{"id":28619,"date":"2021-12-11T16:19:38","date_gmt":"2021-12-11T15:19:38","guid":{"rendered":"https:\/\/balkon.art\/home\/?page_id=28619"},"modified":"2024-05-01T12:14:07","modified_gmt":"2024-05-01T10:14:07","slug":"gerhard-richter-valos-latszat-muveszettorteneti-reflexiok","status":"publish","type":"page","link":"https:\/\/balkon.art\/home\/online-2021\/gerhard-richter-valos-latszat-muveszettorteneti-reflexiok\/","title":{"rendered":"Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | M\u0171v\u00e9szett\u00f6rt\u00e9neti reflexi\u00f3k"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em><\/h2>\n

M\u0171v\u00e9szett\u00f6rt\u00e9neti reflexi\u00f3k<\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest
\n2021. augusztus 27 \u2013 november 28.<\/h4>\n[\/vc_column_text][vc_column_text el_class=”p-1-0″]\n

Kur\u00e1tor: B\u00f3di Kinga<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28638″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”p-2-0 text-20r”]\n

M\u0171v\u00e9szett\u00f6rt\u00e9neti reflexi\u00f3k<\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0 text-20r”]\n

\u201eEgy roppant nagy \u00e9s gazdag fest\u00e9szeti kult\u00fara \u2013 m\u0171v\u00e9szeti hagyom\u00e1ny \u2013 \u00f6r\u00f6k\u00f6s\u00e9nek tekintem magam, amit elvesztett\u00fcnk ugyan, de ami m\u00e9g mindig k\u00f6telez benn\u00fcnket. \u00c9s emiatt nem k\u00f6nny\u0171 elker\u00fclni, hogy az ember a m\u00faltba r\u00e9vedjen, vagy ami ugyanilyen rossz, feladja \u00e9s lez\u00fcllj\u00f6n.\u201d (Gerhard Richter, 1986)<\/p>\n[\/vc_column_text][vc_column_text el_class=”text-20r p-4-0″]Gerhard Richter<\/span> sokr\u00e9t\u0171 munk\u00e1ss\u00e1ga nem egyetlen, \u00f6nmag\u00e1ban teljes \u00e9s c\u00e9lir\u00e1nyos m\u0171v\u00e9szeti koncepci\u00f3b\u00f3l ered. Sokkal ink\u00e1bb egy olyan sz\u00f6vev\u00e9nyb\u0151l, amely gyakran k\u00f6vetkezetes intenci\u00f3kb\u00f3l \u00e9p\u00fcl fel, n\u00e9ha viszont a fest\u00e9szet, illetve a m\u0171v\u00e9szet felt\u00e9teleir\u0151l sz\u00f3l\u00f3, egym\u00e1snak ellentmond\u00f3 elk\u00e9pzel\u00e9sekb\u0151l \u00e1ll \u00f6ssze. Kor\u00e1bban sz\u00e1mtalan kritika \u00e9rte emiatt: r\u00e1s\u00fct\u00f6tt\u00e9k a \u201ekam\u00e9leon\u201d b\u00e9lyeget, sz\u00e1monk\u00e9rt\u00e9k k\u00e9peinek tematikus \u00e9s stil\u00e1ris \u00f6sszetartoz\u00e1s\u00e1t, hi\u00e1nyolt\u00e1k a felismerhet\u0151 k\u00e9zjegyet \u00e9s a konzekvens m\u0171v\u00e9szeti koncepci\u00f3t. Richter a kritik\u00e1kra a kezdetekt\u0151l azt v\u00e1laszolta, hogy \u00e9ppen a neutr\u00e1lis hat\u00e1s \u00e9rdekelte, hogy kiz\u00e1rjon minden \u00e9rzelmi szempontot \u00e9s elker\u00fclje a stiliz\u00e1l\u00e1st a fest\u00e9szetben. Minden szem\u00e9lyes kiindul\u00e1st \u00e9s \u00e9lm\u00e9nyt t\u00e1vol akart mag\u00e1t\u00f3l tartani. Sokszor hangoztatta, hogy nincsenek t\u00e9m\u00e1i, nincs programja, st\u00edlusa, nem k\u00f6vet tendenci\u00e1kat \u00e9s rendszereket.<\/p>\n

