{"id":28093,"date":"2021-12-01T18:01:42","date_gmt":"2021-12-01T17:01:42","guid":{"rendered":"https:\/\/balkon.art\/home\/?page_id=28093"},"modified":"2024-05-01T12:13:39","modified_gmt":"2024-05-01T10:13:39","slug":"gerhard-richter-valos-latszat-angyali-udvozlet-tiziano-utan","status":"publish","type":"page","link":"https:\/\/balkon.art\/home\/online-2021\/gerhard-richter-valos-latszat-angyali-udvozlet-tiziano-utan\/","title":{"rendered":"Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em>"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-6-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em><\/h2>\n

Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em><\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0″]\n

Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum \u2013 Magyar Nemzeti Gal\u00e9ria, Budapest
\n2021. augusztus 27 \u2013 november 28.<\/h4>\n[\/vc_column_text][vc_column_text el_class=”p-1-0″]\n

Kur\u00e1tor: B\u00f3di Kinga<\/h4>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28106″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

Gerhard Richter: Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em> (Verk\u00fcndigung nach Tizian, CR: 344-1), 1973, olaj, v\u00e1szon, 150\u00d7250 cm | Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em> (Verk\u00fcndigung nach Tizian, CR: 344-2), 1973, olaj, v\u00e1szon, 150\u00d7250 cm | Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em> (Verk\u00fcndigung nach Tizian, CR: 344-3), 1973, olaj, v\u00e1szon, 150\u00d7250 cm | Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em> (Verk\u00fcndigung nach Tizian, CR: 343-2), 1973, olaj, v\u00e1szon, 125\u00d7200 cm | Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em> (Verk\u00fcndigung nach Tizian), 2015, No. P12, Gicl\u00e9e nyomat diasecen, alum\u00ednium kompozit lemez, 125\u00d7200 cm<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”p-2-0 text-20r”]\n

\u00daj lehet\u0151s\u00e9gek keres\u00e9se<\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0 text-20r”]A fest\u00e9szet l\u00e9tjogosults\u00e1ga, amely a m\u00faltban mag\u00e1t\u00f3l \u00e9rtet\u0151d\u0151nek sz\u00e1m\u00edtott, a 20. sz\u00e1zadban megk\u00e9rd\u0151jelez\u0151d\u00f6tt. Az 1970-es \u00e9vekben Richter<\/span> is feltette mag\u00e1nak a k\u00e9rd\u00e9st, hogy van-e m\u00e9g \u00e9rtelme ezt a hivat\u00e1st \u0171zni. K\u00e9ts\u00e9geivel nem volt egyed\u00fcl: a fest\u00e9szet mibenl\u00e9t\u00e9t ekkoriban alapjaiban k\u00e9rd\u0151jelezt\u00e9k meg, r\u00e9szben m\u0171v\u00e9szeti eszk\u00f6z\u00f6kkel felt\u00e1rva kultur\u00e1lis, t\u00e1rsadalmi, illetve politikai k\u00f6r\u00fclm\u00e9nyeit \u00e9s felt\u00e9teleit. Az 1977-es documenta is ezt a k\u00e9rd\u00e9st v\u00e1lasztotta t\u00e9m\u00e1j\u00e1ul. Hogyan kellene dolgoznia egy fest\u0151nek: figur\u00e1lis vagy absztrakt st\u00edlusban, rajz- vagy festm\u00e9nyszer\u0171en, konceptu\u00e1lisan vagy spont\u00e1n, s\u00edkban vagy t\u00e9rszer\u0171en, egy vagy t\u00f6bb sz\u00ednnel? Mi a fotogr\u00e1fia szerepe? Kinek sz\u00f3lnak az olaj-v\u00e1szon \u00e1br\u00e1zol\u00e1sok, \u00e9s milyen funkci\u00f3juk lehet egy folytonosan v\u00e1ltoz\u00f3 mediatiz\u00e1lt vil\u00e1gban?<\/p>\n

