u00e9rletezem, az az, hogy leteszem a ceruz\u00e1mat a pap\u00edrra, elindulok vele valamerre, azt\u00e1n egyszer csak felemelem \u00e9s k\u00e9sz a m\u0171. Picasso is csin\u00e1lt ilyeneket, van is egy kis k\u00f6nyve r\u00f3la. De az igazi inspir\u00e1ci\u00f3 onnan ered, hogy kor\u00e1bban felfedeztem magamnak egy metszetet Claude Mellant\u00f3l. \u00dagy k\u00e9sz\u00edtett egy J\u00e9zus arc\u00e1t \u00e1br\u00e1zol\u00f3 metszetet, hogy a metsz\u0151szersz\u00e1m\u00e1t k\u00f6rbek\u00f6rbe vezette, \u00e9s csak a vonalak vastags\u00e1g\u00e1t v\u00e1ltoztatta. Gondold el, ott van el\u0151tted egy k\u00e9p, ami egy vonalb\u00f3l j\u00f6tt l\u00e9tre, m\u00e9gpedig \u00fagy, hogy a vonalak hol megvastagodnak, hol elv\u00e9konyodnak. Bekaptam \u00e9n is az egyvonal-legyet, \u00e9s most ilyesmin dolgozom. Az egyvonalas tanulm\u00e1nyokb\u00f3l tal\u00e1n egy install\u00e1ci\u00f3 lesz, tal\u00e1n valami m\u00e1s, m\u00e9g nem tudom.\u201d T\u00f6bbek k\u00f6z\u00f6tt ebb\u0151l az elgondol\u00e1sb\u00f3l j\u00f6hetett l\u00e9tre az a h\u00e1romr\u00e9szes m\u0171, amely egy v\u00e1ltoz\u00f3 vastags\u00e1g\u00fa vonalb\u00f3l \u00e1ll olyan m\u00f3don, hogy a h\u00e1rom v\u00e1szon mindegyik\u00e9re egy r\u00e9sz ker\u00fcl, majd a k\u00f6vetkez\u0151n folytat\u00f3dik. De tekinthet\u00fcnk-e erre val\u00f3ban egyetlen vonalk\u00e9nt?<\/p>\n

\u201eA r\u00e9sz \u00e9s az eg\u00e9sz\u201d probl\u00e9m\u00e1ja m\u00e1r Vera Molnar f\u00e9rj\u00e9t, Fran\u00e7ois Molnar<\/span>t is foglalkoztatta, akinek 1966-ban jelent meg azonos c\u00edm\u0171 tanulm\u00e1nya a Module, Proportion, Symmetry, Rhythm<\/em> c\u00edm\u0171, Kepes Gy\u00f6rgy \u00e1ltal szerkesztett kiadv\u00e1nyban (George Baziller, New York). Vera Molnar alkot\u00e1sai p\u00e1ly\u00e1j\u00e1nak korai szakasz\u00e1t\u00f3l kezdve kapcsol\u00f3dtak f\u00e9rje tudom\u00e1nyos tev\u00e9kenys\u00e9g\u00e9hez, aki percepci\u00f3kutat\u00e1sait interdiszciplin\u00e1ris m\u00f3don kieg\u00e9sz\u00edtve egyar\u00e1nt alkalmazott filoz\u00f3fiai, nyelv\u00e9szeti, szemiotikai \u00e9s matematikai, geometriai m\u00f3dszereket is m\u0171v\u00e9szeti t\u00e1rgy\u00fa \u00edr\u00e1saiban. Vera Molnar monogr\u00e1fusa, Vincent Baby<\/span> mott\u00f3k\u00e9nt t\u00f6bb alkalommal is id\u00e9zte Ludwig Wittgenstein<\/span>t, akinek eredetileg 1921-ben megjelent Logikai-filoz\u00f3fiai \u00e9rtekez\u00e9s<\/em> (Tractatus Logico-Philosophicus) c\u00edm\u0171 m\u0171ve egy lehets\u00e9ges metsz\u00e9spontj\u00e1t jel\u00f6lheti ki Vera Molnar matematikai ar\u00e1nyrendszerekre \u00e9p\u00fcl\u0151 m\u0171veinek \u00e9s az 1960-as \u00e9vekt\u0151l kezdve egyre elterjedtebb nyelv\u00e9szeti gondolkod\u00e1snak a logika ter\u00fclet\u00e9n.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”29151″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Vera Moln\u00e1r: Est-ce Une Ligne?,<\/em> 1985\u20132019, akril, v\u00e1szon, 80\u00d780 cm egyenk\u00e9nt, MV650 \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-10-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”29150″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Vera Moln\u00e1r: Est-ce Une Ligne?,<\/em> 1985\u20132019, akril, v\u00e1szon, 80\u00d780 cm