A festm\u00e9nyeket \u00e9s a fest\u00e9szeti k\u00e9rd\u00e9seket mindig is kort\u00f3l, t\u00e9m\u00e1t\u00f3l \u00e9s st\u00edlust\u00f3l f\u00fcggetlen\u00fcl szeml\u00e9lte; kiz\u00e1r\u00f3lag az \u00e9rdekelte, hogy mi tesz egy k\u00e9pet k\u00e9pp\u00e9. A k\u00fcl\u00f6nb\u00f6z\u0151 id\u0151szakokban sz\u00fcletett festm\u00e9nyeket soha nem hasonl\u00edtotta egym\u00e1shoz, \u00f6nmagukban \u00e1ll\u00f3 entit\u00e1soknak tekintette \u0151ket. A meg- vagy kiragadott fest\u00e9szeti min\u0151s\u00e9gekb\u0151l nagyon \u00e9rz\u00e9kenyen, de t\u00e1vols\u00e1gtart\u00f3an olykor adapt\u00e1lt valamit a saj\u00e1t vil\u00e1g\u00e1ba. Richtert a val\u00f3s\u00e1g legk\u00fcl\u00f6nf\u00e9l\u00e9bb k\u00e9pi megjelen\u00e9sform\u00e1i ut\u00e1ni \u00f6r\u00f6k kutat\u00e1s \u00e9s a tiszta fest\u00e9szet ir\u00e1nti v\u00e1gya k\u00eds\u00e9ri.<\/p>\n

Gerhard Richtert egyik m\u0171faj sem foglalkoztatta olyan hossz\u00fa ideig \u00e9s intenz\u00edven, mint a t\u00e1jk\u00e9pek. A t\u00e1jk\u00e9pek mellett tov\u00e1bbi, a r\u00e9gi nagy mesterek fest\u00e9szet\u00e9t id\u00e9z\u0151 m\u0171vek is sz\u00fclettek, t\u00f6bbek k\u00f6z\u00f6tt a hagyom\u00e1nyos m\u0171fajokkal, \u00edgy a portr\u00e9val, a csend\u00e9lettel \u00e9s a k\u00fcl\u00f6nb\u00f6z\u0151 vanitas-k\u00e9pekkel (koponya- \u00e9s gyertya\u00e1br\u00e1zol\u00e1ssal) val\u00f3 pr\u00f3b\u00e1lkoz\u00e1sai.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28640″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-10-0 full-20l-1000″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28641″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: Koponya<\/em> (Sch\u00e4del, CR: 548-1), 1983, olaj, v\u00e1szon, 55\u00d750 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-20r-1000″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28642″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: Betty <\/em>(CR: 425-4), 1977, olaj, v\u00e1szon, 30\u00d740 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-20r-1000″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28643″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: Moritz<\/em> (CR: 863-3), 2000, olaj, v\u00e1szon, 62\u00d752 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-20l-1000″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28645″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: Kis f\u00fcrd\u0151z\u0151 <\/em>(Kleine Badende, CR: 815-1), 1994, olaj, v\u00e1szon, 51\u00d736 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28647″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-10-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28648″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: Tengeri l\u00e1tk\u00e9p (Reggeli hangulat)<\/em> (Seest\u00fcck [Morgenstimmung], CR: 237-1), 1969, olaj, v\u00e1szon, 80\u00d7100 cm; H\u00edd (A tengerparton)<\/em> (Br\u00fccke [am Meer], CR: 202), 1969, olaj, v\u00e1szon, 93\u00d798 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28652″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-10-0 full-20l-1000″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28654″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: F\u00e1k <\/em>(B\u00e4ume, CR: 628-2), 1987, olaj, v\u00e1szon, 52\u00d772 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28656″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: Ny\u00e1ri nap<\/em> (Sommertag, CR: 859-1), 1999, olaj, v\u00e1szon, 117\u00d782 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28661″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: V\u00e1rosk\u00e9p PL<\/em> (Stadtbild PL, CR: 250), 1970, olaj, v\u00e1szon, 170\u00d7170 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-5-40″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28663″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: T\u00fck\u00f6r<\/em> (Spiegel, CR: 619), 1986, t\u00fck\u00f6r, 200\u00d7180 cm \u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0 full-5-40″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]

\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 11.3.2021\u20135.4.2021<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 1961 el\u0151tt; Hom\u00e1lyos\u00edt\u00e1s: a kezdetek<\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 48 portr\u00e9<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 180 sz\u00edn; Ablakr\u00e1cs; Kereszt<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | M\u0171v\u00e9szett\u00f6rt\u00e9neti reflexi\u00f3k<\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | Absztrakt k\u00e9pek<\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | Birkenau, Sz\u00fcrke t\u00fck\u00f6r<\/em><\/a><\/h6><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t