Az alapvet\u0151 elbizonytalanod\u00e1s okai r\u00e9szben abban keresend\u0151k, hogy a t\u00f6rt\u00e9neti avantg\u00e1rd mozgalmak a kubizmust\u00f3l kezdve ugyan a m\u0171v\u00e9szet int\u00e9zm\u00e9ny\u00e9t nem rombolt\u00e1k le, de d\u00f6nt\u0151en hozz\u00e1j\u00e1rultak ahhoz, hogy a k\u00f6vetkez\u0151 korokban lehetetlenn\u00e9 v\u00e1ljon b\u00e1rmilyen eszt\u00e9tikai norma tart\u00f3s \u00e9rv\u00e9nyes\u00fcl\u00e9se. Alapvet\u0151 hozz\u00e1\u00e1ll\u00e1s\u00e1val, amelyet egyszerre jellemzett szkepszis \u00e9s hat\u00e1rozotts\u00e1g, Richter \u00edgy megfelel\u0151 t\u00e1rsas\u00e1gba ker\u00fclt. El\u00e9g csak felid\u00e9zni azt a soksz\u00edn\u0171s\u00e9get \u00e9s mozg\u00e9konys\u00e1got, azokat az ellentmond\u00e1sokat \u00e9s hirtelen ir\u00e1nyv\u00e1lt\u00e1sokat, illetve azokat a m\u0171v\u00e9szeti m\u00e9diumok k\u00f6z\u00f6tti gyakori \u00e1tj\u00e1r\u00e1sokat, amelyek nemcsak Richtert, de Andy Warholt vagy Robert Rauschenberget is jellemezt\u00e9k. Az \u00faj lehet\u0151s\u00e9gek folyamatos keres\u00e9se, a hat\u00e1rok \u00e1tl\u00e9p\u00e9se, a kisz\u00e1m\u00edthat\u00f3s\u00e1g \u00e9s a k\u00f6telez\u0151 doktr\u00edn\u00e1k ker\u00fcl\u00e9se melletti elk\u00f6telezetts\u00e9g k\u00f6ti \u00f6ssze Richtert a 20. sz\u00e1zad legfontosabb m\u0171v\u00e9szeivel.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”28102″ image_size=”full” animation_type=”entrance” animation=”Fade In” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” el_class=”full-img”][vc_column_text]\n

\u00a9 Fot\u00f3k: Eln Ferenc<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-4-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text el_class=”p-2-0 text-20r”]\n