egyenk\u00e9nt, MV650 | Tablottin 1-4\/1,<\/em> 1979, tus, pap\u00edr, 28\u00d741 cm egyenk\u00e9nt, MV661 \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″ custom_height_tablet=”20″ custom_height_phone=”20″][vc_gallery type=”flickity_style” images=”29153,29154,29155,29156″ flickity_spacing=”10px” flickity_controls=”touch_total” flickity_touch_total_style=”default” flickity_touch_total_icon_color=”default” flickity_overflow=”hidden” flickity_wrap_around=”no-wrap” flickity_desktop_columns=”3″ flickity_small_desktop_columns=”2″ flickity_tablet_columns=”2″ flickity_phone_columns=”1″ flickity_image_scale_on_drag=”true” flickity_free_scroll=”true” flickity_box_shadow=”none” image_loading=”default” onclick=”link_image” img_size=”full”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Vera Moln\u00e1r: Tablottin 1-4\/1,<\/em> 1979, tus, pap\u00edr, 28\u00d741 cm egyenk\u00e9nt, MV661 \u00a9 Fot\u00f3k: Bozs\u00f3 Andr\u00e1s<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”p-2-0 text-20r”]\u201eA t\u00e9nyek a logikai t\u00e9rben: ez a vil\u00e1g. (…) Nyilv\u00e1nval\u00f3, hogy b\u00e1rmennyire k\u00fcl\u00f6nb\u00f6zz\u00f6n is a val\u00f3s\u00e1gost\u00f3l egy elgondolt vil\u00e1g, valaminek \u2013 egy form\u00e1nak \u2013 k\u00f6z\u00f6snek kell lennie benn\u00fck. (…) Mi k\u00e9peket alkotunk magunknak a t\u00e9nyekr\u0151l. (…) A k\u00e9p l\u00e9nyege abban \u00e1ll, hogy elemei meghat\u00e1rozott m\u00f3don viszonyulnak egym\u00e1shoz. (…) A k\u00e9p az\u00e1ltal k\u00e9pezi le a val\u00f3s\u00e1got, hogy \u00f6sszef\u00fcgg\u00e9sek fenn\u00e1ll\u00e1s\u00e1nak \u00e9s fenn nem \u00e1ll\u00e1s\u00e1nak egy lehet\u0151s\u00e9g\u00e9t \u00e1br\u00e1zolja. (…) \u00c9s ha e k\u00e9pszer\u0171s\u00e9g l\u00e9nyeg\u00e9be hatolunk, l\u00e1tjuk, hogy a l\u00e1tsz\u00f3lagos rendelleness\u00e9gek nem s\u00e9rtik ezt. (…) Ugyanis ezek a rendelleness\u00e9gek is lek\u00e9pezik azt, amit ki kell fejezni\u00fck; csak m\u00e1sk\u00e9ppen. (…) Mik\u00e9nt lehets\u00e9ges, hogy az eg\u00e9sz vil\u00e1got t\u00fckr\u00f6z\u0151, egyetemes logika ilyen speci\u00e1lis fog\u00e1sokkal \u00e9s mesterked\u00e9sekkel \u00e9l? Csakis az\u00e1ltal, hogy mindezek egy v\u00e9gtelen\u00fcl finom h\u00e1l\u00f3v\u00e1, ama hatalmas t\u00fck\u00f6rr\u00e9 kapcsol\u00f3dnak \u00f6ssze. (…) \u00c9n vagyok a vil\u00e1gom. (A mikrokozmosz.)\u201d \u2013 \u00edrta Wittgenstein Logikai-filoz\u00f3fiai \u00e9rtekez\u00e9s<\/em>\u00e9ben. \u201eAz eg\u00e9sz egy folyamat, oda-vissza megy, am\u00edg ki nem alakul bel\u0151le valami. A sz\u00e1m\u00edt\u00f3g\u00e9p megteszi a javaslatait, amelyek logikusak, mert engedelmeskednek az algoritmusoknak, a szab\u00e1lyoknak. Ezekb\u0151l v\u00e1lasztom ki a szerintem legszebbeket, amiket a legjobbnak \u00e9s legintelligensebbnek tartok.