Tiziano<\/h3>\n[\/vc_column_text][vc_column_text el_class=”p-2-0 text-20r”]\n

\u201eNem tudok \u00fagy festeni, mint Vermeer \u2013 elvesztett\u00fck ezt a gy\u00f6ny\u00f6r\u0171 kult\u00far\u00e1t, minden ut\u00f3pia szertefoszlott, minden elfolyt a csatorn\u00e1ba, a fest\u00e9szet csod\u00e1latos ideje v\u00e9get \u00e9rt. [\u2026] Nem ismerek senki m\u00e1st, aki ennyire k\u00f6t\u0151dne a m\u0171v\u00e9szett\u00f6rt\u00e9nethez \u00e9s szeretn\u00e9 a r\u00e9gi mestereket, \u00e9s ennyire szeretne \u00fagy festeni, mint \u0151k. Voltak esetek, amikor megpr\u00f3b\u00e1ltam felt\u00e1masztani Tizian\u00f3t \u00e9s m\u00e1sokat, de term\u00e9szetesen nem siker\u00fclt v\u00e9ghezvinnem. Meg akartam festeni az Angyali \u00fcdv\u00f6zlet<\/em>et magamnak. Ez p\u00e9lda arra, hogy mennyire lehetetlen ma \u00edgy festeni.\u201d (Gerhard Richter, 2002)<\/p>\n[\/vc_column_text][vc_column_text el_class=”p-4-0 text-20r”]Gerhard Richter<\/span> a 48 portr\u00e9<\/em> fekete-feh\u00e9r arck\u00e9pei ut\u00e1n 1973-ban egy akkoriban r\u00e1 egy\u00e1ltal\u00e1n nem jellemz\u0151 k\u00e9pciklust festett Tiziano<\/span> 1540 k\u00f6r\u00fcli Angyali \u00fcdv\u00f6zlet<\/em> c\u00edm\u0171 festm\u00e9nye ut\u00e1n. Richter 1972-ben a bienn\u00e1l\u00e9ra val\u00f3 k\u00e9sz\u00fcl\u00e9s k\u00f6zben l\u00e1tta el\u0151sz\u00f6r Velenc\u00e9ben a Scuola Grande di San Rocc\u00f3ban Tiziano festm\u00e9ny\u00e9t, amely nagy hat\u00e1ssal volt r\u00e1. Ahogy a 48 portr\u00e9<\/em>n\u00e1l \u2013 t\u00f6bbek k\u00f6z\u00f6tt \u2013 a hi\u00e1ny k\u00e9rd\u00e9s\u00e9vel foglalkozott \u2013 apak\u00e9p, mintak\u00e9p hi\u00e1nya, tud\u00e1s elveszt\u00e9se, eml\u00e9kezet elm\u00fal\u00e1sa, felismer\u00e9s hi\u00e1nya stb. \u2013, \u00fagy az Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em> is egyfajta hi\u00e1nyr\u00f3l sz\u00f3: Richter a let\u0171nt tizian\u00f3i fest\u00e9szetet pr\u00f3b\u00e1lta meg visszahozni saj\u00e1t jelen\u00e9be. Az eredeti figur\u00e1lis k\u00e9pb\u0151l t\u00f6bb f\u00e1zisban eljutott a k\u00e9pi strukt\u00fara richteri absztrakt vizu\u00e1lis megfogalmaz\u00e1s\u00e1ig. Tiziano jellegzetes dr\u00e1mai \u00e9s expressz\u00edv sz\u00edn- \u00e9s formavil\u00e1g\u00e1t (er\u0151s sz\u00ednek, l\u00e1gy ecsetvon\u00e1sok) \u00e1ttranszform\u00e1lta saj\u00e1t elmos\u00f3d\u00f3, kev\u00e9sb\u00e9 megragadhat\u00f3 nyelvezet\u00e9re: a t\u00e9m\u00e1t \u00e9s az alakokat szinte a felismerhetetlens\u00e9gig \u201eelp\u00e1rologtatta\u201d, a dr\u00e1mais\u00e1got elt\u00fcntette. Fokozatosan megszabad\u00edtotta az eredeti m\u0171vet kor\u00e1nak k\u00e9pi, tartalmi \u00e9s ikonogr\u00e1fiai k\u00f6t\u00f6tts\u00e9geit\u0151l, v\u00e9g\u00fcl a bibliai jelenetet egyetlen r\u00f3zsasz\u00edn \u00f6rv\u00e9nyl\u0151 felh\u0151gesztuss\u00e1 v\u00e1ltoztatta.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”p-8-0″ advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”right” 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\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 11.3.2021\u20135.4.2021<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 1961 el\u0151tt; Hom\u00e1lyos\u00edt\u00e1s: a kezdetek<\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 48 portr\u00e9<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | 180 sz\u00edn; Ablakr\u00e1cs; Kereszt<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
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Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | Angyali \u00fcdv\u00f6zlet Tiziano ut\u00e1n<\/em><\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | M\u0171v\u00e9szett\u00f6rt\u00e9neti reflexi\u00f3k<\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | Absztrakt k\u00e9pek<\/a><\/h6><\/div><\/div><\/div><\/div>\n
\"Gerhard<\/a>
Gerhard Richter: Val\u00f3s l\u00e1tszat<\/em> | Birkenau, Sz\u00fcrke t\u00fck\u00f6r<\/em><\/a><\/h6><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t