\u201d \u2013 jelentette ki saj\u00e1t munk\u00e1j\u00e1r\u00f3l Vera Molnar, akinek vil\u00e1ga vonalakra, \u00e9s az azokb\u00f3l \u00f6ssze\u00e1ll\u00f3 geometriai alakzatokra oszlik. Az \u00f6sszef\u00fcgg\u00e9sek Wittgenstein szerint t\u00e1rgyak kapcsolatai, ezeket az \u00f6sszef\u00fcgg\u00e9seket mutatja meg Vera Molnar az egyes elemek l\u00e9p\u00e9sr\u0151l l\u00e9p\u00e9sre val\u00f3 transzform\u00e1l\u00e1s\u00e1val. A t\u00e1rgyak ismeret\u00e9hez Wittgenstein szerint ismerni kell a t\u00e1rgy \u00f6sszef\u00fcgg\u00e9sekben val\u00f3 el\u0151fordul\u00e1s\u00e1nak \u00f6sszes lehet\u0151s\u00e9g\u00e9t is, ennek ment\u00e9n Vera Molnar \u00e9letm\u0171ve le\u00edrhat\u00f3 t\u00e1rgy\u00e1nak, vagyis a vonalnak \u00f6sszef\u00fcgg\u00e9sekben val\u00f3 el\u0151fordul\u00e1s\u00e1nak keres\u00e9sek\u00e9nt, mely mag\u00e1ban a vonal term\u00e9szet\u00e9ben rejlik. \u201eEgy kijelent\u00e9s csak azt mondhatja meg, milyen egy dolog; azt nem, hogy mi.\u201d \u2013 \u00e1ll\u00edtja Wittgenstein, \u00e9s Vera Molnar sem a vonal kiz\u00e1r\u00f3lagos defin\u00edci\u00f3j\u00e1nak megtal\u00e1l\u00e1s\u00e1ra t\u00f6rekszik, hanem az osztr\u00e1k filoz\u00f3fus \u00e1ltal is eml\u00edtett \u201erendelleness\u00e9gek\u201d kihaszn\u00e1l\u00e1s\u00e1val, vagyis a \u201erend\u201d \u00e9s a \u201erendetlens\u00e9g\u201d tudatos alkalmaz\u00e1s\u00e1val j\u00e1rja k\u00f6r\u00fcl \u00fajra \u00e9s \u00fajra azt, hogy milyen lehet egy vonal, melynek a gondolati probl\u00e9m\u00e1j\u00e1t m\u0171veiben \u00e9rz\u00e9kileg \u00e9szlelhet\u0151 m\u00f3don fejezi ki. Ez egy vonal? \u2013 tehetj\u00fck fel teh\u00e1t a k\u00e9rd\u00e9st mi is Vera Moln\u00e1r m\u0171v\u00e9t szeml\u00e9lve. Ez egy \u00f6sszetett k\u00e9rd\u00e9sk\u00f6r, amelyre viszont soha nem csak egy v\u00e1lasz l\u00e9tezik, hanem v\u00e1laszok \u00f6sszess\u00e9ge. Ezek k\u00f6z\u00fcl a m\u0171v\u00e9sz egyik lehets\u00e9ges v\u00e1lasza: \u201eUne ligne, comme un curriculum vitae, \u00e0 l\u2019image de l\u2019ensemble des mes activit\u00e9s pass\u00e9es: somme de ma vie.\u201d<\/p>\n

Vagyis: \u201eEgy vonal, mint egy \u00e9letrajz, melyben lek\u00e9pz\u0151dik az \u00f6sszes m\u00faltb\u00e9li tev\u00e9kenys\u00e9gem: az \u00e9letem \u00f6sszefoglal\u00e1sa.\u201d A szab\u00e1lyok \u00e9s rendez\u0151elvek k\u00f6vetkezetes alkalmaz\u00e1sa mellett Vera Molnar munk\u00e1inak sokszor van szem\u00e9lyes vonatkoz\u00e1sa is, amelyben az mutatkozik meg, hogy sz\u00e1m\u00e1ra egy vonal hogyan tudja lek\u00e9pezni a vil\u00e1got. Ki\u00e1ll\u00edtott Mikrokosmos<\/em> (1978) c\u00edm\u0171 t\u00edzr\u00e9szes szitasorozata elk\u00e9pzelhet\u0151 az ember \u00e9s a vil\u00e1g, a mikrokozmosz \u00e9s a makrokozmosz k\u00f6z\u00f6tti k\u00f6lcs\u00f6nhat\u00e1sok lek\u00e9pz\u00e9sek\u00e9nt, \u00e9s az ember k\u00f6zvetlen k\u00f6rnyezet\u00e9hez kapcsolhat\u00f3 Molnar Tablottin 1-4<\/em> (1979) c\u00edm\u0171 plottersorozata is, amelynek elk\u00e9sz\u00edt\u00e9sekor egy h\u00e9tk\u00f6znapi t\u00e1rgyat, egy telefonk\u00f6nyvet vett alapul. Molnar a sorozat elk\u00e9sz\u00edt\u00e9sekor k\u00e9t oszlopban t\u00edz pontot jel\u00f6lt ki, melyek a h\u00e9tjegy\u0171 telefonsz\u00e1mok egyes tagjait jel\u00f6lt\u00e9k, majd a h\u00edv\u00f3sz\u00e1moknak megfelel\u0151en \u00f6sszek\u00f6t\u00f6tte ezeket a pontokat. Ezt a m\u0171veletet t\u00f6bbsz\u00f6r megism\u00e9telte, egy lapra t\u00f6bb telefonsz\u00e1mot is elhelyezve. A n\u00e9gy lapb\u00f3l \u00e1ll\u00f3 sorozat eset\u00e9ben az egyes lapokon egy meghat\u00e1rozott ar\u00e1nyrendszer szerint cs\u00f6kkentette az oszlopok t\u00e1vols\u00e1g\u00e1t, egyre \u00f6sszes\u0171r\u00edtve a vonalakat. A ki\u00e1ll\u00edt\u00e1son bemutatott Le Montparnasse d’apr\u00e8s Klee<\/em> (2005) c\u00edm\u0171 t\u00edzr\u00e9szes koll\u00e1zssorozatnak is egyszerre szem\u00e9lyes, de a m\u0171v\u00e9szet univerz\u00e1lis vil\u00e1g\u00e1t is \u00e9rint\u0151 vonatkoz\u00e1sa van a Parnasszus mot\u00edvuma r\u00e9v\u00e9n. Molnar kiindul\u00f3pontja m\u0171v\u00e9nek elk\u00e9sz\u00edt\u00e9sekor Paul Klee berni Kunstmuseumban \u0151rz\u00f6tt Ad Parnassum<\/em> (1932) c\u00edm\u0171 munk\u00e1ja volt. Err\u0151l a m\u0171v\u00e9sz \u00edgy nyilatkozott Cserba J\u00falia vele k\u00e9sz\u00edtett 2019-es interj\u00faj\u00e1ban: \u201eMostan\u00e1ban kaptam egy Klee-reprodukci\u00f3t \u00e9s annyira megtetszett, hogy beragasztottam a f\u00fczetembe. N\u00e9zd meg, hogy abb\u00f3l kiindulva hova jutottam el. Egy eg\u00e9szen leegyszer\u0171s\u00edtett s\u00e9m\u00e1hoz: ez az \u00e9n vil\u00e1gom.\u201d<\/p>\n

R\u00e1tkai Zs\u00f3fia<\/p>\n

Irodalom: A tekintet szintaxisa. Fran\u00e7ois Molnar v\u00e1logatott tanulm\u00e1nyai<\/em> (szerk. Faludy Judit). Gondolat Kiad\u00f3, Budapest, 2011.; Rendetlens\u00e9g a rendben \u2013 Vera Molnar m\u0171v\u00e9szete<\/em> (szerk. R\u00f3ka Enik\u0151). F\u0151v\u00e1rosi K\u00e9pt\u00e1r katal\u00f3gusai 163, Budapest, 2019.; Vera Molnar: Inventar 1946\u20131999,<\/em> Preysing Verlag, Ladenburg,1999.; Vera Molnar: Solo d\u2019un trait noir,<\/em> 1997. In: Vera Molnar: Une ligne… Mus\u00e9e des Beaux-Arts de Caen \u2013 Bernard Chauveau,<\/em> Paris, 2018, 5.; Vera Molnar: Promenades en carr\u00e9.<\/em> Museum Ritter, Waldenbuch, 2020.; Ludwig Wittgenstein: Logikai-filoz\u00f3fiai \u00e9rtekez\u00e9s<\/em> (Tractatus Logico-Philosophicus) (ford. M\u00e1rkus Gy\u00f6rgy). Atlantisz Kiad\u00f3, Budapest, 2004.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”29157″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Vera Moln\u00e1r: Mikrokosmos 1-10 AP\/V,<\/em> 1978, szitanyomat, 32,5\u00d750 cm egyenk\u00e9nt, MV660 \u00a9 Fot\u00f3: Bir\u00f3 D\u00e1vid<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-2-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″ custom_height_tablet=”20″ custom_height_phone=”20″][vc_gallery type=”flickity_style” images=”29160,29161,29162,29163,29164,29165,29166,29167,29168,29169″ flickity_spacing=”10px” flickity_controls=”touch_total” flickity_touch_total_style=”default” flickity_touch_total_icon_color=”default” flickity_overflow=”hidden” flickity_wrap_around=”no-wrap” flickity_desktop_columns=”3″ flickity_small_desktop_columns=”2″ flickity_tablet_columns=”2″ flickity_phone_columns=”1″ flickity_image_scale_on_drag=”true” flickity_free_scroll=”true” flickity_box_shadow=”none” image_loading=”default” onclick=”link_image” img_size=”full”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Vera Moln\u00e1r: Mikrokosmos 1-10 AP\/V,<\/em> 1978, szitanyomat, 32,5\u00d750 cm egyenk\u00e9nt, MV660 \u00a9 Fot\u00f3k: Bozs\u00f3 Andr\u00e1s<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”center” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” el_class=”p-3-4″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”]

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